50% in Gloucester, Mass


My View of Life on the Dock
Then (when there was a tower) and now 151 – 153 East Main



61 Middle Street Pike Newhall Funeral Home
Advertisement in 1902 Polk directory lists Pike business address on Washington Street prior to Middle Street relocation; the business was founded in 1900. 61 Middle formerly Winchester Inn

News from Rocky Neck:
Goetemann Artist to Construct a Large Whale’s Fluke
Artist Talk: Tuesday, September 4, 7:00 PM
The Cultural Center at Rocky Neck, 6 Wonson Street, Gloucester, MA
Public Construction Dates: September 10 28
On the Grounds of Ocean Alliance, 32 Horton Street, Gloucester, MA
Closing Talk: Friday, September 28, 6:00 PM
On the Grounds of Ocean Alliance, 32 Horton Street Gloucester, MA
Gloucester Ma—The Goetemann Artist Residency—a program of the Rocky Neck Art Colony, Inc. that provides artists from around the world a live/work space for a month at a time—is pleased to introduce its 2018 Environmental/Installation Artist, Australian Deborah Redwood.
To be considered for the 2018 month-long residency, artists submitted a proposal responding to the mission of Ocean Alliance, RNAC’s non-profit partner, which states in part: “Ocean Alliance strives to increase public awareness of the importance of whale and ocean health through research and public education.”
Redwood is the second Goetemann resident to work at the site following last year’s installation of a seven-foot tall Great Auk by Nathan Thomas Wilson. Redwood’s practice encompasses sculpture and installation that evokes a sense of play and comments on society’s waste. She graduated from the College of Fine Arts (Sydney) in 2006 and was awarded a one-year exchange program at Alfred University, in New York.
Beginning September 10 and continuing through September 28, visitors are invited to stroll down Horton Street to observe the artist while she constructs a large whale’s fluke (part of a whale’s tail) on the grounds of Ocean Alliance, site of the former Tarr and Wonson Paint Factory at 32 Horton Street, Gloucester. Using equipment donated by J&L Welding in Gloucester, Redwood will collect scrap metal and weld it into a sculpture rising about ten feet above the water’s edge. This is a wonderful opportunity to share an artistic experience with children while making them aware of the fragility of life in our oceans. Printed information about the artist and her process will be available on site.
Deborah Redwood is the latest artist at the Goetemann Residency and the public is invited to learn more about her work when she presents an Artist Talk on Tuesday, September 4, at 7:00 PM at the Cultural Center at Rocky Neck.
For the past decade Redwood has participated in group and solo exhibitions in Australia and overseas, including; Japan, China, India and the USA. She has also attended several artist-in-residence programs, in New York, Minnesota, Wisconsin, Vermont, Jaipur (India), Wellington (NZ), Sydney and now, Gloucester, MA. This challenging month-long project wraps up with a Closing Talk by the artist for the public at the Ocean Alliance site (weather permitting) on Friday, September 28 at 6:00 PM.
Images:
Deborah Redwood – Spiraling Shell
Deborah Redwood – Starfish at Killalea
Deborah Redwood – At Work

photo above: “Here is the second of the three gambrel roof houses in this section of Middle Street. Riggs Street is on the left and in the rear of the first gambrel roof house is Babson’s Field which was used as sites for some of the houses moved from Western Avenue in 1922-23′-’24 when Stacy Blvd. was constructed.” from History of Gloucester Vol. 3, published 1978, featuring photographs from James B. Benham collection and from Gaspar J. Lafata and Martin J. Horgan Jr.









Annotated illustration: Note gardens on properties abutting City Hall. William Haskell’s lots spread between Dale and Pleasant (#44 now) streets and beyond where Carroll Steele is located now, numbered 32 Pleasant Street, rear when he lived there. On the 1884 Hopkins and 1899 Stadly maps the lot is identified where the new post office is now.
Another Haskell (Cpt. John Haskell) was associated with 34 Pleasant (former Moose Home*), and Melvin Haskell with 136 Main Street. *The house history trail for 34 Pleasant (THEN 26 Pleasant): Pearce-J. Haskell-Calef-Moose Lodge (razed 2011)-Cape Ann Museum parking lot. This area could be an African American history stop spotlighting both abolitionist and antiabolitionist connections.
Street numbers were shifted. Behind #44 Pleasant Street now (below)

