1894 and 1902 poem and photo series on the business of fishing and the beauty & charm of Gloucester | Clarence Manning Falt #GloucesterMA essentials

Clarence Manning Falt (1861-1912) was a Gloucester poet and photographer, a son of a Canadian immigrant & fisherman and a Gloucester mother & homemaker (born and raised in a fisherman generations family herself). They had seven children. The Falt family eventually purchased 172 East Main Street; Clarence and his surviving siblings continued to live there as adults. It’s a huge home.

photo caption: 172 East Main Street, Gloucester, Mass. An Edward Hopper drawing of this Gloucester house, which I identified, was gifted to the Minneapolis Art Institute and included in a travel exhibition highlighting major drawings from this famous repository.

Clarence Manning Falt clerked for various businesses on Main Street to support his art practice.

By the 1900 census, clerk was dropped from the “occupation” category, “Author” stood alone.

Falt photographed and wrote about Gloucester, where he was born and raised during the late 1800s. His work reflects his own personal experiences including the fishing industry of his parents’ world. The best ones connect readers to this world because of his talents and an insider’s careful observations. Some of the writing relies too much on tropes and can be a chore, though never as difficult as the jobs he portrays, and may stick with you just the same because he is successful in providing such accurate and detailed examples of the business of fishing and the beauty of Gloucester. Some poems rise to evoke a full and cinematic day at the docks and ideas to mull over.


POINTS OF INTEREST: GLOUCESTER IN SONG

Falt’s book of poems and photographs, Points of Interest Gloucester in Song, was published in 1894, the year after his mother died. He dedicated the volume to her. Examples of his original and stunning photographs are from the copy held in the collection of the Library of Congress which was digitized. The pairings aren’t always successful and one might long for more photos, as I have. A few appear to be source photos for vintage postcards.

“To those who have grown up from childhood amid the grandeur and solemnity of these scenes, to the stranger who has become familiar with them, may their hearts be quickened with a keener appreciation for, and a deeper sympathy with, all that has made Gloucester and its suburbs charming and historic.”

Clarence Manning Falt

photo caption: Fog Bell and Whistling Buoy, Eastern Point Lighthouse

and: The Old Fort, Eastern Point and: The Bell, The Whistle, and the Buoy

example of photo surpassing (dated/trope) poem example | photo caption: A Legend of the Whipping Post, Middle Street

Have you seen this rock face profile?

photo caption: The Watcher

Have you walked past this balancing skinny topper?

photo caption: Lot’s Wife

Poem titles and links for the photo grid below:

(take time to enlarge the photos!)

photo caption : A Winter’s Day at Rafe’s Chasm

Falt poems from nature (without photographs) from this volume and worth a read

THE BLUETS
  
 IN mosses green
 A charming scene,
 To me a sweet surprise,
 In bright array
 This fair spring day
 The bluets greet my eyes.
  
 Each dainty cup,
 Is lifted up
 With tints of heaven’s hue; 
 Each budding gem
 A diadem
 Bespangled with the dew.
  
 Like tiny shields
 Amid the fields,
 On bodies, slim and frail,,
 They wave and bend
 And sweetly send
 The Welcome Spring’s All hail!
  
 Where bright sunshine
 By one divine
 Can reach each fragile heart,
 They lovely gleam
 Like some sweet dream
 And Joy’s sweet pulses start.
  
 My better self
 (The heart’s stored wealth)
 Enraptured at the sight
 On each sweet face
 See’s Heaven’s grace
 And life, immortal, bright.
  
 On, tiny blooms,
 When waking tombs
 Lie buried ‘neath the snow,
 And Death doth keep
 Guard o’er thy sleep
 And blust’ring winds they blow,
  
 Backward apace
 My heart will trace,
 And bring, begemmed with dew,
 ‘Mid mosses green 
 The charming scene
 Of you, sweet buds of blue.
  
 -Clarence Manning Falt, 1894, 
in Gloucester, Ma. 

Bluets, photo courtesy Justine Vitale

WHARF AND FLEET

Falt’s volume of poems and photographs, Wharf and Fleet: Ballads of the fishermen of Gloucester, was published in 1902. A copy of the book held at the University of California was digitized and uploaded in 2006.

This one was dedicated to Winthrop L. Marvin* (1863-1926), author of The American merchant marine; its history and romance from 1620 to 1902, also published in 1902.

“…Ever since 1713 Gloucester has been the peculiar home of the schooner, and this is now and long has been the unvarying rig of her unrivalled fleet of deep-sea fishermen. The first entry of a schooner in Boston’s commerce occurs in 1716, — “Mayflower,” Captain James Manson, from North Carolina. As Captain Andrew Robinson was a direct descendant of John Robinson who preached to the Pilgrims at Leyden, it is conjectured that this “Mayflower” was the fist schooner, the original Gloucester craft. Be this as it may, her useful successors are numbered by the thousands,…”

and re: the 100 days War with Spain:

“At the Gloucester recruiting station, in the early summer of 1898 , 76.5% of the men examined were accepted. At Boston the percent accepted was 14.5; at New York only 6. This means that in physique and intelligence the fishermen of New England are very much superior to the merchant sailors of the great seaports. So valuable a national resource as the deep-sea fisheries cannot be suffered to decline.”

