Twin Peaks: The Return– the roadhouse closing credits at the Bang Bang Club were excuse me damn fine music, chimed with each episode, transcending. (Maybe David Lynch can check out the Gloucester music scene and vocalists. Who should he listen to?)
From the series- “No Stars” vocals REBECKAH DEL RIO, Moby (guitar) Nick Launay (keyboard), Mick Flowers (drums) co-written by David Lynch, John Neff and Del Rio
Photos: Some of the booths and participating artists from today at the Annisquam Arts & Craft fair which is open two days only: Saturday Oct 7 & Sunday October 8, from 10-5. Many of the artists are part of the Cape Ann Artisans trail this weekend and/or have shops/stores!
Sue Niemi, Ten Pound Studio various textile artists- Sue Niemi wearing and touching some of her scarves in the group booth, Annisquam Arts & Craft Fair 2017Jane Keddy clothing, sachets, original prints mostly Gloucester scenes
OCEAN LINERS co-organized by the Peabody Essex Museum and London’s Victoria and Albert Museum closes October 9, 2017. The exhibition opens at the Victoria & Albert in February and continues through June 10, 2018.
There’s still time to catch one of the best shows of the year before it sails to London! Forget the theme and be ready to be continually swept off your feet by a who’s who of 20th century art and design, history, and one of a kind surprises (spoiler alert photographs of the installation below). Ocean Liners at the Peabody Essex Museum is high art with loans from important collections worldwide, well curated, and supremely installed. Its genesis stems from collector Stephen Lash and curators from the Peabody Essex Museum and London’s Victoria and Albert.
I was reminded of great design shows at MoMa and influential Modernism fairs during the 1980s at the Armory.
NEWS FLASH – More than 1000 works of art from the collection of Stephen Lash, Peabody Essex Museum overseer, were gifted to the museum and announced this week through this exhibition.
If you only have time for one work, make it the Spencer.
STANLEY SPENCER Riveters from the epic cycle Shipbuilding on the Clyde, 1941, in the collection of the Imperial War Museums, London. I have never seen one of these Spencers in person–what a surprise to find it here!
The photo above illustrates the left corner of the Spencer mural: it’s so vast you need to use a video to capture its mind boggling composition and entirety.
Spencer’s studies included field sketches unfurled on toilet paper–useful, cheap, and lengthy matrix:
The exhibition spotlights the FINEST EXTANT TITANIC CARVING FRAGMENT (arch at the threshold of the recital lounge), ca.1911, from the collection of Maritime Museum of the Atlantic, Halifax Nova Scotia Museum.
Jan Matulka from Norfolk Southern collection | David and Susan Goode:
There are many standouts in this exhibition
photographs September 2017 (click to enlarge and see descriptions)
Photographs/short video clips from my visit September 2017. Gloucester’s Zach Gorrell is a participating musician for the LIVE pianist performances. Alex Olsen playing when I was there.
Breathtaking corner vignette, exhibition pause, includes *gasp* wow poster and Winsor McCay silent film sinking of Lusitania ” 25,000 drawings had to be made and photographed one at a time…” see film clips below
from the museum:
sponsors = “Fiduciary Trust Company is the lead sponsor and Eaton Vance Management is a major sponsor. The exhibition is supported in part by a grant from the National Endowment for the Arts. Carolyn and Peter S. Lynch and The Lynch Foundation provided generous support. The East India Marine Associates of the Peabody Essex Museum provided additional support.”
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Scenes from last evening’s night at the auction. Great fun and success!
Gloucester Lyceum & Sawyer Free Library annual art auction takes place every October. Pictures from the 2017 preview installation. The Art Advisory Committee and a big team of volunteers does a fantastic job fostering community, boosting artists and fundraising. The artists are generous. It’s a great month to join or renew your Sawyer Free membership. They’re currently ‘friend’raising. Sign up and join here. Oct. 15-21, 2017 is the 12th annual National Friends of Libraries Week
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Salt Island, Good Harbor Beach, Gloucester, MA, is for sale. Unimproved and undeveloped, Salt Island is a natural monument, a beacon. For generations,the Island seemed as free as the air and sea, the beaches and shore. All were welcome at the right tide– daily the beach and island are connected. There’s an innate understanding that visitors need to respect the natural property much as they would when visiting a national park. Yet Salt Island is owned privately; it’s simply left wild and public.
