On this day in 1921, Boston Globe in #GloucesterMA with crowd of 10,000 for a double dedication | American Legion memorial building and the base for the delayed replica of Anna Vaughn Hyatt Joan of Arc statue  


“The first day‚Äôs ceremonies in connection with the dedication of the American Legion memorial building, in Old Town Hall Square and the dedication of the base on which will stand a replica of Anna Vaughn Hyatt‚Äôs statue of Joan of Arc, were of an impressive nature.

To dream the impossible dream.

A feature of the day was an address by Major Gen. Clarence R. Edwards in which he characterized peace by disarmament an impossible dream.

Speaking this evening from the balcony of the new Legion Building, Gen. Edwards said that the importance of the National defense in the World War was realized more deeply than ever, and that Cape Ann played a major part with other important strategic points. Alluding to pacifist propaganda, he characterized the realization of peace by disarmament as an impossible dream. Place two children 9 months old together and a toy between them, he said, and a struggle ensues. This basic principle is ingrained in every person and animal. Alluding to Americanism, immigration and melting pot problems, he said that the association of the youth of the immigrant with those of native stock will settle those questions.

‚ÄúWhy,‚ÄĚ he said, ‚Äúa foreign born youth who will face a nest of machine guns in the defense of this country is a good enough American for me.‚ÄĚ He referred to the case of Sergt. Casagranda of Bay View, a suburb of this city. Twenty of his comrades petitioned for his advancement over them to rank of sergeant.

A regrettable incident of the day was an accident to Vice Commander Eugene Lord of the local Legion post. He drove an auto against a rope across a street that was barred off. The glass of the windshield was broken, cutting him across the face and destroying the sight of an eye.

Services in the Morning.

The Legion Post attended services at the Independent Christian Universalist Church this morning. A special program had been arranged by Prof. George B. Stevens, the organist of the church.

As the Legion filed down the elm shaded churchyard, the bugler played ‚ÄúThe Marsellaise.‚ÄĚ This theme was taken up on the organ as the Legion filed into the church.

The pastor, Rev. Dr. John Clarence Lee, preached. Dr. Lee reminded his auditors that the first pastor of the church. Rev. John Murray, was commissioned a chaplain by Gen. George Washington.

Capt. Lester S. Wass, for whom the Legion Post is named, was an attendant at the church. He pleaded for justice to disabled and needy war veterans.

Names on Tablets.

The exercises tonight at the dedication of the base of the monument were deeply impressive. Owing to causes beyond the Legion post’s control the statue could not be delivered in time for the dedication. The Cape Ann granite base, designed by Frederick G. Hall, a Boston artist, a summer resident of East Gloucester, had been placed in position with the bronze tablets bearing the names of the 57 youths who went from Gloucester to the World War never to return. The base was draped with the Stars and Stripes. At each corner of the base was a column. On each of these four columns, in black and white, were Romanesque braziers. These braziers were lighted, also four incense urns. The faces of the thousands who stood with bared heads were illuminated.

All sensed the solemnity of the moment.

Battery Fires Salute.

A battery fired 57 rounds for the boys* who did not return from war. At the same time all the church bells in the city tolled.

The speaking took place from a balcony in the Legion building. Mayor Wheeler made a short address, followed by Maj. Gen. Clarence R. Edwards of the 26th Division. He was followed by Col. A. Piatt Andrew, commander of the Legion post. Then the concourse sang ‚ÄúAmerica‚ÄĚ.

Prayer was offered by Rev. William J. Dwyer, PR. Of St. Ann’s Catholic Church, Rev. Dr. A.A. Madsen of Trinity Congregational Church and Rabbi J. Steinberg of the Jewish Synagogue.

The tablets were unveiled by Miss Abby F. Rust, a squad firing a funeral volley and ‚ÄúTaps‚ÄĚ being sounded.

Council’s tribute.

The mothers and fathers and near relatives of the dead were then escorted forward, each placing a wreath of palm on the base of the monument. Mayor Wheeler and the city council then performed the same rite on behalf of the city.

The vested choir of St. Ann‚Äôs now sang the Gregorian chant, followed by the vested choir of St. John‚Äôs Episcopal Church singing ‚ÄėThe Son of God Goes Forth to War‚ÄĚ.

