Trends so far? Can you spot a snowman in the photos? Yes, yes you can! In Gloucester, Massachusetts, 2021 is showing super strong as the “Year of the Snowman”. More and more are popping up each day, all sizes and varied media. What a fun seasonal seek & find, countdown treat, or bedtime routine sweet repeat.
TRENDING – Holly Jolly Harrison AVENUE
Climb Harrison Avenue and enjoy the creative inspiration on every block. The resurfaced paving is a plus. On warm winter nights, this stretch and offshoots would be a great park & walk.
(Scroll down to see photos. Pinch and zoom or double click depending upon your phone/desktop. On mine I double click and then have to select “Full size”)
trending – Wrapped Trees
Wrapped trees are big this year, too. A Thurston Point twinkling annual reminds me of New York’s landmark Tavern on the Green, circa 1970s Warner Leroy Crystal Room reno. Little “Tavern on the Riverine” in Gloucester is inspiring a few more wrapped Thurston trunks in 2021. Who knows? Perhaps a Thurston trunk trail may become a neighborhood seasonal thing.
TRENDING – Whimsy
All over the map. Every neighborhood. Go!
More photos – many neighborhoods
100+ **new photos** added to the map include:
Concord Street; Eastern Avenue-Rt. 127; Essex Avenue-Rt. 133 and streets off of Essex Ave; Kent Circle; Harrison Ave. and surrounding streets; Hartz; Long Beach Road; Lupine Ln.; Main Street; Magnolia, various; Marina Drive; Mt. Pleasant Ave; Rockport Road; Thurston Point area; Washington Street; Western Ave-Stacy Boulevard; Witham area
To see the first 100+ #GloucesterMA 2021 house photos already posted 12/5/2021 on GMG click HERE
MAP Updated as of 12/11/2021
Holiday Lights and Cocoa Drives 2021 map
The map is great in the embed mode because when you scroll down, each house photo(s) pop up, with a big arrow that directs you to that one point. From a desktop, hovering or right clicking the house icons reveal the photos for each pinpoint. For those who prefer a paper copy –which doubles as a seek and find sheet–click on the three vertical dots and then select “print” (horizontal mode best) from pull down menu. You can also google search Holiday Lights and Cocoa Drives Good Morning Gloucester.
5th year Holiday Lights and Cocoa Drives #GloucesterMA map
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Gloucester is big on winter lights charm and New England architecture. Many neighborhoods join in together, glittering, and have for years. Every year is unique. Scroll down to see the first batch of photos for the 2021 map – as of December 4, 2021. More homes and neighborhoods will be added, so be sure to check back. This first week in December is twinkling less than last year at this same time. (By December 29, 2020, more than 250 illuminated homes were mapped.) Weather impacts planning and displays. Perhaps the mighty wind storms October 24th and 27th and November 11, 12, & 19 may have waylaid some early trimming prep. Could it be the supply chain clog?
Trends so far? 2021 is looking like “The Year of the Snowman”, which by the way is an easy & cheery Ispy addition for Holiday Lights and Cocoa Drives. A Mandalorian holding a baby Grogu was new to the list of lawn inflatables.
How lovely to see Temple Ahavat Achim Lobster Trap Menorah back again!
2021 Map Holiday Lights and Cocoa Drives
#GloucesterMA house photos Dec. 4, 2021: C. Ryan
Lobster Trap Christmas Tree Main Street as of 11/20/2021
Before the lighting ceremony and hand-painted buoy ornaments. Town wreaths and banners were installed even earlier. 2021 lobster trap tree lighting ceremony is scheduled for Dec. 11th ** new date** Due to the forecast, the event will move to Sunday, Dec. 12th.
Behind the scenes- deck the home prep STARTS EARLY
Bring on the ladders! Before Thanksgiving- some photos November 18th, 2021.
Mighty effort: the Blue Christmas and Red Trim dazzlers on Reynard were surprisingly bare November 18, 2021. Now they’re all decked out, too.
2021 Food Pantry Drive on Reynard
Open Door food pantry drive drop
This is the 5th year of Holiday Lights and Cocoa Drives. Here’s the 2020 map for comparison. More than 250+ homes were illuminated and over 100,000 map views were tallied in just a couple of weeks!
Notes about the maps: The maps are great in the embed mode because when you scroll down, each house photo(s) pop up, with a big arrow that directs you to that one point. From a desktop, hovering or right clicking the house icons reveal the photos for each pinpoint. For those who prefer a paper copy –which doubles as a seek and find sheet–click on the three vertical dots and then select “print” (horizontal mode best) from pull down menu. You can also google search Holiday Lights and Cocoa Drives Good Morning Gloucester.