*Winthrop Lippitt Marvin – U.S. journalist, and author; Civil Service Commissioner of Massachusetts; secretary of the Merchant Marine Commission

Back to Falt

Clarence Manning Falt was clearly proud of his parents and hometown and had a linguist’s ear and aptitude for the music of words. He studied public speaking and drama in Boston and New York. This book incorporates strongly stylized dialect deliberately, heavily.

“There is no distinct vernacular used, for the nationalities represented in this fishing port are so complex as to render that impossible, but there are many phrases in general use which I have endeavored to bring forth in these ballads. Born in this seaport city, with blood of seafaring people in my veins, the grandeur and pathos of this variable life have ever enthralled me.”

Clarence Manning Falt

More From his intro

Gloucester’s “population at the writing of this work is about 29,000. As a fishing-port, it is the largest in the world. Here can marine life be studied in all its phases. Here, lying at their moorings, will be found the up-to-date Gloucester fishing vessels, for the modern type of fishing vessel is t he pride and delight of a Gloucester skipper’s heart. He considers his stanch craft his ocean home. Indeed, these handsome vessels are as fine as the stately yachts that daily grace the harbor, for one would immediately note their fine sheer, perfectly fitting sails, clean decks, trim rig, and crews of able-bodied seamen, marking a wonderful and almost magical development from the primitive types of the quaint shallops, pinnaces, and pinkies of the olden days.

Gloucester harbor, like some might arena of old, is terraced with impregnable bastions of rugged hills and seared and time-furrowed cliffs…At night its beauty is unrivalled. Seaward its light-towers flash and gleam…the fleets glowing to port and windward, vying landward with the city’s brilliant reflections, sparkling with the shimmering glows of the wharf lights, the anchored fleets, and the inverted spangles of the stars of heaven… The wharf life has also developed marvelously. Every up-to-date method of prosecuting this industry is employed. This development has brought many new occupations and newer characteristics of the life. ”

Clarence Manning Falt, 1902 excerpt from his introduction Wharves and Fleet

A Matter of the Ear

“Packin’ Mack’r’l” — that does sound musical, and easily missed! How it makes me smile imagining Falt enlivened by the sights and sounds all about, fishing for just the right words and photographs; all the while diligently preserving a specificity of Gloucester’s fishermen’s dialect; a language all its own, encompassing many nationalities; one in which he was fluent and could translate and that he felt through his art. I wish that there was an audio recording of his reading aloud (or under his direction).

reminder comparable- post Civil War there was an uptick of slang dialects expressed in American writing, notably Tom Sawyer published 1876 and Huck Finn 1885(US)

Falt poem & photos- Gloucester sound and “see”scapes

SELECTION OF FALT’S POEMS

Many of the poems from Wharves and Fleet include vivid definitions tagged beneath which are delightful, personal and informative.

photo caption: “Th’ Spider an th’ Fly” Driving’ th’ spiles; buildin’ th’ w’arves

In building a wharf, the piles are first inserted into holes made in the dock, then after being carefully inserted and put in shape, they are driven down to a certain point by a heavy iron weight suspended from the top of the scow.

“Fly an’ spider”: figuratively used when the heavy iron weight (“th’ spider”) strikes the top of the pile (“th’ fly”). An old saying, long handed down by the fisher-folk**.

Notes from – Clarence Manning Falt

**have you heard this expression?

Ride stilts- “reflections of the piles at low tide. As the hawser lifts and drips and the crew hauls upon it, the phosper at night gleams most beautifully.

Notes from – Clarence Manning Falt

Dryin’ time after a heavy rain or spell of easterly weather, one of the most picturesque scenes of the harbor is the hanging of hoisted and half-hoisted sails from all sorts of crafts to dry in the coming forth of the sun.

Note about “Drying Time” – Clarence Manning Falt

Some of the poems I like most helped me learn about ancillary jobs and a bigger , tender portrait of this port.

GITTIN’ UNDERWAY

           GITTIN’ UNDERWAY 
 In th’ early dawn ere th’ doors unlock,
 Then it’s crick, crick, crick, an’ it’s 
      crock, crock, crock
 An’ it’s ho an’ hi fer th’ blocks ter talk
 In th’ early dawn e’er th’ doors unlock.
  
 Then it’s ho na’ hi fer th’ dreams ter die,
 Fer th’ crews an’ th’ bunks ter say good-by,
 Fer th’ yawn an gape, fer th’ stretch an’ sigh,
 In th’ early dawn ere th’ cocks crow high
  
 Then it’s ho fer doublin’ th’ Woolsey smocks,
 An’ twicein’ th’ toes in th’ home-knit socks,
 An cuddlin’ th’ ears up under th’ locks,
 An’ haulin’ down tighter th’ souwes’ chocks.
  
 Then it’s ho fer housin’ th’ rubber boots,
 An’ firmin’ th’ heart in th’ stiff oil suits,
 W’ile the cuddies blaxe, an’ th’ coffee goots,
 An’ th’ windlass creaks, an’ th’ horn it hoots.
  
 Then it’s ho fer grubbin’ an’ hi fer drink,
 Then shadder th’ gangway an’ meet th’ brink
 Ter shape out th’ course an ter careful think
 In th’ early dawn w’ile th’ stars still blink.

