Before Dogtown was Dogtown: Archaeological Survey project to be presented at City Hall. Maybe hello blueberries bye bye Lyme Disease

Sharing press release from Mary Ellen Lepionka and Bill Remsen followed by a selection of visual arts, maps, and writing spotlighting Dogtown (1633-1961) by Catherine Ryan.

Nov 29th, 7PM, Public Meeting

Come to a special public presentation November 29th in Kyrouz Auditorium in Gloucester City Hall, 9 Dale Avenue, at 7pm.

Week of Nov 13

“During the week of November 13 a team of archaeologists from the Public Archaeology Laboratory (PAL) in Providence will be conducting fieldwork in Dogtown. They will begin mapping and describing an area to be nominated to the National Register of Historic Places, a National Park Service program to honor historically significant buildings and landscapes.   

What do you think?

“Presenters at City Hall on Nov 29th will include Betsy Friedberg from the Massachusetts Historical Commission, who will explain how the National Register program works and what it does and does not do, and Kristen Heitert from the PAL, who will present an initial plan for defining the boundaries of Dogtown as a National Register District. People attending the meeting will be asked to respond to that plan and to express their views about what makes Dogtown special. What should be the boundaries of the proposed National Register District, and what cultural features should be included in it? What would be the benefits of National Register status, and are there any drawbacks?

Who all is involved?

“The Dogtown archaeological survey is funded through a matching grant from the Massachusetts Historical Commission and the Dusky Foundation and is financed by the City of Gloucester. The Gloucester Historical Commission applied for the grant and is coordinating the project in collaboration with the Rockport Historical Commission. The PAL team will also have the assistance of members of the Dogtown Advisory Committee, the Rockport Rights of Way Committee, the Cape Ann Trail Stewards, and the Friends of Dogtown.”

– Dogtown is eligible for the National Register. Will Gloucester earn another major district designation? Above excerpts from the press release for the Nov 29th event shared by Bill Remsen, local project coordinator, and Mary Ellen Lepionka, co-chair Gloucester Historical Commission, and some Dogtown maps and memorabilia 1633-1961

Dogtown Maps and memorabilia 1633-1961 selected by Catherine Ryan

Prior 2017 Dogtown public forums, lectures and meetings mentioned consideration of controlled burns to clear brush and return some land to a former moors state, with various potential benefits.

  • “Nature takes a lot of courses.” Chris Leahy said. He focused on Dogtown, “a very special place”, and possible merits of land stewardship geared at fostering greater biodiversity. Perhaps some of the core acres could be coaxed to grasslands as when parts of Gloucester were described as moors? Characteristic wildlife, butterflies, and birds no longer present may swing back.” March 4 2017 Dogtown Forum at Cape Ann Museum in collaboration with Essex County Greenbelt, Mass Audubon, and Friends of Dogtown group
  • February 23, 2017 Chris Leahy also gave a talk at Sawyer Free Library Dogtown- the Biography of a Landscape:750 Million Years Ago to the Present
    A photographic history through slides presented by the Gloucester Lyceum and the Friends of the Library
  • March 6, 2017: NPR report “Forbidding Forecast for Lyme Disease in the Northeast” excerpt and article  https://www.npr.org/player/embed/518219485/518743106
  • “Today the Hudson River Valley in upstate New York is gorgeous. The hills are covered with oak forests, and the valleys are patchworks of hayfields and farms. But Ostfeld says the area didn’t always look like this. When the Europeans came here hundreds of years ago, they clear-cut nearly all of the forests to plant crops and raise livestock. “They also cut down trees for commercial use,” Ostfeld says, “to make masts for ships, and for firewood.” Since then a lot of the forest has come back — but it’s not the same forest as before, he says. Today it’s all broken up into little pieces, with roads, farms and housing developments. For mice, this has been great news. “They tend to thrive in these degraded, fragmented landscapes,” Ostfeld says, because their predators need big forests to survive. Without as many foxes, hawks and owls to eat them, mice crank out babies. And we end up with forests packed with mice — mice that are chronically infected with Lyme and covered with ticks.”