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A Wall Street Journal article published March 23, 2021, “The Staying Inside Guide: Big-Deal Art in Plain-Spoken Venues” by Judith H. Dobrzynski, celebrates New Deal works of art across the country.
The reporter highlights Coit Tower in San Francisco as one renowned example.
“The New Deal murals inside Coit Tower in San Francisco are also well-known. Painted by some two-dozen artists in 1934, they are social realist panels about life in California during the Depression, with titles like “Banking and Law” and “Meat Industry.” Their story, with a detailed layout, is available in a San Francisco Recreation and Park Department brochure.”
Judith H. Dobrzynski for WSJ
The reverse ratio is evident here: Gloucester selected four artists who completed scores of masterworks* for specific public buildings. Monumental stunning mural cycles were commissioned under the auspices of Federal Arts PWAP and WPA-era programs from 1935-42 for Sawyer Free Library, City Hall, the High School on Dale Ave (now Central Grammar apartments), Hovey, Maplewood, and Forbes elementary schools. As schools were closed, disposed, or repurposed, murals were rescued and resited within City Hall and later O’Maley.
The City of Gloucester artists were significant muralists and painters. In truth, venerated. They captured stories of Gloucester and became a celebrated part of our history and artistry. When considered as a whole, the Gloucester murals rival WPA era collections completed in big cities. The density of murals are as concentrated as any found in larger cities, like Coit Tower in San Francisco, though spread out among buildings rather than one tower, or one structure, as with Harlem Hospital. Gloucester’s post office nearly landed a commission, but fate intervened. I’ll save that for the Part 2 post.
Gloucester and greater Cape Ann artists were commissioned for murals beyond Gloucester and Massachusetts and served key roles on selection panels and planning.
In recent years thanks to a CPA award, the Williamstown Art Conservation Center, established in 1978 to help museums with conservation, evaluated the condition of the city’s historic Depression era collection to help with important restoration. Gloucester’s impressive collection itself is the museum and the city a work of art that continues to inspire generations of artists.
*The quantity of murals is 68 if one includes the five O’Toole murals from the 1940s. Note: because the Gloucester murals are multi-piece or series, the sections tally up to a whopping 75-90 count.
Selection of some murals on view (when open).
Gloucester’s murals at Sawyer Free
Within Sawyer Free Library are the city’s only New Deal works painted directly on plaster walls. Frederick Stoddard’s designs throughout the Saunders house encompass the first floor entryway, two story stairwell, and 2nd story wrap around stairwell hall. He described this two-story “decoration” above wainscotting upstairs and down as “a conventionalized treatment of the Gloucester region”. Familiar scenes include Dogtown “Moors”.
Marine scenes wrap around the former children’s space on the top floor.
A Gloucester Daily Times article from 1934 mentions a trifecta opening honoring the architectural overhaul for the building, new murals, and Rachel Webber’s retirement:
“July 25, 1934- “The public reception at the Sawyer Free Library yesterday afternoon was for three purposes: to observe the 50th anniversary of the occupancy of the present building, to give a public showing to the mural decorations recently completed by Fredercik L. Stoddard and to the entirely restored and renovated building, and to recognize 44 years of service by Miss Rachel S. Webber, librarian who is to retire in the fall…The building has been completely repaired and largely restored. The three story tower which had been built on the front of the building has been removed*, as has the old porch which extended across the front of the house, leaving only an entrance porch. A bay window facing Dale avenue which the architects decided spoiled the character of the building has been sliced off. Everything has been painted and repaired and new lights have been installed.”
*all work near murals!
Howard Curtis assisted Stoddard with some repair work as a result (and was brought back again in 1953, 1974, and 1976-1980). In 1935, Curtis was busy completing his original “The Creation of Light” commission for the Methodist Episcopal Church on Prospect Street (now apartments).
Within O’Maley Innovation Middle School are a complete though out of order Frederick Mulhaupt series (originally at Maplewood); a partial and crucial section from a 2nd immersive series (originally at the High School); and “Our Daily Bread” by Frederick Stoddard, cropped. There are important works by Larry O’Toole commissioned by Ben Pine for the Gloucester Fishermen Institute and YMCA that were painted in the 1940s. Ron Gilson, Gloucester native, author and local historian, helped with the attribution and remembered the completed art being carried out the door. Gilson was great friends with Ben Pine, his first boss, and knew O’Toole.
above: sections from Mulhaupt’s fantastical “Landing of the Viking Thorwald in Vinland” 1935; and central panel “Gloucester harbor” 1936 | below: DPW inspecting the O’Toole 1940s murals (photo 2015)
Within City Hall, there are 10 monumental New Deal murals by four artists: Charles Allan Winter, Frederick Stoddard, Frederick Mulhaupt, and Oscar Anderson. Three are multi panels so the collection in this building seems much greater than 10 murals. The Winters in the lobby and Kyrouz were site-specific for City Hall.
