Shop Small Shop Local, come on down, great artwork
Shop Small Shop Local, come on down, great artwork
Please click on the link below to see what has been going on at Arts Abound, 21 C Lexington Avenue, Magnolia, Gloucester, MA
A great way to spend some time this fall.
Hope to see all at the Artisan Market at 44 Commercial Street, Rear, Gloucester, MA
Please remember to shop local. Thank you
More information to come.
I track and bid at auctions because I help people buy art. From time to time I highlight here on GMG a few selections from upcoming auctions, fairs and shows solely because they have some Gloucester (Cape Ann) connection. In the early spring sales at two New York auction houses, artists include: Emma Fordyce MacRae, Gifford Beal, Jane Peterson, John Sloan, Lillian Westcott Hale, Paul Manship, W. Lester Stevens and Martha Walter.
Featuring works from the Patrick and Carlyn Duffy collection (yes that’s actor Patrick Duffy) some great ones failed to find a just right home at the live sale back in 2018.
Most of the sale is beyond Gloucester. The couple had a few classic Wyeths. — See all 119 lots here.
a few of the paintings by artists with Gloucester ties
Andre Gisson lot 46 (pre-sale est $1200-$1800) at Doyle March 10, 2020 (no gloucester ties) See all 105 lots here.
Also Doyle At Home auction (bid live on line) March 4, 2020 lots here
Hirschl & Adler galleries just featured gorgeous Peterson paintings at the Winter Show
JANE PETERSON (1876-1965), Niles Pond (Yellow and Turquoise), ca. 1916-20, Oil on canvas, 32 x 32 in.
JANE PETERSON (1876-1965) Harbor with Dunes Watercolor and gouache on paper, 12 x 18 in.
“…In 1954, I met my husband Lars-Erik Wiberg outside my father’s Rockport studio while he was working on a car. Yes, in those days one could park there. We married in 1957 and lived at the Fish House, 27 Bearskin Neck, while I transferred to UMass Art…” – excerpt Betty Allenbrook Wiberg
The front page Cape Ann Beacon story, Rockport is show’s final stop: Betty Allenbrook Wiberg is featured artist for Cape Ann Reads picture book exhibit, published on February 14, 2020, includes a great note by Wiberg. You can read the complete piece on the Beacon’s website here https://gloucester.wickedlocal.com/news/20200214/rockport-to-host-once-upon-contest . The exhibit is on display at Rockport Public Library through Feburary 29, 2020. There is a reception February 29 starting at 11am. Wiberg installed a concurrent temporary installation in the children’s room and display case in the hall, across from the wonderful Recchia Mother Goose sculpture.
The Rockport Public Library maintains a wonderful art collection. When visiting the temporary Once Upon a Contest: Selections from Cape Ann Reads in the children’s room and the special Betty Allenbrook Wiberg installation, don’t miss the genius Mother Goose 1938 bronze by Richard H. Recchia, and the Sam Hershey WPA-era mural, Rockport Goes to War, 1939.
The new Josh Falk mural (2019) is behind the Rockport Public Library.
at the Rockport Public Library
This impression is annotated by the artist as a “sketch model sculpture by R. H. Recchia” (1888-1983). The sculpture rotates to illustrate the rhymes and beautifully expresses how children are captivated by stories. The sculpture is a tribute to his wife, Kitty Parsons (1889-1976), artist & writer, and one of the original founders of Rockport Art Assoc. It was originally situated within the library’s former smaller digs: the Rockport’s Carnegie Library established in 1906, a Beaux-Arts beauty around the corner, now a private home. It was one of 43 Carnegie libraries built in Massachusetts. In 1993 the library moved to its current site in an 1880s mill building, the Tarr School, thanks to the Denghausen bequest.
Parsons & Recchia resided and worked at their home “Hardscrabble” at 6 Summer Street in Rockport. (Rockport was their permanent address from 1928 till his death.) Recchia was born in Quincy. His dad was a stone carver from Verona who worked for Bela Pratt and Daniel Chester French. Later, Recchia was Pratt’s assistant.