Selection of maps

from books, and memorabilia I’ve pulled on Dogtown (1634-1961):

1961

From Gloucester 1961 Cape Ann Festival of the Arts booklet

reprinted within Gloucester 1961 Cape Ann Festival of the Arts booklet.jpg

1954

From Gloucester 1954 Festival of the Arts booklet, prepared for the second of the Russel Crouse Prize Play, the Witch of Dogtown, by S. Foster Damon. “Each year it is hoped new plays dealing with the Gloucester or Cape Ann theme will be produced.”

Gloucester 3rd annual 1954 Cape Ann Festival of the Arts - Dogtown map for back cover
Joshua Batchelder 1741 survey map of “a good part of Dogtown common” printed and annotated for Gloucester’s 3rd Annual Cape Ann Festival of the Arts in 1954
index of Dogtown old cellars for map in Gloucester 3rd annual 1954 Cape Ann Festival of the Arts - Dogtown
1954 Index to annotated map

1923 Christian Science Monitor art review for Gloucester Society of Artists

Dogtown Common, the now deserted hill home of the first settlers who 300 years ago braved the dangers of a hostile and Indian Annisquam, offers both romance and reality. It has remained for Louise Upton Brumback to interpret its clear contrasts, its far spaces, blue skies, white clouds and stiff green pointed cedars. Although the draftsmanship is crude in the extreme, the effect is rare and genuine. The old resident who passes through the gallery will shake his head dubiously at the false color creations of harbor and rock, but accepts this striking and bold visualization of Dogtown Common as the true spirit of Cape Ann…”

1920_Brumback_Dogtown.jpg

1921 Percy MacKaye Dogtown poem, 110+ pp

Inland among the lonely cedar dells
Of Old Cape Ann, near Gloucester by the Sea,
Still live the Dead–in homes that used to be.
     All day in dreamy spells
They tattle low with sounds of tinkling cattle
          bells
Or spirit tappings of some hollow tree
And there, all night–out of the
          dark–
They bark–and bark…

“Note: From a little volume, by Charles E. Mann, entitled “In the Heart of Cape Ann” Gloucester, Mass., The Proctor Bros. Co), the curious reader may learn more strange, half forgotten facts concerning the old Puritan life of that region. Among its singular New England characters, certain authentic and legendary figures have entered the theme of this poem.
P.M-K. Miami University, Oxford, Ohio. March, 1921

Percy MacKaye (1875–1956) was an American dramatist and poet.

Harvard MacKaye papers:History note: Percy Wallace MacKaye, author and dramatist, graduated from Harvard in 1897, wrote poetic dramas, operatic libretti, modern masques and spectacles, and was active in promoting community theatre. The collection includes his papers and those of his wife, Marion Homer Morse MacKaye, as well as material relating to the career of his father Steele MacKaye (1842-1894), an American theatrical designer, actor, dramatist, and inventor. The bulk of the collection consists of material pertaining to community drama; correspondence with literary and theatrical figures including Edgar Lee Masters, Edwin Arlington Robinson, George Pierce Baker, Theodore Dreiser, Amy Lowell, Upton Sinclair, Edward Gordon Craig, Louis Untermeyer and Thornton Wilder.”

Dartmouth: The MacKaye Family Papers “contain materials documenting the life and career of four generations of the family. They include a large amount of personal and professional correspondence as well as original manuscripts and typescripts of plays, prose, masques, pageants, poetry, essays and articles. Of note are manuscript materials for Benton MacKaye’s works on geotechnics entitled “Geotechnics of North America,” and “From Geography to Geotechnics,” as well as Percy MacKaye’s biography and works on his father Steele MacKaye and the MacKaye family, entitled respectively, “Epoch,” and “Annals of an Era.”

