A great Gloucester, built environment, story of renewal.
The devastating fire in an apartment building on Middle street in 2007 killed 1 person, and destroyed Temple Ahavat Achim’s building dating from 1828 and acquired in 1950. Gloucester’s First Parish Church, established in 1738, relocated from Grant Circle and assembled here 1828-1950. The doors salvaged from the burned building and the arch detail referencing the original historic structure were meaningfully incorporated into the synagogue’s new building, designed by Maryann Thompson. How beautiful! Hundreds of years of continuous community faith, hope and unity.
‘Murray’ meeting house | corner of Middle & Dale – postcard, collection C. Ryan
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Clarence Manning Falt (1861-1912) was a Gloucester poet and photographer, a son of a Canadian immigrant & fisherman and a Gloucester mother & homemaker (born and raised in a fisherman generations family herself). They had seven children. The Falt family eventually purchased 172 East Main Street; Clarence and his surviving siblings continued to live there as adults. It’s a huge home.
photo caption: 172 East Main Street, Gloucester, Mass. An Edward Hopper drawing of this Gloucester house, which I identified, was gifted to the Minneapolis Art Institute and included in a travel exhibition highlighting major drawings from this famous repository.
Clarence Manning Falt clerked for various businesses on Main Street to support his art practice.
By the 1900 census, clerk was dropped from the “occupation” category, “Author” stood alone.
Falt photographed and wrote about Gloucester, where he was born and raised during the late 1800s. His work reflects his own personal experiences including the fishing industry of his parents’ world. The best ones connect readers to this world because of his talents and an insider’s careful observations. Some of the writing relies too much on tropes and can be a chore, though never as difficult as the jobs he portrays, and may stick with you just the same because he is successful in providing such accurate and detailed examples of the business of fishing and the beauty of Gloucester. Some poems rise to evoke a full and cinematic day at the docks and ideas to mull over.
POINTS OF INTEREST: GLOUCESTER IN SONG
Falt’s book of poems and photographs, Points of Interest Gloucester in Song, was published in 1894, the year after his mother died. He dedicated the volume to her. Examples of his original and stunning photographs are from the copy held in the collection of the Library of Congress which was digitized. The pairings aren’t always successful and one might long for more photos, as I have. A few appear to be source photos for vintage postcards.
“To those who have grown up from childhood amid the grandeur and solemnity of these scenes, to the stranger who has become familiar with them, may their hearts be quickened with a keener appreciation for, and a deeper sympathy with, all that has made Gloucester and its suburbs charming and historic.”
THE BLUETSIN mosses greenA charming scene,To me a sweet surprise,In bright arrayThis fair spring dayThe bluets greet my eyes.Each dainty cup,Is lifted upWith tints of heaven’s hue; Each budding gemA diademBespangled with the dew.Like tiny shieldsAmid the fields,On bodies, slim and frail,,They wave and bendAnd sweetly sendThe Welcome Spring’s All hail!Where bright sunshineBy one divineCan reach each fragile heart,They lovely gleamLike some sweet dreamAnd Joy’s sweet pulses start.My better self(The heart’s stored wealth)Enraptured at the sightOn each sweet faceSee’s Heaven’s graceAnd life, immortal, bright.On, tiny blooms,When waking tombsLie buried ‘neath the snow,And Death doth keepGuard o’er thy sleepAnd blust’ring winds they blow,Backward apaceMy heart will trace,And bring, begemmed with dew,‘Mid mosses green The charming sceneOf you, sweet buds of blue.-Clarence Manning Falt, 1894, in Gloucester, Ma.
Bluets, photo courtesy Justine Vitale
WHARF AND FLEET
Falt’s volume of poems and photographs, Wharf and Fleet: Ballads of the fishermen of Gloucester, was published in 1902. A copy of the book held at the University of California was digitized and uploaded in 2006.
