Jane Deering Gallery presents two new exhibitions! Opening Saturday September 5th is Ephemerata | a timeline of creation, a timeline of change. Works by Cape Ann artist Deborah Brown explore the shared juxtaposition of intent and materials. Brown studied at the San Francisco Art Institute and exhibits nationally. This exhibition will be at 19 Pleasant Street in downtown Gloucester, adjacent to the Cape Ann Museum. Hours: Saturday & Sunday 1:00-3:00. Works can be viewed at janedeeringgallery.com
Deb Brown Constellations Under the Sea 2007 Mixed media 7×8 inches
Also on view from Friday September 4th in the SHED @ 18 Arlington Street, Annisquam is Late Summer Selection | New Painting by Adin Murray. Murray continues his superb Horizon series, serene and luscious oils on canvas. Hours: Friday, Saturday & Sunday 12noon-3:00pm. And always by appointment at either location. 917-902-4359. Works can be viewed at janedeeringgallery.com
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I track and bid at auctions because I help people buy art. From time to time I highlight here on GMG a few selections from upcoming auctions, fairs and shows solely because they have some Gloucester (Cape Ann) connection. In the early spring sales at two New York auction houses, artists include: Emma Fordyce MacRae, Gifford Beal, Jane Peterson, John Sloan, Lillian Westcott Hale, Paul Manship, W. Lester Stevens and Martha Walter.
BID NOW Sotheby’s American Art ON LINE– closes March 5th, 2019
Featuring works from the Patrick and Carlyn Duffy collection (yes that’s actor Patrick Duffy) some great ones failed to find a just right home at the live sale back in 2018.
Most of the sale is beyond Gloucester. The couple had a few classic Wyeths. — See all 119 lots here.
Doyle Fine Paintings LIVE auction March 10, 2020
a few of the paintings by artists with Gloucester ties
Andre Gisson lot 46 (pre-sale est $1200-$1800) at Doyle March 10, 2020 (no gloucester ties) See all 105 lots here.
Also Doyle At Home auction (bid live on line) March 4, 2020 lots here
Small Kyra Markham (not Gloucester scene) presale estimate $800-1200
Hirschl & Adler galleries just featured gorgeous Peterson paintings at the Winter Show
JANE PETERSON (1876-1965), Niles Pond (Yellow and Turquoise), ca. 1916-20, Oil on canvas, 32 x 32 in.
and drawing
JANE PETERSON (1876-1965) Harbor with Dunes Watercolor and gouache on paper, 12 x 18 in.
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Whether as sculptor, painter, muralist, mixed media or assemblage fine artist, Gloucester-born Jason Burroughs works across media with a signature touch. Can’t wait to see what happens from this residency. Follow him on Instagram- he’s been doing a weekly sketch on his instagram page @jazzyjburroughs
What would Jason do here?
Ever since I saw his inventive stepped paintings pre 2017, I wonder what would Jason do here-
2017 – inventive sculpture paintings stepped away from flat and vertical surfaces
or just about anywhere! I’ve written about the monumental walls at O’Maley ideal for professionally trained artists that are former Gloucester O’Maley grads–like Jason– at the start of their careers. Murals are common public art attractions. To date I have not seen one mural initiative with that focus. Clandenstine street art and graffiti art can break through. (Some practitioners are diametrically opposed to that commercial conceit.) Elite global street artists and muralists command hundreds of thousands of dollars through private and corporate sponsorships. Commissions this scale for young artists with degrees begin at $16,000. That’s a great our town endeavor/grant investment.
ABOUT GOETEMANN GLOUCESTER INVITATIONAL ARTIST RESIDENCY –
Established in 2015, this one month residency is offered by committee invitation to an inspiring and highly deserving Gloucester artist. It is understood that artistic inspiration can be difficult to attain when work and family take precedence. The artist is provided with a live-work studio for one month.Read more here about Goetemann juried and invitational artist residencies
The Cultural Center at Rocky Neck is open Thursday-Sunday. Seasonal Hours are: June through August 12-6pm, September through May 12-4pm.
Gallery 53 at Rocky Neck, 53 Rocky Neck Avenue is open seasonally May – October, seven days a week, 11am-6pm, Thurs-Sat until 8pm.