Representatives of the churches deposited their floral tributes. The great crowd of 10,000 persons, a great many of whom deposited floral tributes, filed reverently away. The enclosure was literally buried with flowers. In this ceremony delegations from the Mine Laying fleet, the G.A.R. Spanish War Veterans, Red Cross and all the civic and secret organizations of the city were represented.

Legion Hall Dedicated.  

Preceding the dedication of the base was the dedication of the legion hall, the old Town Hall of Colonial design, restored and enlarged, with the unveiling of an oil painting of Capt. Lester S. Wass of this city, who lost his life in the Argonne while leading a company of marines. The painting is the contribution of Eben F. Comins, a Boston artist and summer resident of Eastern Point.

The address was by Maj. James T. Duane, State commander of the American Legion. Mr. Comins presented the picture to the post and the unveiling was by Miss Elizabeth Wass Foster, a niece of Captain Wass.

The prayer and benediction was by Rev. Bertram D. Bolvin, ex-chaplain of the 15th Infantry, State Guard, and minister of the First Parish Unitarian Church of this city.

In order that Gen. and Mrs. Edwards might be present, Capt. Lackey of the U.SS San Francisco, flagship of the Mine Fleet, detailed a destroyer to go to Plymouth to bring them over.”

‚ÄúDisarmament Dream, Edwards Speaks to Thousands at Gloucester Memorials to the City‚Äôs War Dead. Dedicated official of Legion Post loses eye in accident during the event. Special Dispatch to the Globe.‚ÄĚ Boston Globe, July 3, 1921

photo credit above: interior c. ryan 2017 (installation view of Eben Comins portrait of marine Capt. Lester S. Wass. The artist gifted the painting as part of the Legion Post dedication in 1921. Legion Post Honor books to the left.) Exterior: Smithsonian collection (b&wh); c. ryan 2016

photo credit below: c. ryan, 2016 / reprint by Fred Bodin of historic photo (Town Hall before architectural additions)

Joan of Arc Statue

Joan of Arc

Photo by Adrian Hewitt

‚ÄúCreated by renowned sculptor Anna Hyatt Huntington, the World War I Memorial was presented to the City of Gloucester by the French Government in 1921 and rededicated in 2001 honoring the sons of Gloucester who gave their lives during the Great War. Located at the traffic circle between Washington and Middle Streets, this impressive sculpture features Joan of Arc on horseback.‚ÄĚ


“Dive Deep Within” – Goetemann artist Deborah Redwood’s sculpture at the Paint Factory

Don’t you love the scale of Deborah’s piece? Much like Gloucester’s most beloved statues, the “Fishermen’s Wives Memorial,” “Man at the Wheel,” and “Joan of Arc,” “Dive Deep Within” is built to a very human scale and blends beautifully with the environment. “Dive Deep Within” is a statement, but does not try to compete with or dominate the surrounding landscape. Read more about Deborah’s piece here:

Deborah Redwood

and visit her website here: https://www.deborahredwood.com/

When I look at the subtle artistry of “Dive Deep Within,” I am reminded of the humungous abrasive metal sculpture that our community has been highly pressurized to accept, to not only find a suitable location for its installation, but to pay for its fabrication as well. One suggested site was the tiny narrow strip of green grass on the Rocky Neck causeway. When that location was wholeheartedly rejected, the next attempt was to locate the sculpture at the beautiful, but again very small, Solomon Jacob’s Park. This suggestion was especially nonsensical because the Solomon Jacob Park was specifically designed to be an open window to the working waterfront.

Monumentally large sculptures like that perhaps look best when sited in vast open spaces, a midwestern prairie or on a farm field; at a similar place where from the artist has made his home for most of his life, rather than Gloucester’s stunning waterfront.

Greatly appreciating the scale and intention of Deborah Redwood’s “Dive Deep Within”

LAST CHANCE: Peter Morse and David West artist reception at Jane Deering Gallery September 29

art exhibition closing soon! Meet the artists at the closing reception Saturday, September 29 5-7pm. Neither Mustard Nor Teeth, photographs by Peter Morse, drawings by David West, Jane Deering Gallery, 19 Pleasant Street, Gloucester













Jane Deering September 2018

from the exhibition release:

“Neither Mustard nor Teeth, by artists Peter Morse and David West, is an exploration of the everyday discipline of the artist searching to Ô¨Ānd the extraordinary and the beautiful among the quotidian rhythms of ordinary life.