Dates: b.January 23, 1810 – d.August 26, 1902
Parents: Eli (b. 1776 Gloucester, MA) and Lydia (Woodbury Bray) Haskell
Brother: Epes
Grandfather: Elias Haskell
First Wife and two daughters: Sarah Ann Bray (1811-1836) “died September 12, 1836 leaving two daughters* now deceased, one of whom (Sarah*) married a Mr. (Thomas*) Symonds of Reading and the other (Judith*) married Edwin Bradley of Rockport and was the mother of Mr. Edwin Archer Bradley* of Gloucester, Mass.” E Archer Bradley was Captain Sylvanus Smith son-in-law. E Archer Bradley is listed in the 1913 Polk directory as Vice President of the Gloucester Mutual Fishing Insurance Co and Director Rocky Neck Marine Railway Company.
Second Wife and six children: Mary S. Smith (died August 15, 1889) Married July 19, 1838. They had six children: “William G. Haskell of Washington, DC, Col. Edward H. Haskell and Charles A Haskell of Newton, Frank A. Haskell of California and Mrs. Saddie, wife of Samuel W. Brown of this city. One son, Asaph S. Haskell, laid his life on the altar of his country at Morehead City, N.C., September 28, 1863, of yellow fever while a member of Co. C, Twenty-third Regiment, where he had gone awaiting transportation home, his death occurring on the date of the expiration of his term of enlistment.”
Raised: West Gloucester, learned the trade of shoemaker according to obituary
Gloucester 250th Anniversary: served as Vice President of 250th celebration committee
Residences: 44 Pleasant Street (was between Dale and Pleasant streets and beyond where Carroll Steele is located now) formerly address 32 Pleasant Street, rear– either may have evidence Undergound Railroad. Haskell’s lots spread between Dale and Pleasant.* Another Haskell (Cpt. John Haskell) was associated with 34 Pleasant (former Moose Home) and Melvin Haskell with 136 Main Street.
Biographical information I dug up and researched then confirmed at Gloucester Archives August 29th with a special thanks to Sandy and Sarah with Gloucester Achives. I wanted to confirm Haskell’s address and home, because streets and numbers change on maps over time, and because I knew Sandy could help best with tracking down cemetery information about Haskell’s first wife and the daughters’ names missing from records and I wanted to spotlight her dedicated efforts.
Haskell’s first wife is buried in West Gloucester- historic Sumner St. Cemetery. Haskell and his first wife had two daughters. Sarah Ann Frances, born September 28, 1832 in Gloucester, died young, in December 1853. She married Thomas S. Symonds July 1851. (Haskell and his second wife named one of their daughters, Sarah “Seddie” Symonds Haskell, after his first child.) The second daughter, Judith Goldsmith, born February 20, 1836, married Edwin Archer Bradley on November 8, 1854.



“OLDEST MALE RESIDENT DEAD: William H. Haskell Closes Life at Age of 92 years- An Original Abolitionist and Life-long Republican

Stephen LaPierre Rocky Neck Plein Air Collection
Stephen LaPierre studio-gallery, 75 Rocky Neck Avenue, 2nd Floor (next to the Rudder), Gloucester, Massachusetts
Reception Sunday August 26, 2018 from 12PM – 9PM – Clam-Digging Mermen, four-piece group (banjo, guitar, fiddle and stand-up bass) will be playing folks, blues and jug from 4-7PM
photos and more information about the series from the artist’s press release:
“Stephen has completed a dozen paintings of the Neck, this past spring and summer…trying to capture the dwindling historic architecture.. still remaining along the Neck’s lanes and shore, as well as capturing current day village and harbor views”
Continue reading “Stephen LaPierre reception Sunday August 26 | New work inspired by Rocky Neck”