Don’t miss Mary Rhinelander McCarl’s floral still lifes on display January 2019 at the Matz Gallery, Gloucester Lyceum & Sawyer Free Library.
clone tag: 7312131960865815702
from the printed matter:
“Mary Rhinelander McCarl- Mary, a Gloucester resident, draws her artistic inspiration from the scenery of Cape Ann. In her youth, she studied both sculpture and figure drawing with George Demetrios. She has worked under the guidance of Juni Van Dyke in the Art Room of the Rose Baker Senior Center and studied watercolors with Susie Field. At present Mary uses her training as an archivist to transcribe and edit the papers of Samuel Elwell Sawyer, Gloucester’s great philanthropist and art collector.”
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Today visitors to Cape Ann Museum were in for a special treat. They came excited to learn about linocut prints from artists Mary Rhinelander and Julia Garrison. Some watched. Many gave it a go. Best of all they left with an impression they pulled from the ingenious homage block Mary carved in tribute to the Folly Cove designers!
Stop by and meet some of the participants featured in Once Upon a Contest: Selections from Cape Ann Reads at a special Cape Ann Museum CAM KIDS second Saturdays family activity on January 12, 2019, from 10AM-12PM. Later that same day, artists Mary Rhinelander and Julia Garrison are offering a printmaking linocut demo related to the Folly Cove designers and the major Virginia Lee Burton The Little House Her Story exhibition!
Thanks to the four public libraries of Cape Ann and Cape Ann Museum, Once Upon a Contest: Selections from Cape Ann Reads is a testament to the imagination and immense artistic talent of artists and authors. Below are photographs from the first reception for the exhibit at Cape Ann Museum January 5, 2019.
Courtesy photos from Ellen F. Kenny, Mass Center for the Book. Thank you for capturing the spirit of the reception at Cape Ann Museum! Mass Center for the Book Facebook [Folks featured in the big group shot from L-R: Anna Vojtech (Artist-Author), Claire Wyzenbeek (Artist-Author), Jean Woodbury (Author), Christina Ean Spangler (Artist), Maura Wadlinger (Author), Juni VanDyke (Artist), John Plunkett, Martha Geraghty ( Author), Barbara McLaughlin (Artist-Author)]
The Cape Ann Museum reception was beautiful. Everybody from the museum is so welcoming. The courtesy photos below document the start of the reception from Mayor Romeo Theken, Justine Vitale, and others. See Kim Smith’sphotos from later in the afternoon and from another visit here! We’re so grateful to have a record of this joyous time. The show continues at Cape Ann Museum through February 24 before traveling throughout Cape Ann in 2019.
“Big Boy Fish Head” GMGI acquisition; Paul Cary Goldberg (L) Jon Sarkin (R)
Gloucester Marine Genomics Institute (GMGI) acquired original art by Paul Cary Goldberg and Jon Sarkin for its special new research institute headquarters on Main Street — which means they built an impressive ~~temporary~~ corporate collection from the get-go! *update 1/10/19: GMGI stresses that “these pieces are on loan, and remain property of the artists and are for sale.” Ok! So they could be a great start to a permanent collection. For a peek inside, including in-situ shots, see Kim Smith’s post about the GMGI expansion groundbreaking
ARTIST RECEPTION JANUARY 10, 2019
Gloucester Marine Genomics Institute (GMGI) is excited to host an Artist Reception for Paul Cary Goldberg and Jon Sarkin on Thursday, January 10th from 5- 6:30pm at GMGI’s Research Institute at 417 Main Street. RSVP Please contact Ashley Destino (772.708.8266 or Ashley.destino@gmgi.org) if you’d like to join us!
UPCOMING
GMGI regularly hosts private groups, including science educators from the North Shore this January. GMGI will be announcing plans for public Open House dates in the coming weeks!
Willie Alexander; Bob Anderson; Kurt Ankeny; Peggy Badenhausen-Roma; Joan Benotti; Coco Berkman; Kyle Browne; Debbie Clarke; Pat Lowery Collins; Anne Marie Crotty; Jane Crotty; Pam Courtleigh; Jill Demeri; Loren Doucette; Barbe Ennis; Billy Evans; Jack Evans; Nina Fletcher; Brooke Gibson; Paul Cary Goldberg; Joy Halsted; Frances Hamilton; Leslie Heffron; Andrew Houle; Pia Juhl; Ann Lafferty; Otto Laske; Victoria Lopez; Erin Luman; Roger Martin; Jay McLauchlin; Shaun McNiff; Ann Melancon; Ruth Mordecai; Lee Nadel; Mary Lou Nye; Hans Pundt; Mary Rhinelander; Margaret Rack; Jenny Rangan; Kay Ray; Anne Rearick- Katlin; Katherine Richmond; Judy Robinson-Cox; Joyce Roessler; Gabrielle Rossmer; Lyla Roth; Lynn Sausele; Mary Jane Sawyer; Jill Solomon; Dawn Southworth; Marty Swanson; Karen Tusinski; Juni VanDyke; Anna Vojtech; Rokhaya Waring; Jane Weinshanker; Mark Williamson; Judy Wright
Here are a few installation views (click to enlarge and view credit)
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WINSLOW HOMER Yacht in a Cove Gloucester Harbor_ca 1880_watercolor_upcoming Sothebys Nov 2018 American sale. Pre-sale auction estimate is $200,000 – $300,000
Last spring a Homer image of Gloucester boys in a dory fetched $400,000. Relatable, though not Gloucester: Life Brigade is expected to fetch 4x that amount at Sotheby’s; another classic motif , Gathering Wild Blackberries, is estimated to sell for $150,000-$200,000. There is a smashing Marsden Hartley of Dogtown.
