On view October 27 through November 26 at the Cape Ann Museum
Portraits by Jason Grow from a 2015 series of WWII veterans. Left to right: Joseph Mesquita III, Arnold Knauth, Adele Ervin
Don’t miss the show, one month only
Reminder from the museum:
“The Cape Ann Museum is pleased to announce WWII Veterans: Portrait Photographs by Jason Grow, a special exhibition on view from October 27 – November 26, 2017. First shown at Gloucester City Hall in 2015, Grow’s portrait photographs of Cape Ann’s World War II veterans were enthusiastically received by audiences of all ages and walks of life. The exhibit makes an encore appearance at the Museum this autumn, offering visitors another opportunity to view these remarkable images as a group.
Admission is free throughout the exhibition run for veterans and all active-duty military personnel and their families, including National Guard and Reserve.
On Saturday, November 11, in honor of Veterans Day, the Museum will be free and open to the public and Jason Grow will present a talk about the exhibit at 2:00 p.m. in the Museum’s auditorium.
The Cape Ann Museum is proud to participate in the national Blue Star Museum program. Blue Star Museums is a collaboration among the National Endowment for the Arts, Blue Star Families, the Department of Defense, and museums across America. Each summer since 2010, Blue Star Museums have offered free admission to the nation’s active-duty military personnel and their families, including National Guard and Reserve, from Memorial Day through Labor Day. For more information please visit the Blue Star Museums’ website: arts.gov/bluestarmuseums.
Jason Grow is a Boston-based photographer and Gloucester resident. He specializes in photographing exceptionally accomplished, busy people with real time constraints in real environments. With a background based in photojournalism his experience has ranged from refugee camps to conference rooms.”
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Wenham Museum Dig This..and Build That! Opens This Weekend
Opening Party – Sunday, November 5, 2017 1 p.m. – 3 p.m.
Wenham Museum Dig This..and Build That! Opens This Weekend
Opening Party – Sunday, November 5, 2017 1 p.m. – 3 p.m.
Free with Museum Admission
Meet Author Chris Van Dusen, take part in a community build, and create your own road!
Wenham Museum Press Release: “See and touch everything from architecture and autos to books and blocks in our latest exhibit!
Featuring original illustrations from Virginia Lee Burton’s classic 1939 book Mike Mulligan and His Steam Shovel, and antique toys from the museum’s collection, we have it all when it comes to construction: vehicles, building blocks, Erector Sets, puzzles, LEGOs, and more! There are also original illustrations by two current artists: Chris Van Dusen’s books If I Built a House and If I Built a Car, and Brian Lovelock’s books Roadwork, Construction, and Demolition.
Plus, dig out some toys and materials to create your own constructions right in the gallery! Get on a digger and move stones in the pit, put together amazing creations from Lincoln Logs, building blocks, LEGOs, and more, and try your hand at building a book to take home with you!
On Sunday, join us for our exhibit opening party where there will be lots of hands-on construction opportunities including creating your own road and working on our community building project. We are also so excited to welcome children’s book author and illustrator Chris Van Dusen who will be here to to sign his books, If I Built a House and If I Built a Car. “
Virginia Lee Burton, children’s book author/illustrator, Folly Cove textile designer and founder, resided and worked in Gloucester, MA, where she created some of America’s most popular and classic children’s picture books. Burton’s characters and stories have been enjoyed by children of all ages all over the world. She received the Caldecott medal in 1943 for The Little House. Other books include Katy and the Big Snow and Mike Mulligan and His Steam Shovel.
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“The GHS boys soccer team is making a name for itself in the Northeastern South Conference, as Head Coach Armando Marnoto’s culturally diverse squad represents more than ten different countries.” – great opener by Joe Kibango
Columnist Joe Kibango knows what he’s writing about; he’s one of the team captains. Kibango, GHS soccer team player #3, was born in Tanzania. His wonderful article includes profile interviews with some of the team players and Coach Marcos Trejo:
#5 Mohamad “Mo” Alsweidani
#10 Elijah Elliott
#13 Robert Mugabe (freshman!)
