and a spare
Labor Day weekend- crisp morning air pairs
Author: Catherine
posted content / cell phone photos mine, unless otherwise credited
(thumbnail portrait of Catherine at MFA, Boston © David Cox photo)
https://www.cryanaid.com/
Open House Saturday 1-5: The Cyanotype…and the end of summer blues | Elizabeth Awalt and Tom Fels art exhibition Jane Deering Gallery #GloucesterMA
This week from Jane Deering news of the final summer show of 2021:
Capping the summer season of exhibitions @ Jane Deering Gallery is The Cyanotype …. and the end-of-summer blues. The gallery will host an Open House Saturday September 4th from 1:00-5:00pm at 19 Pleasant Street in Gloucester.
Artists Elizabeth Awalt and Tom Fels celebrate the luscious range of blue produced by unique cyanotypes and pay tribute to both Anna Atkins (long associated with the medium) and French photographer Charles Aubry. Fels’s work will also include several images related to Cape Ann.
THE CYANOTYPE
How often we think of Anna Atkins, the 19th-C botanist and photographer, when talking of cyanotypes. Atkins is strongly associated with the medium. Photographs of British Algae: Cyanotype Impressions, which Atkins privately published in 1843, has long been considered the first book illustrated with photographic images, cyanotype photograms of seaweed. I am delighted to bring to light a different algae, Elizabeth Awalt’s cyanotypes of dried kelp which the artist found in the cold, nutrient-rich waters near her summer studio in Maine. Akin to her paintings, Awalt’s cyanotypes ‘express her connection, curiosity, and concern for the natural world.
Tom Fels, of Vermont, first learned about cyanotypes through his work as a curator and writer with 19th century photographs. Fels writes ‘In my attempt to capture some shadows on my home, I realized that cyanotypes were the right medium to employ…The appeal of the cyanotype comes in part from its color, which viewers often find spiritual and relaxing, as well as its ability to capture the nuances of movement inherent in working with living plants. Its interest to me was also in the process, which is fairly simple and can be done mostly outdoors.” His series Homage to Aubry is inspired by the still lifes of the French photographer Charles Aubry.
Gallery hours: Friday & Saturday 1-5pm; Sunday 1-4pm and by appointment at 917-902-4359 and info@janedeeringgallery.com.
ELIZABETH AWALT
Elizabeth Awalt grew up in Baltimore, Maryland and moved to Boston to attend Boston College. As an undergraduate, she studied Fine Arts at Boston College where she returned to teach and became a tenured professor. She received her MFA degree at the University of Pennsylvania, followed by several fellowships including the Fine Arts Work Center in Provincetown, Yaddo, and MacDowell and the Millay Colony. She has been the recipient of both a Massachusetts Artists Fellowship in Painting and an Individual Artist Grant in Painting from the National Endowment of the Arts. Awalt’s work is in numerous public and private collections in the US and abroad. The artist maintains a studio in Concord Massachusetts and northern Maine.
TOM FELS
Tom Fels, independent curator and writer specializing in American culture, photography, and art, has worked as consultant and guest curator to a number of museums, including the Canadian Centre for Architecture and the J. Paul Getty Museum. In 1986 he was named a Chester Dale Fellow of the Metropolitan Museum of Art, and in 1998-9 a Fletcher Jones Foundation Fellow of the Huntington Library. He has organized more than fifty exhibitions, and is the author of numerous catalogs, articles, and books including Sotheby’s Guide to Photographs (1998), and more recently works on contemporary American history. His large cyanotypes are represented in several museum and private collections, including the collection of the Museum of Fine Arts, Boston. Fels lives and works in southern Vermont. In 2013 he was writer-in-residence at the Gloucester Writers Center. Since 2014 he has shown with the Jane Deering Gallery.
from the release
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Markouk Bread – local, fresh, tasty, and healthy food is a #GloucesterMA must know foodie destination
Maha Jabba, owner and chef at Markouk Bread, and crew create flavorful and delicious Mediterranean everyday eats at their location on 338 Main Street, in Gloucester, MA, near houses that inspired artist Edward Hopper, and famed public stairs and Crow’s Nest featured in books, art and cinema. Their popular and traditional dishes highlight Lebanese cuisine. Customers can eat standing or sitting–inside and out; most people opt for grab & go. Customers may find it helpful to call ahead (they sell out), and find it easier parking across the street.