One is a small Stoddard panel from a triptych spanning 65 feet for Eastern Avenue School!
I’ll follow up with posts detailing more biographical information about the artists.
Does a pair of Gloucester Forbes school murals jog your recall?
The City of Gloucester murals have the potential to be listed among the nation’s most concentrated holdings of New Deal art from the 1930s and 40s on public view anywhere today. However, they are not all on view. Historic murals not on display await further conservation treatment.
Frederick Stoddard set up a studio in an unused room of the Point Primary School in East Gloucester to paint a variety of panels for the Forbes school. African animals by a waterhole, “the only liberty was animals all close to each other and peaceful,” accompany scenes of wild animals & birds and domestic animals. An underwater scene of local fish and vegetation is missing. I imagine every child and adult found it impossible to settle on just one favorite animal.
The largest composition stretched almost 20 feet. Joseph Nunes helped Stoddard with the installation.
This pair from the series were set over the doorways leading to classrooms. Each measures 5′ x 5′, so tall ceilings. Do they look familiar?
Did you attend or are you related to someone who was enrolled at the Forbes elementary school in 1935? Perhaps you visited one of the special viewing days set aside for the public. Fun fact: There have been seven Forbes school locations if we include the two modulars from the 1920s.
Oscar Anderson painted seven soft hued and dreamy murals for Hovey School including three panoramas. Four smaller works from this school are missing since ca.1972 or later. Does seeing a few of them together help you picture the Hovey school interior?
WPA District Briefs – 1930s
Beyond art, Gloucester benefited from multiple New Deal projects big and small. The Jodrey State Fish Pier was a Public Works Administration (PWA) biggie. Emergency funds allocated through the Treasury department paid for new public buildings like Gloucester’s post office.
The WPA helped Gloucester finally cap off the new track and field on Centennial. For years Gloucester residents were asked to dump their trash to build up landfill. The recreation space (now New Balance Field at Newell Stadium) was recognized nationally and dubbed, “Gloucester WPA Centennial Avenue Athletic Field”.
“The benefits of men working has changed unsightly, unhealthy Gloucester dumping ground into a modern fully equipped athletic and recreation field.”
Super complimentary letter from Colorado in response to the Gloucester story:
GHS Football players- recognize anyone?
The field also gained coverage with other WPA football projects
Stage Fort Park
WPA salvage work helped to build a new seawall at Stage Fort Park for flood and erosion control – “More than 3500 tons of stone set in cement were required in the construction of this 1100 foot WPA sea wall at Stage Fort Park, Cressey Beach, Gloucester. The wall preserves the beach area by preventing water and driven sand from flooding the park property.”
“At City Home, Gloucester, WPA razed a dilapidated wooden structure and built an all-stone garage and storage shed. These buildings will be used jointly by the City Home and the Welfare Department.”
Contributions in support of murals needing treatment can be sent to the “City of Gloucester”, note for mural conservation, City Hall, 9 Dale Avenue, Gloucester, MA 01930
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Happy New Year’s day! While thinking about 2021, I was looking back. 1900 seemed as good as any to share a fresh new chapter “then” story.
Let’s just say fasten your seat belts; reading about Mayor Merchant’s term is a bumpy ride for the entire year as reported in the Boston Globe. Heated exchanges dominate. Smaller items about conservation and deed issues related to Dogtown, Good Harbor Beach, and Briar Neck real estate development are detailed. I knew some details about Mayor French’s terms but did not run into Mayor Merchant before. I recognize the surname Merchant/Marchant as Gloucester history. Prior to this post I mostly associated Merchant with the street that was one of so many in Gloucester to inspire work by American artist, Edward Hopper.
On some lists of Gloucester Mayors, he’s (conspicuously) not there. (Biographical details unroll at the end. Also, photographs of all the Mayor portraits.)
All heads south immediately following the swearing in, and I mean immediately. The Mayor address advanced to the paper is standard, rosy and prickly, not uncommon.