#17 Anthony Suazo
#8 Kevin De Oliveira
#30 Lasse Struppe
#23 Mario Santos
You can’t visit downtown without feeling the impact of Gloucester’s generous local businesses and restauranteurs. 10% of Jalapenos business on Monday night November 6th will be donated to the Gloucester O’Maley Innovation Middle School afterschool program, O’Maley Acadmey. Jalapenos has a longstanding committment to community fundraising nights.
Come hang out or take out! Jalapenos is located at 86 Main Street Gloucester, MA (978) 283-8228 Jalapenos menu
O’Maley Academy works with many community partners, like Backyard Growers (Love this sweet new corner of happy on Main near their HQ!)
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On the beach side, Precision Roofing is working on the concession topper
While on the parking lot side, Jason Burroughs continues some touch up on the original studiovo Carry In Carry Out mural. More before – after photographs coming.
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WWII poster, Loose Lips might Sink Ships Seymour R Goff (“essargee“) From 1934-43, milions of New Deal and Works Progress Administration (WPA) posters (original silkscreens, woodcuts and lithos) were created from nearly 35, 000 designs for various government agencies. All the poster divisions were transferred to the War Department by 1942. Seagram sponsored this one.
On Wednesday, November 1, 2017, there was a hearing in Berkshire Superior Court concerning efforts to block the upcoming Sotheby’s sale of Berkshire Museum art. Judge John Agostini presided over the hearing. Apparently the plaintiff cases were not enough; the Attorney General’s office filed an emergency motion DURING yesterday’s two hour hearing. There was a large audience. More than one observer felt that the courtroom scene looked like a Norman Rockwell painting. Judge Agostini said he will make his decision soon.
Here’s the conclusion from The Berkshire Eagle article by Larry Parnass (they’ll be getting awards for their coverage):
Trustees acted unreasonably, she said, by treating the art collection as “fungible.”
The term refers to a commodity that can be traded for something else, such as cash.
Instead, Aladro said, the board turned away from its “core legacy” as a museum and took steps that will sever its connection to cultural institutions it needs to hold future exhibitions. “You ask what the museum did wrong,” Keating said to the judge. “They violated their own written policies.” Briefs filed in the case show that trustees voted to sign a contract with Sotheby’s weeks before removing provisions from policies that prohibited selling art in the way it intends. Keating also accused trustees of secrecy. “They knew there would be pushback. They didn’t want to face this.” He pointed to an email sent last May by the trustees president, Elizabeth McGraw, that asked fellow trustees to keep quiet. The subject line of the email read, “Loose lips sink ships.” “They didn’t want this ship sunk,” Keating said.
When I had a street level gallery with two big display windows, we’d change the art out nightly; it was a bit of fun competition. At least once weekly, a passerby or interested buyer would joke, “How much is that doggie in the window?” This little doggie wagging it’s tale at Schlichte on Pleasant was so cute! (Patti Page video helped explain the reference to my kids.)
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The Berkshire Eagle has done a great job covering the Berkshire Museum’s puzzling year of undoing. The museum has consigned 40 of its most recognized and regarded works of art to finance an expansion and rebrand. Sotheby’s Berkshire Museum sales commence Nov 13th.
Norman Rockwell’s sons lobbied hard for the art to stay in Pittsfield, per the artist’s intent. One granddaughter penned a different opinion, a plea to George Lucas–a major Rockwell collector– hoping he’d acquire them for his future illustration museum. Sotheby’s has unveiled billboards. The museum is firm on selling. Next steps?
it’s up to the Berkshire Superior Court judge to hear both sides tomorrow morning.
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mid distance horizon line of sunrise fans (starting on left with family of 3 seated and huddled in blankets; couple standing wrapped in blanket; photographer; couple; family) Good Harbor Beach daybreak audience (30 minutes plus on chilly October morning)
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Sharing press release from Mary Ellen Lepionka and Bill Remsen followed by a selection of visual arts, maps, and writing spotlighting Dogtown (1633-1961) by Catherine Ryan.