For more bas relief examples by Recchia, see his Bela Pratt in the Yale collection, digitized entry here ) Recchia public sculptures are on permanent display at the Rockport Art Association & Museum. More photos below.
click/double click on photos to enlarge photos to actual size (or pinch and zoom) | hover to read caption
Sam Hershey Rockport Goes to War featured Rockport Public Library; W. Lester Stevens WPA mural Preparing Rockport for Granite dating from the same year is across the street in the Post Office
is displayed on the same floor as Recchia and Hershey works February 3 – February 29, 2020.
Heading from Gloucester & Cape Ann to Concord makes for easy nature hikes and must see visits year round. Winter walks on mild days offer unobstructed views. It’s remarkable how many points of interest and preservation are within walking distance — or brief drives– from each other.
The Concord Museum expansion, the Little Women film impact, and Carol Thistle are featured in the Massachusetts Office of Travel & Tourism Industry Update from January 2020 (MOTT). Read the full January 2020 news and stats here for inspiration. Nice to see North Shore highlighted.
“On behalf of the Massachusetts Office of Travel & Tourism, Happy New Year to our tourism colleagues around the world, as we embark on an exciting new year and a new decade here in Massachusetts. We are looking forward to a busy and productive year.
In-state initiatives on our horizon include Plymouth 400, the Restaurant Promotion Commission, a new Historic Women Trailblazers of Massachusetts initiative in honor of the 100th anniversary of the right to vote for women, and a major exhibit on King Tut coming to Boston in June. On MOTT’s international front, we have trade opportunities in Germany, Japan and South Korea in the coming months, as well as two of our most important tourism conferences, DNE and IPW. In this month’s MA Spotlight, we profile Concord Museum’s Marketing & PR Director Carol Thistle, who shares details about exciting new exhibits coming up in 2020 here.”
“…we are so excited about the Little Women film and we have already seen an increase in visitation to Concord because of it. Louisa May Alcott’s copper tea kettle that she used as a nurse during the Civil War is showcased in the Museum. Louisa almost died during the endeavor and was inspired to write her first published work, Hospital Sketches, which helped launch her remarkable and prolific career as one of America’s favorite writers.” – excerpt from Carol Thistle interview for MOTT spotlight Jan 2020
On exhibit at the Concord Museum through June 7, 2020 Beyond Midnight: Paul Revere
Special events featured here– save the dates!
“The $13 million capital campaign supported construction of the new Anna and Neil Rasmussen Education Center, which opened in fall 2018. What are some of the educational features? With this state-of-the-art Center, we host Forums on women’s suffrage, the abolition movement, revolutionary history, decorative arts and other topics connected to our collection. Since the opening of the Rasmussen Education Center, the Museum has served 14,000+ students through a variety of curriculum-based educational programs. Kids can explore the world of Henry David Thoreau, cook over an open hearth, and learn about Native culture through archaeology and so much more. In 2019, the Paul Revere’s Fund provided free bus transportation to the Museum and underwrote all program fees for nearly 4,000 students from Lowell, Lawrence, and Everett.”
“One of the greatest joys in my marketing and public relations career has been promoting so many incredible destinations in our state. Massachusetts has so much to offer local, national and international visitors with its natural beauty, seacoast and of course its history. In the past 25 years, through branding campaigns and strategic marketing, I have promoted some of Boston’s key icons, including Faneuil Hall Marketplace, the Boston Harbor Islands and the Museum of Science – as well as the cities of Gloucester and Salem. For the past 3 ½ years, I have been the Marketing Director for the Concord Museum as it has undergone an exciting $13 million dollar capital campaign, expansion and renovation. I’m also currently serving on the Board of the Concord’s Chamber of Commerce as well as the Advisory Board for both Discover Concord and the Town of Concord’s new Tourism initiative.” – excerpt from Carol Thistle interview for MOTT spotlight Jan 2020
Plan ahead because there’s so much in close proximity. It’s easy to park at one of these sites and walk to the others.