New Year’s Day, 1900 – Mayor Merchant of Gloucester
Gloucester, Jan. 1- Establishment of a City Workhouse, and Investigation of Assessing and Fire Alarm Systems Urged
The inauguration exercises of the city government for 1900 took place this morning in city hall. As usual, a large number were in attendance, the especial point of interest being the reading of the inaugural. Those who expected to hear a plain and straightforward statement of certain facts were not disappointed, as the inaugural certainly treated certain matters in a trenchant manner.
The chapters in relation to the administration of highways, the debt of the city, revaluation, the need of better discipline in the police force, recommendations in regard to an equitable reduction of water rates were received with especial favor. The inaugural made a distinctly favorable impression.
In considering the finances, he said that the city’s liabilities were $829,243.72. The net debt is $368,211.04, an increase of $77,713.72. The reserve amount which the city now can borrow is $22,496.78.
The following recommendations were made: The appointment of a special committee to investigate and report to the city council as to the present system of valuation of the city by the assessors, and what action, if any, is needed to secure more equitable taxation; an investigation and report by the committee on fire department as to the needs of an improved fire alarm service and the probable cost; the abolishment of the public library fund, a special committee to consider carefully the question of the scale of the poor farm property, and what may be done toward the establishment of a city workhouse, which would be such in fact as well as in name; the appointment of a joint special committee upon water, to act with the water commissioners upon all matters relating to the purchase of the work, the improvement of sources of supply, and to suggest in what manner an equitable adjustment of the rates may be made; that no claim made against the city be paid without first having had a reference to the proper department and report thereon in accordance with the advice of the law department, and the appointment of a special committee of the city council to investigate all matters relating to the collection of taxes, and to suggest how best a way may be found for better service in this connection.
The mayor advocated a gradual revaluation of the city, saying he believed it to be the duties of the assessors to look carefully into the matter. Under the subject of highways, the mayor took occasion to criticize adversely those having them in charge the past year, while those officials who were brought in close contact with the work performed were roundly scored. The schools, fire department and trust funds were kindly criticized in the interest of advanced ideas and business judgement. Regarding the police and the matter of license, the mayor emphasized the statement that while not looking for any difficulty in this line the police must do as they were bidden and observe discipline.
City clerk Somes administered the oath to the Mayor elect Merchant, after which the keys of office were delivered to him by Mayor French. Mayor Merchant administered the oath to the following aldermen: Ward 1 Alphonso Davis; ward 2 Osborne Knowles; ward 3 Levi J. Hotchkiss; ward 4 Edward H. Quigley; ward 5 Albert H. McKenzie; ward 6, William J. Sleep; ward 7, William L. Allen; ward 8, James W. Ingersoll.
The following members of the common council were also sworn in: Ward 1, Austin F. Coombs, Addison W. Bailey, John W. Gaskell; ward 2, John F. Riley, Samuel J. Somers, Melvin Parsons; ward 3, John J. Cunningham, Frank W. Lothrop, John A. Stoddart; ward 4, Ernest S. Parsons, John J. Sullivan, Ray S. Friend; ward 5, James E. Tolman, Samuel W. McQuinn, Thomas Hodge; ward 6, Addison G. Stanwood, Samuel P. Favor, James A. Lawrence; ward 7, William Stephens, Charles C. Smith, Thomas F. Wherty; ward 8, Ephraim R. Andrews, James M. Chadbourne, Howard T. Bray.
After the reading of the inaugural the boards proceeded to their respective chambers for organization.”
– From “For Year 1900: Recommendations Made by Bay State Mayors. How Government of Cities Can Be Improved. Necessity of Practicing Economy Where It Can be Done Without Detriment to the Public Good. Questions of Finances, Schools, Water. Lighting and Sewage in Various Municipalities of the Commonwealth.” , Boston Globe, New Year’s Day, 1900
MUNICIPALITIES INCLUDED IN THE ARTICLE: SOMERVILLE. HAVERHILL. LAWRENCE. EVERETT. MEDFORD. SALEM. GLOUCESTER. FITCHBURG. BROCKTON. LYNN. BEVERLY. MARLBORO. WOBURN. NORTHAMPTON. SPRINGFIELD. NORTH ADAMS. NEW BEDFORD. QUINCY. WALTHAM. HOLYOKE. PITTSFIELD. TAUNTON. MALDEN. WORCESTER. BEVERLY CITY FATHERS. FOR THE SECOND TIME.
Jan 1 Day one whiplash- Council upends Mayor’s first day.
At the organization of the government today there were two unusual incidents.
“Mayor Merchant read a communication from ——-, protesting against administering the oath of office to Councilman elect Thomas Whearty, announcing that Chairman should contest the election. Mayor Merchant decided that there was nothing for him to do but take the returns of the election as they were rendered to him, and accordingly swore Mr. Whearty in.
