
TIME CAPSULE: CAPT’ JOEY & SONS CIRCA 2014 – aerial by Craig Kimberley

My View of Life on the Dock

Caught Jeff in action loading up delivery vans with delicious Jeff’s Variety & Deli party platters and giant subs for the Topsfield Fair. The fair is celebrating its 200th anniversary and continues through Monday, Columbus Day. Opens 10am daily- here’s the link to the 2018 Topsfield Fair daily schedule: https://topsfieldfair.org/dailyschedule2018.php


Pauline Bresnahan is featured on American Craft Week national site: “Proud to kick off American Craft Week in Gloucester MA. which was VOTED a Top 10 City for Crafters in USA. Thanks for sharing and please watch as I demonstrate Decorative painting on a Lobster Buoy.”
Gloucester listings:
514 Essex Ave, Gloucester, MA • Visit website • Jump to events page
Join us for our decorative painting in a LlVE event on @PaulinesGifts Facebook page at 4pm on Oct. 5th. And Oct. 6th. 2018 in Celebration of American Craft Week in Gloucester MA which was VoTed one of the Top 10 Cities this year.
130 Main Street, Gloucester, MA • Visit website
The work of 8 artisans will be on display throughout the week. Please check the website in October for demonstration schedule. TELL A STORY WITH JEWELRY: Join us for a jewelry making workshop hosted by Ellen Szaboon Saturday, October 13th from 1pm-3pm. Space is limited. Contact Ellen at stories@ellenszabo.com to register. Registration closes on October 8th. The workshop is $35.00. The fee includes materials to make a necklace (chain, charms, and beads). If you like, bring special or sentimental beads or charms to enhance the meaning and unique style of your creation.
63 Langford Street, Gloucester, MA • Visit website
Cape Ann Artisans are part of a vibrant arts community along scenic North Shore of Massachusetts. Open Studio Tours are self-guided of artists’ studios in Gloucester and Rockport, important Massachusetts designated Cultural Districts. Tours are 1st weekend in June and Columbus Day Weekend.

A few weekly scenes observing her art’s impact in progress
September 14, 2018
September 21, 2018
September 28, 2018 (different vantages, silhouettes, and scavenged intricacies portend meaning and events)
“When you go into the Woods: Dogtown and other treasures of the forest”, a solo exhibition by Vanessa Michalak, opens October 2, 2018 at Jane Deering Gallery Gloucester, Massachusetts. Reception 6-8pm on October 6th.


Read more about the exhibition and the artist from printed matter announcing the show:
“When you go into the Woods,” features oil paintings by Vanessa Michalak highlighting some of Cape Ann’s well known gems. Works depict imagery of a variety of places including Annisquam Village, Lanesville’s Vernon Quarries and Babson’s Dogtown boulders. The exhibition will be on display throughout October at Jane Deering Gallery, Gloucester, MA with and opening reception scheduled for Saturday, Oct. 6th from 6pm-8pm.
The Exhibition, “When You Go Into The Woods” is a reflection of Michalak’s exploration of Cape Ann and her ongoing investigation of the painting process. The works reflect a fascination with a specific place and its hidden treasures. Many of the works are plein air paintings that brought her to the edges of quarries and sent her trekking through Dogtown’s rocky paths. As much as these works pay tribute to a specific place, they also reflect Michalak’s gestural painting style that at times borders on abstraction. Much like her wanderings in the woods, there is a sense that she doesn’t mind getting a little lost in brushwork, layering and mark before finding her destination.
Vanessa Michalak grew up in Maine before moving to Boston where she lived and worked for over a decade. While living in Boston she visited Cape Ann often and eventually moved to Gloucester last year. She received an MFA in painting from Tufts University and the School of the Museum of Fine Arts in 2013. Residencies include: Anderson Ranch Arts Center, Snowmass Village, CO; Emerging Artist-in-Residence, Penn State, PA; and Playa, Summer Lake, OR. Michalak’s work was featured in New American Paintings #110 and Fresh Paint Magazine (cover artist 2014). She was selected as a Massachusetts Cultural Council Fellow in Painting in 2014.
Continue reading ““When you go into the Woods” solo art exhibition by Vanessa Michalak opens Oct. 2nd at Jane Deering Gallery”