EDWARD HOPPER_Two Comedians_ upcoming Sotheby’s American sale Nov 2018_from Sinatra collection_The pre-sale estimate is 12 million to 18 million. (Not a Gloucester Hopper- there are no Gloucester Hoppers in these November sales)
STUART DAVIS Private Way, 1916.oil on canvas. Christies Nov 2018 presale auction est 60,000 to 80,000
Besides Stuart Davis, artists featured include Jane Peterson, Martha Walters, Hayley Lever, and George Bellows. There’s a classic Nahant work by William Stanley Haseltine and a marine themed WPA mural study by Lyonel Feininger.
EDWARD HOPPER Chop Suey, 1929, 32 x 38 inches, oil on canvas, Christies steep presale estimate 70 million to 100 million (from Barney A. Ebsworth collection) There are no Hopper works featuring Gloucester in these sales.
Click on thumbnails to enlarge the photo and see descriptions. I’ll post results after the sales.
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“Come celebrate the artists who have shown with us over the last 10 years (2008-2018) in our final two shows: #1 thru November 4 and #2 Nov 10 – December 16. SUPPORT LOCAL ART!”
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Scott Memhard reflects on ART@The Icehouse reception for Peter Herbert and Leon Doucette Recent Works: “Good, appreciative crowd, in spite of all going on in Gloucester last night!” I heard it was packed and gorgeous.
courtesy photos from Cape Pond Ice and Pauline Bresnahan
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Last chance to see Boustrophedons (“…every other line is flipped, or reversed or mirrored”) group show at Flatrocks Gallery. Exhibition features 8 artists: Joan Benotti, Paul Cary Goldberg, Ann McArdle, Valerie Weigand McCaffrey, Nick Neyeloff, Conny Goetz Schmitt, Linda Lagano Sojda, and Juni VanDyke. The closing Reception and special event is Sunday September 16, 2-4pm
(installation views – the natural light and architecture were in sync today with the show’s theme.)
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Thru Oct 7, Harvard, MA: Liz Fletcher’s sculpture was selected for the 2018 annual Around the Pond and Through the Woods Outdoor Sculptureat Old Frog Pond Farm, Harvard, Massachusetts. The show closes October 7th. If you time it right you can also attend the annual Plein Air Poetry walk September 16, 2-4pm. I’d love to see a Cape Ann Plein Air Sculpture and Poetry walk, perhaps through Dogtown, TS Eliot, beach, and Cape Ann Museum properties.
Thru Nov 4, Pingree School, S. Hamilton, MA: Look for works by Liz Fletcher, Michael Updike and Bart Stuyf in the ninth annual Flying Horse Outdoor Sculpture Exhibition at Pingreewhich opened September 1 and continues through November 4, 2018.
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Reception Sunday August 26, 2018 from 12PM – 9PM – Clam-Digging Mermen, four-piece group (banjo, guitar, fiddle and stand-up bass) will be playing folks, blues and jug from 4-7PM
photos and more information about the series from the artist’s press release:
“Stephen has completed a dozen paintings of the Neck, this past spring and summer…trying to capture the dwindling historic architecture.. still remaining along the Neck’s lanes and shore, as well as capturing current day village and harbor views”
All are invited to have fun, join in, share ideas for Gloucester’s 400th Anniversary possible celebrations in 2023. A public meeting will be held at City Hall on Saturday, April 28, 2018 from 1-3pm. Can’t attend? Email your input to the 400th steering committee: email gloucester400@gmail.com and check out the 400th Anniversary Facebook page For More Info
“Although Gloucester’s 400th Anniversary is five years away, we know that those years will go by quickly. 400 years deserves a year long celebration in 2023 and a steering committee has been meeting for the last six or seven months to get the process started. Three Captains have been chosen to lead the group: Bruce Tobey, Bob Gillis and Ruth Pino. The Committee is sponsoring a public meeting on Saturday April 28, 2018 in City Hall Auditorium…What should happen during 2023? What would you participate in? What would you miss if it didn’t happen?”