Yearly taxes were paid by the family. The City provided yearly services; for instance lifeguards to help stranded visitors, unaware of the tides.
Is it possible to compensate the owner in the most advantageous way (some combination of sale, waiving estate taxes, credit for donation) to clear up any future ownership confusion and protect the means of public access, minus vague qualifiers (“left open as resources allow”) or increasing any necessary costs? Land steward organizations sometimes sell property or limit access, laws and environment change, funds for care deplete. Is there a common sense path that considers Salt Island as Good Harbor Beach– it’s attached daily– and accorded the same balance of care that the beach has legally maintained since the 1920s?
above – Lifeguards have a summer suggestion in the VIDEO linkFor Sale in Mass: A $750K Island Packed With History.“This small island in Gloucester, Massachusetts has hosted a major salt theft, a lobstering hermit and a Hollywood production.” by Rob Michaelson for NECN NBC Boston
above- photos of Good Harbor Beach lifeguards moving a signature chair after a morning conditioning training session that involved swimming and running the length of Good Harbor Beach, twice. Foggy drizzle, low tide connection to Salt Island
Riley James, a Junior at Barnstable High School and two time Boston Herald All Scholastic gave $1000 to a cause near and dear to her heart: Cape Cod Champs Special Olympics. She won the money from earning the distinction of Gatorade MA Volleyball Player of the Year. Riley went on to win the national Gatorade Play it Forward contest which awarded an additional $10,000! Riley wrote about her friend, Sara, and the programs in Barnstable schools and Cape Cod Champs where she volunteers. Sara is my goddaughter.
Coach Tom Turco led the Barnstable girls volleyball team to 18 Division One State Championships, the most wins in Massachusetts girls’ volleyball history. Turco established adapted physical education in Barnstable.
“Everyone has their needs, just in different ways,” (Coach) Turco
“You’re only as successful as the will of your players,” Turco said. “You have to practice and take time to develop the will of your players.”
Sara loves sports and manages the high school volleyball team. Here she is #16 with the Cape Cod Champs volleyball team at Special Olympics, Harvard, Boston MA.
Cape Cod Champs – team before game (riley speaking with sara)
Waiting for the next volleyball game Riley and Sara with Cape Cod Champs
volleyball Special Olympics Harvard field House Cape Cod Champs
The Cape Cod Champs Special Olympics equivalent organization here in Gloucester and throughout Cape Ann is Cape Ann SNAP. Learn more about the Cape Ann Special Needs Assistance Programhttp://capeannsnap.org/ Local friends and supporters include: CATA, Azorean, North Shore 104.9, Dunkin Donuts, The Bridge Cape Ann, Turning Point Systems, Maplewood Car Wash, Gloucester House, Beauport ambulance, Protective Packaging, Beauport Princess, George’s of Gloucester, Beauport Princess, USA Demolition, JM Vacation Home Rentals, Prince Insurance Agency, Jalapenos, Sudbay, Passports, Katrina’s, Destinos, Wicked Peacock, Lat 43, and microfiber greens towel. Support also includes Mark Adrian, Lone Gull, Kids Unlimited, Topside Grill, Marshall’s Farmstand and the Fish Shack
Read the fabulous Riley James Cape Cod Champs essay for Gatorade Massachusetts Volleyball Player of the Year, plus a bit more inspiration from amazing Coach Turco
Cape Ann Museum is readying a major print retrospective of Fitz Henry Lane which opens October 7th. The staff is fine tuning the installation, adjusting lighting levels, and so on. I couldn’t resist sharing a few close ups and details to build some excitement. Lane was born in 1804 in Gloucester. He was one of the rare artists that gained worldwide recognition in his own lifetime. Today he is regarded as one of the great marine and luminous painters of the 19th century. His printmaking is stellar and continued throughout his career. Mark your calendars! Cape Ann Museum developed super special events related to the exhibition including walking tours and a full day print symposium (read more below). Sponsors of the Lane exhibition include: John Rando, Jerry and Margaretta Hausman, Linzee and Beth Coolidge, Jay Last, J.J. and Jackie Bell, Bill and Anne Kneisel, Arthur Ryan, International Fine Print Dealers Association (IFPDA), American Historical Print Collectors Society, Inc., and Beauport Hospitality Group. Drawn From Nature & On Stone: The Lithographs of Fitz Henry Lane opens October 7th at Cape Ann Museum, Pleasant Street, Gloucester, MA.