“If only you could cook like his mom.” Fun fact: As a longtime fan favorite at Cape Ann Farmers Market and Main Street events, people are familiar with Jabba’s everyday gourmet and dazzling saj-grill meals. What they may not know is when her son played for GHS sports (eventually soccer co-captain), those lucky athletes had the best team dinners ever at their house, enjoying classic comfort dishes and other specialties. She can cook everything!
Markouk Bread menu
Try it all – the dinners, grilled kebabs, wraps, manoushies (flatbreads), homemade sides. Yum!
(978) 283-3500
Ask about party platters, too
Coming soon – I’ll update with a GIF of one of the master wraps
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Patches of paradise: tiny gardens are big in Gloucester
The little summer gardens of Gloucester grow and grow. Gardener poets show us not only “who loves the flowers, but whom the flowers love,” an axiom my grandmother was fond of.
In praise of deft spade and artful tending, virtual blue ribbons for making a garden of their world and a crowd of joyous color all around us. [Centennial, Prospect, Tolman, Hovey, Rocky Neck, Bass Ave and Rockport Rd.] photos: C. Ryan August 2021
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Gloucester Cheerleading fall season fundraiser nearing its goal! One more day #GloucesterMA
To support the Gloucester High School Cheerleading 2021 season donate here, or scan the QR code.
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Beach parking: mini portable sailing catamarans on Long Beach
Hope to see them in action soon.
pretty evening- views from Rockport and Gloucester ends after the afternoon summer storm
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Grimdrops Gloucester mural and hometown pride drops in a big way! | #streetart #spraypaint #publicart #ActionInc #NorthShoreCDC #GloucesterMA
August 2021 – Splash! Enjoy photographs of Grimdrops jazzy hometown portrait off the Elm Street side of Action, Inc. **new** Harbor Village apartment building in downtown Gloucester, Massachusetts. The large scale commission heralds Gloucester’s upcoming 400th celebration in 2023. The artist was born and raised in East Gloucester.
Artist: Grimdrops [Mike Grimaldi], mural artist residing and working in Salem was born and raised in Gloucester, MA.
MORE?
Hopefully NSCDSC will consider commissioning an extra add on for Grimdrops so the artist can extend his characterful water motif ideas straight to the top (and maybe add a gal for history! His vibrant notes brought Virginia Lee Burton Mike Mulligan Mary Ann and folly cove pattern references readily to mind). Come winter the mural might be visible from Chestnut Street. Bonus: if it’s topped off it will be visible year round from that vantage.
Gloucester Mural Map | Public Art
Grimdrops mural is on the map! Gloucester murals | Public art Gloucester, Massachusetts.
ABOUT THE ARTIST
grimdrops.com
About Harbor Village
Harbor Village: a new apartment building developed by Action Inc. and North Shore Community Development Coalition building on 206 Main Street at Elm. This is the second of a few public art commissions for this property via the developers’ ancillary non profit, PUNTA .
About Gloucester 400
Visit – https://gloucesterma400.org/
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Good Harbor Beach cherished rock
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Outhouses in American photographs: Victorian Age – early 20th Century including FSA Lee Russell, Carl Mydans, Walker Evans (excerpt 2)
Per reader request, over the next few days I’ll be reposting mini chapter excerpts — primarily illustrations– from a longer read about the evolution of outhouses and public utilities specific to Gloucester, Massachusetts, Privy to Privy History, on Good Morning Gloucester June 6, 2021.