“…Ever since 1713 Gloucester has been the peculiar home of the schooner, and this is now and long has been the unvarying rig of her unrivalled fleet of deep-sea fishermen. The first entry of a schooner in Boston’s commerce occurs in 1716, — “Mayflower,” Captain James Manson, from North Carolina. As Captain Andrew Robinson was a direct descendant of John Robinson who preached to the Pilgrims at Leyden, it is conjectured that this “Mayflower” was the fist schooner, the original Gloucester craft. Be this as it may, her useful successors are numbered by the thousands,…”
and re: the 100 days War with Spain:
“At the Gloucester recruiting station, in the early summer of 1898 , 76.5% of the men examined were accepted. At Boston the percent accepted was 14.5; at New York only 6. This means that in physique and intelligence the fishermen of New England are very much superior to the merchant sailors of the great seaports. So valuable a national resource as the deep-sea fisheries cannot be suffered to decline.”
*Winthrop Lippitt Marvin – U.S. journalist, and author; Civil Service Commissioner of Massachusetts; secretary of the Merchant Marine Commission
Back to Falt
Clarence Manning Falt was clearly proud of his parents and hometown and had a linguist’s ear and aptitude for the music of words. He studied public speaking and drama in Boston and New York. This book incorporates strongly stylized dialect deliberately, heavily.
More From his intro
Gloucester’s “population at the writing of this work is about 29,000. As a fishing-port, it is the largest in the world. Here can marine life be studied in all its phases. Here, lying at their moorings, will be found the up-to-date Gloucester fishing vessels, for the modern type of fishing vessel is t he pride and delight of a Gloucester skipper’s heart. He considers his stanch craft his ocean home. Indeed, these handsome vessels are as fine as the stately yachts that daily grace the harbor, for one would immediately note their fine sheer, perfectly fitting sails, clean decks, trim rig, and crews of able-bodied seamen, marking a wonderful and almost magical development from the primitive types of the quaint shallops, pinnaces, and pinkies of the olden days.
Gloucester harbor, like some might arena of old, is terraced with impregnable bastions of rugged hills and seared and time-furrowed cliffs…At night its beauty is unrivalled. Seaward its light-towers flash and gleam…the fleets glowing to port and windward, vying landward with the city’s brilliant reflections, sparkling with the shimmering glows of the wharf lights, the anchored fleets, and the inverted spangles of the stars of heaven… The wharf life has also developed marvelously. Every up-to-date method of prosecuting this industry is employed. This development has brought many new occupations and newer characteristics of the life. ”
Clarence Manning Falt, 1902 excerpt from his introduction Wharves and Fleet
A Matter of the Ear
“Packin’ Mack’r’l” — that does sound musical, and easily missed! How it makes me smile imagining Falt enlivened by the sights and sounds all about, fishing for just the right words and photographs; all the while diligently preserving a specificity of Gloucester’s fishermen’s dialect; a language all its own, encompassing many nationalities; one in which he was fluent and could translate and that he felt through his art. I wish that there was an audio recording of his reading aloud (or under his direction).
reminder comparable- post Civil War there was an uptick of slang dialects expressed in American writing, notably Tom Sawyer published 1876 and Huck Finn 1885(US)
Falt poem & photos- Gloucester sound and “see”scapes
SELECTION OF FALT’S POEMS
Many of the poems from Wharves and Fleet include vivid definitions tagged beneath which are delightful, personal and informative.
In building a wharf, the piles are first inserted into holes made in the dock, then after being carefully inserted and put in shape, they are driven down to a certain point by a heavy iron weight suspended from the top of the scow.
“Fly an’ spider”: figuratively used when the heavy iron weight (“th’ spider”) strikes the top of the pile (“th’ fly”). An old saying, long handed down by the fisher-folk**.
Notes from – Clarence Manning Falt
**have you heard this expression?
Ride stilts- “reflections of the piles at low tide. As the hawser lifts and drips and the crew hauls upon it, the phosper at night gleams most beautifully.
Notes from – Clarence Manning Falt
Dryin’ time after a heavy rain or spell of easterly weather, one of the most picturesque scenes of the harbor is the hanging of hoisted and half-hoisted sails from all sorts of crafts to dry in the coming forth of the sun.