“Block ter talk”: the hoisting of the sails.
“Woolsey smocks”: flannel shirts.
“Souwes’ chocks”: the flannel-line lappets 
that are attached to the sou’westers.
“Housin’ th’ rubber boots”: pulling them on.
“Cuddies”: forecastle.
“Windlass”: it is located forward the foremast,
and is used in weighing up the anchor.
“Horn”: the hand foghorn.
“Shape out th’ course”: making the grounds
by chart and compass.
“Sou’wester”: a broad-brimmed oil-cloth hat 
with ear-lappets lined with flannel.
   -------
 Clarence Manning Falt, Wharf and Fleet, 1902, Gittin’ Underway, p. 37-38 

TH’ NIPPERWOMAN

          TH’ NIPPERWOMAN 

  I SEE her black shawl mid th’ butts
      Clutched tight erpon her breast,
  I see her black cloud full uv ruts
      Er shamin’ off its best,
  I see her pinched an’ wrinkled face
      Er quizzing uv th’ crew,
  An’ this ter-nigh is ole Mart Place,
      That once wuz Marthay True.
    
   I see her lookin’ down th’ deck
      Ter git some welcome nod,
   Or still perchance th’ courage beck
      Ter put her feet erboard.
   I know her arms are tired out
      Er holdin’ uv th’ string,
   Fer ev’ry one is knitted stought
      Ter pace th’ haddickin’.
    
   Oh, Marthay True uv long ergo,
      Could you have looked ter see
   Yer rosy cheeks an’ eyes erglow
      Come cryin’ back ter thee,
   Could you have looked ter see each braid
      Thin twisted stran’s uv snow,
   I know yer would ter God have prayed
      Fer ankrige long ergo.
    
   Oh, Marthay True that bird-like sang,
      An’ twined th’ red rose high,
   An bade my boyhood’s heart ter hang
      Er love-light in thine eye,
   Could you have known th’ years would
               fling
   Yer, stranded wreck uv Time,
     Ter sell with ev’ry knitted ring
   Er dead heart’s silent chime,     
    
   Er Nipper woman in th’ cold,
      Unnoticed an’ forlorn,
   Mid fisher faces sad an’ bold,
      With hearts bruised like yer own,
   I know yer would ter God have prayed
      Fer ankrige long ere this,
   Than rather been by Fate errayed
      Er thing fer chance ter kiss.
    
   O, Marthay True, we laugh an’ woo,
      An’ twine th’ red rose high,
   An prate, an’ tell what we will do,
      With laughter in our eye;
   But way down in our hearts we know
      Time’s but er fickle thing,
   An’ ere life’s winds begin ter blow
      Come grief an’ sufferein’.
    
   Oh, Marthay True, we laugh an’ woo,
     An’ twine th’ red rose high,
   An prate, an’ tell what we will do,
     With laughter in our eye;
   But soon, too soon, our castles fall,
     Our gay ships drink th’ sea,
   An’ what should been joy’s merry call
    Jest tears fer memory.
    
   Oh, Marthay True, God wot that thou
     Meet luck with all th’ fleet,
   An if er kind word will endow
     I’ll speak it quick an’ neat.
   I know er fisher’s tender spot
     Is ankered in his heart,
   Fer once with Christ they threw th’ lot,
     An’ hauled er goodly part.  
             
   Oh, Marthay True, yer tale is told.
     Th’ hearts are tried an’ staunch,
   An, they have trawled er sum uv gold
     Ter speed yer in joy’s launch.
   God wot that thou mayst happy be.
     Jest keep yer sad heart bright,
   An’ He will steer yer down Life’s sea
     Ter find Hope’s port erlight.   

Nipper woman: one of a class of women who knit 
and sell to the crews of the fleet the woolen 
nippers worn to prevent chafing of the fishing lines.
It is an industry pursued in the winter 
and sold to the firms and the crews in the 
early spring, at the fitting out or in the fall 
at the “shifting of voyages.”

Nippers: when the trawl gets caught, 
--“hung up,” in fishing vernacular,
--mittens are removed and the trawls 
are hauled in with a pair of nippers, 
bracelets of knitted wool or 
cloth held in the palm of the hand, 
creased to allow of a better hold of the line.
  
 ------
Clarence Manning Falt, Wharf and Fleet, 1902 
Th’ Nipper woman,  p. 37-38        

Woolen nippers from Gloucester on view at the Smithsonian were exhibited in the 1883 International Fisheries Exhibition in London. I think of Falt’s poem, Th’ Nipper Woman, above, when I see this display, and find it all the more poignant now picturing the women & men working the dock and sea and seasons at port. Intimate and full. Gentle and rough.

photo caption: Nippers. ca. 1880s. US Fish Commission. National Museum of American History, Smithsonian, Washington, DC

GAFFIN’ FISH

          GAFFIN' FISH
 W’EN th’ tide is out er flirtin’,
   An’ fergits ter shut its door,
 An’ th’ happy clams are squirtin,
   Playin’ injine with the shore,    
    
 An th’ kids are ripe fer junkin’,
   An’ fer skippin’ rocks an’ shells,
 An fer woodin’ an’ fer punkin’
   Bobbin’ bottles in th’ swells,  
    
