Hope to see them in action soon.


pretty evening- views from Rockport and Gloucester ends after the afternoon summer storm
My View of Life on the Dock
Hope to see them in action soon.


pretty evening- views from Rockport and Gloucester ends after the afternoon summer storm


August 2021 – Splash! Enjoy photographs of Grimdrops jazzy hometown portrait off the Elm Street side of Action, Inc. **new** Harbor Village apartment building in downtown Gloucester, Massachusetts. The large scale commission heralds Gloucester’s upcoming 400th celebration in 2023. The artist was born and raised in East Gloucester.
Artist: Grimdrops [Mike Grimaldi], mural artist residing and working in Salem was born and raised in Gloucester, MA.













Hopefully NSCDSC will consider commissioning an extra add on for Grimdrops so the artist can extend his characterful water motif ideas straight to the top (and maybe add a gal for history! His vibrant notes brought Virginia Lee Burton Mike Mulligan Mary Ann and folly cove pattern references readily to mind). Come winter the mural might be visible from Chestnut Street. Bonus: if it’s topped off it will be visible year round from that vantage.
Grimdrops mural is on the map! Gloucester murals | Public art Gloucester, Massachusetts.
grimdrops.com

Harbor Village: a new apartment building developed by Action Inc. and North Shore Community Development Coalition building on 206 Main Street at Elm. This is the second of a few public art commissions for this property via the developers’ ancillary non profit, PUNTA .
Visit – https://gloucesterma400.org/

Per reader request, over the next few days I’ll be reposting mini chapter excerpts — primarily illustrations– from a longer read about the evolution of outhouses and public utilities specific to Gloucester, Massachusetts, Privy to Privy History, on Good Morning Gloucester June 6, 2021.
Catherine Ryan, Aug. 2021
Gloucester housing stock (and hotels) included luxury homes with bathrooms and water closets as well as modest solutions. Rough outhouses were common, too. Can you spot the outhouses downtown and in East Gloucester?
(Reminder about the photographs: you can pinch and zoom to enlarge and right click for descriptions. Some media offer the option to “increase file size”.)






photographs outhouses across America – Library of Congress
photographs Indoor bathrooms residential and public – New York Public Library














Per reader request, over the next few days I’ll be reposting mini chapter excerpts — primarily illustrations– from a longer read about the evolution of outhouses and public utilities specific to Gloucester, Massachusetts, Privy to Privy History, on Good Morning Gloucester June 6, 2021.
‘Gloucester Outhouses in American Paintings’ copied below is “Excerpt 1” (stay tuned for some more Cape Ann Museum additions); Excerpt 2 will focus on early 20th century photographs; future excerpts might highlight some of the history mentions such as the bathroom fixtures at the Crane estate; and so on.
Catherine Ryan, Aug. 2021
Edward Hopper included outhouses in numerous Gloucester vistas. Hopper depicted buildings and worked with watercolor and gouache long before his renowned first sell out show of Gloucester images in the 1920s.
Illustrations: Reminder- You can pinch and zoom to enlarge (and select “full size” image if that option shows)

The Whitney Museum of American Art has the largest collection of Edward Hopper art. This small watercolor study the museum dates circa 1900 contains germs of his later work. There is an elusive building, or nestled buildings, front and center. Strong shadows are emphasized. Is the shed attached or not? An entrance, a ticket booth, an outhouse? Is that a circus tent flag squiggle? The pencil line beyond the vertical street light (or railroad signal) might be a train track. Further right, there’s a red dab. Perhaps another structure. The window with yellow has a barn vibe. I did think about the scene in Butch Cassidy and the Sundance Kid when Katherine Ross looks down from a hay loft to catch the ‘Paul Newman riding a bike for the Raindrops Keep Falling on My Head’ show.





Selection of Gloucester scenes with outhouses by various artists: Dennis Miller Bunker; Charles Burchfield; James Jeffrey Grant; Emil Gruppe; Max Kuehne; William Lester Stevens; Paul Bough Travis; and Louise Woodroofe. Stay tuned for more.











Leave it to Mabel Dwight for a humorous and original take, Backyard, 1938 WPA/FAP lithograph.
Below – New York City images (collection, NYPL) for comparison of the flip view. More photographs featured in Excerpt 2.