(Gloucester, Dogtown Common, is not on the MacKaye Wikipedia page)

1921 Frank L Cox  The Gloucester Book

Business owner, photographer, author Frank L Cox devoted 7 pages and 4 photographs to illustrate the Dogtown and Its Story chapter

Dogtown chapter 1921 from The Gloucester Book written, illustrated and and photography by Frank L Cox
Great read p.23  from the Dogtown and Its Story chapter, in The Gloucester Book, written and illustrated by Frank L. Cox, 1921
Dogtown chapter 1921 from The Gloucester Book written, illustrated and photography by Frank L Cox.jpg

Just to the left of the road at the top of Gee Avenue is one of the most celebrated ceallar in Dogtown. It is that of John Morgan Stanwood, who was mistakenly made famous by a poem by Hiram Rich, published in the Atlantic…” 

Dogtown chapter 1921 from The Gloucester Book written, illustrated and and photography by Frank L Cox page 22.jpg
Great read p.22 from the Dogtown and Its Story chapter, in The Gloucester Book, by Frank L. Cox, 1921

1918 Eben Comins painting

Eben Comins Dogtown, Gloucester
Eben Comins 1918

1912 government rifle range Dogtown

1912 Government rifle range in Dogtown Common

1904 (1742)

Mann copy from MA archives ca.1906 after 1742
ca.1904 Charles E. Mann map copied from 1742 map in MA archives collection
Story of Dogtown Charles Mann 1906.jpg
Mann

1877 Higginson

“Three miles inland, as I remember, we found the hearthstones of a vanished settlement; then we passed a swamp with cardinal flowers; then a cathedral of noble pines, topped with crow’s-nests. If we had not gone astray by this time, we presently emerged on Dogtown Common, an elevated table-land, over spread with great boulders as with houses, and encircled with a girdle of green woods and an outer girdle of blue sea. I know of nothing more wild than that gray waste of boulders..”

Dogtown, Cape Ann, described in Footpaths chapter Oldport Days 

1855 Thoreau / 1634 William Wood

on clearing land…

In 1855, Henry David Thoreau wrote in his journal: “I am [reading] William Wood’s “New England’s Prospect”… William Wood New Englands Prospect was originally published in 1634 in London. Here is a Wood excerpt concerning burning brush to clear land, a historical antecedent (and apt surname) to keep in mind when considering stewardship 2017 and beyond.

…The next commodity the land affords is good store of woods, and that not only such as may be needful for fuel but likewise for the building of ships and houses and mills and all manner of water-work about which wood is needful. The timber of the country grows straight and tall, some trees being twenty, some thirty foot high, before they spread forth their branches; generally the trees be not very thick, though there may be many that will serve for mill posts, some being three foot and a half over. And whereas it is generally conceived that the woods grow so thick that there is no more clear ground than is hewed out by labor of man, it is nothing so, in many places diverse acres being clear so that one may ride a hunting in most places of the land if he will venture himself for being lost. There is no underwood saving in swamps and low grounds that are wet, in which the English get Osiers and Hasles and such small wood as is for their use. Of these swamps, some be ten, some twenty, some thirty miles long, being preserved by the wetness of the soil wherein they grow; for it being the custom of the Indians to burn the wood in November when the grass is withered and leaves dried, it consumes all the underwood and rubbish which otherwise would overgrow the country, making it unpassable, and spoil their much affected hunting; so that by this means in those places where the Indians inhabit there is scarce a bush or bramble or any cumbersome underwood to be seen in the more champion ground. Small wood, growing in these places where the fire could not come, is preserved. In some places, where the Indians died of the plague some fourteen years ago, is much underwood, as in the midway betwixt Wessaguscus and Plimouth, because it hath not been burned. Certain rivers stopping the fire from coming to clear that place of the country hath made it unuseful and troublesome to travel thorow, in so much that it is called ragged plaine, because it teares and rents the cloathes of them that pass. Now because it may be necessary for mechanical Artificers to know what timber and wood of use is in the Country, I will recite the most useful as followeth*…”  *see photos for Wood’s trees list

Thoreau was thinking along these lines, finding god in berries.