Morse‚Äôs photos call attention to the overlooked. They catch moments of light, pattern, form and structure that might otherwise be sensed only out of the corner of the eye. What is captured in the frame draws us nearer, asks us to pause. While grounded in the ordinary, they leave the viewer with questions about time and place and the seemingly familiar. West‚Äôs drawings feature the townscape of Gloucester as seen by a non-native. They are visual handshakes from a Southern alien coming to terms with a new place for the Ô¨Ārst time. The quiet empty spaces offer little peace; the architectures crowd each other and jostle for attention as they attempt to stay upright.

Both bodies of work are rooted in the act of stopping and looking, the life blood of the artist. Slowing down. Being present in the moment long enough to pay attention and to record. Whether the action is contained in the fraction of a shutter click, or the longer process of drawing, each is a response to the quiet call of objects and moments at hand. The phrase ‚ÄĒ neither mustard nor teeth ‚ÄĒ is from the essay, Of Power and Time, by the Massachusetts poet Mary Oliver. Oliver tells of the tensions between the necessity of living in the world with its demands of time and task and energy, all the while striving to see the¬†inherent beauty of it all, to make sense of it through the creative process:

It is six a.m., and I am working. I am absent-minded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes Ô¨āat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth.

Peter Morse lives in Amesbury, and David West is resident here in Gloucester. Both artists are in need of going to the grocery as well as the dentist.

Peter Morse holds a BA Summa Cum Laude from Gordon College and an MFA in Photography from the University of Hartford, CT. Residencies include Berlin, Germany, New York, NY and Portland OR. He teaches at Gordon College where he is also Manager of the Barrington Center for the Arts and the Gallery. He has exhibited in the US, Germany and Cuba. Morse maintains a studio in Amesbury MA.

David West is originally from Mississippi. He holds an MFA from Louisiana State University with a concentration in printmaking. He is Associate Professor of art at Gordon College, Wenham MA where he is Chair of the Art Department. West is also Co-Founder/Curator of ArtSpace 86 Gallery in Jackson MS. He has exhibited widely in the US. West is now living in Gloucester MA

You can bid on 1909 Taft presidential memorabilia created for Gloucester: Canterbury Pilgrims Pageant and historic house fundraiser at Stage Fort Park welcomed thousands!

August 4, 1909, Gloucester Day brought an audience of 20,000 to Stage Fort Park in Gloucester, Massachusetts. The 1909 pageant of “The Canterbury Pilgrims” by Percy Wallace Mackaye was touted as the “greatest open air performance ever attempted in the country”.

Stage Fort Park was the magnet which attracted thousands of people at the close of the grand afternoon parade yesterday, the procession in that direction, commencing early and continuing all through the evening, until between the hours of 7 and 8 o’clock, there was a continuous mass of moving color along both sides of the boulevard, with the middle of the street almost covered with the swifter moving carriages and automobiles. This scene was most inspiring, giving one something upon which to build an imagination for the greater display to come, when the play and pageant were presented for their consideration. The vast amphitheatre, with its great stage, were soon filled, the latter by nearly 20,000 spectators, in the boxes, on the seats and in automobiles, while the wings of the latter were filled with (thousands of) players.”

William H Taft (1857 ‚Äď 1930), the 27th President of the United States from 1909-13, planned to be in attendance, thanks to host, John Hays Hammond, Sr.,  his boyhood friend and college classmate at Yale. The Mayor of Gloucester at the time of the 1909 pageant was Hon. Henry H. Parsons. Artist Eric Pape (b.Oct 17, 1870 San Francisco – d.Novembre 7, 1938), Master of the Pageant, directed the Canterbury performance. He was the lead design for Gloucester’s enormous bronze plaque and granite bas-relief commemorating the Founding of the Massachusetts Bay Colony set in tablet rock at Stage Fort Park and dedicated in 1907.