Note about “Drying Time” – Clarence Manning Falt
Some of the poems I like most helped me learn about ancillary jobs and a bigger , tender portrait of this port.
GITTIN’ UNDERWAYIn th’ early dawn ere th’ doors unlock,Then it’s crick, crick, crick, an’ it’s crock, crock, crockAn’ it’s ho an’ hi fer th’ blocks ter talkIn th’ early dawn e’er th’ doors unlock.Then it’s ho na’ hi fer th’ dreams ter die,Fer th’ crews an’ th’ bunks ter say good-by,Fer th’ yawn an gape, fer th’ stretch an’ sigh,In th’ early dawn ere th’ cocks crow highThen it’s ho fer doublin’ th’ Woolsey smocks,An’ twicein’ th’ toes in th’ home-knit socks,An cuddlin’ th’ ears up under th’ locks,An’ haulin’ down tighter th’ souwes’ chocks.Then it’s ho fer housin’ th’ rubber boots,An’ firmin’ th’ heart in th’ stiff oil suits,W’ile the cuddies blaxe, an’ th’ coffee goots,An’ th’ windlass creaks, an’ th’ horn it hoots.Then it’s ho fer grubbin’ an’ hi fer drink,Then shadder th’ gangway an’ meet th’ brinkTer shape out th’ course an ter careful thinkIn th’ early dawn w’ile th’ stars still blink.
“Block ter talk”: the hoisting of the sails.
“Woolsey smocks”: flannel shirts.
“Souwes’ chocks”: the flannel-line lappets
that are attached to the sou’westers.
“Housin’ th’ rubber boots”: pulling them on.
“Windlass”: it is located forward the foremast,
and is used in weighing up the anchor.
“Horn”: the hand foghorn.
“Shape out th’ course”: making the grounds
by chart and compass.
“Sou’wester”: a broad-brimmed oil-cloth hat
with ear-lappets lined with flannel.
Clarence Manning Falt, Wharf and Fleet, 1902, Gittin’ Underway, p. 37-38
TH’ NIPPERWOMANI SEE her black shawl mid th’ buttsClutched tight erpon her breast,I see her black cloud full uv rutsEr shamin’ off its best,I see her pinched an’ wrinkled faceEr quizzing uv th’ crew,An’ this ter-nigh is ole Mart Place,
That once wuz Marthay True.I see her lookin’ down th’ deckTer git some welcome nod,Or still perchance th’ courage beckTer put her feet erboard.I know her arms are tired outEr holdin’ uv th’ string,Fer ev’ry one is knitted stoughtTer pace th’ haddickin’. Oh, Marthay True uv long ergo,Could you have looked ter seeYer rosy cheeks an’ eyes erglow Come cryin’ back ter thee,Could you have looked ter see each braid Thin twisted stran’s uv snow,I know yer would ter God have prayed Fer ankrige long ergo.Oh, Marthay True that bird-like sang,An’ twined th’ red rose high,An bade my boyhood’s heart ter hang Er love-light in thine eye,Could you have known th’ years would flingYer, stranded wreck uv Time, Ter sell with ev’ry knitted ringEr dead heart’s silent chime,Er Nipper woman in th’ cold,Unnoticed an’ forlorn,Mid fisher faces sad an’ bold, With hearts bruised like yer own,I know yer would ter God have prayedFer ankrige long ere this,Than rather been by Fate errayed Er thing fer chance ter kiss.O, Marthay True, we laugh an’ woo, An’ twine th’ red rose high,
An prate, an’ tell what we will do, With laughter in our eye;But way down in our hearts we know Time’s but er fickle thing,An’ ere life’s winds begin ter blow Come grief an’ sufferein’.Oh, Marthay True, we laugh an’ woo,An’ twine th’ red rose high,An prate, an’ tell what we will do,With laughter in our eye;But soon, too soon, our castles fall,Our gay ships drink th’ sea,An’ what should been joy’s merry callJest tears fer memory.Oh, Marthay True, God wot that thouMeet luck with all th’ fleet,An if er kind word will endowI’ll speak it quick an’ neat.I know er fisher’s tender spotIs ankered in his heart,Fer once with Christ they threw th’ lot,An’ hauled er goodly part.Oh, Marthay True, yer tale is told.Th’ hearts are tried an’ staunch,An, they have trawled er sum uv goldTer speed yer in joy’s launch.God wot that thou mayst happy be.Jest keep yer sad heart bright,An’ He will steer yer down Life’s seaTer find Hope’s port erlight.