Nov 29th, 7PM, Public Meeting
Come to a special public presentation November 29th in Kyrouz Auditorium in Gloucester City Hall, 9 Dale Avenue, at 7pm.
Week of Nov 13
“During the week of November 13 a team of archaeologists from the Public Archaeology Laboratory (PAL) in Providence will be conducting fieldwork in Dogtown. They will begin mapping and describing an area to be nominated to the National Register of Historic Places, a National Park Service program to honor historically significant buildings and landscapes.
What do you think?
“Presenters at City Hall on Nov 29th will include Betsy Friedberg from the Massachusetts Historical Commission, who will explain how the National Register program works and what it does and does not do, and Kristen Heitert from the PAL, who will present an initial plan for defining the boundaries of Dogtown as a National Register District. People attending the meeting will be asked to respond to that plan and to express their views about what makes Dogtown special. What should be the boundaries of the proposed National Register District, and what cultural features should be included in it? What would be the benefits of National Register status, and are there any drawbacks?
Who all is involved?
“The Dogtown archaeological survey is funded through a matching grant from the Massachusetts Historical Commission and the Dusky Foundation and is financed by the City of Gloucester. The Gloucester Historical Commission applied for the grant and is coordinating the project in collaboration with the Rockport Historical Commission. The PAL team will also have the assistance of members of the Dogtown Advisory Committee, the Rockport Rights of Way Committee, the Cape Ann Trail Stewards, and the Friends of Dogtown.”
– Dogtown is eligible for the National Register. Will Gloucester earn another major district designation? Above excerpts from the press release for the Nov 29th event shared by Bill Remsen, local project coordinator, and Mary Ellen Lepionka, co-chair Gloucester Historical Commission, and some Dogtown maps and memorabilia 1633-1961
Dogtown Maps and memorabilia 1633-1961 selected by Catherine Ryan
Prior 2017 Dogtown public forums, lectures and meetings mentioned consideration of controlled burns to clear brush and return some land to a former moors state, with various potential benefits.
“Nature takes a lot of courses.” Chris Leahy said. He focused on Dogtown, “a very special place”, and possible merits of land stewardship geared at fostering greater biodiversity. Perhaps some of the core acres could be coaxed to grasslands as when parts of Gloucester were described as moors? Characteristic wildlife, butterflies, and birds no longer present may swing back.” March 4 2017 Dogtown Forum at Cape Ann Museumin collaboration with Essex County Greenbelt, Mass Audubon, and Friends of Dogtown group
February 23, 2017 Chris Leahy also gave a talk at Sawyer Free Library Dogtown- the Biography of a Landscape:750 Million Years Ago to the Present A photographic history through slides presented by the Gloucester Lyceum and the Friends of the Library
“Today the Hudson River Valley in upstate New York is gorgeous. The hills are covered with oak forests, and the valleys are patchworks of hayfields and farms. But Ostfeld says the area didn’t always look like this. When the Europeans came here hundreds of years ago, they clear-cut nearly all of the forests to plant crops and raise livestock. “They also cut down trees for commercial use,” Ostfeld says, “to make masts for ships, and for firewood.” Since then a lot of the forest has come back — but it’s not the same forest as before, he says. Today it’s all broken up into little pieces, with roads, farms and housing developments. For mice, this has been great news. “They tend to thrive in these degraded, fragmented landscapes,” Ostfeld says, because their predators need big forests to survive. Without as many foxes, hawks and owls to eat them, mice crank out babies. And we end up with forests packed with mice — mice that are chronically infected with Lyme and covered with ticks.”
Selection of maps
from books, and memorabilia I’ve pulled on Dogtown (1634-1961):
1961
From Gloucester 1961 Cape Ann Festival of the Arts booklet
1954
From Gloucester 1954 Festival of the Arts booklet, prepared for the second of the Russel Crouse Prize Play, the Witch of Dogtown, by S. Foster Damon. “Each year it is hoped new plays dealing with the Gloucester or Cape Ann theme will be produced.”