1909 Gloucester MA Canterbury Pilgrim Pageant Medal with PRESIDENT WILLIAM HOWARD TAFT photo

Few days left to bid! Link to more photos of the collectible and sale found here: sale on capeanntiques, ebay seller

July 30, 1909 Gloucester Day Badge – Unique Design to Commemorate Event

“The Gloucester Day badges  have arrived and are certainly worthy of the occasion. The special gold badge to be presented to the president is fo the same design as the others. It consists of a bar, backed by anchor stock, with the cables running along each side, and in the center a miniature of President Taft, flanked by the dates 1623-1909. Suspended from this bar by two chains is the embossed shield, the central figure of which is a Georges handline fisherman, riding at anchor under bare poles. On either side, clinging griffin-like to the inner circle dividing th ose parts is the inscription, “Gloucester, mass. Settled 1623. Incorporated, 1642” and beneath this is a representation of the Roger Conant house, with the word “built” on one side and the date “1623” on the other, and the inscription, “Roger Conant House,”  beneath.”

“May be worn as badges or watch fobs…Design selected after keen competition.” They were pre sold for 50 cents.

coverage about 1909 pageant Stage Fort Park Gloucester Ma

John Hays Hammond Sr with Taft family from his autobiography.jpg
John Hays Hammond Sr. 2nd row with Taft family and driver

August 4 Gloucester Day Edition detail
Pageant benefit to possibly rebuild Roger Conant House at Stage Fort Park

Continue reading “You can bid on 1909 Taft presidential memorabilia created for Gloucester: Canterbury Pilgrims Pageant and historic house fundraiser at Stage Fort Park welcomed thousands!”


If you’re not friends with Bing McGilvray on Facebook and you love Cape Ann artists, then you should be. He is always posting gorgeous paintings of our community such as “Joan of Arc” (1932), painted by J. Jeffrey Grant (1888 -1960). Bing is an archivist at the Cape Ann Museum.

Don’t you love the trees? Did you know Gloucester was formerly a “tree city?”  

Amazing Gloucester High School trip to Spain and Portugal

Over the April 2017 school vacation, Gloucester High School students and chaperones traveled to Spain and Portugal. Report from the trip:

Mr. Celestino Basile, World Language Coordinator at the High School, led the group through visits to Madrid, Toledo, Cordoba, Seville, Costa del Sol, & Granada, as well as many other fascinating spots in Spain before heading to Lisbon, Portugal. Basile has brought many groups of GHS students to Europe over the years. While in Seville, on Easter Sunday, some of the Spanish exchange students who had visited Gloucester in September 2016 (staying for 3 weeks with GHS students and their families, and attending GHS with their hosting student) were able to meet up with and visit the Gloucester group. What an amazing opportunity for these kids, thanks to Mr. Basile! Highlights included a flamenco evening, an evening cruise, visiting the beach at Costa del Sol, and re-connecting with the exchange students who had visited Gloucester.

In Gloucester,MA, one must experience Fisherman at the Wheel, ¬†the iconic bronze memorial by Leonard Craske installed in 1925. While in Madrid one must visit Oso y El Madrono–¬†the bear and strawberry tree–¬†the 1967 monument to the symbol of Madrid¬†by artist Antonio Navarro Santaf√©. ¬†Bears are common symbols worldwide but a bear leaning on a strawberry tree and eating the fruit heralds solely Madrid. Before that sculpture commission, Santaf√© modeled Madrid’s Bear of Berlin as well as sculpture gifts for dignitaries based on Madrid’s memorable coat of arms. Madrid’s bear was modeled on a local one* captured in the Picos de Europa mountains and sent to the zoo in El Retiro.¬†“The bear, more than Difficult, it is ungrateful, because it is animal in a heavy way, and the sculptor has to guess its anatomy through its imposing fur coat. Anyway, like everything done by God, and for Nature, it is beautiful.”¬†

“My bear, which is the Bear of Madrid, in the fabulous wheel of the Puerta del Sol!” Antonio Navarro Santaf√©

The Gloucester High School students were there! And the Prado, and…



Antonio Navarro Santafe, Parque de Berlin Oso de Berlin, Madrid




Spanish language teacher and chaperone, Heidi Wakeman, sent two photos and summarized the trip for Good Morning Gloucester:

“37 students, 6 chaperones, 2 countries and 1 Spanish tour guide = ONE AMAZING TRIP! The GHS trip to Spain and Portugal was an exciting, educational and exhausting excursion!¬† We landed on Wednesday, April 12 and started sightseeing right away (El Prado museum, to see Las Meninas, el Greco, among other masterpieces).¬† There were cathedrals, churches, plazas and palaces.¬† A highlight was the reunion with Spanish students that lived here in Gloucester last fall. Students spoke and listened to a lot of Spanish, then Portuguese as we finished in Lisbon.¬† As a middle school Spanish teacher at O’Maley, I was so grateful for the experience: my first time chaperoning an overseas trip, and my first time to Spain! The kids will never forget this trip, and neither will I!”- Heidi Wakeman