Concord, Mass. Emerson’s home of 50 years is situated across from the Concord Museum and a two minute walk from Alcott’s family home. The house belonged to his wife, Ellen Tucker who died of TB at twenty in 1831, just two years into their young marriage. Emerson supported Thoreau, Alcott’s father (Bronson Alcott) and Hawthorne because of spousal inheritance. He married Lydian in 1835 in Plymouth, Mass. They raised a family in the Concord home.
Gloucester – Concord connections: Emerson itemized “Gloucester” in his pocket journal entries because he came here for work and pleasure: as a Gloucester Lyceum invited speaker; with friends, most notably a famous walk here with Thoreau; visited Rockport in August 1855 and Pigeon Cove with family in 1856 (where he is remembered as the Inn in Rockport Mass most famous guest). Art fans aside: his ancestor, Thomas Emerson, built Arthur Wesley Dow’s house in Ipswich!
Founded in 1912 (!), the museum is the long time family home where Alcott wrote and set Little Women website Ralph Waldo Emerson backed her father’s work. Thoreau was her schoolteacher.
“When she was about seven her father enrolled her in a school taught by Thoreau, then 23. Thoreau often took his students out of the classroom into the woods. He taught them about birds and flowers, gathering lichens, showing them a fox den and deer tracks, feeding a chipmunk from his hand.
Sometimes he took the children on his boat, the Musketaquid, and gave them lessons as they floated down the Sudbury and Assabet rivers. As they passed the battlefield where the American Revolution started, he explained how the farmers had defended themselves against the redcoats. Louisa recorded her vivid memories of those field trips in Moods.” excerpt New England Historical Society
Gloucester – Concord connections: Alcott stayed on Rocky Neck when she visited Gloucester.
Concord, Mass. Don’t forget that Walden Pond is right here, too! Hike to the site of the Henry David Thoreau cabin which he built on Emerson’s land and stayed 2-2-2 (as in two years, two months, two days) over 1845-47.
“When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond, in Concord, Massachusetts, and earned my living by the labor of my hands only.” Henry David Thoreau, Walden Pond, published 1854.
Combining this stop with downtown Concord underscores the scalability of his solitude and deep nature study, and how it was made possible with support from cherished family and friends. (Since it’s pretty much his back yard, no wonder he could walk home!)
Thoreau lived at 255 Main Street in downtown Concord from 1850 until his death in 1862. His former student, Louisa May Alcott, bought the historic house for her sister. She and her father lived there, too.
Gloucester – Concord connections: Walden Pond NPS Visitor Center designed by architect MaryAnn Thompson, same firm that built Temple Ahavat Achim in Gloucester, Mass. Thoreau came to Gloucester at least twice that we know of- in 1848 as an invited speaker by Gloucester Lyceum hosted in the town hall; and in 1854 as the penultimate stop of his north shore trek. Dogtown.
Lincoln, Mass. (Walden Pond/Concord line). A Historic New England property, Gropius House is a landmark Bauhaus residence now museum built in 1938, the same year as MoMa’s legendary Bauhaus exhibition. Marcel Breuer’s house 1 is down the hill.
Gloucester – Concord connections: Mass Modern trail and great buildings. Don Monell and other modern inspiration can be found on Cape Ann. The Graduate school at Harvard designed by Gropius was a TAC (The Architects Collaborative) build in 1950. TAC was founded in 1945 with the clout addition of Gropius who continued with the firm until his death in 1969. Original 7 founders were Norman Fletcher, Louis McMillen, Robert McMillan, Benjamin C. Thompson*, Jean Fletcher, Sarah Harkness and John Harkness. Twenty years later, Monell’s Plum Cove elementary school design in 1967 in Glocuester Mass was leveraged by partnering with The Architects Collaborative. Gloucester’s Plum Cove school is a TAC build. (Wikipedia lists several commissions. The school could be added.) This early 20th century history in Concord could inspire another movie.
*Jane (Fiske McCullough) Thompson and Deb Allen were co-founding editors of Industrial Design; Thomson had worked at MoMa for Philip Johnson. She married Ben Thompson in 1969. To my knowledge, no relation to architect MaryAnn Thompson who designed the Walden Pond visitor center.