Catherine Ryan, Aug. 2021
Gloucester housing stock (and hotels) included luxury homes with bathrooms and water closets as well as modest solutions. Rough outhouses were common, too. Can you spot the outhouses downtown and in East Gloucester?
(Reminder about the photographs: you can pinch and zoom to enlarge and right click for descriptions. Some media offer the option to “increase file size”.)
Gloucester – Victorian Age outhouses
1930 – 1941 American outhouses – cross county photos
photographs outhouses across America – Library of Congress
- Cincinnati row houses with backyard outhouses, 1930s
- privy plant pre cast base, Missouri, by Lee Russell, 1938
- Placing concrete in form for privy slab, MN, by Shipman, 1941, Library of Congress (collection FSA Office of War Info)
- South family’s shaker style privy, Harvard, Worcester County, MA 1930s
- General Israel Putnam Privy, Brooklyn, CT after storm
- Arlington, MA, Walker Evans 1930s
- Privy Monterey, Delaware, circa 847
- Washington DC “slum” privy, Carl Mydans, 1935
- “old six hole privy, Wiggins Tavern”, Northampton, MA, Lee Russell, 1939
photographs Indoor bathrooms residential and public – New York Public Library
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Gloucester outhouses in American paintings – Artists Edward Hopper, Stuart Davis, Mabel Dwight and more (Excerpt 1)
Per reader request, over the next few days I’ll be reposting mini chapter excerpts — primarily illustrations– from a longer read about the evolution of outhouses and public utilities specific to Gloucester, Massachusetts, Privy to Privy History, on Good Morning Gloucester June 6, 2021.
‘Gloucester Outhouses in American Paintings’ copied below is “Excerpt 1” (stay tuned for some more Cape Ann Museum additions); Excerpt 2 will focus on early 20th century photographs; future excerpts might highlight some of the history mentions such as the bathroom fixtures at the Crane estate; and so on.
Catherine Ryan, Aug. 2021
EDWARD HOPPER – gloucester outhouses
Edward Hopper included outhouses in numerous Gloucester vistas. Hopper depicted buildings and worked with watercolor and gouache long before his renowned first sell out show of Gloucester images in the 1920s.
Illustrations: Reminder- You can pinch and zoom to enlarge (and select “full size” image if that option shows)
The Whitney Museum of American Art has the largest collection of Edward Hopper art. This small watercolor study the museum dates circa 1900 contains germs of his later work. There is an elusive building, or nestled buildings, front and center. Strong shadows are emphasized. Is the shed attached or not? An entrance, a ticket booth, an outhouse? Is that a circus tent flag squiggle? The pencil line beyond the vertical street light (or railroad signal) might be a train track. Further right, there’s a red dab. Perhaps another structure. The window with yellow has a barn vibe. I did think about the scene in Butch Cassidy and the Sundance Kid when Katherine Ross looks down from a hay loft to catch the ‘Paul Newman riding a bike for the Raindrops Keep Falling on My Head’ show.
early Stuart Davis – Gloucester outhouses
Gloucester Outhouses in American Art
Selection of Gloucester scenes with outhouses by various artists: Dennis Miller Bunker; Charles Burchfield; James Jeffrey Grant; Emil Gruppe; Max Kuehne; William Lester Stevens; Paul Bough Travis; and Louise Woodroofe. Stay tuned for more.
1938 NYC – Masterful Mabel Dwight
Leave it to Mabel Dwight for a humorous and original take, Backyard, 1938 WPA/FAP lithograph.
Below – New York City images (collection, NYPL) for comparison of the flip view. More photographs featured in Excerpt 2.
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Magnolia, William Morris Hunt- in 1904 Boston Globe North Shore Famous for its Summer Homes #GloucesterMA
photo: Clarence Manning Falt 
According to the Boston Globe article from 1904, Delia Tudor was the first summer resident of the North Shore, who went to Nahant in 1820. It took until 1840 for arrivals in Beverly.