 An’ yer hear th’ rats er squalin’
   Frum th’ black cracks in th’ walls,
 An’ yer quiz th’ tomcats stealin’ Nearer,   
   nearer ter th’ calls,    
 
 An’ yer mark some ole trap histid,
   Like er giddy thing on cogs,
 With its body kind uv listid
   T’ward th’ black spiles an th’ logs,
    
 All togged up in robes uv coal tar,
   Yaller oaker, sash’s an’ bo’s,
 P’r’aps er crimson-pintid five-star
   Sunburs’in’ its puggy nose,  
             
 Like some poor, ole primay donnay
    Thet has wobbled all her say,
 Now shoved further ter th’ corner
    W’ile th’ daybute works her lay,
    
  P’r’aps er ole T.D. er puffin’ 
    Frum er drollin’ mouth er stern,
  Use ter bluffin’, use ter cussin’, 
    Use ter words I know yer’v hern,
    
 Then yer know time’s ripe fer gaffin’
   An’ fer puntin’ roun’ th’ docks,
 Fer it’s then th’ crews git chaffin’
   An’ er rattlin’ th’ pitchforks,
    
 Fer it’s then th’ strays go slippin’
   Frum th’ ole caps with er thud,
 An’ th’ guick gaffs raise ‘em drippin’
   Ter th’ sly punts frum th’ mud.
    
 Oh, it’s art ter watch th’ sneakin’
   Uv th’ puntin’ through th’ spiles,
 Oh, it’s art ter watch th’ peekin’
   Uv th’ gaffers an’ th’ wiles,
    
 Fer it’s thievin’ pure an simple
   An’ it’s skittish work at bes’,
 Though th’ cheek may wear th’ dimple,
   An th’ eye stan’ heaven’s tes’.     
          
 Oh, it’s risky work er gaffin’,
   Full uv duckin’s, fights, an’ jaws,
 Full uv skuddin’, full uv chaffin’,
   Full uv haul-ups, full uv laws.
    
 Fer if caught, as sure as Moses,
   Yer’ll be chucked deep in th’ dump,
 W’ile th’ smells uv sweet June roses 
   Won’t c’logne up th’ homeward slump.
    
When the trips are being taken out, 
often many fish slip from the pitchforks 
and sink to the docks. A class of young 
men and boys then row around in little boats, 
called punts, and gaff up the fish beneath 
the wharves and sell them. It is an illegal 
business, and if caught, they are subjected 
to a fine and imprisonment. 
It is operated at low tide.

“Ole trap histid”: the old-fashioned shore 
boats that haul up on the dock flats for repairs.

"Pintid five-star”: an old-fashioned emblem
For decorating ends of bowsprits.
------
Clarence Manning Falt, Wharf and Fleet: 
ballads of the Gloucester Fishermen, 1902 
Gaffin’ Fish, p.39-41        

For me, this one is a compelling balance: he carries water for the skippers and (less) for the gray market hustlers. It’s messy. His dad’s guiding hand on this one. Scroll back up and look at the “Th’ spider an’ th’ fly” photograph, the pilings and surface of the water. The images and words flow and force, back and forth. The pairings aren’t so cut and dry.

Clarence Manning Falt fast facts:

Born August 1861, Gloucester, Mass.
FatherCpt. Walter M. Falt
(b. Canada April 18, 1823- d. Glouc. 1904)
emigrated in 1845; fish dealer aka fish merchant 1870 census; skipper; master fisherman 1880 census; day laborer 1900 census
misspelled as “Fault”, Cpt and Master Sea Foam 1878
MotherMary Carlisle Robinson
(b. Glouc. 1826 – d. Glouc. 1893)
parents married Nov. 30, 1847
“keeping house”
Resided family home172 East Main Street,
he and his siblings with their parents
Edward Hopper drawing of this house in the collection of the Minneapolis Art Inst.
Day job clerk for downtown businesses (drugstores on Main)
Universitystudied oration and acting
Occupation“clerk” and “apothecary clerk” on earlier census
“author” on 1900 census
6 siblingsdates on family headstone
Marion, (1849 -1931) 1848?
Walter P. (1851-1877) laborer 1870 census
Julia Procter (1852-1924)
Clarence M. (1861-1912) author 1900 census
Austin C. (1866-1915) stevedore 1900 census
Roland H. (1868-1870)
Mary Taylor (1876-1917) 1874?
Published works1894- Points of Interest: Gloucester in Song
1902- Wharf and Fleet: ballads of the Fishermen of Gloucester
Died 1912
Gravefamily plot, Mt. Pleasant Cemetery

Under a Banner of Many Nations

Note from the author: Over the past week, I’ve shared Boston Globe Gloucester stories about immigrants: Swedish, Canadian, Italian, Sicilian, Portuguese , Irish, Scotch and so on. I thought of Falt’s books with each post.

Nations jump from the page when scanning vital stats documents, too- like this one from Gloucester birth registry 1868 – scroll over to the right through Occupation / place of Birth of Father/ place of Birth of Mother.