Gloucester, MA. Every step Kate Barnett takes is a struggle and a reminder that life can be cruel and unfair. “It’s been a nightmare,” she says sitting outside her Gloucester home.
The 60-year-old is battling cancer. On days she doesn’t get assistance she crawls her way up her stairs. “I got a neuropathy in my hands and legs from the chemo,” she said.
A few weeks ago, Kate was shopping at Market Basket in Lynn with her personal care assistant. When they came outside her car was stolen along with her much-needed wheelchair and wallet. More than $1000 was gone.
“I had my wheelchair in the back of my car. It’s hard to find a little car that you can put a wheelchair into,” she said.
The Keynote Speaker will be Hannah Kimberly. I was reading Hannah Kimberly’s biography, A Woman’s Place is at the Top, about Annie Smith Peck when I heard the news that Saudi women would be granted the right to drive sometime in 2018 (though they still need a sign off to marry, divorce, travel, get a passport, open a bank account.) I remember when my mother could get a credit card without my father’s signature. An Annie Smith Peck quote from 1874 brought to light in Kimberly’s research shows Peck knew this pain of persistent lobbying for permission:
“I have reflected for years, I am reflecting, I shall continue to reflect. The longer I reflect, the more convinced I am that it would be wise to go to college. Years ago I made up my mind that I should never marry and consequently that it would be desirable for me to get my living in the best possible way and to set about it as any boy would do. I do not think it is my duty to sacrifice myself, my happiness, and all prospect of distinction, to say nothing of usefulness for the very doubtful pleasure of my parents. Should I remain at home, as some people would have me, I should then be utterly unfitted for active life and should only be a burden to my brothers, useless and unhappy. If I am ever to be anybody or do anything, the time is now…John (her brother) would not have me on par with college graduates? Whew! Whew! Whew! What an opinion must he have of his own and William’s attainments if he considers that I am superior to what they were when they graduated…Why did John not pursue such a course as himself? ‘Too good talents to give them the benefit of a collegiate education.’ Dare you say that aloud? What if you applied it to a young man? Are you crazy? I am not afraid that my fame would be lessened should I be Valedictorian of the class of ’78 (1878!) in Michigan.” -Annie Smith Peck
Michigan State fans will be happy:
Kimberly writes that in 1874 Peck “wouldn’t be able to place her finger on it at the time, but somehow, within her first semester, like the handful of other women studying the classics, Annie was treated as if she were equal to the men in her class. Indeed it was a blip in the history of co-education — a golden decade — when some of the first groups of women attended the University of Michigan and were recognized as mysterious, capable, attractive, intelligent, and not yet too numerous to be a threat to male power.” – Hannah Kimberly
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Quiet works invite worlds of contemplation in the street lit Jane Deering Gallery 19 Pleasant Street, Gloucester, MA. Thru September 30th.
Jane Deering Gallery 19 Pleasant Street, Gloucester, MA ‘Silver and Grey’
two person exhibition: Leslie Lewis Sigler small paintings and
Paul Cary Goldberg Here Still photograph series
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Search for @AwesomeGloucester on Facebook and follow! You’ll see and keep up with great, active and inspiring ideas from the community.
“I am currently in the process of bringing a video journalism multimedia program to the students at O’Maley Innovation Middle School After School Program. The goal of this ongoing project is to teach students to use their voices for good on platforms that are relevant to their peers and community. One of the big idea projects the students brought to the table was to produce Public Service Announcements surrounding issues they face,…” – Jessica Linquata
From Awesome Gloucester Facebook:
Jessica Linquata, who runs an after school video journalism program at O’Maley, was missing one essential component for her students – HD cameras. So she applied for Awesome Gloucester’s $1000 micro-grant, and tonight Trustee Jacob Belcher handed her the cash she needs to get the equipment. Congratulations, Jessica! To see more about Jessica’s project- “What Can I Do? Young Voices for Positive Change!