Nipper woman: one of a class of women who knit
and sell to the crews of the fleet the woolen
nippers worn to prevent chafing of the fishing lines.
It is an industry pursued in the winter
and sold to the firms and the crews in the
early spring, at the fitting out or in the fall
at the “shifting of voyages.”
Nippers: when the trawl gets caught,
--“hung up,” in fishing vernacular,
--mittens are removed and the trawls
are hauled in with a pair of nippers,
bracelets of knitted wool or
cloth held in the palm of the hand,
creased to allow of a better hold of the line.
------Clarence Manning Falt, Wharf and Fleet, 1902 Th’ Nipper woman, p. 37-38
Woolen nippers from Gloucester on view at the Smithsonian were exhibited in the 1883 International Fisheries Exhibition in London. I think of Falt’s poem, Th’ Nipper Woman, above, when I see this display, and find it all the more poignant now picturing the women & men working the dock and sea and seasons at port. Intimate and full. Gentle and rough.
GAFFIN' FISHW’EN th’ tide is out er flirtin’,An’ fergits ter shut its door,An’ th’ happy clams are squirtin,Playin’ injine with the shore, An th’ kids are ripe fer junkin’,An’ fer skippin’ rocks an’ shells,An fer woodin’ an’ fer punkin’Bobbin’ bottles in th’ swells,An’ yer hear th’ rats er squalin’Frum th’ black cracks in th’ walls,An’ yer quiz th’ tomcats stealin’ Nearer, nearer ter th’ calls, An’ yer mark some ole trap histid,Like er giddy thing on cogs,With its body kind uv listidT’ward th’ black spiles an th’ logs,All togged up in robes uv coal tar,Yaller oaker, sash’s an’ bo’s,P’r’aps er crimson-pintid five-starSunburs’in’ its puggy nose,Like some poor, ole primay donnay Thet has wobbled all her say,Now shoved further ter th’ corner W’ile th’ daybute works her lay,P’r’aps er ole T.D. er puffin’ Frum er drollin’ mouth er stern, Use ter bluffin’, use ter cussin’, Use ter words I know yer’v hern,Then yer know time’s ripe fer gaffin’An’ fer puntin’ roun’ th’ docks,Fer it’s then th’ crews git chaffin’An’ er rattlin’ th’ pitchforks,Fer it’s then th’ strays go slippin’Frum th’ ole caps with er thud,An’ th’ guick gaffs raise ‘em drippin’Ter th’ sly punts frum th’ mud.Oh, it’s art ter watch th’ sneakin’Uv th’ puntin’ through th’ spiles,Oh, it’s art ter watch th’ peekin’Uv th’ gaffers an’ th’ wiles,Fer it’s thievin’ pure an simpleAn’ it’s skittish work at bes’,Though th’ cheek may wear th’ dimple,An th’ eye stan’ heaven’s tes’.Oh, it’s risky work er gaffin’, Full uv duckin’s, fights, an’ jaws,Full uv skuddin’, full uv chaffin’,Full uv haul-ups, full uv laws.Fer if caught, as sure as Moses,Yer’ll be chucked deep in th’ dump,W’ile th’ smells uv sweet June roses Won’t c’logne up th’ homeward slump.
When the trips are being taken out,
often many fish slip from the pitchforks
and sink to the docks. A class of young
men and boys then row around in little boats,
called punts, and gaff up the fish beneath
the wharves and sell them. It is an illegal
business, and if caught, they are subjected
to a fine and imprisonment.
It is operated at low tide.