(To get the full experience, go big! The wordpress format reduces the size, however all photos in this post can be clicked, double clicked through, or pinch & zoomed to enlarge)

1897 Boston Globe century list of top captains

  • Captain Thomas Bohlin #3 “king pin among the halibut fishermen” (born in Sweden)
  • Captain Charles Harty tie for #2 mackerel “as a seiner his reputation has been made.”
  • Captain Solomon Jacobs #1 OG “widest known fisherman this country has ever produced…having started out as record beater, has had to live up to his reputation and has succeeded…” codfishery then mackerel seining – global expansion, lost everything & came back again “at the foot of the ladder. His old time luck had not forsaken him…” (born in England, brought to Newfoundland when a baby)
  • Captain Alex McEachern #7 high lines, particularly Grand bank codfisheries beat all records in 1897 (born Cape Breton)
  • Captain John W. McFarland tied for #2 “the only one to make two newfoundland herring trips, and marketed them in New York, on one season” (born in Maine)
  • Captain Andrew McKenzie #8 Iceland halibut and Newfoundland herring (born in PEI)
  • Captain Lemuel F. Spinney #5 “high line halibut catcher who is in the first flight of the “killers.” (born in Yarmouth, N.S.)
  • Captain Charles Young #6 halibut fleet -1895 record for most trips in one year (born in Copenhagen)
  • Captain Richard Wadding #4 halibut (born in England)

A June Morning – arch yes to my ear, and interesting catalogue of flora and fauna then

Yes, Joan, there is a dinosaur

Understandably there is no Middle Street Walk 2020, so Middle Street looks different this season. There is an endearing Dinosaur visiting. Ho Ho Ho ha ha ha!

Joan of Arc WWI memorial statue by Anna Hyatt Huntington in back

fun fact- building behind dino corner of Middle & Wash. Streets was one place artist Edward Hopper roomed in for Gloucester visits

**The Sun newspaper editorial board response to “Is there a Santa Claus’ query from an 8 year old was published September 21, 1897 on page 6 (Library of Congress). Yes, Virginia, there is a Santa Claus.

Also twinkling nearby (Middle, Pine, School & Proctor, Chestnut)

More lights? Holiday Lights and Cocoa Drives 2020 map- tour from your car or keyboard.

p.s. Perkins St. extravaganza completed

gif

gif

Map additions- Perkins and Ledgemont

Sawyer Free Library new building presentation March 27

Sawyer Free Library Gloucester Massachusetts_20190306_© catherine ryan

Keep What Works at the Library – Keep What Works at the Library”, Martha Bowen letter to the editor, Gloucester Daily Times, March 23, 2019

Keep What Works at the Library LTE by Martha Bowen Gloucester Daily Times_March 23 2019.jpg

UPCOMING MEETINGS THIS WEEK

  • ON Tuesday       March 26, 2019 Library Trustees meeting from 5:30-7:30PM
  • ON Wednesday March 27, 2019 there is a Library (new) Building Committee meeting from 4pm – 6pm. The monthly meetings sometimes follow the traditional schedule of meeting on the last Wednesday of each month at 4:00 pm, and sometimes they have been/will be combined with Trustee meetings, etc. Do confirm ahead: 01/30/2019, 02/27/2019 02/26/2019, 03/27/2019, 04/24/2019 LOCATION: confirm SFL location if Friend Room or one of two rooms upstairs/downstairs in Saunders. There may be other informal ad hoc meetings.

Since the last meeting February 26, 2019

 

City Hall from Sawyer Free Gloucester MA_20190306_© catherine ryan

library event page March 25 2019
website 3/25/19

Continue reading “Sawyer Free Library new building presentation March 27”

Installation views of Geoffrey Bayliss Harvest series- art show opens Nov 17 Jane Deering Gallery

The Art of Geoffrey Bayliss OPENING RECEPTION SATURDAY NOVEMBER 17th FROM 1-4PM

Fun Saturday downtown- The artist’s Harvest series opens at Jane Deering Gallery at Pleasant Street and Middle Street, on the same day as CAFM’s Harvest market and the Sargent House’s 2018 Middle Street Harvest Festival.

from Jane Deering Gallery-

Jane Deering Gallery is pleased to present The Art of Geoffrey Bayliss, November 10-December 10 with an Open Reception Saturday November 17th from 1:00-4:00pm at 19 Pleasant Street, Gloucester. The artist’s latest work — two suites of unique linocut prints — will be on view in the exhibition titled Harvest.  Blue Harvest, a series of 13 prints in beautiful color, and the companion series, Red Harvest, achieve a range of complexity emblematic of the reductive technique. Accompanying the new prints is a flock of highly inventive papier-mâché birds, fresh from the studio and ready for new destinations. These delightful objects are the result of explorations in papier-mâché by Bayliss and artist/printmaker Coco Berkman with whom Bayliss continues to study. The artist has generously offered to donate his proceeds from the sale of these works-in-progress to The Open Door/Cape Ann Food Pantry.

Bayliss, a native of Gloucester, holds a BA in architecture from Columbia University. He has studied with artist Celia Eldridge, sculptor John Bozarth, printmaker Coco Berkman, and artist Charlotte Roberts.  His work is held in numerous private collections in the US.  This is the artist’s 3rd solo show with Jane Deering Gallery. The gallery will be open Saturday & Sunday 1-4pm, November 10 – December 10, and by chance or appointment at 917-902-4359, info@janedeeringgallery.com, 19 Pleasant Street, Gloucester, MA. 01930.