According to the Boston Globe article from 1904, Delia Tudor was the first summer resident of the North Shore, who went to Nahant in 1820. It took until 1840 for arrivals in Beverly.
Mostly the article covers Swampscott, Nahant, Manchester and Gloucester tony neighborhood of Magnolia.
Longfellow (his home in Nahant burned by the time of the article) and Hawthorne (Swampscott) were here visiting the North Shore. “To the North Shore also came Lowell and Daniel Webster–despite his fondness for the South shore–Charles Sumner and Rufus Choate. The list, in fact, of masters of the mind who have worked, played and rested along the North Shore is a very long one.”
Excerpt about Magnolia | Gloucester
“Kettle Cove, Magnolia, which took its early name from the formation of the coast, joins Manchester. It is one of the most beautiful spots of the beautiful North shore, and , like many other localities thereabouts, has a witch legend connected with its history. Kettle Cove was settled in 1645, and was under the jurisdiction of Salem. in 1838 there were 14 houses in the cove, and a small schoolhouse, which was used for religious purposes whenever a minister chanced to come that way. it was here that the artist Hunt established his studio, and old barn, calling it the Hulks. In this vine covered studio some of his most famous pictures were painted including, The Headsman, Tom in a Felt Hat, and Gloucester Harbor. Near here is Rafe’s Chasm, where one may find an iron cross marking the place where Martha Marlon a young girl was drowned many years ago…
“The fashionable world has found these shores, and handsome summer homes now rise at every vantage point.”
Boston Globe 1904
scenic photos illustrating the article include:
photos: Coolidge Point, Kettle Cove vista; Rafe’s Chasm by Falt; William Morris Hunt (1824-1879)- paintings mentioned in article and Willow Cottage. A Boston painter who studied with Millet, Hunt held plein air art classes –in Magnolia –in 1876. (old Kettle Cove village became ‘Magnolia’.) He transformed the barn into his studio in 1877.


“The scenery combined much sketching material in a little space. In addition to a small beach there was a rocky shore of much boldness, and the cliffs were surmounted by well-wooded groves. One of its charms was a willow-road of rare picturesqueness, and there was a graceful variety of hill and dale. The fishermen at their work, the simple cottage folk, and a few artists were the only people to be seen. In less than ten years the place became a fashionable resort, and its artistic interest was gone.”
Helen Mary Knowlton, Hunt biography,1899



“This item was specifically selected for virtual display during the summer months because from the mid-1800s and into the 1900s Magnolia was a vacation destination for Bostonians and other New England and New York residents. This map was published in 1887, so it depicts Magnolia in its relatively early days of development. “
State Library Massachusetts


Cape Ann Symphony summer celebration recap-

Annisquam Village Hall and Rosemarie Hinkle to the rescue!
read all about it

“Then – due to circumstances beyond her control our planned solo flutist had to cancel.To the rescue: Rosemarie Hinkle, principal flutist for the Melrose and Quincy Symphony Orchestras.
The hall’s acoustics were brilliant.
Rosemarie was brilliant.
The musicians were brilliant.
A few comments heard after each performance:
“What an incredible sound!”
“This was a fantastic performance. I’m so glad I came.”
“We can’t wait for the symphony’s concerts to return.”

My dog goddaughter is such a sweetie!
Nearly full!
Admiring the gorgeous stone work and architectural details on the grounds.





Rainy, still dreamy at times








at Gloucester High School
photos from July 2021
Weekly training includes physical fitness drills for stamina development both sea and sand, and scenario exercises like searching for “missing kids” on periphery streets.





NASA release: Smoke across North America
“While plumes of wildfire smoke from western North America have passed over the northeastern U.S. and Canada multiple times each summer in recent years, they often go unnoticed. That is because smoke that spreads far from its source typically moves at a fairly high altitudeโbetween 5 and 10 kilometersโas winds blow it eastward.
The situation has been quite different this week,”
Jane Deering shares details and images of new Adin Murray paintings featured in a solo show opening Thursday evening, August 5th.
The news of the imminent exhibit opening next week is also time for a last chance reminder to view or repeat visit James Paradis 2021. Also, Erin Luman’s Lost Summer featuring the cottages on Long Beach, will be on view for a limited time August 1 – 3, between these two exhibits. So mark your calendars for 3 back to back beautiful exhibits.