I left behind a family heirloom tucked within a seat cluster at Gate D36, American Airlines in Dallas, Texas, at 9:30pm August 3rd before we even boarded a plane. A friend found a 1950s calendar from my in law’s store when they remodeled their kitchen, and felt it was meant to be returned to our family, presenting it to us as we hugged good bye. We crumbled with gratitude and sentiment. It was wrapped securely enough within a bright yellow packing tube about 25″ high and 4″ diameter and affixed with a label marked “Donna P…” Believing it too precious for suitcase cargo or mail, and too excited and impatient to think it through, it seemed a natural carry on. Then our departure was delayed 4+ hours and required 3 unusually distant gate shuffles. And I was dumb.
“GOOD NEWS!” the American Airlines agent exalted at the final stop. “Returning pilot has agreed to continue with this flight back to Boston.” I remember turning to my husband to ask if the pilot’s tired I’m ok with waiting, you know? No longer sluggish, we herded through the jetway eager to sit again. By the time we clicked the overhead compartment shut, I remembered too late the irreplacable item I neglected to grab. The flight attendant said the captain would alert a gate agent, but there was nothing more to be done. We arrived home hopeful that our package might stand out at baggage or Lost and Found. The FAQ directions for American Airlines provide a link to a rather straight forward on-line form. It was a relief how simple it was to fill out, and that a system was in place. Plus the pilot had alerted the gate immediately.
But it wasn’t simple. It turns out that there are at least two lost and founds: the airport and any individual airline. The two lost and found lists we needed are managed by “Chargerback Lost and Found Solutions” though they are not connected. Items returned from TSA, public spaces, busses, bathrooms, and airport security are filed with the airport’s TRAVELERS AID DALLAS/FORT WORTH. Items left at airline gates are handled separately, in this instance AMERICAN AIRLINES LOST AND FOUND. Was the tube I stupidly left behind tossed out, handed to a gate agent, moved, or delivered to some authority? It didn’t matter. Any scenario was muddled because I left it at an airline gate. Upon hearing that gray area explained I knew we were doomed. Both help lines recommended contacting the other.
Since filing, I receive zero news status updates from both Travelers Aid and American Airlines, emailed within minutes of each other. At first the messages felt reassuring “Nothing has turned up. Don’t worry; we’re still continuing the search.” Also encouraging: “Providing detailed information about your item(s) is the best way to help us with our search.” Ok! So I added the absurd and desperate detail of the tv show streaming the last time I had possession. “I left it by Gate D36 before boarding on flight to Boston– a flight that was delayed 4 hours and gate switched 3 times. Our family sat in black chairs designed in a round configuration watching a single big screen TV in the gate area showing a special on Machu Picchu. The tube was left standing up, tucked right alongside chairs. Our backs were to windows of gate. Our chairs were the only ones facing the impossible to miss tv.” Lost and Found pleas would make a strange published volume.
After receiving the same form response multiple times, the Lost and Found closing remarks loom most: “If we are unable to find any items that match the description of your reported lost item within 30 days of your report, we will send you an email advising you that our search was unsuccessful, and your report will be closed.” Has any item ever been returned via this rote route?
I googled Lost and Found success stories related to the airline and airport. The news was grim and mostly related to items left behind on planes. “Return” stories if any involved people heading back to the airport immediately. Others entailed police reports and security cameras. We did not have a good enough friend in Dallas to dig through the airport for us, nor did we feel our selfish ask warranted bothering police. Until we did. And that was way too late. We should have made the phone call to the airport non- emergency police in addition to the Lost and Found reports within the first 24 hours. There’s a shelf life on security footage and our travel date expired. I’m sure there are people who might have done this automatically, because the police officer I spoke with said it happens all the time and not to worry. I’m sharing this tip in case you’d hesitate as we did. We’ll never know if it could have helped. Also, we’re not on Facebook. Social media may have helped though we were told that the Lost and Found reports are not set up with social media feeds. Perhaps this experience will make its way to the Dallas Airport and American Airlines Lost and Found customer service departments, and the tube will stand out.
(Our package tube is not little, but it is yellow. I’ll use any excuse to listen to Ella.)
INC.com published 8/17/18 Why is Your American Airlines Flight Late? Here’s Brutally Honest Reason Why (From the American Airlines President) by Bill Murphy Jr. “…So, the company’s president, Robert Ison, offered an explanation for American Airlines’s bad performance–an impressively honest one. One of the key reasons he cited? It’s a bit surprising: American has a lot of old planes, he reportedly said. Old planes simply break down and need maintenance more often.” Airport Lost and Found items increase from delays– bound to happen with tired travelers, some minding kids, and gate shuffling. The airport and the airline could cut down on operating costs related to Lost and Found sharing one system. Lost and Found could generate positive customer experiences rather than finger pointing, ridiculous “space” blame, loss, even theft.
Mayor Romeo Theken shares Mass Cultural Council’s invitation to upcoming arts showcase in Rockport: The Mass Cultural Council presents Saturday, September 8, 7:30 PM
MCC event at Rockport Music.org- Crossing Customs: Immigrant Masters of Music & Dance
“The Mass Cultural Council is sponsoring our second annual Traditional Arts Showcase at the Shalin Liu on September 8. We would love for you to join us! Please share this invitation with your networks (via your newsletters, social media, online calendars, etc.) See details below regarding performers and ticket info. $20 general admission”
Event will celebrate music and dance: Gund Kwok Asian Lion and Dragon Dance Troupe; recent immigrants from Nepal will perform music of the Gandharvas; indigenous music of Greece led by Vasilis Kostas; salsa lesson from Eli Lady Pabon; and music from Latin Logic (photo above).
I wonder if Carlos Menenzes (Cape Ann Big Band;Jambalaya horns, O’Maley), Zach Gorrell, Docksiders, and other area artists and musicians know these groups and vice versa?
Continue below to see more information about the upcoming event and videos of the performers from MCC Press release:
Continue reading “Mass Cultural Council 2nd annual Traditional Arts Showcase at Shalin Liu, Sept. 8”
“Building on the success of its Gloucester Fresh seafood branding campaign, the city of Gloucester plans to apply the same formula to help brand and market Massachusetts lobster to lobster lovers the world over. Couldn’t happen in a better place.”- Sean Horgan
Link to article in today’s Gloucester Daily Times by Sean Horgan with photos by Mike Springerand lots of lobster numbers “Gloucester hopes catch can claw its way to top: Push on to brand, market Massachusetts Lobster”
Horgan wrote about the Seaport Economic Council award announcements August 15th, City Wins $110,000 promote its fish, lobster “We’re really excited about the attention the program is getting,” said Sal Di Stefano, the city’s economic development director and its point man on the Gloucester Fresh campaign. “This was just a concept a few years ago and now it’s an internationally recognized brand. We’re really proud of that.”