 

Classic Cars on the Green Oct 13

Gloucester Meetinghouse Invitational, October 13th, car show to benefit Meetinghouse renovation

The opening event in the Gloucester Meetinghouse Foundation’s 2018-19 Concert & Lecture Series is a vintage car show, to be held on the green at the corner of Church and Middle Street from 10:00am to 2:00pm on Saturday, October 13th.  The event is free to the public but a $5 donation per adult is requested.

A set of over 30 very special classic cars will be on display!

This event will be the first annual classic car show displaying vintage or significant cars owned by North Shore collectors to benefit the ongoing restoration of the historic 1806 Meetinghouse as a civic hub, entertainment venue and community center by the Gloucester Meetinghouse Foundation.

It’s a competition! Vote for your favorites!

The audience will judge the cars in 9 categories, including Best in Show. The event will conclude with trophies given to the winners in an awards ceremony.
PRIZE CATEGORIES
1 FIRST PRIZE Best in Show, the People’s Choice
2 ELEGANCE The most elegant car
3 LUXURY The car with the most luxurious interior
4 GRAND TOURING The best road-trip car
5 SPORT The best racing car
6 OSTENTATIOUS The showiest car
7 PRACTICAL The most useful vehicle
8 BEAUTIFUL The car with the best styled exterior
9 DELIGHTFUL The most fun to drive

Hourly tours of the Meetinghouse

will include a performance on the historic 1893 Hutchings pipe organ. Food and beverages will be available. A Dixieland band, ‘John’s Giddy Gang,’ will perform on the Meetinghouse steps.

Car owners are asked to pre-register at info@gloucestermeeinghouse.com with a suggested contribution of $25. For more information please see:  www.gloucestermeetinghouse.org

gmf Car Show 2018, FINAL POSTER

Pike’s 61 Middle Street then and now

historic photograph Middle Street home before Pikes funeral home Gloucester Mass reproduced in Photographic History of Gloucester Vol 3 published 1978.jpg

 

Pike Newhall Funeral Home Middle Street Gloucester Mass_20180820_©c ryan.jpg

61 Middle Street Pike Newhall Funeral Home 

Advertisement in 1902 Polk directory lists Pike business address on Washington Street prior to Middle Street relocation; the business was founded in 1900. 61 Middle formerly Winchester Inn

Before Pike moved to Middle street Gloucester Mass - 1902 Polk city directory advertisement.jpg

Then and Now: where Middle Street meets Riggs Street Gloucester, Mass.

Photographic History of Gloucester Mass Volume 3 published 1978 from photographic collections of Caroline Benham_Gaspar J Lafata_Martin J Horgan Jr_ photo collection James B. Behnam

photo above: “Here is the second of the three gambrel roof houses in this section of Middle Street. Riggs Street is on the left and in the rear of the first gambrel roof house is Babson’s Field which was used as sites for some of the houses moved from Western Avenue in 1922-23′-’24 when Stacy Blvd. was constructed.” from  History of Gloucester Vol. 3, published 1978, featuring photographs from James B. Benham collection and from Gaspar J. Lafata and Martin J. Horgan Jr. 

Riggs Street at Middle Street Gloucester Mass _20180820_©c ryan

 

 

TODAY: 3pm Annisquam Church with Michael O’Leary; GPS spring concert chorus 4pm at Gloucester UU; and 5pm Eastern Point Lit House Faulkner at Duckworth’s!

3pm

ANNISQUAM VILLAGE CHURCH CONCERT SERIES, 820 Washington Street, Gloucester, MA. Sunday, May 21 at 3 PM  “Music from the Misty Isles”
O’Carolan Etcetera (Anglo – Irish Ensemble) & Celtic Balladeer, Michael O’Leary

4pm

Spring Concert at Gloucester Unitarian Universalist Church, 10 Church Street, Gloucester, MA

omaley chorus spring chorus

5pm

Eastern Point Lit House The Lit House Book Club

Email easternpointlithouse@gmail.com with questions (not Duckworth’s :))

All Book Club events begin at 5 PM. Duckworth’s Bistrot is located at 197 East Main St., Gloucester, MA 01930 * Ticket priceincludes wine/beer, fresh, seasonal appetizers, and a great discussion. Local bookstores: The Bookstore of Gloucester and Toad Hall Books in Rockport. Eastern Point Lit House, Dogtown Book Shop and Main Street Art & Antiques may have vintage editions.

IMG_20170521_123458 (1).jpg

 

Earth day every day- off the mark by Mark Parisi

IMG_20170422_061909 (1).jpgIMG_20170422_061930

Mark Parisi’s off the mark comic panel has been published since 1987. Parisi has been nominated for the National Cartoonists Society Best Newspaper panel 4x and won twice (2009 and 20012). He grew up in Gloucester. We bought the desk calendar at The Weathervane.

Earth Day Volunteer Today– link to Donna Ardizonni’s reminder about the Great Gloucester Cleanup.

Treat yourself tonight to the art of music on Middle Street: Joonho Park’s all-Bach organ double concert. The doors open at 7PM at the Gloucester Unitarian Universalist Church; following intermission and a stroll, the recital continues at St. John’s Episcopal Church!