September 26, 1852 The increasing scarlet and yellow tints around the meadows and the river remind me of the opening of a vast flower bud. They are the petals of its corolla, which is of the width of the valleys. It is the flower of autumn whose expanding bud just begins to blush. As yet however in the forest there are very few changes of foliage.
path with poison ivy September 2017
September 24, 1852 …Am surprised to find, by Botrychium Swamp, a Rhus Radicans* …, – growing in the midst of a clump of barberry bushes which it overhangs. It is now at the height of its change, very handsome scarlet and yellow, and I not at first know what it was.
October 24, 1858 The brilliant autumnal colors are red and yellow and the various tints–hues and shades of these. Blue is reserved to be the color of the sky**, but yellow and red are the colors of the earth flower. Every fruit on ripening, and just before its fall, acquires a bright tint. So do the leaves–so the sky before the end of the day, and the year near its setting. October is the red sunset sky–November the later twilight…The scarlet oak…is now in its glory…Look at one completely changed from green to bright dark scarlet–every leaf, as if it had been dipped into a scarlet dye, between you and the sun. Was not this worth waiting for? Little did you think ten days ago that that cold green tree could assume such color as this.
*Rhus Radicans is poison ivy **and the sea all around us
Log entries focused on Thoreau’s observations of flowers in Concord, MA, are gathered together into a wonderful volume, ed. Geoff Wisner.
September 19, 1854 Thinking this afternoon of the prospect of my writing lectures and going abroad to read them the next winter, I realized how incomparably great the advantages of obscurity and poverty which I have enjoyed so long (and may still perhaps enjoy). I thought with what more than princely, with what poetical leisure I had spent my years hitherto, without care or engagement, fancy free. I have given myself up to nature. I have lived so many springs and summers and autumns and winters as if I had nothing else to do but live them–and imbibe whatever nutriment they had for me. I have spent a couple of years, for instance, with the flowers chiefly, having none other so binding engagement as to observe when they opened. I could have afforded to spend a whole fall observing the changing tints of the foliage.
Wisner, Geoff, editor. Thoreau’s Wildflowers, Henry David Thoreau. New Haven: Yale University Press, 2016. Features drawings by Barry Moser from the 1979 book, “Flowering Plants of Massachusetts.”
A Barry Moser whale drawing is featured on the Gloucester HarborWalk whale marker.
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American artist Paul Manship (1885–1966) was internationally renowned since the 1920s. He maintained multiple homes and studios: two in the Unites States (New York and Gloucester, MA); Paris; London; and three in Italy. This very special purchase–the only one in the world of a Manship property– Starfield, in the Lanesville section of Gloucester, MA, was made possible by the incredible generosity of the Manship heirs, YOU- Gloucester and MA residents (City of Gloucester & the Commonwealth of MA monies were allocated to this initiative), foundations, businesses and private donations. Congratulations to Rebecca Reynolds and all involved. Early supporters included: the City of Gloucester; Massachusetts Cultural Facilities Fund (MassDevelopment in collaboration with the Massachusetts Cultural Council); the Boston Foundation; Essex County Community Foundation; McDonagh Family Foundation; Stella and Charles Guttman Foundation; National Trust for Historic Preservation; Massachusetts Cultural Council; New England Biolabs Foundation; and Essex National Heritage.
There are more than 15,000 historic house museums across the county, and just a few that were artists’ home and studios. One of the most influential is the Pollock-Krasner house in East Hampton, Long Island, established in 1988. A welcome recent addition is the Winslow Homer property in Portland, ME. Here’s hoping the Manship estate is a member on this Historic Artists’ Homes & Studios (HAHS) map soon. Currently, the Massachusetts sites include Daniel Chester French’s Chesterwood in Stockbridge, and the Frelinghuysen Morris home in Lenox.
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