Sevilla, Spain from Heidi


Chaperones, Toledo Spain, from Heidi

GHS spain 2017


*Local inspiration:

Anna Hyatt Huntington modeled Joan of Arc¬†at her Annisquam home Seven Acres in part from poses of¬†her¬†niece, Clara, and Frank, a ‘magnificent Percheron’ ¬†from the Gloucester fire department. The Gloucester cast is a monument¬†to the WW1 heroes of Gloucester. Leonard Craske’s Gloucester Fisherman at the Wheel is a debated composite.


oral history transcript 1969 A Hyatt Mayor Adores his Aunt Anna Hyatt Huntington (read by Marie Demick)

Art from Kristen Visbal Fearless Girl and Arturo Di Modica Wall Street Bull to Morgan Faulds Pike, Anna Hyatt Huntington, Judith Sargent Murray, Rusty + Ingrid, and Willow Rest


Photo by Federica Valabrega. Temporary public art bronze sculptures: Kristen Visbal Fearless Girl installed for International Women’s Day March 8, 2017 faces off ¬†Arturo Di Modica’s Charging Bull installed December 15, 1989. Fearless Girl was commissioned by State Street Global Advisory Stuart Weissman and part of McCann’s creative campaign

Arturo Di Modica wall st bull charging dec 15 1989

Robert D. McFadden coverage in the New York Times about the Wall Street Bull by Arturo Di Modica the day after it was stealthily installed (and removed then reinstalled, evermore)

Morgan Faulds Pike, Gloucester Fishermen’s Wives Memorial, Gloucester MA


ns mag cover

The Fisherman’s Memorial screen print by Rusty + Ingrid Creative Company on the cover and featured in North Shore Magazine’s April 2017 issue– which also includes articles on Cape Ann’s iconic sculptors, plus Manchester by the Sea and filming on Cape Ann


October 2013 Willow Rest, 1 Holly Street, Gloucester, MA, window filled with Rusty and Ingrid Kinnunen screenprints –the first time I saw their work. I love how so many stores and restaurants feature creative arts. This one is a great case study and success story for creative exposure.

Sargent House Museum, 49 Middle Street, Gloucester, MA. Judith Sargent Stevens Murray (1751-1820)


Judith Sargent Murray story moment trail marker, Main Street, Gloucester, MA

Anna Hyatt Huntington Joan of Arc Gloucester MA

wikipedia art feminismLook for Wikipedia-edit-a-thons (especially this week surrounding International Womens Day) ¬†encouraging everyone to add content and push women to be contributors. No previous Wikipedia experience is necessary –training help at the events or editing¬†Instructional videos at your convenience

Anna Be Bela Judith Morgan





Morgan Faulds Pike Gloucester Fishermens Wives Memorial



Morgan Faulds Pike 

street art Gloucester: 21st Century Orphans by Danny Diamond graffiti writer and mural artist






There’s a monumental outdoor mural behind Prince Insurance at 3 Washington Street, Gloucester, Massachusetts, that changes every year. It’s sited on private property.

Thanks to the Greeke family who own Prince Insurance and let him have at it, artist and writer Danny Diamond has expressed his ideas and showcased his can command on this same outside wall annually since 2011.


My favorite sight line is from Middle Street heading to the Captain Lester S. Wass American Legion Post 3 and the Joan of Arc sculpture by Anna Hyatt Huntington.¬†It’s in a tight spot, and so is the kid with the green, green eyes staring back from¬†the latest mural.

Diamond is using his talents to bring awareness to homelessness and the economy. Here’s an excerpt from his statement about 21st Century Orphans:¬†“The windfall of green-backs that flies from my letters gives way to dingy news-print and beggars‚Äô placards‚Äďthis orphaned child‚Äôs currency. It‚Äôs rarely discussed, in our scenic little fishing town, that the homeless population has increased in Massachusetts by 40% since 2007, even as the national average was in decline. This in part due to the fact that the cost of living here in Mass is among the highest in the country; the cost of housing continues to increase now that the market has come back, and there is no relief in sight‚Ķ Fifteen percent (over half a million)¬†of our children here in the Bay state live in poverty; of the over¬†seventeen-thousand homeless people here, thirty-eight percent are children.” – Danny Diamond, 2016