“Ole trap histid”: the old-fashioned shore
boats that haul up on the dock flats for repairs.
"Pintid five-star”: an old-fashioned emblem
For decorating ends of bowsprits.
------Clarence Manning Falt, Wharf and Fleet: ballads of the Gloucester Fishermen, 1902
Gaffin’ Fish, p.39-41
For me, this one is a compelling balance: he carries water for the skippers and (less) for the gray market hustlers. It’s messy. His dad’s guiding hand on this one. Scroll back up and look at the “Th’ spider an’ th’ fly” photograph, the pilings and surface of the water. The images and words flow and force, back and forth. The pairings aren’t so cut and dry.
Cpt. Walter M. Falt (b. Canada April 18, 1823- d. Glouc. 1904) emigrated in 1845; fish dealer aka fish merchant 1870 census; skipper; master fisherman 1880 census; day laborer 1900 census misspelled as “Fault”, Cpt and Master Sea Foam 1878
Mary Carlisle Robinson (b. Glouc. 1826 – d. Glouc. 1893) parents married Nov. 30, 1847 “keeping house”
Resided family home
172 East Main Street, he and his siblings with their parents Edward Hopper drawing of this house in the collection of the Minneapolis Art Inst.
clerk for downtown businesses (drugstores on Main)
studied oration and acting
“clerk” and “apothecary clerk” on earlier census “author” on 1900 census
dates on family headstone Marion, (1849 -1931) 1848? Walter P. (1851-1877) laborer 1870 census Julia Procter (1852-1924) Clarence M. (1861-1912) author 1900 census Austin C. (1866-1915) stevedore 1900 census Roland H. (1868-1870) Mary Taylor (1876-1917) 1874?
1894- Points of Interest: Gloucester in Song 1902- Wharf and Fleet: ballads of the Fishermen of Gloucester
family plot, Mt. Pleasant Cemetery
Under a Banner of Many Nations
Note from the author: Over the past week, I’ve shared Boston Globe Gloucester stories about immigrants: Swedish, Canadian, Italian, Sicilian, Portuguese , Irish, Scotch and so on. I thought of Falt’s books with each post.
Nations jump from the page when scanning vital stats documents, too- like this one from Gloucester birth registry 1868 – scroll over to the right through Occupation / place of Birth of Father/ place of Birth of Mother.
(To get the full experience, go big! The wordpress format reduces the size, however all photos in this post can be clicked, double clicked through, or pinch & zoomed to enlarge)
Captain Thomas Bohlin #3 “king pin among the halibut fishermen” (born in Sweden)
Captain Charles Harty tie for #2 mackerel “as a seiner his reputation has been made.”
Captain Solomon Jacobs #1 OG “widest known fisherman this country has ever produced…having started out as record beater, has had to live up to his reputation and has succeeded…” codfishery then mackerel seining – global expansion, lost everything & came back again “at the foot of the ladder. His old time luck had not forsaken him…” (born in England, brought to Newfoundland when a baby)
Captain Alex McEachern #7 high lines, particularly Grand bank codfisheries beat all records in 1897 (born Cape Breton)
Captain John W. McFarland tied for #2 “the only one to make two newfoundland herring trips, and marketed them in New York, on one season” (born in Maine)
Captain Andrew McKenzie #8 Iceland halibut and Newfoundland herring (born in PEI)
Captain Lemuel F. Spinney #5 “high line halibut catcher who is in the first flight of the “killers.” (born in Yarmouth, N.S.)
Captain Charles Young #6 halibut fleet -1895 record for most trips in one year (born in Copenhagen)
Captain Richard Wadding #4 halibut (born in England)
A June Morning – arch yes to my ear, and interesting catalogue of flora and fauna then
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ON Tuesday March 26, 2019 Library Trustees meeting from 5:30-7:30PM
ON Wednesday March 27, 2019 there is a Library (new) Building Committee meeting from 4pm – 6pm.The monthly meetings sometimes follow the traditional schedule of meeting on the last Wednesday of each month at 4:00 pm, and sometimes they have been/will be combined with Trustee meetings, etc. Do confirm ahead: 01/30/2019, 02/27/2019 02/26/2019, 03/27/2019, 04/24/2019 LOCATION: confirm SFL location if Friend Room or one of two rooms upstairs/downstairs in Saunders. There may be other informal ad hoc meetings.
