Art and culture have been laced throughout Gloucester’s history. City staff, departments, partner organizations, artists, and volunteers have kept detailed inventory checklists and care of a world class municipal art collection decade by decade for more than a century. Several lists were managed by American art luminaries. Here is a City Hall example from 1937, “A Catalogue of Murals and Decorations in Gloucester Done by Gloucester Artists in the Employ of the Federal Art Project”.
And another.
The 250th anniversary formed a committee for the arts. Mayor Alper reinvigorated the City Hall collection display in 1977, “Gloucester Arts & Humanities”. The Waywell inventory dates from the 1990s. When the City updated all its ordinances in 2000, the Committee for the Arts was formally added. In 2005 then CFTA Chair Kate Bodin and former CFTA member John Ronan drafted a prescient and comprehensive art policy celebrating all forms of creative expression. Since 2000, 6 inventory lists have been compiled—by volunteers and/or commissioned.
A major inventory checklist and report completed in 2006 was a dual project orchestrated by the City Archives (link here) and Committee for the Arts that focused on City Hall. Although the report did not include artwork measurements and was a work in progress, it was another decade’s invaluable record to build upon.
The Art of Gloucester City Hall, 2006. See printable PDF of inventory below (some attribution errors). A written evaluation was included which I’ll add in.
- Bethany Jay (principal writing and research)
- Information on Gloucester City Hall compiled by Sarah Dunlop, Jane Walsh, and Stephanie Buck of the Gloucester Archives office. Supplemental materials were written by John Ronan. Mayor John Bell.
- Gloucester Committee for the Arts- John Ronan, Judith Hoglander, Dale Brown, Christine Lundberg, Steve Myers, Sage Walcott
Committee for the Arts member, Eric Schoonover, took on the task of the first database and digitized record–CDs, later joined by Marcia Hart, with ladder in tow to double check the inventory status and measurements which was not on the 2006 report. Several excels and docs followed and were shared widely. Under successive administrations led by Mayor Kirk and Mayor Romeo Theken, an open access inventory and available online gallery was an expressed goal for multiple city and partner grants, the city’s tourism efforts (a precursor to Discover Gloucester), the City’s two cultural districts, HarborWalk, Gloucester Arts & Cultural Initiative, public arts projects, free apps and platforms.
In 2018-19, Williamstown Art Conservation completed a conservation and full inventory report for the City mural collection, triage and stabilizing–for the first time including works not on display. (author note: I will add the PDF here)
Flash forward to 2024, the Gloucester art collection archives is available anew in an online art gallery through Art Work Archive (www.artworkarchive.com). Keep in mind that this is a work in progress. Some of the artwork information is incomplete or a placeholder. I’m sure cross-checking with the original documentation will continue and help with corrections, and more works will be added.
For example, the monumental murals by Lawrence “Larry” O’Toole (1909-1951) installed in 1982 in O’Maley Middle School are listed “Untitled” in the archive pages. They’re not untitled. They were originally commissioned by Ben Pine for the Gloucester Fisheries Institute and YMCA circa 1940-48 and illustrate fishing industry and vessels common in Gloucester. I interviewed Ron Gilson who confirmed the history and my research. DPW inspected and measured them almost 10 years ago and Williamstown Art Conservation Center, of course, when they did their evaluation. Titles are:
- Larry O’Toole, Returning to Harbor, Twin Lighthouses
- Larry O’Toole, Tuna Fishing with Spears
- Larry O’Toole, Schooner with Rod Fishing
- Larry O’Toole, Seine Fishing with Seagulls Overhead
- Larry O’Toole, Trawling
Puzzlingly, the Mulhaupt series across from the O’toole’s are on display out of order at O’Maley and could have fit sequentially if the two series were switched at installation in 1982.
In 2021, the Wall Street Journal featured an article about WPA era art and online catalogue resources. Gloucester’s are largely absent, for many reasons. I shared the article news here (3/25/2021) and wrote:
Judith Dobrzynski highlights WPA murals and a renewed online resource* for “Arts in Review” the Wall Street Journal.
“During the Great Depression, federal programs funded the creation of thousands of murals in post offices, hospitals and other locations across the country, many of which can now be viewed online.”Judith H. Dobrzynski. The Staying Inside Guide: Big-Deal Art in Plain-Spoken Venues. Wall Street Journal. March 23, 2021. *A few of the WPA murals completed in Gloucester had been included in an earlier iteration of the website, in some cases misattributed. Gloucester is not mentioned in the article.
The reviewer highlights Coit Tower in San Francisco as one renowned example.
“The New Deal murals inside Coit Tower in San Francisco are also well-known. Painted by some two-dozen artists in 1934, they are social realist panels about life in California during the Depression, with titles like “Banking and Law” and “Meat Industry.” Their story, with a detailed layout, is available in a San Francisco Recreation and Park Department brochure.”Judith H. Dobrzynski for WSJ
The reverse ratio is evident here: Gloucester selected four artists who completed scores of masterworks* for specific public buildings. Monumental stunning mural cycles were commissioned under the auspices of Federal Arts PWAP and WPA-era programs from 1935-42 for Sawyer Free Library, City Hall, the High School on Dale Ave (now Central Grammar apartments), Hovey, Maplewood, and Forbes elementary schools. As schools were closed, disposed, or repurposed, murals were rescued and re-sited within City Hall and later O’Maley.
The City of Gloucester artists were significant muralists and painters. In truth, venerated. They captured stories of Gloucester and became a celebrated part of our history and artistry. When considered as a whole, the Gloucester murals rival WPA era collections completed in big cities. The density of murals are as concentrated as any found in larger cities, like Coit Tower in San Francisco, though spread out among buildings rather than one tower, or one structure, as with Harlem Hospital.
Gloucester’s post office nearly landed a commission, but fate intervened. I’ll save that for the Part 2 post.
Gloucester and greater Cape Ann artists were commissioned for murals beyond Gloucester and Massachusetts and served key roles on selection panels and planning.
Gloucester is not mentioned in this WSJ article or few major compilations.
“Though painted by nationally known and successful artists at the top of their game, the works have suffered from a perfect storm of anonymity.” Catherine Ryan, 2012
City Owned Art Work Archive online gallery
What is new about this 2024 city owned inventory online gallery is that 1) a wonderful creative director, Anna Chirico, was hired to photograph and inventory the collection. Fun fact, Chirico of course has helped her mom, JoAnn, with goodlinens studio on Main Street in Gloucester (goodlinenstudio.com), and 2) Kate Shamon Rushford, Gloucester’s arts, culture, and events coordinator was hired for a part time position within Community Development dedicated to projects like this one. Shamon Rushford is pursuing a Gloucester presence online through Bloomberg Connects Arts and Culture online, too.
I recommend that the city’s .gov website maintain exclusive pages as well, because what’s new and trending in arts engagement is not static or exclusive.
Gloucester DPW has utilized 3D photography for jobs (City Hall after the fire), and city departments including Community Development/Engineering make use of arcgis subscriptions. These resources on the .gov site would help with virtual tours and printables. It’s important to keep city ownership of the content. Gloucesterma.gov went to Discover Gloucester. As long as the content is retrievable, dedicated pages can be available on the .gov site itself regardless of technological or fad obsolescence.
GLOUCESTER PUBLIC ART | MURAL MAP HERE
Printable Press Release
Read more: the City’s Press Release about the NEW online gallery for city owned art hosted on art work online below.
Boston Globe article about the City’s new online gallery by Cate McQuaid is here.
Good Morning Gloucester 