Haskell’s House, 316 Main Street, is one of more than 110 homes and vistas in Gloucester, Massachusetts, that inspired artist, Edward Hopper (1882-1967).
Gloucester merchant, public official (city councilor / state representative), and Master Mariner, Melvin Haskell (1848-1933), commissioned the house in 1884.
Hopper and artist, Jo Nivison (1883-1968), were married in 1924. They nicknamed the fancy house high atop the hill the Wedding Cake House. The famous drawing was originally purchased by American master painter, George Bellows (1882-1925), from a sensational Hopper solo exhibition held in the Frank K. M. Rehn Gallery in 1924. The watercolor changed hands and was eventually gifted to the National Gallery of Art, Washington, DC, by Mr. and Mrs. Herbert A. Goldstone in 1996. Hopper depicted the house in two other works, both side views from Prospect street rather than this view from Main Street.
The house was listed for sale at $830,000 throughout the spring and summer of 2018. Landscaping today involved major brush and tree removal. The result will be a scene closer to the one experienced by artists Edward Hopper and Jo Nivison in the 1920s. The scenic locale is a power spot: down the block from the Crow’s Nest and across the street from Gloucester’s Inner Harbor, Beauport Hospitality’s Cruiseport and Seaport Grill venues, Cape Ann Whale Watch, and Gorton’s.









Tree and heavy brush removal underway September 26, 2018, 316 Main Street, Gloucester, Massachusetts, revealing a scenic vista closer to the one that inspired Edward Hopper back in 1924 ©Catherine Ryan

Aymar, Jimmy, Edgar and Pedro were some of the adroit and brave tree climbing removal crew with ALZ Landscaping and Tree Service out of Lynn, Massachusetts. The unwieldy trees grew threateningly high.

short video: Edward Hopper Haskell’s House in Gloucester Mass is easier to view after tree removal Sept 2018 © catherine Ryan

Great news from multitalented creative Ken Riaf:
“The premiere of My Station in Life a new play I wrote about Simon Geller, America’s last one-man radio broadcaster. Geller, the radio recluse who brought classical music to a hardscrabble fishing port, fights for survival against powerful forces that want what little he has. Actor Ken Baltin and supporting cast bring Geller’s quirky persona and corkscrew saga to the stage from October 12th through October 28th. ”
FREE Trails & Sails events throughout Gloucester, Cape Ann and all of Essex County during two upcoming weekends September 21-23 & 28-30, 2018!
Ocean Views Walk from Ravenswood to Rafe’s Chasm Hosted by Cape Ann Trail Stewards
Step on FISH NET: Gloucester’s Award-winning 300ft Street Art temporary HarborWalk mural Hosted by city of Gloucester
IPSWICH Come Paint with Me Decorative Painting Demonstration, Hosted by Johanne Cassia, American Folk Artist, AnnTiques’ owner. Co-founder of the Woman Owned Businesses Along the Essex Coastal Scenic Byway trail map celebrating street level, local women retailers from Gloucester, Essex, Ipswich and Rowley who share a regional ‘Main Street’ – Route 133/1A, part of the gorgeous 90 mile Essex Coastal Scenic Byway
ANDOVER: Addison Gallery of American Art Gallery Talk: Paul Manship and His Artistic Legacy Manship Artists Residency + Studios (MARS) President Rebecca Reynolds and Addison Gallery Associate Director and Robert M. Walker Curator of Art before 1950, Emerita Susan Faxon will discuss the significant work of Paul Manship, his influential presence in Gloucester, and his connection to the Addison.

Posted on December 23, 2010 by Joey C 2 comments
I’m not gonna lie Mr Winch. I’m not going to miss you when I finally get some vacation time.
Bobby Ryan Writes-
I’m not usually a romantic, nor do I usually attribute feelings to inorganic items, but…
Could it have been Capt. Joe who actually bolted that unit down? That stand had to be built. Look at it. The paint color was known as “Battleship Grey”. Everything wooden on the waterfront was “Battleship Grey”. If you owned a boat somethings were orange or green. Extra paint left from painting the mast and hull. Everything iron had a coat of Red Lead under the grey. There must be 30 coats on this winch. Usually painted on during Fiesta week when the fleet was tied up. How about that “___ head”? Is that brass? How shiny it was when new? Can you imagine how proud the “Skipper” was when he first brought up those bags of whiting knowing he made a move to be “on shore” in order to better feed and care for his family? This time of year I remember one of the last things Slug would have me do before closing up for Christmas Eve was to go over to Capt. Joe’s. I would come back with plates of food. Some cooked, some not. At the time, when it was more personal and not so en vogue, I did not fully understand about the 7 fishes, but they were delicious.
Joey, you do not need to post this, I just wanted to let you know what I see in that old winch and to let you know there are others having thoughts of your family.
Buon Natale!
Posted on August 25, 2015 by Joey C 2 comments
#beautifulindustry The winch @CaptJoeLobster #GloucesterMA
If you only knew how much fish and #lobster this piece of equipment has offloaded in the past fifty years…
Posted on August 31, 2016 by Joey C Leave a comment