“From William Wood’s New England’s Prospect, printed about 1633, it would appear that strawberries were much more abundant and large here before they were impoverished or cornered up by cultivation. “Some,” as he says, “being two inches about, one may gather half a bushel in a forenoon.” They are the first blush of a country, its morning red, a sort of ambrosial food which grows only on Olympian soil.” -Thoreau’s Wild Fruit

“If you look closely you will find blueberry and huckleberry bushes under your feet, though they may be feeble and barren, throughout all our woods, the most persevering Native Americans, ready to shoot up into place and power at the next election among the plants, ready to reclothe the hills when man has laid them bare and feed all kinds of pensioners.”

photos: William Wood’s New Englands Prospect scanned from book in the University of CA collection. “Wonasquam” on map at Cape Ann

Thomas Morton 1637 

“Of their Custom in burning the Country, and the reason thereof”
The Salvages are accustomed to set fire of the Country in all places where they come, and to burne it twice a year: at the Spring, and the fall of the leaf. The reason that moves them to do so, is because it would other wise be so overgrown with underweeds that it would be all a coppice wood, and the people would not be able in any wise to pass through the Country out of a beaten path…
And this custom of firing the Country is the meanes to make it passable; and by that meanes the trees growe here and there as in our parks: and makes the Country very beautiful and commodious.”

Cape Ann Museum book shop display October 2017

IMG_20171028_093844.jpg

Students helping neighbors: Scenes from O’Maley day of Service

O'Maley day of Service 2017 West Gloucester

Pauline Bresnahan shares a West Gloucester story:

“Today a Gloucester yellow school bus parked in front of my neighbor’s. Josephine Lally is a retired O’Maley school teacher who lives in West Gloucester. I watched as students with many rakes and tarps got off the bus and went to her back yard. I was told by their 8th. Grade teacher Cheryl Olson that this is a Day of Service for O’Maley school and they chose to stop by to help my neighbor who has had a tough year.”

Thanks, Pauline!

October 🌈 around Gloucester Fisherman’s Memorial

IMG_20171026_160056IMG_20171026_160021

IMG_20171026_155949
background sky beyond Man at the Wheel with faint rainbow arching to Gloucester Tavern

Big October skies for Gloucester, MA. Yesterday’s afternoon rainbow was radiant, vast and fast

Sunrise hunt for red October

October sky looking from Gloucester to Twin Lights Thacher Island

hunt for red october 20171013_062330 © c ryan

@stop&shop GHS boys soccer raffle tix 1st prize $500

fYI Oct 27 half day at O’Maley. Two (nervous)  JV2 boys trying to sell raffle tickets for GHS  boys soccer.

Tickets are $10

1st prize $500 2nd prize $400 3rd prize $300 4th prize $200 and so on. The drawing will be held at the soccer senior event in November.

UPDATE- they sold out their coupon books, plus some extra donations. Raffle tickets are available from the players and the coaches. How nice that local establishments like Stop&Shop offer their space for community outreach, and that so many residents and neighbors help the school teams!

IMG_20171026_132529.jpg

IMG_20171026_132529.jpg

NOV 2 family & little ones music together with Renee Dupuis @SoundHarbor 10AM

How nice! Announcing MUSIC, DANCE & SONG with Renee Dupuis at Sound Harbor, 47R Pleasant Street, Gloucester, MA on November 2nd at 10AM.

Infants and toddlers $10 per family

image1.png

Sound Harbor music lessons in Gloucester new location still near Cape Ann Art Haven

With the HIVE move back to the main Cape Ann Art Haven location at 180 Main Street, Sound Harbor needed to relocate, too. Sound Harbor  has moved to the former Falcon’s Nest gallery of the HIVE; enter via the door next to Pleasant Tea or through Browns mall. Musical experiences for little ones: Sound Harbor is starting a hands on baby/toddler music class, too!