House History then and now for two former ‘old age homes’:
1911, Gloucester, Mass. “WILL OPEN ON CHRISTMAS DAY Several Old Sea Toilers Will Eat Christmas Dinner There Monday: Everything is in readiness for the opening of the Fishermen’s Home, formerly the Colby House, on Eastern avenue, and on Christmas day, a gathering of aged and disabled fishermen who have toiled their best days on the banks, but are no longer able to follow this hazardous occupation, will spend one of the happiest days of their lives and eat their first dinner in the new home…It would be a rather difficult undertaking to find a happier man today than Judge York. Two years ago after a conference with Dr. John Dixwell of Boston, who becoming interested in the work raised a fund among his friends for the relief of this class of men, who without friends or home were obliged to seek shelter in the house of coreection. Judge York went to Ipswich and secured the release of eight old fishermen, who were brought to this city and cared for at boarding houses during the winter months. Last winter the work was continued through the efforts of Dr. Dixwell and Judge York, and lately, their efforts were further crowned by the splendid gift of Mr. Hammond, who presented the home. The seven men who will become inmates of the home on Christmas Day are John Ryan, Joseph Alcott, John Nichools, Harris Atwood, James Halley, Robert Fraser and Henry Gormley.” article in the Gloucester Daily Times
The prior year “J. Hammond deeded lots for indigent fishermen at Beechbrook Cemetery.”- 1910 Gloucester Archives
After writing about his friendship with Captain Blackburn, “one of the most undaunted sailors America has ever had…I was proud to be one of the honorary pallbearers at his funeral…” John Hammond Sr. concluded his autobiography with more about Gloucester:
“I look back with the greatest pleasure on the hours I have spent with other old Gloucester fishermen. In the winter of 1910 several of these old fellow appeared before the district court and pleaded guilty to vagrancy. Without other means of gaining food or shelter, they were seeking some sort of sustenance in the poorhouse for the winter. In Washington, I read about this in the papers and got in touch with Judge York, Dr. Dickswell, Fred Shackelford, and others who were interested. We established a home to provide for these old fishermen. I learned to appreciate the fine traits of these men who were given refuge there. Often it was exceedingly difficult to persuade them that they were too old to stand the hardships of deep-sea fishing. Their truck garden faced the sea, and from there they could watch with their telescopes for the fishing vessels as they left and entered the harbor. Sailors, like miners, are notoriously spendthrifts and these of Gloucester were no exception. They would arrive at the Home in a destitute condition. Because they no longer went to sea, and there was no chance of their reaching the traditional sailors’ grave, they had a great dread of potter’s field. For that reason I provided a cemetery where all could be assured of decent burial. Above the gate is inscribed:
And here rest, brave toiler of the sea,
sleep undistrubed,
God’s peace be with thee.
Many of the inmates were choosey about the location of their graves. There were two in particular, bunkies since boyhood, who quarreled daily and, I fear, nightly, but who exacted from me a promise that they might be buried side by side.”