And The New-


August 4, 1909, Gloucester Day brought an audience of 20,000 to Stage Fort Park in Gloucester, Massachusetts. The 1909 pageant of “The Canterbury Pilgrims” by Percy Wallace Mackaye was touted as the “greatest open air performance ever attempted in the country”.
“Stage Fort Park was the magnet which attracted thousands of people at the close of the grand afternoon parade yesterday, the procession in that direction, commencing early and continuing all through the evening, until between the hours of 7 and 8 o’clock, there was a continuous mass of moving color along both sides of the boulevard, with the middle of the street almost covered with the swifter moving carriages and automobiles. This scene was most inspiring, giving one something upon which to build an imagination for the greater display to come, when the play and pageant were presented for their consideration. The vast amphitheatre, with its great stage, were soon filled, the latter by nearly 20,000 spectators, in the boxes, on the seats and in automobiles, while the wings of the latter were filled with (thousands of) players.”
William H Taft (1857 – 1930), the 27th President of the United States from 1909-13, planned to be in attendance, thanks to host, John Hays Hammond, Sr., his boyhood friend and college classmate at Yale. The Mayor of Gloucester at the time of the 1909 pageant was Hon. Henry H. Parsons. Artist Eric Pape (b.Oct 17, 1870 San Francisco – d.Novembre 7, 1938), Master of the Pageant, directed the Canterbury performance. He was the lead design for Gloucester’s enormous bronze plaque and granite bas-relief commemorating the Founding of the Massachusetts Bay Colony set in tablet rock at Stage Fort Park and dedicated in 1907.

Few days left to bid! Link to more photos of the collectible and sale found here: sale on capeanntiques, ebay seller
July 30, 1909 Gloucester Day Badge – Unique Design to Commemorate Event
“The Gloucester Day badges have arrived and are certainly worthy of the occasion. The special gold badge to be presented to the president is fo the same design as the others. It consists of a bar, backed by anchor stock, with the cables running along each side, and in the center a miniature of President Taft, flanked by the dates 1623-1909. Suspended from this bar by two chains is the embossed shield, the central figure of which is a Georges handline fisherman, riding at anchor under bare poles. On either side, clinging griffin-like to the inner circle dividing th ose parts is the inscription, “Gloucester, mass. Settled 1623. Incorporated, 1642” and beneath this is a representation of the Roger Conant house, with the word “built” on one side and the date “1623” on the other, and the inscription, “Roger Conant House,” beneath.”
“May be worn as badges or watch fobs…Design selected after keen competition.” They were pre sold for 50 cents.



What was happening here? September 9, 2018, Stop and Shop parking lot, Gloucester, Mass

New signs announcing The Blackbear Barber Shop coming to 261 Main Street, formerly Eastern Point Lit House*. *Upcoming The Lit House Book Club @ Duckworth’s Bistrot events are Gifts from the Sea on Sept 23 and 1984 on October 21.
Fish and Bear


Area residents murmuring that the smoke is possibly due to a refrigerator electrical fire. Rockport firefighters are assessing the situation on the ground. Simultaneous scene of spectators and beachgoers

Mystery musicians and tenor soared through melodies on the West End by Caffe Sicilila and Short and Main, Gloucester, Massachusetts, for the downtown block party. I hope to add their names so I can credit the beautiful impromptu arias! Snippets of and ‘O sole mio
*post updated September 4th thanks to Good Morning Gloucester readers! Giovanni Formisano is the mystery tenor — remember that name!- and an excerpt from New England Tenors Weekly:
“A native of Torre del Greco (Naples) Italy, Tenor Giovanni Formisano, began his vocal studies in the United States. After joining the Opera Workshop at the Longy School of music in Cambridge Massachusetts, Mr. Formisano participated in various Opera programs such as the “Key West Summer Opera program” under the direction of Soprano Donna Role, the “Richard Crittenden Opera workshop” and the “New York Summer Opera Scenes” under the direction of Metropolitan Opera Conductor Joshua Greene. Mr. Formisano quickly gained recognition for his Italianate, legato and full lyric sound and was featured in roles such as Rodolfo in G.Puccini’s “La Boheme”, Alfredo in G. Verdi’s “la Traviata” , Ruggero in G.Puccini’s “La Rondine” and Cavaradossi in G. Puccini’s “Tosca”.
Because of his upbringing in the Naples area of Italy, Mr. Formisano also specializes in the Neapolitan song style and has participated in various concerts highliting this very quality…” as highlighted in the New England Tenors Weekly
street ‘o sole mio
Poster annotated TBD (quite the smokescreen)