45R Pleasant Street

20171012_145100

Beeman Memorial Elementary School Art Show at Cape Ann Museum

Reminder just a few days left to see amazing Rockbound exhibition! Upcoming collaboration among the museum, GPS,  and teachers at the Cape Ann Museum:

“The Cape Ann Museum is pleased to present the November 2017 Student Art Gallery exhibit. Projects by Beeman Memorial Elementary School (Gloucester) students will be on view in the CAM Activity Center throughout the month. The  show is curated by Art Specialist Anne Pieterse BFA/MAT and student teacher Lindsay Smith who is earning her BFA in Art Education at Montserrat.

Screenshot_20171024-165235.png

PROJECTS

Grade 5:     Drawings inspired by their sail on          the Schooner Thomas E. Lannon

Grades 3-5: Pastel pumpkins

Grades 3-4: Positive and negative designs

Grade 3:      Paper tree sculptures

Grade 2:     Totem poles

Grade 1:     Walk with a Line painting 

Kindergarten:       Line Explosions sculptures

The second Saturday of every month is free for families with school-age children and special youth programs take place from 10:00AM to 12:00PM. Join us Saturday November 11th to view a new exhibit of WWII Veterans portraits by photographer Jason Grow. In the CAM Activity Center create a self-portrait and make a kind craft for a veteran. Drop into the Activity Center anytime for hands on play and art activities, updated monthly.

The Museum is located at 27 Pleasant Street in Gloucester.”

 

Oct 29th come CELEBRATE the new Reredos Altarpiece by renowned artist Morgan Faulds Pike!

SAVE THE DATE!

Festive Evensong Service celebrating the new Reredos Altarpiece, sculpted by artist Morgan Faulds Pike, commissioned by St. Mary’s Espiscopal Church, 24 Broadway, Rockport, MA. Music for this special celebration includes a new, gorgeous choral anthem. Reception to follow

Festive Evensong Service celebrating the new Reredos Altarpiece Morgan Faulds Pike

Morgan Faulds Pike will feature 3 sculptures November 3rd (ticketed gala*), 4th (open to the public), and 5th (open to the public) at the annual Crane Estate Show and Sale: “Aurora,” “Poseidon” (edition of 3), and “Parthenon Horse.”

Poseidon

*Here’s the link to reserve a ticket for Crane Estate Soirée/Preview on Friday 3 November: http://bit.ly/2xlbiZl

 

Will Pittsfield museum be the pits? Last ditch attempts to keep the art in MA

Will Pittsfield’s Berskshire Museum earn a derisive eponymous nickname?
The Berkshire Museum wants to sell its core collection, 40 works including two Norman Rockwells, a lovely John LaFarge Magnolia, a Vuillard, Calder’s first public commissions, and other high lights* for an expansion and redirection. The deaccession has been denounced in art news headlines for the past year, and defended by its museum board. Various alternatives have been batted about including merging with Williams College or moving the art to other MA institutions. Two of the works to be sold were given by the artist, Norman Rockwell. Three sons of the artist are suing to keep the art at the museum. The barbershop depicted in Rockwell’s April 29, 1950 Saturday Evening Post cover was located in East Arlington, Vermont. The Rockwells moved from VT to Stockbridge in 1953. If it’s sold and leaves MA completely, I hope it ends up in a museum near East Arlington, VT.
The auction sale dates are closing in. Crowdfunding for legal costs ramped up, but only recently. Visit the trending gofundme campaign Save the Art Save the Museum https://www.gofundme.com/savetheartsavethemuseum
The Rose Art Museum and Detroit art sales were thwarted. However, full court PR campaigns weren’t launched for an auction sale, which is now the case with the Berkshire Museum upcoming sales at Sotheby’s.
shuffleton-s-barbershop-1950