The Marcel Breuer House 1 (1939) at 5 Woods End Road is essentially nestled into the Gropius hill property. Floor plans and interior photo published here are from the Marcel Breuer papers in the Archives of American Art, Smithsonian Institution collection. It was added to the National Historic Register in 1988. Minutes away conservation land was set aside thanks to 20th Century modernist architect, Quincy Adams. He served on the town’s conservation committee and donated hundreds of acres of his family’s land for green space.
Lexington, Mass. One could drive to Six Moon Hill after stops mentioned above, on the way back to Gloucester. It’s about 15 minutes from the Gropius House. Six Moon Hill is the nick name for an enclave of neighborhood homes in Lexington, Massachusetts, designed by the modernist architects of The Architects’ Collaborative (TAC) between 1948 and 1950. (The Gropius home was already optimally sited within the Walden Pond/Thoreau orbit. I’d wager intentionally so, a poetic and multidimensional nod to the natural and built environment and how to live. This dialogue among masters across centuries is another reason I believe Maryann Thompson’s visitor center is ideal.)
“Six Moon Hill is a community of twenty-nine Mid-Century Modern houses designed by members of The Architects Collaborative (TAC), beginning in 1948… The property was purchased by the TAC architects in 1947 so they could build inexpensive homes for themselves, their growing families and their friends, and express Modernist socially progressive ideals. A corporation was formed, creating by-laws affecting future development, maintenance and communal responsibilities. The parcel was originally part of a farm, and while the land was initially used for grazing, the steeper areas had reverted to forest at the time of the purchase. Most of Moon Hill is on a ridge with rocky outcrops, wooded with oak and conifers. The impact of construction has been minimized, leaving the site as natural and undisturbed as possible” read more from the historical survey here
Art historian Simon Schama resided on Moon Hill between 1981 and 1993.
Mass Audubon’s Drumlin Farm is a five minute or so drive from the Gropius house. Moon Hill Road is more like 15-20 minutes. Minute Man National Park and Decordova are here, too. There are ample and varied scenic treks to mix it up for repeat visits.
New work by Joey Ciaramitaro is featured in the main gallery at Cape Ann Giclee print shop, 20 Maplewood Avenue, Gloucester, Mass., The Opening Reception is tonight, November 1, 2019 from 6:30 – 9pm.
The Gloucester Sea Serpent is like a Massachusetts Loch Ness monster though an ocean rather than freshwater creature. Alleged sightings date back to 1638; see excellent research by Lise Breen for the HarborWalk marker #19 “The Sea Serpent”.
In 2017, the Cape Ann Museum (CAM) celebrated the 200th anniversary of the Sea Serpent’s peak folklore moment when hundreds of accounts were published in newspapers. (In comparison, the first written record of a monster in Loch Ness dates way back to 565, picks up popular speed by 1802, and on to global recognition by 1933). Swampscott and North Shore sightings surged as competition with Newport and other summer tourism hotspots increased. Sea serpent inspired art across media continued into the 20th and 21st centuries.
Below: A Sea Serpent at Cressy Beach Stage Fort Park in Gloucester was originally painted by fine artist Robert Stephenson circa 1960 and is kept fresh by adoring community. Many moons ago, a free standing climber serpent was a favorite element at the Stage Fort Park playground. My photos in this post span years/seasons, roughly 2011-2019. Hover for descriptive details or double click & enlarge.
The new sculpture commission, Gloucester Sea Serpent, by Chris Williams at Cape Ann Museum was dedicated July 20, 2019, to honor Ronda Faloon, distinguished Cape Ann Museum Director (2006-2019) who retired in 2019.
Look for the serpent’s nocturne visage: the Williams sculpture is the first one on museum grounds to incorporate light amidst its mixed media.
The Gloucester Sea Serpent at the entrance joins other sculptures on view in the Cape Ann Museum Courtyard and Sculpture Garden, a special public space dedicated to the memory of Harold Bell, President of Cape Ann Museum (1979-2003).