The Art of Geoffrey Bayliss OPENING RECEPTION SATURDAY NOVEMBER 17th FROM 1-4PM
Fun Saturday downtown- The artist’s Harvest series opens at Jane Deering Gallery at Pleasant Street and Middle Street, on the same day as CAFM’s Harvest market and the Sargent House’s 2018 Middle Street Harvest Festival.
from Jane Deering Gallery-
Jane Deering Gallery is pleased to present The Art of Geoffrey Bayliss, November 10-December 10 with an Open Reception Saturday November 17th from 1:00-4:00pm at 19 Pleasant Street, Gloucester. The artist’s latest work — two suites of unique linocut prints — will be on view in the exhibition titled Harvest. Blue Harvest, a series of 13 prints in beautiful color, and the companion series, Red Harvest, achieve a range of complexity emblematic of the reductive technique. Accompanying the new prints is a flock of highly inventive papier-mâché birds, fresh from the studio and ready for new destinations. These delightful objects are the result of explorations in papier-mâché by Bayliss and artist/printmaker Coco Berkman with whom Bayliss continues to study. The artist has generously offered to donate his proceeds from the sale of these works-in-progress to The Open Door/Cape Ann Food Pantry.
Bayliss, a native of Gloucester, holds a BA in architecture from Columbia University. He has studied with artist Celia Eldridge, sculptor John Bozarth, printmaker Coco Berkman, and artist Charlotte Roberts. His work is held in numerous private collections in the US. This is the artist’s 3rd solo show with Jane Deering Gallery. The gallery will be open Saturday & Sunday 1-4pm, November 10 – December 10, and by chance or appointment at 917-902-4359,firstname.lastname@example.org, 19 Pleasant Street, Gloucester, MA. 01930.
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Gloucester Meetinghouse Invitational, October 13th, car show to benefit Meetinghouse renovation
The opening event in the Gloucester Meetinghouse Foundation’s 2018-19 Concert & Lecture Series is a vintage car show, to be held on the green at the corner of Church and Middle Street from 10:00am to 2:00pm on Saturday, October 13th. The event is free to the public but a $5 donation per adult is requested.
A set of over 30 very special classic cars will be on display!
This event will be the first annual classic car show displaying vintage or significant cars owned by North Shore collectors to benefit the ongoing restoration of the historic 1806 Meetinghouse as a civic hub, entertainment venue and community center by the Gloucester Meetinghouse Foundation.
It’s a competition! Vote for your favorites!
The audience will judge the cars in 9 categories, including Best in Show. The event will conclude with trophies given to the winners in an awards ceremony.
1 FIRST PRIZE Best in Show, the People’s Choice
2 ELEGANCE The most elegant car
3 LUXURY The car with the most luxurious interior
4 GRAND TOURING The best road-trip car
5 SPORT The best racing car
6 OSTENTATIOUS The showiest car
7 PRACTICAL The most useful vehicle
8 BEAUTIFUL The car with the best styled exterior
9 DELIGHTFUL The most fun to drive
Hourly tours of the Meetinghouse
will include a performance on the historic 1893 Hutchings pipe organ. Food and beverages will be available. A Dixieland band, ‘John’s Giddy Gang,’ will perform on the Meetinghouse steps.
photo above: “Here is the second of the three gambrel roof houses in this section of Middle Street. Riggs Street is on the left and in the rear of the first gambrel roof house is Babson’s Field which was used as sites for some of the houses moved from Western Avenue in 1922-23′-’24 when Stacy Blvd. was constructed.” from History of Gloucester Vol. 3, published 1978, featuring photographs from James B. Benham collection and from Gaspar J. Lafata and Martin J. Horgan Jr.