“This had an important bearing on the contest of the presidency of the common council. When that body proceeded to elect as president James E. Tolman, who was a candidate for re-election offered an order that Mr. Whearty be not allowed to take part in the deliberations of the board until his case was finally settled. After several points of order had been made it was decided, to sustain chairman Lawrence, in adding Mr. Tolman’s order out of order. Councilman William Stephens was elected president of the council…In the afternoon Mayor Merchant announced his committees…
“Immediately on their announcement Alderman Sleep moved that the communication of the mayor be laid on the table. Mayor Merchant made no reply. Alderman Sleep insisted that his motion be put. Mayor Merchant contended that the committed announcement was simply a communication from the Mayor.
“Alderman Sleep produced the rules that urged that the aldermen by the rules could elect their own committees. Alderman Hotchkiss offered and order, if the mayor would entertain it, that the whole matter be referred to the city solicitor for his opinion as to the right of the aldermen to appoint the committees.
“Alderman McKenzie said there were committees to which he was appointed on which he did not care to serve.
“Mayor Merchant, after asking for further business, stated that he did not care to appear in the light of bulldozing the aldermen and should give them every opportunity to act except in the illegal expenditure of money, and then he should interfere. He therefore withdrew his nominations, and an order previously introduced by Alderman Hotchkiss that the aldermen reassemble at 7:30 in the evening and ballot for committees was passed.
“The mayor stated that the appointment of the committees had always been a prerogative of the mayor and he had proceeded in the matter as did former mayors.
“This is the first time in the history of the city that a mayor’s committee appointments have been protested or withdrawn. The incident caused somewhat of a sensation, and resulted in some animated conversation after the board adjourned.
“At 7:30 all the aldermen but Allen were in their seats. Mayor Merchant not putting in an appearance, President Sleep presided.
After the adjournment a conference was held, and a committee list satisfactory to the aldermen was arranged. The aldermen then, for the first time in the history of the city, proceeded to elect their own committees…Alderman Knowles offered an order that the city solicitor give his opinion in regard to the legality of the action of the aldermen in electing committees after the mayor had announced the appointment of committees. This was not seconded.”
Apparently this balking at Mayoral appointments was trending as Haverhill was in the same boat. Unsurprisingly, by the ides of March the Mayor and council are
by March 17 At Loggerheads
Gloucester Aldermen on their Mettle. Render Useless Several Vetoes of Mayor Merchant. Mr. Sleep Proves a Sharp Critic of His Honor.
“The session of the board of aldermen this evening was one of the most sensational for some time. The old feud between Mayor Merchant and Alderman Sleep again broke out.
The mayor when “communications from the mayor” was reached, resigned the position of presiding officer to chairman Sleep and departed from the chamber. The chairman then proceeded to read the three vetoes to the aldermen and two presented in the council, which came up for action.”
Boston Globe March 17, 1900 excerpt
VETO TOPIC 1- conflicts of interest and spite
“The order adopted in relation to the payment to Sleep Bros. for certain services on Beacon Street was vetoed by the mayor on the ground of illegality and that it was work done on private land…Mr .Sleep said that despite the veto, the mayor had paid the bill of W.R. Cheves for stone and E.H. Griffin for cement, but objected to that of Sleep Bros. for labor ($97.50) on the same job because the members of the firm were unfortunate enough to bear the same name as the speaker…the action of the mayor was simply a matter of spite against him for certain matters which had occurred on inauguration day…The order to pay the money was carried…”
Boston Globe March 16, 1900 excerpt
Veto topic 2- PROTECTING GOOD HARBOR BEACH
“Some sharpshooting occurred on the veto of the mayor of the order that signs be placed at Good Harbor Beach by the committee on police and that all persons be prohibited from taking sand and ballast from the beach. The mayor informed the board that the proper way to proceed in this matter was for the committee on public property…Sleep denied there was any politics in this measure, and said the committee on public property attended to its work, but as it received no pay it was not its duty to lay around Good Harbor beach all the time and protect the property.”
Boston Globe March 16, 1900 excerpt
VETO TOPIC 3 – Protecting Dogtown
The order that the mayor and city register the land known as Dogtown commons, under the provision s of the Torrens law, was vetoed by the mayor on the ground that it was not the duty of the mayor but of the committee on public property.