Gloucester bought 110 Prospect Street in 1887 for $12,000 to establish the “Huntress Home for Old Ladies of Native Birth.” I’ll write more about this one later.
Here’s how both senior housing options were described in the 1913 Gloucester Directory (from Gloucester Archives):

photos & research – C. Ryan

Article describes some Gloucester highlights: Cape Ann Museum and Harrison Cady exhibition, Gloucester Beaches, Stage Fort Park, Half Moon Beach, Gloucester Shuttle, Cape Ann Cinema, Gloucester Stage, Schooner Thomas E. Lannon, Hammond Castle Museum, Perfect Storm, Wicked Tuna, Rocky Neck, Latitude 43, Lobsta Land, Zeke’s Place, Willow Rest, Beauport Hotel, Ocean Hotel at Bass Rocks, Beth Williams, and (couldn’t get a reservation at) Duckworth’s Bistro.


Look for New Information about artist Byron Brooks and images of his work added here https://goo.gl/WPv1XT and on Good Morning Gloucester (GMG). Byron Brooks Homeward Bound, found displayed Addison Gilbert Hospital spring 2018:

Good Morning Gloucester readers shared comments and images of Byron Brooks paintings to help rediscover the artist and the man.


Searching for artist! Byron Brooks? Part 1 November 2016
Searching for Artist! Byron Brooks? Part 2
Searching for Artist Byron Brooks Part 3
In response to Searching for artist Byron Brooks (Part 1) and (Part 2), David Collins, a Good Morning Gloucester reader and amateur geneologist, was inspired to act. First he emailed a PDF family tree for artist, Byron Lloyd Brooks, and then shared vivid remembrances and vintage photographs in response to the artist’s timeline in Gloucester, Massachusetts. These are wonderful additions to filling out Brooks story and a peek into Gloucester and Stage Fort Park history. Thanks so much, David!
For a time, Brooks lived in 12 Stage Fort Avenue. Collins’ family lived in 7 Stage Fort Avenue 1940s-1960s. Does anyone know the neighbors Collins mentions or have more photographs of long gone homes and Barrett’s Camp at Stage Fort Park? I’m looking forward to scouting for that boulder.

“Hello, Catherine, Here is a little more information on the artist Byron L. Brooks, in case you are still interested. I have attached a family tree for him. It does also have some information on his two wives that I know of. I am not a professional genealogist, so don’t take the information as gospel. I grew up at what was then 7 Stage Fort Avenue (no “Park” in the address) in the late 1940s, 50s and early 60s in the house that is now 1 Anchor Lane, I believe. We moved to Connecticut in 1961 the week I turned 16. The house Byron lived in, 12 Stage Fort Avenue, was, back when I lived there, a 2-family house. Most of the other houses in that part of the neighborhood were, or had been, summer camps. Stage Fort Avenue Y-ed at our house and both parts, one going on to one of the Park’s parking lots and the other going past us to Barrett’s Camps, were named Stage Fort Avenue. The house in front of Byron’s, the address was 10 Stage Fort Avenue back then and is now 7 Stage Fort Avenue, didn’t exist – at least not in the large form it is in now. Sam and Marion (Kerr) Johnson lived there. I think the house burned down in about 1975.
Ralph and Evelyn (DeCoste) Bradstreet lived in the downstairs part of 12 Stage Fort Avenue and several families lived upstairs over the years. Byron must have lived in the neighborhood a while before my family did. I think my folks moved to #7 about 1939 or so. I don’t know when the Bradstreets moved into #12. That said, Byron Brooks was my mother’s 2nd cousin. They share Ephraim Brooks [1818-1905] and Ruth Ward [1816-1892] of Nova Scotia as great-grandparents.
However, I had never heard of Byron until your 2nd GoodMorningGloucester article. I even collect art by people who called Cape Ann home – Charles Movalli was my best friend growing up*. I also have an extensive family tree that I have worked on for many years. Still, I had no idea Byron existed! Of course, I had his parents in my mother’s part of our tree. I have now added information on him and his many siblings because of your articles. Thank-you! Hope this helps you, in return.” David Brooks 7/1/18