ALBERT HENRY ATKINS (1880-1951) Spirt of the Sea 1915 bronze [fun fact courtesy Alex Monell: architect (Cape Ann Museum & CAM board) Don Monell held this sculpture on his property until the best re-siting]
ROBERT AMORY, Reflection, 1970 gift of the artist
KEN HRUBY Uneasy Crown, Uneasy Chair, Uneasy Piece, 1986 (cast 2008) Gift of Judith McCulloch in memory of Harold Bell
And dappled today, GEORGE DEMETRIOS bronze fountain, Spring
Across the street, the Cape Ann Museum sculpture park and gardens designed by Clara Batchelor, CBA Landscape Architect Principal, opened in 2011. Its centerpiece features
JOHN RAIMONDI sculpture, Dance of the Cranes
The Annisquam Art Gallery opens June 10 through July 22, 2019.
Annisquam Art Gallery
Old Leonard School House
32 Leonard Street, Gloucester, MA 01930
We are located upstairs from the Annisquam Exchange
press release for upcoming program:
FOR OUR FATHERS, Sunday, April 28, 2019 7:30pm, at the Gloucester Meetinghouse: acclaimed Austrian soprano Ute Gfrerer, accompanied by pianist William Merrill, and renowned Boston artist Lisa Rosowsky present a deeply moving evening of song and art, based on the legacy of silence of their two fathers during World War II, one an Austrian member of the Nazi Youth Party, and one a French Jew. In a unique collaboration, the two artists present a Holocaust-themed program of music and mixed media artworks, based on memories of their fathers. The event is co-hosted with Temple Ahavat Achim. The Meetinghouse (home of the Unitarian Universalist Church) is located on the green at the corner of Middle and Church Streets (accessible side entrance at 10 Church Street with an elevator). Tickets ($45 preferred, $30 general, $10 students with ID, under 12 free) are available at the door and in-advance with more information at gloucestermeetinghouse.org
About the program from the artist, Lisa Rosowsky:
When we met in 2017, Ute had already developed a repertoire of musical performances incorporating music that had been set to poems by writers caught up in the Holocaust, and for more than a decade I had been creating mixed media works of art around being the daughter of a survivor. We knew we wanted to find a way to weave together our work into an audio-visual program, and it became my task to craft the presentation. We were amazed by how many of her songs matched up thematically with my pieces! Our goal was to move the audience seamlessly between each song and each work of art, setting both into historical context while offering insight into our individual experiences with our fathers. Over the course of a few months, we developed this performance, which we are pleased to share with you.
Benefit event: This event is co-sponsored by Temple Ahavat Achim with support from the Paulson Fund, by the Series Sponsors of the Gloucester Meetinghouse Foundation, and by the Massachusetts Cultural Council. Proceeds will be used to benefit the ongoing preservation of the historic (1806) Meetinghouse as well as to support Temple Ahavat Achim’s Rabbi Myron and Eileen Geller Endowment Campaign for the Sylvia Cohen Religious School and Family Learning
news from Cape Ann Museum
April 13 – June 16, 2019
OPENING RECEPTION Saturday, April 13, 3:00 to 5:00 p.m.
Join artist Esther Pullman for the opening of an exhibition of her large-scale panoramic photographs. Reception is free for Cape Ann Museum members or with Museum admission. Shot over a twenty-year period, these large-scale panoramic photographs of greenhouses explore such universal themes as the passage of time, the cycle of the seasons, death and rebirth, and have also unavoidably become a metaphor for our threatened planet.
Pullman’s work is featured in two openings on Pleasant Street on April 13th and it’s easy to schedule both!
Pullman’s work is included in a group show, A Turning Poing: the Contemporary Landscape, at Jane Deering Gallery, which represents her work. The gallery is located next to the museum. The show is opening the same day:
Venue: Jane Deering Gallery, 19 Pleasant Street, Gloucester, Mass.
Group show: A Turning Poing | The Contemporary Landscape
Artists: Gabrielle Barzaghi, Paul Cary Goldberg, Tom Fels, Jacob Hessler, Jeff Marshall, Adin Murray, Esther Pullman, Steve Rosenthal and Erma Wheeler from New England; Nell Campbell, Gail Pine and Young Suh from California; Gail Barker, Neeta Madahar and Michael Porter from the United Kingdom
Opening Reception: Saturday April 13, 4:00-6:00pm