A Gloucester native, Diamond is busy with commercial art and commissions on both coasts. ¬†I had a chance to ask him more about his art and writing after I did a post about the sea monster fence he painted. He¬†brushed off the street artist description:¬†“I consider myself a graffiti-writer and sometimes a mural-artist, but not a “street-artist” (semantic distinction).” ¬†I asked him about Gloucester connections and if he went to the high school. Did any teachers influence him? He wrote back swiftly:

I studied art under Jackie Underwood, who was “Jackie Kapp” at the time, as well as theatre and set-design with Krista Cowan and Kim Trigilio. I went on to earn a cum laude BA in English Lit and Creative¬†Writing at UMass Boston, class of ’06…¬†I spent a lot of time at Artspace on Center St. as a kid, and so Gloucester’s sub-cultural grandmaster Shep Abbott had a big effect on me by bringing punk rock and mural art into downtown. I was mentored in the world of graffiti art by the late Jed Richardson of Manhattan who was a major figure in the NYC subway-train art movement of the 1980’s; he moved to Gloucester in 2001 or so and remained here¬†until his passing in¬†September of ’09… ”¬†

Diamond created a tribute chalk mural to his mentor at Minglewood Tavern. I worked in New York and saw first hand the 1980 era kings (and not so kings) of subway and club graffiti. I didn’t know Jed Richardson’s work and wondered if Diamond had an image to share for this post.

artist Jed Richardson c.2008 (photo from artist Danny Diamond)

I also thought about the owners who turned over their wall for Diamond’s art. I learned that the building is owned by Peter Greeke who founded Prince Insurance. Aha! A creative family that understood and allows Danny Diamond the use of a large wall to practice and express his art. The Prince Insurance company¬†is on Washington Street between Middle and Main and directly across from the Legion. It is a second generation family business that has specialized ¬†in personal insurance for more than 35 years. It’s now co-owned by sisters, Melissa Moseley and Wendy Prendergast. A third sister, fashion designer Jennifer Greeke, operates Harpy Fashion out of the back office. The Prince Insurance¬†storefront stands out with such original picture window displays.These windows are an entire family affair. Melissa doesn’t remember a time before the windows. Their mother creates them; Jen has made clothing, sculpted¬†papier-m√Ęch√©¬† creatures and mermaids. “Of course because of the community we ¬†live in, over time artistic customers and friends joined in…like Richard Harding and the built boat. They’re just a lot of fun.” ¬†¬†Prince Insurance has a beautiful new website.

I hoped Danny Diamond had a record of his devoted wall mural project, which he obliterates and repaints every year. He did. Photographs below are from Diamond or his website, www.skribblefish.com.  His Instagram is @pyse117.  I added one showing a work in progress he is  completing for a new restaurant opening in Salem in February and other local commissions.

Continue reading “street art Gloucester: 21st Century Orphans by Danny Diamond graffiti writer and mural artist”

Happy New Year! Onward

Dusting of snow along the back of Anna Hyatt Huntington’s superb Joan of Arc WWI memorial, such a multifaceted muse and Gloucester landmark.

Whatever brings you there– artist, subject, sculpture, setting, history –its surplus of qualities alone and together reward gaze and inquiry.¬†I took several photographs early December 30th, careful compositions against a gift of blues and vault of morning sky. For this one, I roughly edited out the telephone wires for my thoughts.¬†Shake off 2016 and frame up a fresh start for the year ahead!


(See Joan of Arc HarborWalk story moment for more information.)

2016 Fishermen’s Memorial Service

There was a respectful area set aside for the participants and families and incredible music. The poignant service made many cry.

Convening by the Legion and Anna Hyatt Huntington WW1 memorial, Joan of Arc, prior to the 2016 Fishermen’s Memorial Service procession.