Boston Globe March 16, 1900 excerpt
Veto topic 4- pay Raise for Firemen
“…The mayor vetoed the order for an increase in the salaries of firemen because he said that the city was not in a financial condition to make the raise…Sleep stated that some of the business men are raising money to put through the defeated charter which the mayor favors and which provides for salaried commissioners and clerks. Money for their friends was all right, but when it came down to the firemen it was a decidedly different matter…”
Governor Crane named ex-Mayor French to Gloucester Police Court
september 1900 Briar’s neck free for all origin story continues
And the Mayor is in the story.
“Gloucester has had a little Oklahoma boom. The place in question where this excitement has occurred is at Briar neck. The strip of land has for many years been vacant, with the exception of one (shack)…although it is claimed by two capitalists, who assert that they have deeds…
“Early in the season an attorney inserted a small item in a local paper to the effect that there was no valid title, and that anyone who settled down on the property could hold it. Mayor Merchant was the first one to squat down on the property and his example was followed by others, and there was a veritable rush for the place for several days. All the available sites were staked out and the names of those who had located claims were written on the stakes. There was a rumor circulated that the mere staking of the land was unavailing and that nothing less than the erection of a building of some sort would hold the land. A nondescript settlement immediately sprung up, and the sound of the hammer and saw was loud for several days…”Seashore Boomers“
“There has been a great hunting up of old deeds and a revamping of family genealogies, …The Parsons of Joppa do not believe that the present squatters can hold the land, but eventually will be ousted. Mayor Merchant, by the way, claims descent from the Parsons.” Two capitalists of the city, George R. Bradford and George J. Tarr assert ownership of the tract, and have taken measures to protect their property…”
-excerpts from wild story about Briar Neck origins in the Boston Globe (Thacher is spelled Thatcher’s Island in this one)
Assuming its veracity, how did this Briar Neck business sort out? Two years earlier, a Boston Globe report stated Mayor Davis had plans for Briar:
Long standing Briar Neck controversy –
The controversy as to the ownership of Briar Neck property, between the street railway company and Mayor Davis, resulting in the company acknowledging the city’s rights in an old road there, has become further complicated. Today two of Gloucester’s wealthiest capitalists, George R. Bradford and George J. Tarr, entered the fight, and served papers on the street railway company. The plaintiffs claim that they own 36 acres of land at Briar Neck, which extends from the stone wall to the beach, including the fresh water pond, lowlands and uplands traversed by the street railway company. Meanwhile Mayor Davis has something up his sleeve in regard to ownership of the property which will be developed later.
The Mayor was limiting the amount of the council’s loan request.
“A long and tedious period of silence, lasting over 40 minutes, followed. Mayor Marchant holding his chair through fear that his seat might be usurped by Alderman Sleep, who is president of the board. In the meantime two of the aldermen had gone out in search of legal advice…”
“…Alderman McKenzie: “Since the mayor refuses to entertain my appeal, I appeal to you.” Mr. Sleep put the motion and Mr. McKenzie was sustained by the unanimous vote of the board…the portion of the loan not approved by the mayor was then passed over his veto by a unanimous vote…Having accomplished their purpose the board adjourned.”
Boston Globe October 24, 1900
Mayor French is back in the saddle. (The prior November, ex-Mayors Cook and French, Alderman Hotchkiss and ex-Alderman Barrett vied for the nomination.)
1899 New Year’s message for the Boston Globe by Mayor William French — who was back in as Mayor for 1901.
and his 1902 address published in the Gloucester Daily Times. I had read about French before.
photo caption: Gloucester Daily Times archives retrieved at Sawyer Free November 2018. Read more about 1902 and Haskell Dam in my prior post here on GMG, .
Honorable George E. Merchant Fast Facts
He was described as a modest man from a well known and well regarded “old Cape Ann family”, and endearing accounts about his enthusiasm at reaching his 50th wedding anniversary milestone suggest a loving one, too. (Gloucester Daily Times obit)
Prior to serving as Mayor, he served a term as an alderman 1886-87 (and many appointments/commissions before. Waterways after Mayor).
Adult – Printer/printing since 1870 when he began his career at John S.E. Rogers, owner and printer Gloucester Telegraph, various newspaper jobs. And printing press from his home at advanced age after retirement. Boyhood 1870 census- 16 years old, working as a fisherman (family lore he was the cook on father’s boat; father in business with his sons) giving it a go for 8 years like generations of his family. Education unknown, presumed self-taught. Prior to Mayor-1886-87 served as city councilor (overlapping with his father) and more since 1870s. After Mayor, appointments, too. Master gardener. Family historian-writer. Photography.