Next week Cape Ann Sustainability Fair and Gloucester Pride Stride.

IMG_20170419_092754 (1)

Proposed building plans Sawyer Free Library, City Hall…Whoa! In the news plus the 1973 appeal led by Joseph Garland, universal access, and archives

“No finer place for sure, downtown.”

photo-from-c-r
“Fate of historic buildings uncertain” Gloucester Daily Times, Ray Lamont, Jan 3 2017

Seeing double? Yes, you’re supposed to. The Sawyer Free Library addition was designed to mirror Cape Ann Museum as a balanced and nuanced architectural symmetry in deference to City Hall, and catalyst for a graceful center.

img_20161207_114325
Cape Ann Museum, December 2017

Sawyer Free Library has announced a public meeting January 11th for discussions of a new building. (See the flyer at the end of this post.)

City Hall may have some upcoming construction on the Dale Avenue side as well.

Both projects are largely in the name of accessibility of a physical nature. Can they be cost effective, worthy of our history and culture, protect our significant buildings, and address current and future needs? The following are some of the issues, local coverage, links to resources, and archival material for your interest.

HANDICAP PARKING SPACES BY CITY HALL- Do we have enough?

Although there are several new handicap parking spaces along Dale Avenue by City Hall, carving out the landscape on the left for more spots is in the cards because of grant money. Why? Several people told me that Dale Avenue parking spaces are hazardous for anyone exiting on the street. Although I do not want to minimize any pressing needs, I still ask, “Really?” Have we become so car dependent we would rather a thoroughfare here than the elegant streetscape we have (once a tree lined walk from the train station.) I was also told that it will increase visitation counts. It is an unfair advantage that historic sites with access to more funding (Monticello, Smithsonian, Colonial Williamsburg, and more) are better equipped to face these seemingly no-win situations. But there are creative retrofitting options for Gloucester, too.  Universal design is about balance, not chasing funding sources at the expense of preservation and beauty, nor backwards planning.

dale-avenue-city-hall-2
Dale Avenue c.1910

img_20161207_114145
City Hall, December 2017

img_20161220_081425
The site of possible razing and paving

img_20161220_081026_ink_ink_li

NEW LIBRARY 2016. And 1973.

Before the current 2015-16 library outreach, the library hosted extensive visioning sessions throughout 2013. I went to a couple, and I was invited to take part in a focus group (on schools and the library.)  A completely new library and jettisoning of the historic Saunders library building was not an expressed community value. What were some common discussion points? A strategy for digitization of historic archives and newspapers, more staff, more hours of operation (Sundays), better bathrooms, parking issues, air conditioning, electrical work, maintenance, security, maximizing technology/ content access with schools, ditto Cape Ann TV, and attendance (see this great video from Lisa Smith by kids for kids ) were some goals that were mentioned.

So it was a surprise to see the unveiling of new architectural renderings that did not showcase the Saunders house. It’s like the White House not featuring the White House. I think the Saunders house should be key and central to any building overhaul, not tossed aside. Providing universal access should preserve the intended awe factors if there are any, FOR EVERYBODY–such as the architectural details, proportion, welcoming entrance and unique heritage of a historic building. In this proposal, with Saunders severed there is zero physical access to the main event. What a missed opportunity. And for a library. What do you think?

Today’s paper mentioned that the Saunders house could be used for other purposes instead of the library. Why can’t that be the case and the library maintain its #1 asset? The downtown cultural district (which is not going forward in the same capacity) and other organizations could use the library meeting spaces. Do we really need to conjure up another stand alone endeavor?

Back in 1973, the Trustees of the Library began a fund drive for the new library addition; the city of Gloucester paid 2/3. As the Library’s General Chairman, Joe Garland led that campaign. Not surprising, the text of the brochure is a good read! The architect was Donald F. Monnell. (In 1971 Monnell was quoted in the papers speaking about the attributes of Central Grammar.  One likes him more and more.) The population served was 27,000–nearly what it is today.

img_20170103_131842
Awesome design  on this 1973 brochure for the fundraising campaign for the Sawyer Free library– led by the Joe Garland (cover). See photos of complete pamphlet

img_20170103_093954
See “Preserving our Civic Center,” great letter to the editor by Prudence Fish, Gloucester Daily Times, December 23, 2016

Working together

img_20170101_104938

2016 Planning term and movement- “Scaling Up”

A quip about the concept of Scaling UP that I remember from a conference this past September at Peabody Essex Museum and hosted by Essex National Heritage was to “think about the farm not just a barn”; in this case a downtown, or an entire city and region. I like thinking this way in general–architecture and planning, art, and schools. But this conference pushed me to add overlays beyond my areas of expertise or focus like wildlife and waterways. Gloucester, Cape Ann, Massachusetts–there’s so much! Mayor Romeo Theken is committed to working together and feels that planning is important and broad. One example, see Gloucester Daily Times Dec 19, 2016 Officials: City to Prioritize Its (competing) Needs 

img_20161221_092738-1
City Looks to Prioritize its Needs, Gloucester Daily Times, Ray Lamont, Dec. 19, 2016

There are several looming questions, evaluations, and decisions.

img_20161210_115031_ink_li

Every era has choices. The prior library expansion plans began well before 1972. Possibilities swirled as they do now. (Back then, Central Grammar was also in the news, may or may not have been razed, and possible uses favored senior housing, commercial development, an annex to City Hall, and a courthouse police station.) Today there are competing building needs and uses floated for properties as diverse as: the Cape Ann YMCA on Middle Street, the post office on Dale, the Gloucester Fire Department, police headquarters, St. Ann’s, and the elementary schools–and that’s just to name a few. Let’s celebrate enviable architectural strengths, and not fuss with buildings that should be venerated, unless it’s to help them be accessible and healthy. Let’s get the balance right.