Dad describing the procession

Large crowd up ahead at the Man at the Wheel, awaiting the procession

Distinguished master of ceremonies Barry Pett

©Pauline Bresnahan

20160827_171904Mayor Romeo-Theken sweeping gesture to the Fort, a heartfelt and knowing welcome

©Pauline Brenahan


Dignitaries including: Councilors Lundberg and Cox, Senator Tarr, Representative Ferrante

committee, family

family- sisters


Rapt crowd thinking of so many families then and now. (Councilor Lundberg’s beautiful family¬†had me thinking about art –Homer, Dorothea Lange, and Morgan Faulds Pike Fishermens Wives)

And by sea

what a voice and talented musician. angels





©Pauline Bresnahan

©Pauline Bresnahan




I folded some of Pauline Bresnahan’s great photographs into my photos for this post. Thanks for sharing, Pauline, they’re beautiful! I may add in excerpts from Linda Greenlaw’s beautiful tribute – optimism and the program details.

You can search prior year GMG coverage like this David Cox one and many more.

Marty Luster’s 2016¬†video and audio brings you there.

The 2016 announcement and Gordon Parks 1943 photograph ¬†from that year’s memorial¬†service


From Cape Ann Museum ~
Happy Birthday to CAM artist Anna Vaughn Hyatt Huntington (1876-1973)! The incredibly successful sculptor had a specialty in portraying animals, partially due to the influence of her eminent paleontologist father, Alpheus Hyatt. Her most well-known work on Cape Ann is the 3,500 lb bronze statue of Joan of Arc in front of Gloucester’s American Legion Post. The monument sits atop historic stones from France as a memorial to the Gloucester men who fought and died among French allies in World War I. Her model for Joan’s noble steed was a local horse named Frank that once pulled a fire wagon.
12814804_1089749337744461_3195385424672608358_n PHOTO COURTESY CAPE ANN MUSEUM

Public Art: Two more Justin Desilva crosswalks downtown Gloucester

Cat Ryan submits-

Hi Joey

As a reminder, there will be 20 temporary mixed media crosswalks throughout downtown by artist, Justin Desilva (Rhode Island School of Design alumnus). Each one features different HarborWalk story moment content.  Special thanks to Ben‚Äôs Paint.

Here’s the TS Eliot work along the intersection of Washington Street and Main by Tallys. The HarborWalk Story Moment marker #2 featuring TS Eliot is further down on the path by St. Peter’s and Cape Ann Brewing.

image010 (1)

Comments included how the images change depending upon where and how one is looking (viewing the images through a lens, or viewfinder, from a distance, or up close).

This man thought it was fun to compare Justin’s ideas and process with Seurat and other Pointillists. The pug is unfazed by the new surface over his frequent path past Joan of Arc. The HarborWalk Joan of Arc story marker is #37. We’ll ask Justin about his ideas in another post.

image011 (3)

Today’s intermittent rain slowed down the process, but not the speed of the cars! (Drivers fly past Joan of Arc heading to the Boulevard).

Thanks to Phyllis Cucuru for spending time with us and supplying a barney trash bag. Feeling fortunate that Café Sicillia, Building Center and other businesses are open on Sunday as we had to make a couple of trips. Desilva was planning to complete Hammond Castle and one in tribute to the Dory (on Main Street by Café Sicillia and Short and Main).

Here’s the Hammond Castle site BEFORE looking down to the Boulevard and out to the harbor. There’s also a photo looking back in the direction of the Joan of Arc memorial.

image005 (1)


image012 (3)


The 2013 Gloucester HarborWalk Public Art Challenge was a competitive, two-stage, open process established and administered by the Committee for the Arts (CFTA) on behalf of the City of Gloucester, and at the direction of Mayor Kirk and the City’s Community Development Department under Sarah Garcia. Funding for the purchase of public art was provided through a grant from the Commonwealth of Massachusetts Seaport Advisory Council. The awards reflect discussions, community development, planning and determination to remember and work towards incorporating the creative arts broadly alongside other city efforts. Gloucester hearts art! For further information Gloucester Committee for the Arts

Have an idea? Want to get involved or volunteer? Please email friends of the HarborWalk gharborwalk@gmail.com or visit http://www.ghwalk.org

Peter Dorsey Does Joan of Arc


I have been looking at some of the commemorative statues that there are around Gloucester. There’s art and history in so many places. One is a WWI memorial and is a large statue of Joan of Arc on a horse in Legion Square at the intersection of Washington and Middle streets. The imposing bronze statue, which was dedicated in 1921, is one and a quarter times life size, stands on top of a large carved granite base. There are bronze plaques on either side listing “The Sons of Gloucester Who Gave Their Lives in the Great World War” and decorative plaques at either end. Wrapping around the base is a granite bench; perhaps designed so people might sit there with friends and family, and reminisce. There are beach stones surrounding the monument, and set into the ground like cobblestones.