George Merchant Master mariner, fisherman, owner; founded seine net repair business 1873; fisheries advisor; served years as city councilor Ward 1 Affinity & skill for art- studied painting with FH Lane; fisheries display models, etc. (And his father was an incredible violinist.) Full & busy life, family man. 31 Main Street family residence See Shute & Merchant
Mary Douglass Merchant (1832-1923) Oak Grove Cemetery
Siblings Parents had 9 kids
Mary Jane 1851 – 1944 George Edward 1853 – 1929 Orlando 1856 – 1930 Flora Estelle died at 2 1858 – 1860 Eugene Howard died at 2 1861 – 1863 Robert Clifford 1864 – 1936 Joseph Carleton 1867 – 1961 unnamed son 1870 – 1870 Percy Washburn
Charlotte E. Lufkin (1857-1945)
twins died at 8 days and 9 days Ernest H (16 years old when his father was Mayor; GHS 1904) –buried in Santa Barbara– George E. Jr. (14 years old when his father was Mayor; GHS)
1900 33 Eastern Avenue family compounded variously split up before/after eventually 31 Eastern Ave where Charlotte remains
Obit both “well known member of old Cape Ann family”
George E. Merchant, Gloucester, Mass.
George Merchant, Gloucester, Mass.
George Merchant, grandfather, fisherman and accomplished violinist
Such creative, multi-talented family members! George E.’s photograph and family historian piece on the occasion of his grandfather’s 90th birthday was published in the Boston Globe
Portraits of many Gloucester Mayors are exhibited in Gloucester City Hall. These are photographs of (most of the) Mayor portraits I took back in 2017, after another inauguration. Paintings, photographs and drawings of Mayors have been commissioned or gifted then installed after the term(s) years of service.
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A classic Edward Hopper inspired by Gloucester will be sold at Sotheby’s auction this morning*. Architectural and natural elements in the drawing remain recognizable today. The scene overlooks the same house on East Main, Capt. Joe & Sons, and Cripple Cove (see then/now comparison photos below). The Gorton’s factory building there burned down. Cripple Cove playground is the green on the right of the Hopper image.
The drawing last changed hands in 1989 when the Horchows purchased the drawing from Kennedy Galleries in New York. Will it land in another private collection or an institution?
Edward Hopper (1882-1967), Gloucester Factory and House, 1924, watercolor and pencil on paper, 14″ x 20″, from the Carolyn & Roger Horchow collection (Dallas,TX) They purchased the drawing in 1989 from Kennedy Galleries, NYC.
Lot 8 estimate $800,000-$1,200,00 currently at $600,000 bid before the auction opens
*Update- With just 56 lots to sell and two withdrawn ahead of sale, Lot 8 came up quickly with a few competing bids and a hammer price of $700,000 ($867,000 with fees), below estimate.
Many lots before and after were short of estimate or passed (unsold) including a Winslow Homer watercolor which was “reoffered” by pausing the bidding on the final lot #56 to return to Lot #16 (which sold for 2 million hammer price) before moving back to the final lot, an Edward Willis Refield (which sold for $250,000). That whoopsie “reoffer” is highly unusual**. The auction house scrambled to bring that phone bidder forward before the close of the sale. A second Homer watercolor passed at 850,000.
The Sotheby’s December 11, 2020 auction offered a variety of American art from various collections. The sale results were a mixed bag of purchases, passes, and pulled works. Only one work sold far above estimate, thanks to a bidding war, a western scene by John F. Clymer. Scroll below the Hopper and Gloucester images to see the Homer.
above photo: Catherine Ryan
above: page from Edward Hopper all around Gloucester by Catherine Ryan, 2010
above: Sotheby’s catalogue entry page
In 2017, Christies sold a Rockefeller Hopper painting, Cape Ann Granite, also in December, which I wrote about here: Bring it Home.
**December 11, 2020 Winslow Homer Lot 16 sold at Sotheby’s after passing first in the live sale and then “Reoffered” before the close of sale. For both the first and second offer window, the bid opened at 1.8 million. In the first round the bidding went back and forth, but “passed” at 2.2 million, presumably failing to meet reserve or presale estimate (2.5 – 3.5 million). Before the final lot of the sale, the auctioneer annouced a “re-offer” for Lot 16 after the audio went silent for a brief time. The drawing was sold to a buyer placing a phone bid for 2 million hammer price (2,440,000 after fees), less than the “pass” of the first time through. This move is nearly an aftersale during the sale. Perhaps the first time around the buyer was late to the call or there was confusion determining the “up to” amount, factoring in the fees.