With so much advance notice, it’s fun to ruminate. Three words come quickly to mind for one idea: Virginia Lee Burton. Burton was one of the most influential children’s book author-illustrators of the 20th century and Folly Cove textile designer and founder. She received the Caldecott medal in 1943 for The Little House. Whether for the 400th Anniversary or not, I hope one day that there are tribute commissions for Virginia Lee Burton’s beloved characters Katy from Katy and the Big Snow and Mary Ann from Mike Mulligan and His Steam Shovel at Stage Fort playground. Life Story and Song of Robin Hood were also informed by landscape and her life in Gloucester. (The Burton tributes could be massive, interactive and accessible bronze sculptures. Tom Otterness commissions were completed at this scale. Why not Burton? They don’t have to be. Also bring back the monumental sea serpent and the big truck. These memorable imaginative expressions were wood in the past and maintained for years. Perhaps they could be recreated with modern decking materials. And add in Burton’s Little House! )
Archives
Gloucester has a history of producing major anniversary celebrations which makes looking back through archives* inspiring for future plans. Here are a few I’ve pulled:
*digitizing Gloucester Daily Times and Gloucester’s municipal archives is another oft repeated plea of mine and others–am sending that one along to a 400th dream wish list…
August 16, 1942– the city’s second (!) Tercentenary Celebration.
1923 Fighting for public art – the Fisherman at the Wheel memorial commission
On May 21, 1923, the Gloucester Daily Times published an article about the appropriations and planning for the city’s 300th Anniversary which is remarkable in content and its late date–the celebration was just months away! The idea itself and related costs concerning a public art commission –the one that would become Gloucester’s renowned Fisherman at the Wheel Memorial– were hammered out at a heated City Council meeting. Here’s the nearly complete transcription:
COUNCIL RECONSIDERS AND VOTES $5000 TO CELEBRATION: Equal Amount Will Be Reserved for Permanent Memorial Fund–Executive Committee Held Prolonged and Animated Session Saturday Evening. May 21, 1923 (*note ______ indicates illegible copy)
After three hours of discussion and a conference of the municipal council behind closed doors lasting about three-quarters of an hour on Saturday evening, it was voted to reconsider their action whereby the $10,000 appropriated for the anniversary committee should be alloted for a permanent memorial and voted for _____ committee to expend a sum not exceeding $5000 for the celebration, and the other $5000 to be used for the creation of a permanent memorial.
The agreement as finally reached is ______________ provide for the dedication in whole or in part of a permanent memorial to be erected and paid for jointly by the _______ city of Gloucester. “The municipal council agrees that a sum of $5000 of the amount appropriated by the city for the celebration will be for the general purposes of the committee if necessary, with the understanding that all expensea for additional police protection incurred by the committee on public safety will be paid for by the anniversary committee. And with the further understanding that the anniversary committee will do all possible to have this sum of money applied to the permanent memorial in addition to the sum reserved ____ by the municipal _____ surplus after the celebration is over, this surplus also to be for the purpose of a permanent memorial.” The meeting opened at 8.15 o’clock, with a reading of the records by Secretary Harold H. Parsons, and following this there came without hesitation_____ ing of the celebration from those present, and for a time, one was reminded of the old town meeting days. ___________ A Piatt Andrew ___________ carnival parade by members of the art colony of the city were accepted and adopted.
Plain Talk by Chairman Barrett- Chairman Barrett then arose and addressed the members present and said: “I sent a communication to the municipal council some time ago to find out just what standing this celebration had with them. The letter I received was not
The creative response to military service is vast.
Several Gloucester and Cape Ann artists and writers were veterans officially engaged as combat documentarians and/or military artists, like Larry O’Toole (1908-1951), marine artist, official USCG artist and WWII Veteran.
Author and historian Ron Gilson viewing Larry O’Toole murals at O’Maley Innovation School, originally commissioned by Ben Pine ca.1945; after fire and demolition, temporarily relocated to Essex Shipbuilding Museum ; rescued and returned to Gloucester by Raye Norris. When he was a teenager, Gilson helped O’Toole with general art handling-studio assistance such as readying and moving these murals.