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ANNISQUAM VILLAGE CHURCH CONCERT SERIES, 820 Washington Street, Gloucester, MA. Sunday, May 21 at 3 PM “Music from the Misty Isles” O’Carolan Etcetera (Anglo – Irish Ensemble) & Celtic Balladeer, Michael O’Leary
Spring Concert at Gloucester Unitarian Universalist Church, 10 Church Street, Gloucester, MA
Mark Parisi’s off the mark comic panel has been published since 1987. Parisi has been nominated for the National Cartoonists Society Best Newspaper panel 4x and won twice (2009 and 20012). He grew up in Gloucester. We bought the desk calendar at The Weathervane.
Earth Day Volunteer Today– link to Donna Ardizonni’s reminder about the Great Gloucester Cleanup.
Treat yourself tonight to the art of music on Middle Street: Joonho Park’s all-Bach organ double concert.The doors open at 7PM at the Gloucester Unitarian Universalist Church; following intermission and a stroll, the recital continues at St. John’s Episcopal Church!
Seeing double? Yes, you’re supposed to. The Sawyer Free Library addition was designed to mirror Cape Ann Museum as a balanced and nuanced architectural symmetry in deference to City Hall, and catalyst for a graceful city civic center.
Sawyer Free Library has announced a public meeting January 11th for discussions of a new building. (See the flyer at the end of this post.)
City Hall may have some upcoming construction on the Dale Avenue side as well.
Both projects are largely in the name of accessibility of a physical nature. Can they be cost effective, worthy of our history and culture, protect our significant buildings, and address current and future needs? The following are some of the issues, local coverage, links to resources, and archival material for your interest.
NEW LIBRARY 2016. And 1973.
Before the current 2015-16 library outreach, the library hosted extensive visioning sessions throughout 2013. I went to a couple, and I was invited to take part in a focus group (on schools and the library.) A completely new library and jettisoning of the historic Saunders library building was not an expressed community value. What were some common discussion points? A strategy for digitization of historic archives and newspapers, more staff, more hours of operation (Sundays), better bathrooms, parking issues, air conditioning, electrical work, maintenance, security, maximizing technology/ content access with schools, ditto Cape Ann TV, and attendance (see this great video from Lisa Smith by kids for kids ) were some goals that were mentioned.
So it was a surprise to see the unveiling of new architectural renderings that did not showcase the Saunders house. It’s like the White House not featuring the White House. I think the Saunders house should be key and central to any building overhaul, not tossed aside. Providing universal access should preserve the intended awe factors if there are any, FOR EVERYBODY–such as the architectural details, proportion, welcoming entrance and unique heritage of a historic building. In this proposal, with Saunders severed there is zero physical access to the main event. What a missed opportunity. And for a library. What do you think?
Today’s paper mentioned that the Saunders house could be used for other purposes instead of the library. Why can’t that be the case and the library maintain its #1 asset? The downtown cultural district (which is not going forward in the same capacity) and other organizations could use the library meeting spaces. Do we really need to conjure up another stand alone endeavor?
Back in 1973, the Trustees of the Library began a fund drive for the new library addition; the city of Gloucester paid 2/3. As the Library’s General Chairman, Joe Garland led that campaign. Not surprising, the text of the brochure is a good read! The architect was Donald F. Monnell. (In 1971 Monnell was quoted in the papers speaking about the attributes of Central Grammar. One likes him more and more.) The population served was 27,000–nearly what it is today.
2016 Planning term and movement- “Scaling Up”
A quip about the concept of Scaling UP that I remember from a conference this past September at Peabody Essex Museum and hosted by Essex National Heritage was to “think about the farm not just a barn”; in this case a downtown, or an entire city and region. I like thinking this way in general–architecture and planning, art, and schools. But this conference pushed me to add overlays beyond my areas of expertise or focus like wildlife and waterways. Gloucester, Cape Ann, Massachusetts–there’s so much! Mayor Romeo Theken is committed to working together and feels that planning is important and broad. One example, see Gloucester Daily Times Dec 19, 2016 Officials: City to Prioritize Its (competing) Needs
There are several looming questions, evaluations, and decisions.