Property from a Prominent Private Collection
1836 – 1910
Two Girls on the Beach, Tynemouth
signed Winslow Homer and dated 1881 (lower left)
watercolor and pencil on paper
14 1/8 by 20 inches
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Last Chance! These must see 2019 shows are closing soon: Don’t miss ICA Watershed Purple (installation view above) closing September 2; DeCordova New England Biennial and the Provincetown Art Association & Museum’s 1945 Chaim Gross exhibition close September 15; and catch Renoir at the Clark before it’s gone September 22nd.
A few of the listed upcoming exhibitions to note: the NEW building and exhibits at PEM are opening September 2019; Homer at the Beach is on display at Cape Ann Museum thru December 1 (and catch a Richard Ormond lecture on John Singer Sargent’s Charcoals Sept.28 at Cape Ann Museum (ahead of the Morgan exhibition opening October); three new shows opening at MFA; Gordon Parks at Addison; and Alma Thomas at Smith. A Seuss-focused experience was pronounced destined for Boston, ahead of its TBD venue, by the LA entertainment company co-founders. Some shows I’ve already visited and may write about, mostly from a dealer’s perspective as that is my background. Exhibition trends continue to evolve and reveal new directions. A few patterns I see in the exhibition titles: what’s annointed for display and how it’s contextualized (corrective labels); immersive exhibits; revisiting colonial methodologies and themes; major solo surveys; women artists (and this upcoming season boost underscoring womens’ suffrage and 100th anniversary of the ratification of women’s right to vote); illustration; environment; and issues of humanity and migration. The list is illustrated with images of the sites. All photographs mine unless otherwise noted. Right click or hover to see info; click to enlarge. – Catherine Ryan
The guide – Massachusetts Museum Guide, Fall 2019
Note from author: The list below is alphabetized by town, and details upcoming exhibitions at each venue as well as some that are closing soon. Click the word “website” (color gray on most monitors) for hyperlinks that redirect to venues. For a list alphabetically sorted by venue, see my Google Map (with a Candy Trail overlay) “Art Museums in Massachusetts” hereand embedded at the end of this post. I pulled the map together several years ago. No apps to download or website jumping. Easy scroll down so you don’t miss an exhibit that’s closer than you think to one that you may already be exploring.A few are open seasonally (summer) or weekends only–call first to check before visiting. Major new architectural building projects are underway at BU (closed) and MIT. The 54th Regiment Memorial on Boston Common will undergo restoration. Get ready for close observation of conservation in process. – Catherine
1. John Greenleaf Whittier historic Home and Museumwebsite
18. Boston Harbor Islands National and State Parkwebsite
(photos show info gateway on the Greenway near the ferry access to Boston Harbor Islands)
Summer 2019 public art: Boston Harbor [Re]creation The Project: Artists Marsha Parrilla; Robin MacDonald-Foley; Brian Sonia-Wallace more(Jury: Luis Cotto MCC; Lucas Cowan, The Greenway; Celena illuzzi, National Parks; Caroly Lewenberg; Denise Sarno-Bucca DCR; Courtney Shape, City of Boston; Rebecca Smerling Boston Harbor Now; Kera Washingon; Cynthia Woo, Pao Arts Center)
Unveiled 2019 – Super A (Stefan Thelen) Resonance, 2019, latex and spray paint
Note to Greenway (see photo notes below): food trucks by the stop should be relocated to other food truck areas (and maybe one tree) to optimize and welcome sight line to the Greenway and public spaces from streets, sidewalk, and South Station. There are pauses elsewhere along the lattice park links, and a generous approach past the wine bar. The temporary commissioned mural could extend verso (or invite a second artist) so that the approach from Zakim Bridge/RT1/93North is as exciting as the approach from Cape Cod.
Skip the app AI download– swamped my phone battery despite free WiFi on the Greenway.
See complete list of 2019 public art currently on view at The Greenway here
The Greenway packs a lot of punch in a compressed area; its lattice of dynamic public spaces and quiet passages are an easy stroll into the North End or along the HarborWalk to the ICA, roughly similar in size and feel as walking Battery Park and Hudson River Park in New York City.
24. Innovation and Design building (aka Boston Design Building makeover in process in winter 2016 photos posted here) website
Through September 2, 2019 at The Water Shed, ICA Boston John Akomfrah: Purplemore
What’s coming in 2020 to The Water Shed? Still TBA
Through September 22, 2019 ICA Less Is a Bore: Maximilist Art & Designmore
Nice installation with a few surprises and thoughtful connection to other exhibtions on view. (The LeWit and Johns selections triggered what about that work or artist? I wish May Stevens and Harmony Hammond were included and my list grew from there. That’s part of the fun of the exhibit.)