Addison Center’s 1866 portrait of Ulysses S. Grant is to the left upon entry in City Hall. (On the right is a 1946 memorial commission by Marguerite Pearson to 5 WWII marines: Sherman B Ruth, Ralph Greely, Wilfred Ringer, John M. Sweet, and Robert M. Maguire.)
Others created art in response to their service experience like fine artist, Robert Stephenson (1935-2013).
Artists-veterans throughout Cape Ann. Bradley Smith, poet, veteran
NEXT MONTH, Rocky Neck Cultural Center will present a visual arts group exhibition featuring artists who are currently active or served in the military curated by fine artist and veteran Ken Hruby:
IN WAR AND AFTER: The Art of Combat Veterans, Curated by Ken Hruby May 17 – June 24, 2018
Courtesy photos credit info and press release below from Rocky Neck.
Mourning the Loss of a Comrade, GySgt Michael Fay, USMCR- Served in Kuwait, Iraq, Afghanistan
Walking in Two Worlds, US Army Signals Linguist Cara Myhre, Served in Iraq, Afghanistan
Haunting Memories, Lt. Col. Deveon Sudduth, US Army, Served in Iraq
Ready for Ga Noi, Sgt. Robert Louis Williams, USMC, Combat Artist, Served in Vietnam
Woman Marine, GySgt Michael Fay, USMCR, Served in Kuwait, Iraq, Afghanistan
Through The Elephant Grass, Sgt. Robert Louis Williams, USMC, Combat Artist, Served in Vietnam
PRESS RELEASE – “The Rocky Neck Art Colony (RNAC) proudly presents “IN WAR AND AFTER: The Art of Combat Veterans”, a multi-media, juried exhibition of over sixty works by more than thirty combat artists from the military services and by veterans making art from their experiences in zones of combat…Congressman Seth Moulton of the 6th congressional district of Massachusetts, himself a Marine Corps veteran of four tours in Iraq, states of this exhibition, “The ‘incommunicable experience of war,’ as Oliver Wendel Holmes once described it, indeed often defies explanation by words alone. That veterans can share some of their experience through art can help us all better understand what they went through. And as a veteran myself, who returned to war with a camera after I left the Marines, I know how cathartic art can be for those of us who were there. The work of combat artists is important for civilians as well, to deepen their understanding of the lives of our service men and women, and their families. “In War and After” is an a very important exhibition for both communities.”
Few people are aware that when US military forces go to war, some of them carry, in addition to their weapons, their sketch pads, graphite pencils, watercolor brushes and cameras. These are combat artists, tasked to not only serve the combat mission but to record that mission in ways only an artist can.
If you haven’t seen the series of five murals painted circa 1945 by fine artist and muralist, Larry O’Toole (1909-1951), that were rescued and installed (decades ago) at O’Maley Innovation Middle School, perhaps you’ve noticed a poster of his brilliant pictorial map around Cape Ann.
O’Toole published editions of the map in 1947 and 1948. Reproductions of “A Salty Map of Cape Ann: Gloucester-Magnolia-Rockport-Pigeon Cove-Lanesville-Bay View-Annisquam” the 1948 blue version are available at Cape Ann Museum shop. The delightful map includes inventive and intricate details and local nods: a shout out to Ben Pine’s* wharf, “All maps like this have a sea serpent;” schooners like the Henry Ford and Gertrude Thebaud (again Pine); historic sites and characteristic scenes not to miss “Artists and Seagulls”; and upcoming landmarks to look forward to like the Annisquam Bridge slated for completion in 1950. The numbered border framing elements could have been inspired by Virginia Lee Burton.close up zoomable map (sold) can be found here
Ben Pine office, 1941, Howard Liberman FSA/OWI photograph
Ben Pine* portrait by FSA/OWI photographer, Howard Liberman, titled “Gloucester, Massachusetts. Capt. Ben Pine, the man who raced the schooner “Gertrude Thebaud” against the Canadian schooner “Blue Nose” for the fisherman’s trophy, is one of the three men who made Gloucester. The others were Tom Carrol and Ray Adams.” (author’s note: Ray Adams was a gal so the compliment is for two men and one woman…).
Art can be seen on the walls throughout the Gloucester Mariner’s Association in Howard Liberman’s faint photos from 1941. I’m looking for more interior shots. Some of the art could be O’Toole’s, who completed commissions for Pine.
Carved fish models at the Gloucester’s Mariners Association (Fishermen’s Institute)
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