HISTORY MAKING PLEA- Archives for all

The prohibitive costs of best practice historic preservation (ADA compliant, temperature and humidity controls, security, sustainability, in house scanning/OCR/audio transcription, etc) is impossible for all the worthy collections in town, and pits them as foes when vying for funds. Let’s flip that impediment on its head and make Gloucester a model for the state.  Its treasures would be available worldwide if they were truly accessible –digitized.Two words may help accomplish this goal and free up cash for individual operations: shared overhead. It’s one hope I continue to stress–the need to share necessary resources for a state-of-the-art research and warehouse repository. This universal hub should be large enough to encompass any holdings not on view. There could be a smaller downtown central site combined with a larger off site location, such as at Blackburn. The list of sharing institutions could include and is by no means exhaustive: our municipal archives that date back to 1642; Cape Ann Museum; Sawyer Free Library; North Shore Art Association; Beauport; Hammond Castle; the Legion; Amvets and other social clubs; Sargent House; several places of worship; Gloucester Daily Times; Annisquam historical building collections; Lanesville; Magnolia’s historic collections; artists/writers estates; Veterans office; our schools; Isabel Babson Memorial Library, and perhaps businesses such as Cape Pond Ice and Gortons. The library plans don’t appear to retrofit their site(s) for this goal.

If incentives and policy supported neighborhood character over less generic construction collages51

that would be wonderful.  It’s not just Gloucester.

img_20161231_100628

Continue reading “Proposed building plans Sawyer Free Library, City Hall…Whoa! In the news plus the 1973 appeal led by Joseph Garland, universal access, and archives”

GloucesterCast 12/26/14 With Toby Pett, Kim Smith, Nichole Schrafft and Host Joey Ciaramitaro #GloucesterMA

GloucesterCastSquare

GloucesterCast 12/26/14 With Toby Pett, Kim Smith, Nichole Schrafft and Host Joey Ciaramitaro

Topics Include: Taping with The Blue Yeti, Guests Toby Pett, Kim Smith, Nichole Schrafft, Host Joey Ciaramitaro, Hockey Moms, D Small and His Kwanza Bowtie, Food Coma At Sista Felicias, Middle Street Is A Cool Place To Live, Christmas Rundown, Shout Out To Joe Marcantonio For Holiday Seafood, 7lb Banza In Three Days, Turkey For Christmas?,  Canada Goose Arctic Program Jackets, Relative Bargains, Restoration Hardware Robe, Ray Borque Wears His Canada Goose Jacket, Grit Pod Hockey Bag, Marmot Outerwear, Kim’s Camera, Rocky Neck Plunge Oakes Cove Beach, Bertha’s, Open Door Food Pantry, Joey’s Problem With Ugly Sweater Contests, The Phrase “Jump The Shark”, Giblees, Coogi Sweaters, North Shore Shopping Center and Liberty Tree Mall For The Holidays In The Old Days, Nichole Schrafft Holiday Vacation To-Do Picks, Joey Is A Grumpy Hungry Bear, Talbot Rink, Ipswich River Wildlife Sanctuary, North Shore Kid, Check Out The Clam Post- Texting An Elf, Do You Think The Clamistas Use Online Collaborative Tools?, Joey’s Zero Success Rate In  Getting GMG Contributors To Use Online Collaborative Tools, Global Shark Tracker, Ukulele Christmas Sin-A-Long, Foreign Affairs Is Closed Til Some Time In February, Dinner Dealer Deck, Duckworth Bistrot Closed For January, New Year’s Plans, Rockport Rockin New Year’s Eve, Don’t Forget To Subscribe To The Podcast Here For A Chance To With the Cape Pond Ice Mug Generously Donated By Donna Ardizzoni

podcasticon1GMG Podacst #110 Joey Toby -2 ©Kim Smith 2014

Video- Middle Street from Henry Ferrini

There is a "Middle Street" in the middle of most cities and towns in America. This Middle Street is in America’s oldest fishing port, Gloucester, Massachusetts. It’s crowded with churches, municipal buildings and funeral parlors. The street is a conduit into the life of the city. Traveling over wharves, through religious festivals and into the movies transmuting a personal story into a Gloucester story. Middle Street is a chowder of sounds, gestures, syllables, looks and fleeting moments, a nature walk through Gloucester, Massachusetts with Willie Alexander and Henry Ferrini.
Winner: Somerville Film Festival-Best of Festival, 1995.

Gloucester At Dawn, Corner Of Middle and Pleasant Street

I wonder what the economic climate was like when this building was built.   Buildings like this just aren’t constructed regularly in our day, I guess because it is cost prohibitive.  Do you think it came down to economics or just a sense of pride when the people who built this building designed and had it built?