Last year Joey wondered about the wall murals on Parsons (walkway between Main and Rogers) added after the 350ft’ street temporary mural.
You can listen to Joey here: GloucesterCast 243 Taped 9/25/17 Timestamped 43:38 Parson’s Street Mural
The Parsons Street wall murals were created by a lot of people including fine artists, teachers, and kids: Jason Burroughs, Laura Donworth, Kyra Moyer, Aiden Symes, Avery Mcniff, Teen Artist Guild, and Cape Ann Art Haven summer kids. One request from the building owner was that they include a reference to Gloucester’s Man at the Wheel as part of the overall composition. The long mural features iconic Gloucester architecture, history and themes (see the great whale!) . The Man at the Wheel depiction was pulled out and featured on its own; locals aware of the former owner’s affiliation with Sam Adams enjoyed the extra nod. Photos above are from 2015.
North Shore Magazine photographs of Gloucester including wall mural (from the whale end) April 2018
There are some Parsons Street before and 2015 in process here
Continue reading “So Joey asked about the Parsons Street murals”


61 Middle Street Pike Newhall Funeral Home
Advertisement in 1902 Polk directory lists Pike business address on Washington Street prior to Middle Street relocation; the business was founded in 1900. 61 Middle formerly Winchester Inn

News from Rocky Neck:
Goetemann Artist to Construct a Large Whale’s Fluke
Artist Talk: Tuesday, September 4, 7:00 PM
The Cultural Center at Rocky Neck, 6 Wonson Street, Gloucester, MA
Public Construction Dates: September 10 28
On the Grounds of Ocean Alliance, 32 Horton Street, Gloucester, MA
Closing Talk: Friday, September 28, 6:00 PM
On the Grounds of Ocean Alliance, 32 Horton Street Gloucester, MA
Gloucester Ma—The Goetemann Artist Residency—a program of the Rocky Neck Art Colony, Inc. that provides artists from around the world a live/work space for a month at a time—is pleased to introduce its 2018 Environmental/Installation Artist, Australian Deborah Redwood.
To be considered for the 2018 month-long residency, artists submitted a proposal responding to the mission of Ocean Alliance, RNAC’s non-profit partner, which states in part: “Ocean Alliance strives to increase public awareness of the importance of whale and ocean health through research and public education.”
Redwood is the second Goetemann resident to work at the site following last year’s installation of a seven-foot tall Great Auk by Nathan Thomas Wilson. Redwood’s practice encompasses sculpture and installation that evokes a sense of play and comments on society’s waste. She graduated from the College of Fine Arts (Sydney) in 2006 and was awarded a one-year exchange program at Alfred University, in New York.
Beginning September 10 and continuing through September 28, visitors are invited to stroll down Horton Street to observe the artist while she constructs a large whale’s fluke (part of a whale’s tail) on the grounds of Ocean Alliance, site of the former Tarr and Wonson Paint Factory at 32 Horton Street, Gloucester. Using equipment donated by J&L Welding in Gloucester, Redwood will collect scrap metal and weld it into a sculpture rising about ten feet above the water’s edge. This is a wonderful opportunity to share an artistic experience with children while making them aware of the fragility of life in our oceans. Printed information about the artist and her process will be available on site.
Deborah Redwood is the latest artist at the Goetemann Residency and the public is invited to learn more about her work when she presents an Artist Talk on Tuesday, September 4, at 7:00 PM at the Cultural Center at Rocky Neck.
For the past decade Redwood has participated in group and solo exhibitions in Australia and overseas, including; Japan, China, India and the USA. She has also attended several artist-in-residence programs, in New York, Minnesota, Wisconsin, Vermont, Jaipur (India), Wellington (NZ), Sydney and now, Gloucester, MA. This challenging month-long project wraps up with a Closing Talk by the artist for the public at the Ocean Alliance site (weather permitting) on Friday, September 28 at 6:00 PM.
Images:
Deborah Redwood – Spiraling Shell
Deborah Redwood – Starfish at Killalea
Deborah Redwood – At Work
“Building on the success of its Gloucester Fresh seafood branding campaign, the city of Gloucester plans to apply the same formula to help brand and market Massachusetts lobster to lobster lovers the world over. Couldn’t happen in a better place.”- Sean Horgan
Link to article in today’s Gloucester Daily Times by Sean Horgan with photos by Mike Springerand lots of lobster numbers “Gloucester hopes catch can claw its way to top: Push on to brand, market Massachusetts Lobster”
Horgan wrote about the Seaport Economic Council award announcements August 15th, City Wins $110,000 promote its fish, lobster “We’re really excited about the attention the program is getting,” said Sal Di Stefano, the city’s economic development director and its point man on the Gloucester Fresh campaign. “This was just a concept a few years ago and now it’s an internationally recognized brand. We’re really proud of that.”