PITTSFIELD — Three sons of artist Norman Rockwell went to court Friday to stop the auction of 40 works owned by the Berkshire Museum, including two donated by their father. Their action represents the clearest challenge to date of the museum’s plan, announced in July, to sell art to improve its balance sheet and to renovate its South Street facility. – By Larry Parnass

map of Massachusetts museums-

Museums in Massachusetts in google maps by Catherine Ryan.jpg

In addition to the Berkshire Museum pieces, the upcoming Sotheby’s sale on the 13th includes artists with connections to Gloucester such as Anna Hyatt Huntington, Paul Manship and Milton Avery:

Continue reading “Will Pittsfield museum be the pits? Last ditch attempts to keep the art in MA”

7th grader MIT fan wins 3M competition

Gitanjali Rao, 11 year old from Colorado and huge fan of MIT, was inspired to invent a better way to test water for lead. Her idea won the 2017 3M America’s Top Young Scientist competition. Here’s an excerpt from  Laura Wamsley story on NPR: “I went, ‘Well, this is not a reliable process and I’ve got to do something to change this,’ ” the seventh-grader told Business Insider. Rao tells ABC that while she was doing her weekly perusal of MIT’s Materials Science and Engineering website to see “if there’s anything new,” she read about new technologies that could detect hazardous substances and decided to see whether they could be adapted to test for lead.

Link to more 3M finalists

Gitanjali Rao NPR story wins 3M Americas Top Young Scientist.jpg

Action photos and Sail GHS announces 5pm Wednesday talks!

IMG_0778

Hilary shares photos from the last sails of the season and announces upcoming Wednesday 5PM talks:

“Here are some pics from yesterday as we wind down our season on the water.

Sail GHS will be conducting weekly chalk talks at FHL House with visiting experts in the field (notably, our own coach, Gordon Baird ,as well as Jamie Chicone,stationed here with the USCG, aboard Key Largo) every Wednesday @5 PM with pizza to follow. Visitors are welcome.

FHL House is the Fitz Henry Lane House at Harbor Loop. They “sail Mon-Thurs, 3-5:15 thru Oct 27”. Go check them out and join in sometime!

Continue reading “Action photos and Sail GHS announces 5pm Wednesday talks!”

Tab Hunter & Allan Glaser approachable and inspiring at Gloucester Cape Ann Cinema & Stage

IMG_20171019_214611
(L)Tab Hunter – he’s 86!  and Allan Glaser (R) at Cape Ann Cinema, Gloucester, MA

Find a screening of the Jeffrey Schwarz documentary, “Tab Hunter Confidential”; it’s fantastic!

“How long did it take to make?” was the first question at Gloucester’s Cape Ann Cinema talk back, following the must-see, indeliable and candid documentary: Tab Hunter Confidential. Six years and a life well lived along with a kick in the pants. Word of an unauthorized biography was motivating enough to tell Tab Hunter’s story “straight from the horse’s mouth, rather than straight from a horse’s ***.”

Tab Hunter is an American movie star, singer and author. The documentary is a gift that leaves the viewer wishing both Hunter and Allan Glaser were your friends, and that Hunter had starred in even more movies. There’s something for everybody to relate or aspire to: success, disappointment, betrayal, love, gratitude, humor, hard work, spirit and character. Hunter and Glasser traveled from California to Gloucester for this special screening because of Cape Ann Cinema. They shared easily and kindly as if everyone there was at a private screening and already acquainted. They’re staying downtown. They visited the Isabella Stewart Gardener Museum. (Do they know she came here? Did they go to Beauport Museum?  Will they come back?) They were smart, charming and personable. Present. Real. Decidely NOT full of themselves.  Hunter, along with Natalie Wood and James Dean, were the last three Hollywood stars to be signed under contract in the studio system. Beyond acting, Hunter was also a chart topping singer and competitive athelete in not one but 3 sports, a devoted son and awe struck brother. A new Hollywood biopic is in discussions. (I thought which Director might be inspired- lots of Todd Haynes moments.) The theater audience was comprised of Tab Hunter fans including super ones who drove in from Lowell. There were a couple who did not know about Tab Hunter or his other accomplishments. We’re all super fans now. The programming at this little art house cinema can break your heart.