Every era has choices. The prior library expansion plans began well before 1972. Possibilities swirled as they do now. (Back then, Central Grammar was also in the news, may or may not have been razed, and possible uses favored senior housing, commercial development, an annex to City Hall, and a courthouse police station.) Today there are competing building needs and uses floated for properties as diverse as: the Cape Ann YMCA on Middle Street, the post office on Dale, the Gloucester Fire Department, police headquarters, St. Ann’s, and the elementary schools–and that’s just to name a few. Let’s celebrate enviable architectural strengths, and not fuss with buildings that should be venerated, unless it’s to help them be accessible and healthy. Let’s get the balance right.
HISTORY MAKING PLEA- Archives for all
The prohibitive costs of best practice historic preservation (ADA compliant, temperature and humidity controls, security, sustainability, in house scanning/OCR/audio transcription, etc) is impossible for all the worthy collections in town, and pits them as foes when vying for funds. Let’s flip that impediment on its head and make Gloucester a model for the state. Its treasures would be available worldwide if they were trulyaccessible –digitized.Two words may help accomplish this goal and free up cash for individual operations: shared overhead. It’s one hope I continue to stress–the need to share necessary resources for a state-of-the-art research and warehouse repository. This universal hub should be large enough to encompass any holdings not on view. There could be a smaller downtown central site combined with a larger off site location, such as at Blackburn. The list of sharing institutions could include and is by no means exhaustive: our municipal archives that date back to 1642; Cape Ann Museum; Sawyer Free Library; North Shore Art Association; Beauport; Hammond Castle; the Legion; Amvets and other social clubs; Sargent House; several places of worship; Gloucester Daily Times; Annisquam historical building collections; Lanesville; Magnolia’s historic collections; artists/writers estates; Veterans office; our schools; Isabel Babson Memorial Library, and perhaps businesses such as Cape Pond Ice and Gortons. The library plans don’t appear to retrofit their site(s) for this goal.
If incentives and policy supported neighborhood character over less generic construction
that would be wonderful. It’s not just Gloucester.
GloucesterCast 12/26/14 With Toby Pett, Kim Smith, Nichole Schrafft and Host Joey Ciaramitaro
Topics Include: Taping with The Blue Yeti, Guests Toby Pett, Kim Smith, Nichole Schrafft, Host Joey Ciaramitaro, Hockey Moms, D Small and His Kwanza Bowtie, Food Coma At Sista Felicias, Middle Street Is A Cool Place To Live, Christmas Rundown, Shout Out To Joe Marcantonio For Holiday Seafood, 7lb Banza In Three Days, Turkey For Christmas?, Canada Goose Arctic Program Jackets, Relative Bargains, Restoration Hardware Robe, Ray Borque Wears His Canada Goose Jacket, Grit Pod Hockey Bag, Marmot Outerwear, Kim’s Camera, Rocky Neck Plunge Oakes Cove Beach, Bertha’s, Open Door Food Pantry, Joey’s Problem With Ugly Sweater Contests, The Phrase “Jump The Shark”, Giblees, Coogi Sweaters, North Shore Shopping Center and Liberty Tree Mall For The Holidays In The Old Days, Nichole Schrafft Holiday Vacation To-Do Picks, Joey Is A Grumpy Hungry Bear, Talbot Rink, Ipswich River Wildlife Sanctuary, North Shore Kid, Check Out The Clam Post- Texting An Elf, Do You Think The Clamistas Use Online Collaborative Tools?, Joey’s Zero Success Rate In Getting GMG Contributors To Use Online Collaborative Tools, Global Shark Tracker, Ukulele Christmas Sin-A-Long, Foreign Affairs Is Closed Til Some Time In February, Dinner Dealer Deck, Duckworth Bistrot Closed For January, New Year’s Plans, Rockport Rockin New Year’s Eve, Don’t Forget To Subscribe To The Podcast Here For A Chance To With the Cape Pond Ice Mug Generously Donated By Donna Ardizzoni
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