Joshua Batchelder 1741 survey map of “a good part of Dogtown common” printed and annotated for Gloucester’s 3rd Annual Cape Ann Festival of the Arts in 19541954 Index to annotated map
1923 Christian Science Monitor art review for Gloucester Society of Artists
“Dogtown Common, the now deserted hill home of the first settlers who 300 years ago braved the dangers of a hostile and Indian Annisquam, offers both romance and reality. It has remained for Louise Upton Brumback to interpret its clear contrasts, its far spaces, blue skies, white clouds and stiff green pointed cedars. Although the draftsmanship is crude in the extreme, the effect is rare and genuine. The old resident who passes through the gallery will shake his head dubiously at the false color creations of harbor and rock, but accepts this striking and bold visualization of Dogtown Common as the true spirit of Cape Ann…”
Inland among the lonely cedar dells Of Old Cape Ann, near Gloucester by the Sea, Still live the Dead–in homes that used to be. All day in dreamy spells They tattle low with sounds of tinkling cattle bells Or spirit tappings of some hollow tree And there, all night–out of the dark– They bark–and bark…
“Note: From a little volume, by Charles E. Mann, entitled “In the Heart of Cape Ann” Gloucester, Mass., The Proctor Bros. Co), the curious reader may learn more strange, half forgotten facts concerning the old Puritan life of that region. Among its singular New England characters, certain authentic and legendary figures have entered the theme of this poem. P.M-K. Miami University, Oxford, Ohio. March, 1921
Percy MacKaye (1875–1956) was an American dramatist and poet.
Harvard MacKaye papers: “History note: Percy Wallace MacKaye, author and dramatist, graduated from Harvard in 1897, wrote poetic dramas, operatic libretti, modern masques and spectacles, and was active in promoting community theatre. The collection includes his papers and those of his wife, Marion Homer Morse MacKaye, as well as material relating to the career of his father Steele MacKaye (1842-1894), an American theatrical designer, actor, dramatist, and inventor. The bulk of the collection consists of material pertaining to community drama; correspondence with literary and theatrical figures including Edgar Lee Masters, Edwin Arlington Robinson, George Pierce Baker, Theodore Dreiser, Amy Lowell, Upton Sinclair, Edward Gordon Craig, Louis Untermeyer and Thornton Wilder.”
Dartmouth: The MacKaye Family Papers “contain materials documenting the life and career of four generations of the family. They include a large amount of personal and professional correspondence as well as original manuscripts and typescripts of plays, prose, masques, pageants, poetry, essays and articles. Of note are manuscript materials for Benton MacKaye’s works on geotechnics entitled “Geotechnics of North America,” and “From Geography to Geotechnics,” as well as Percy MacKaye’s biography and works on his father Steele MacKaye and the MacKaye family, entitled respectively, “Epoch,” and “Annals of an Era.”
(Gloucester, Dogtown Common, is not on the MacKaye Wikipedia page)
Great read p.22 from the Dogtown and Its Story chapter, in The Gloucester Book, by Frank L. Cox, 1921
1918 Eben Comins painting
1912 government rifle range Dogtown
1904 (1742)
ca.1904 Charles E. Mann map copied from 1742 map in MA archives collectionMann
1877 Higginson
“Three miles inland, as I remember, we found the hearthstones of a vanished settlement; then we passed a swamp with cardinal flowers; then a cathedral of noble pines, topped with crow’s-nests. If we had not gone astray by this time, we presently emerged on Dogtown Common, an elevated table-land, over spread with great boulders as with houses, and encircled with a girdle of green woods and an outer girdle of blue sea. I know of nothing more wild than that gray waste of boulders..”
In 1855, Henry David Thoreau wrote in his journal: “I am [reading] William Wood’s “New England’s Prospect”… William Wood New Englands Prospect was originally published in 1634 in London. Here is a Wood excerpt concerning burning brush to clear land, a historical antecedent (and apt surname) to keep in mind when considering stewardship 2017 and beyond.