Please join us Thursday August 5th, 6-8pm for the Opening Reception of ‘There’s a certain slant of light | new paintings by Adin Murray’ @ Jane Deering Gallery, 19 Pleasant Street, Gloucester MA









News from Rocky Neck about a special group show opening Thursday August 5th with a Saturday reception August 14th, and special events inspired by the exhibit:

New Exhibition at Rocky Neck Art Colony Featuring Animals of all Stripes
Wild Things: Animals Real and Imagined
Location: The Cultural Center at Rocky Neck, 6 Wonson Street, Gloucester, MA
Dates: August 5, 2021 โ September 12, 2021
Artistsโ Reception: Saturday, August 14, 5-7 PM
Hours: Thursday noon to 8 PM; Friday through Sunday noon to 5 PM
Our pets and nature got us through the last year. Now, the Rocky Neck Art Colony wants to honor feathered, finned and furred friends with a special exhibition titled Wild Things: Animals Real and Imagined, opening August 5 at The Cultural Center at Rocky Neck.
Sixty works are on display including more than 14 sculptures, nine photographs, a selection of digital art as well as paintings, drawings and prints. Artists are from Oregon, Colorado, Louisiana and New England.
Juror Barbara Moody says that making a selection from almost 200 entries was quite the challenge: โI chose the most intriguing works that fit the theme of Wild Things: Known and Imagined,โ says Moody. โUltimately, I was forced to omit most of the domestic animals, birds and scenic environments even though they could be considered โwild.โ I was attracted most by those works that were unusual, curious, provocative and/or unique. โ
About the Juror, Barbara Moody
Barbara Moody recently retired as a Professor of painting and drawing at Montserrat College of Art, where she also served as VP/Academic Dean for nine years. Her large-scale drawings have been shown at the Kingston Gallery in Boston, where she has had 14 solo shows. Barbara earned masterโs and doctorate degrees from Harvard University, as well as a BFA from Syracuse University.
Moody serves on the Board of Rocky Neck Art Colony. She co-founded FLOAT Gallery, and will show her newest small works at the Cove Gallery on Rocky Neck in August.
Participating artists include: Linda Bourke, Laurinda Butcher, Matt Cegelis, Janice Charles, Yhanna Coffin, Isabella DeLia, Maria Denjongpa, Nancy Dudley, Barbe Ennis, Erin Garrett-Metz, Lisa Goren, Robert Grady, Nygel Jones, Tim Karoleff, Elizabeth Kayl, Steven Kratka, Amelia Leonards, Christopher Lovely, Jana Matusz, Dillian McGahey, Brian Murphy, Karie OโDonnell, Olivia Parker, Morgan Petitpas, Liese Ricketts, Joyce Roessler, Amy Ross, Constance Saems, Jon Sarkin, Lynne Sausele, Darcy Scanlon Moulton, Deb Schradieck, Elaine Seidel, Sophia Shultz, Brad Story, Derrick Te Paske, Len Thomas-Vickory, Stacy Thomas-Vickory, Mandy Torres, Helen Tory, Juni Van Dyke, Karen Watson, Jaclyn Withers, Lulu Wootton, and Claire Wyzenbeek.
Special Events
In addition to an opening reception on Saturday, August 14, from 5 to 7 PM, a special class called How to Draw a Chicken (Harder Than you Think and More Fun) will be given by artist Amanda Hawkins later in August. To sign up, visit the Rocky Neck Art Colony Eventbrite page (https://www.eventbrite.com/o/rocky-neck-art-colony-32908400501), and look at the RNACExhibitions.com web page for updates.
Also planned is a special video presentation from the far-flung artists about animal imagery and art. Follow the Rocky Neck Art Colony Youtube Channel.
The Rocky Neck Art Colony (RNAC) was founded in the mid-19th century and incorporated as a 501(c)(3) in 1973. With the creation of the Cultural Center at Rocky Neck in 2012, RNAC programs are reaching a wider demographic as the visual arts focus is expanding to include more diverse cultural and educational offerings. The Cultural Center is located at 6 Wonson Street, Gloucester, MA 01930. For more information visit www.rockyneckartcolony.org.


Michael Cronin writes about the project. See the Gloucester Daily Times article here.
“Granite Street Crossing will feature a two-story complex with 17 supportive senior units and six, two-story family townhouses. It will be built at 5 Granite St., a plot of more than an acre previously owned by Silva Brothers Florists.”
Michael Cronin, Gloucester Daily Times, July 18, 2021
Were you a Silva Brothers Florists customer?




‘before’ photos: c. ryan, Residences coming to 5 Granite Rockport, MA, July 2021
Welcome back Alchemy and congratulations Serenitee Restaurant Group on the old– and first — is new again.
Alchemy had a 12 year run on Duncan.
Photograph from a fan who traveled to Gloucester just to eat at Alchemy and is pumped to see it back on the North Shore. Thanks Toni for sharing a photo of the exterior with GMG!