photo credit below (click to enlarge): 7 Stage Fort Avenue ca.1947-57 (L), and Stage Coach Inn vintage postcard, both images courtesy David Collins
about the photo with the girls on the rock and Stage Fort Avenue homes THEN (now gone):
“This one is of my sister and the girl (and her dog) who lived upstairs at 12 Stage Fort Avenue for several years while we lived on Stage Fort Avenue and then moved to School Street in Manchester. Her father, originally from Rockport, was a 7th cousin of Byron Brooks but I doubt he knew. The girls are sitting on a rock outside the side entrance to downstairs #12, the one the people we called Auntie Evelyn and Uncle Emerson (Ralph Emerson) Bradstreet (both cousins of each of my parents) probably used most often. It led into their kitchen. The doorway at the stairs in front (in the other picture I sent you) led into a hall, with stairs running up to the 2nd floor apartment and also a door at the left into the downstairs apartment.
The building behind the girls and to the left was, at least at one time, a Barrett camp. I think sometimes people bought them and made them more permanent homes even if they didn’t live in them year-round. The family’s name sounded like Brown-eyes but I don’t remember how it was actually spelled. Oh, I do remember: William and Irene (Douglas) Brauneis. Irene Douglas’ brother (a close friend and fishing buddy of my uncle) and his wife and family and his parents lived in the large house at the top of the hill behind the camps that was not a camp. I think the Brauneis family lived in theirs, maybe even full time eventually, long after we had moved.
The next home which looks altogether different was rented out in the summer, too, but I have no idea who lived in it. In the next camp to that one, not in the picture, a Mrs. Morrison spent the summer and her daughter and family, the Kilroys, would join her for a few weeks. Mrs. Kilroy had grown up in Gloucester. I hung around with daughter Carol and brother Robert the part of the summer when they were in town…Henry and Pauline (Osmond) Garvey and family lived in the Barrett camp that abutted our property on (what was then) Stage Fort Avenue. Great family. They would summer there from Tuckahoe, New York, but both had been brought up in Gloucester. ”- David Collins
*author’s note – more on this connection later
Byron Brooks on line catalogue (updated)
From the call announced 8/13/18:
“…The Call to Artists is open to to all artists, artisans, architects, landscape architects, or teams with experience in public art, site responsive design, project management, and construction administration. An Artist Selection Committee comprised of representatives from the Boston Art Commission and local arts professionals representing the neighborhood will review all applications and determine the final artist/team.
The deadline to submit questions about the project to bac@boston.gov is August 29, 2018, and applications are due by September 18, 2018. The application can be found here.”
City of Gloucester officials are working towards a Phase 3 for the Haskell Pond Dam reconstruction which I wrote about last week (Part 1). I included information about the original monumental build. In response, Bruce Roberts was kind enough to share these amazing photographs of the impressive crews at the Haskell Pond construction site 1901. Bonus: they were annotated by his grandfather in 1958. West Gloucester families may recognize a surname or two, maybe a family resemblance. Please help ID if you can.
Bruce Roberts explains: “My grandfather, Edward F. Roberts, identified the individuals back in 1958. There are some folks he didn’t recognize, since he would have been pretty young when these images were taken. The first picture has the most identified individuals. One thing that has always been remarkable to me in the second image is how much Chester Andrews, my g-grandfather, resembled my father, Eugene Roberts, at that age.”
HASKELL’S POND CONSTRUCTION ca.1901-02 – (Individuals ID’d by Edward Roberts in 1958)

Photo 1, Dec 1901 (in snow): “Wood Choppers at Haskell’s Pond, December 1901”
Front Row, L-R: 1. Otis Lufkin, 2. Matt Poland, 3. Loren (sp?) Harris, 4. Melvin Wilkins, 5. Jim White
Back Row: 1.Asa Sargent, 2. unknown, 3. Ed Lufkin, 4. James Chadbourne, 5. Joseph Abbott, 6. unknown, 7. Joshua Roberts, 8 & 9. unknown

Photo 2 (late 1901 or early 1902):
Front, L-R: 1. Loren Harris, 2 & 3. unknown, 4. Asa Sargent
Center, w/ white shirt: Eps Walter Haskell
3rd row: (Right side, behind Asa Sargent, in light coat): Chester Andrews
(2nd to left from Chester Andrews): Fred Jeffs

read more:
Big crowd at Gloucester Stage youth acting


Weather held off for the big Reenactment of the 1775 Gloucester Falcon Battle, but the incoming tide kept things moving ahead of schedule. If you missed it – not to worry: 1623 Studios (Cape Ann TV) filmed the battle from Beauport Hotel, and there were drones in the air. Fantastic coverage of the event here on GMG: see Bridgette Matthews photos from event here on GMG and Manny Simoes photos on GMG.
So as not to let the parade pass by, here’s a snippet of fife and drum retreat swinging through downtown after the battle. The officers gave them protection and compliments and timing of Cape Pond Ice truck was kismet.