…The next commodity the land affords is good store of woods, and that not only such as may be needful for fuel but likewise for the building of ships and houses and mills and all manner of water-work about which wood is needful. The timber of the country grows straight and tall, some trees being twenty, some thirty foot high, before they spread forth their branches; generally the trees be not very thick, though there may be many that will serve for mill posts, some being three foot and a half over. And whereas it is generally conceived that the woods grow so thick that there is no more clear ground than is hewed out by labor of man, it is nothing so, in many places diverse acres being clear so that one may ride a hunting in most places of the land if he will venture himself for being lost. There is no underwood saving in swamps and low grounds that are wet, in which the English get Osiers and Hasles and such small wood as is for their use. Of these swamps, some be ten, some twenty, some thirty miles long, being preserved by the wetness of the soil wherein they grow; for it being the custom of the Indians to burn the wood in November when the grass is withered and leaves dried, it consumes all the underwood and rubbish which otherwise would overgrow the country, making it unpassable, and spoil their much affected hunting; so that by this means in those places where the Indians inhabit there is scarce a bush or bramble or any cumbersome underwood to be seen in the more champion ground. Small wood, growing in these places where the fire could not come, is preserved. In some places, where the Indians died of the plague some fourteen years ago, is much underwood, as in the midway betwixt Wessaguscus and Plimouth, because it hath not been burned. Certain rivers stopping the fire from coming to clear that place of the country hath made it unuseful and troublesome to travel thorow, in so much that it is called ragged plaine, because it teares and rents the cloathes of them that pass. Now because it may be necessary for mechanical Artificers to know what timber and wood of use is in the Country, I will recite the most useful as followeth*…” *see photos for Wood’s trees list
Thoreau was thinking along these lines, finding god in berries.
“From William Wood’s New England’s Prospect, printed about 1633, it would appear that strawberries were much more abundant and large here before they were impoverished or cornered up by cultivation. “Some,” as he says, “being two inches about, one may gather half a bushel in a forenoon.” They are the first blush of a country, its morning red, a sort of ambrosial food which grows only on Olympian soil.” -Thoreau’s Wild Fruit
“If you look closely you will find blueberry and huckleberry bushes under your feet, though they may be feeble and barren, throughout all our woods, the most persevering Native Americans, ready to shoot up into place and power at the next election among the plants, ready to reclothe the hills when man has laid them bare and feed all kinds of pensioners.”
photos: William Wood’s New Englands Prospect scanned from book in the University of CA collection. “Wonasquam” on map at Cape Ann
“Of their Custom in burning the Country, and the reason thereof” The Salvages are accustomed to set fire of the Country in all places where they come, and to burne it twice a year: at the Spring, and the fall of the leaf. The reason that moves them to do so, is because it would other wise be so overgrown with underweeds that it would be all a coppice wood, and the people would not be able in any wise to pass through the Country out of a beaten path… And this custom of firing the Country is the meanes to make it passable; and by that meanes the trees growe here and there as in our parks: and makes the Country very beautiful and commodious.”
Cape Ann Museum book shop display October 2017
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“Today a Gloucester yellow school bus parked in front of my neighbor’s. Josephine Lally is a retired O’Maley school teacher who lives in West Gloucester. I watched as students with many rakes and tarps got off the bus and went to her back yard. I was told by their 8th. Grade teacher Cheryl Olson that this is a Day of Service for O’Maley school and they chose to stop by to help my neighbor who has had a tough year.”
Thanks, Pauline!
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fYI Oct 27 half day at O’Maley. Two (nervous) JV2 boys trying to sell raffle tickets for GHS boys soccer.
Tickets are $10
1st prize $500 2nd prize $400 3rd prize $300 4th prize $200 and so on. The drawing will be held at the soccer senior event in November.
UPDATE- they sold out their coupon books, plus some extra donations. Raffle tickets are available from the players and the coaches. How nice that local establishments like Stop&Shop offer their space for community outreach, and that so many residents and neighbors help the school teams!
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