Designed by Anna Hyatt Huntington (1876-1973), her original Joan of Arc statue won an honorable mention at a Paris art show. There were four other Joan of Arc statues cast by her that were placed in either New York City, San Francisco, Quebec, Canada and Blois, France. Huntington was 34 when she made the original plaster statue in her family’s studio in 1910 which was near Annisquam. It has been reported that the horse was modeled after one of the East Gloucester Fire Station’s horses, and that “Joan” was actually Anna’s, niece who was sitting on a barrel.

For those who have never looked closely at this imposing statue and monument, I suggest they park, and carefully walk to the center of the square. It is truly an artistic masterpiece!

Peter Dorsey

Bob Lindberg Joanie on The Ponie Update

Joey: I did write to congressman and suggested a re-dedication of the statue . I will include his response.

Also I did find some additional information on Anna Hyatt Huntington the scupltress.Anna was born in Cambridge which was our second home also !  See   http://www.bronze-gallery.com/sculptors/artist.cfm?sculptorID=75

If some want to see more of her work in a breathtaking location, some of the GMG readers may appreciate especially learning about  her beautiful garden in South Carolina – BROOKGREEN GARDEN/zoo in Myrtle Beach area http://www.brookgreen.org/  and for some images-
see http://www.flickr.com/photos/fernside/469281417/in/photostream/
What a treasure we have in Joanie.
Regards Bob Lindberg

diana of the chase

Joanie On The Pony from Bob Lindberg

Joey: it’s Mike Lindberg’s brother BOB (the dentist)writing. Recently we had family from Tampa in town and showing them around Gloucester and I wanted to show them the
very nice Joan D’Arc statue . When asked “why does Gloucester have this statue ?” I thought, you know I do not know but I will find out ; I did know the artist was from the area. Much to my surprise I learned many very interesting facts besides that the sculptress Anna Hyatt Huntington came from causeway studio at “hole in the wall” at Goose Cove where we passed a million times as kids heading out to the Annisquam and the Bay.

I do know some refer to her as Joanie on the Pony affectionately and somewhat naively irreverently ( goodmorninggloucester) and always wondered why French statue and not Swedish,Portugese or Italian.

Among the surprising facts I have found thanks to internet:
1) horse was modelled from the biggest Gloucester firehorse at the time in pre WWI days
2) her studio was the house at the hole in the wall as we called it;family owned the house aka first marine biology field station there ;she designed plaque on the rock
3) figure model of Joan was her niece
4) in the art contest many liked her worked but she didn’t win because it was thought a man must have helped her -it was so good
5) Joan is holding up sword before battle asking for God to help her in leading the men in the quest to rid France of the English;later burned at the stake at 19,later sainted
   and wore men’s clothing because as she said “no voice told her to not wear men’s clothing”
6) There are several copies of statue one other in NY and 3 in France -Gloucester’s is #2
7) It was given to Gloucester after WWI as a special thank you to all US forces who helped France kick Germany out of  France
  particularly men from Gloucester in the Battle of Belleau Woods 1918 where the marines fought so bravely they earned the nickname said to have been given to them by
the Germans ” teufelshunden-hound devils or hellhounds ” for their tenacity and where a famous marine corps officer ‘s response to request from the French fighting alongside to retreat under the heavy fire from the Germans was  “Retreat?We just got here!”
8) at that Battle which was greatest battle since Appomattox where US soldiers fought includes men from Gloucester- local Gloucester man Lester Waas seehttp://www.usmilitariaforum.com/forums/index.php?/topic/30873-show-tell-wwi-5th-marine-co-cdrs-kia-group-dsc-navy-cross/who was last surviving officer none the less led a fatal charge of marines to capture a German machine gun and won several medals for bravery see following and the first Medal of Honor for WWI was given to a marine for bravery  surprisingly for helping wounded while under fire a dentist Alexander Gordon Lyle from Gloucester won the medal of honor for bravery http://en.wikipedia.org/wiki/Alexander_Gordon_Lyle  also veteran A Piatt Andrew who name is on 128 bridge .

So after learning this I will look at Joanie on the Pony with well earned affection and appreciation and gratitude . Regards Bob Lindberg

Check out the page from distinguished women from the past-

Joan of Arc