Mostly the article covers Swampscott, Nahant, Manchester and Gloucester tony neighborhood of Magnolia.
Longfellow (his home in Nahant burned by the time of the article) and Hawthorne (Swampscott) were here visiting the North Shore. “To the North Shore also came Lowell and Daniel Webster–despite his fondness for the South shore–Charles Sumner and Rufus Choate. The list, in fact, of masters of the mind who have worked, played and rested along the North Shore is a very long one.”
Excerpt about Magnolia | Gloucester
“Kettle Cove, Magnolia, which took its early name from the formation of the coast, joins Manchester. It is one of the most beautiful spots of the beautiful North shore, and , like many other localities thereabouts, has a witch legend connected with its history. Kettle Cove was settled in 1645, and was under the jurisdiction of Salem. in 1838 there were 14 houses in the cove, and a small schoolhouse, which was used for religious purposes whenever a minister chanced to come that way. it was here that the artist Hunt established his studio, and old barn, calling it the Hulks. In this vine covered studio some of his most famous pictures were painted including, The Headsman, Tom in a Felt Hat, and Gloucester Harbor. Near here is Rafe’s Chasm, where one may find an iron cross marking the place where Martha Marlon a young girl was drowned many years ago…
“The fashionable world has found these shores, and handsome summer homes now rise at every vantage point.”
Boston Globe 1904
scenic photos illustrating the article include:
- “A Part of Manchester Shore, Near Magnolia” also known as Rafe’s Chasm
- The Oldest House at Kettle Cove, Manchester, built in 1700
- The Dana House, Magnolia
photos: Coolidge Point, Kettle Cove vista; Rafe’s Chasm by Falt; William Morris Hunt (1824-1879)- paintings mentioned in article and Willow Cottage. A Boston painter who studied with Millet, Hunt held plein air art classes –in Magnolia –in 1876. (old Kettle Cove village became ‘Magnolia’.) He transformed the barn into his studio in 1877.
“The scenery combined much sketching material in a little space. In addition to a small beach there was a rocky shore of much boldness, and the cliffs were surmounted by well-wooded groves. One of its charms was a willow-road of rare picturesqueness, and there was a graceful variety of hill and dale. The fishermen at their work, the simple cottage folk, and a few artists were the only people to be seen. In less than ten years the place became a fashionable resort, and its artistic interest was gone.”
Helen Mary Knowlton, Hunt biography,1899
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State Library features 1887 Magnolia #GloucesterMA historic map in virtual summer show
“This item was specifically selected for virtual display during the summer months because from the mid-1800s and into the 1900s Magnolia was a vacation destination for Bostonians and other New England and New York residents. This map was published in 1887, so it depicts Magnolia in its relatively early days of development. “
State Library Massachusetts
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Heidi Dallin shares a story worth telling
Cape Ann Symphony summer celebration recap-
Annisquam Village Hall and Rosemarie Hinkle to the rescue!
read all about it
“Then – due to circumstances beyond her control our planned solo flutist had to cancel.To the rescue: Rosemarie Hinkle, principal flutist for the Melrose and Quincy Symphony Orchestras.
The hall’s acoustics were brilliant.
Rosemarie was brilliant.
The musicians were brilliant.
A few comments heard after each performance:
“What an incredible sound!”
“This was a fantastic performance. I’m so glad I came.”
“We can’t wait for the symphony’s concerts to return.”
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Motif Monday: Good girl loves the water
My dog goddaughter is such a sweetie!
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Maplewood School apartment and townhouse condominiums
Nearly full!
Admiring the gorgeous stone work and architectural details on the grounds.
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Goodbye soggy July
Rainy, still dreamy at times
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Mug up truck readying for day
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Mug up truck readying for day
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Youth softball camp
at Gloucester High School
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Lifeguard training days Good Harbor Beach
photos from July 2021
Weekly training includes physical fitness drills for stamina development both sea and sand, and scenario exercises like searching for “missing kids” on periphery streets.
Good Morning Gloucester 