House History then and now for two former ‘old age homes’:
1911, Gloucester, Mass. “WILL OPEN ON CHRISTMAS DAY Several Old Sea Toilers Will Eat Christmas Dinner There Monday: Everything is in readiness for the opening of the Fishermen’s Home, formerly the Colby House, on Eastern avenue, and on Christmas day, a gathering of aged and disabled fishermen who have toiled their best days on the banks, but are no longer able to follow this hazardous occupation, will spend one of the happiest days of their lives and eat their first dinner in the new home…It would be a rather difficult undertaking to find a happier man today than Judge York. Two years ago after a conference with Dr. John Dixwell of Boston, who becoming interested in the work raised a fund among his friends for the relief of this class of men, who without friends or home were obliged to seek shelter in the house of coreection. Judge York went to Ipswich and secured the release of eight old fishermen, who were brought to this city and cared for at boarding houses during the winter months. Last winter the work was continued through the efforts of Dr. Dixwell and Judge York, and lately, their efforts were further crowned by the splendid gift of Mr. Hammond, who presented the home. The seven men who will become inmates of the home on Christmas Day are John Ryan, Joseph Alcott, John Nichools, Harris Atwood, James Halley, Robert Fraser and Henry Gormley.” article in the Gloucester Daily Times
The prior year “J. Hammond deeded lots for indigent fishermen at Beechbrook Cemetery.”- 1910 Gloucester Archives
After writing about his friendship with Captain Blackburn, “one of the most undaunted sailors America has ever had…I was proud to be one of the honorary pallbearers at his funeral…” John Hammond Sr. concluded his autobiography with more about Gloucester:
“I look back with the greatest pleasure on the hours I have spent with other old Gloucester fishermen. In the winter of 1910 several of these old fellow appeared before the district court and pleaded guilty to vagrancy. Without other means of gaining food or shelter, they were seeking some sort of sustenance in the poorhouse for the winter. In Washington, I read about this in the papers and got in touch with Judge York, Dr. Dickswell, Fred Shackelford, and others who were interested. We established a home to provide for these old fishermen. I learned to appreciate the fine traits of these men who were given refuge there. Often it was exceedingly difficult to persuade them that they were too old to stand the hardships of deep-sea fishing. Their truck garden faced the sea, and from there they could watch with their telescopes for the fishing vessels as they left and entered the harbor. Sailors, like miners, are notoriously spendthrifts and these of Gloucester were no exception. They would arrive at the Home in a destitute condition. Because they no longer went to sea, and there was no chance of their reaching the traditional sailors’ grave, they had a great dread of potter’s field. For that reason I provided a cemetery where all could be assured of decent burial. Above the gate is inscribed:
And here rest, brave toiler of the sea,
sleep undistrubed,
God’s peace be with thee.
Many of the inmates were choosey about the location of their graves. There were two in particular, bunkies since boyhood, who quarreled daily and, I fear, nightly, but who exacted from me a promise that they might be buried side by side.”

Gloucester bought 110 Prospect Street in 1887 for $12,000 to establish the “Huntress Home for Old Ladies of Native Birth.” I’ll write more about this one later.
Here’s how both senior housing options were described in the 1913 Gloucester Directory (from Gloucester Archives):

photos & research – C. Ryan

Article describes some Gloucester highlights: Cape Ann Museum and Harrison Cady exhibition, Gloucester Beaches, Stage Fort Park, Half Moon Beach, Gloucester Shuttle, Cape Ann Cinema, Gloucester Stage, Schooner Thomas E. Lannon, Hammond Castle Museum, Perfect Storm, Wicked Tuna, Rocky Neck, Latitude 43, Lobsta Land, Zeke’s Place, Willow Rest, Beauport Hotel, Ocean Hotel at Bass Rocks, Beth Williams, and (couldn’t get a reservation at) Duckworth’s Bistro.