more photos from last night Continue reading “Tab Hunter & Allan Glaser approachable and inspiring at Gloucester Cape Ann Cinema & Stage”

Cape Ann Cinema #Doctoberfest opened with Boston Typewriter Orchestra and closes with Tab Hunter TONIGHT

Crazy good and ambitious programming at Cape Ann Cinema. The 8th Annual documentary film festival opened with California Typewriter, featuring a LIVE performance from the Boston Typewriter Orchestra; the festival closes tonight with Tab Hunter in the house for the 7:30 special screening of Tab Hunter Confidential.

20171013_214037
Boston Typewriter Orchestra peforming at Cape Ann Cinema, Gloucester, MA, October 2017 following the screening of California Typewriter during the Cape Ann Cinema 8th Annual Documentary Film Festival, Doctoberfest

You have Til Tuesday to register for major Lane symposium at Cape Ann Museum

REGISTER BY OCTOBER 24, 2017 for “Laid down on Paper: Printmaking in America 1800-1865” symposium to be held at Cape Ann Museum October 28 10-4pm

offered in conjunction with the major exhibition DRAWN FROM NATURE: The Lithographs of Fitz Henry Lane (through March 8, 2018) and Fitz Henry Lane Online

Lane Symposium Evite 09-06

Continue reading “You have Til Tuesday to register for major Lane symposium at Cape Ann Museum”

Rocky Neck: Big Fun, Big Crowd for Big Tiny Art

Scenes from the inaugural Big Tiny Art fundraiser for Rocky Neck at the Rudder, October 18, 2017. Inspired by the format and scale, scores of originals were created by local artists for this festive and beautifully orchestrated benefit. Congratulations to artist Kathleen Archer and all the volunteers who put this togther. I’m told they’ll do another. If I receive a list of participating artists, I’ll add the names back in. Some of the artists signed verso; some were a mystery. The lively venue, The Rudder, served a delicious, memorable and generous dinner!

IMG_20171018_183443

 

 

Rocky Neck – Jeanne Greenleaf Gallery

The Jeanne Greenleaf Gallery on Rocky Neck is open through the end of October. Greenleaf features figurative series that are as much about perception: large floating swimmer oil paintings and smaller pastels of fish or the human form. She renders the luminosity of the natural world in watercolor. Greenleaf resides in northern Florida, and is a former New England resident, with family still here. While in Gloucester she lives by Coffins Beach.  http://www.jeannegreenleaf.com/

IMG_20171018_175000
Jeanne Greenleaf, Jeanne Greenleaf gallery, Rocky Neck, October 2017 (monumental figurative oil paintings from swimmers series)

IMG_20171018_175138.jpg
Jeanne Greenleaf, Jeanne Greenleaf Gallery, Rocky Neck, October 2017

IMG_20171018_175144
Jeanne Greenleaf, Sandpipers, watercolor

Greenleaf’s gallery is in the same building as artist, Stephen Lapierre whose website url is www.paintpaintpaint.org. Both galleries are around the corner from The Rudder. Other nearby galleries include Gallery 53, Sallie Schacht StrandRegina Piantedosi and Ian Everard, the 5th and final Goetemann Artist in Residency for 2017 (from October 1 to October 31st).

IMG_20171018_174947

LIVE 6pm sharp art is flying off the wall for Rocky Neck @TheRudder

IMG_20171018_180114

Come on down to this Festive and beautiful fundraiser. There are So many generous artists more art is being installed at 7pm! That’s also the time round one can buy again🙂