ETA Last call for 2023: Sunday Oct. 29
There’s still time ๐

My View of Life on the Dock
ETA Last call for 2023: Sunday Oct. 29
There’s still time ๐


Heidi Dallin shares a reminder for an original Halloween themed concert on Saturday. DANSE MACABRE at Gloucester’s Unitarian Universalist Church features the four principal string players from the Cape Ann Symphony.
Cape Ann Symphony’s Musicians Unleashed Series celebrates Halloween with a spooky concert of ghostly music featuring a quartet of Cape Ann Symphony’s principal string players: Seth MacLeod, Cello; CAS Concert Master Scott Moore, violin; Erica Pisaturo, violin; and Brandon White, viola; playing a program of creative and varied compositions ranging from Schubert’s String Quartet No. 14: Death and the Maiden to a pop medley of Stevie Wonder’s Superstition, Gnarls Barkley’s Crazy and Michael Jackson’s Thriller to Spooky Waltz, a piece written by CAS violinist & Concert Master Scott Moore.
“Our program for October 28 features an adventurous variety of music, which really showcases the talent and versatility of the Cape Ann Symphonyโs principal string players,” explains Moore. “From cheeky, spooky fun, to the truly tragic; from Schubert and Shostakovich to Doc Watson and Gnarls Barkleyโฆthereโs something here for any music lover, and itโs all bound together by the theme and title piece, Danse Macabre.โ
Scott Moore
The Danse Macabre concert program includes: Shostakovich’s String Quartet No. 8: Largo & Allegro Molto; Saint-Saens’ Danse Macabre; Penderecki’s Tanz; Scott Moore’s Spooky Waltz; A Pop Medley of Stevie Wonder’s Superstition, Gnarls Barkley’s Crazy and Michael Jackson’s Thriller; the classic traditional pieces: Jenny on the Railroad and Go Dig My Grave; Sibelius’ Valse Triste; Satie’s Gnossienne No.1; Purcell’s When I am Laid in Earth and Schubert’s String Quartet No. 14: Death and the Maiden.
Scott Moore was born and came of age in rural Kentucky. He began his career as a violinist and composer as a four-year-old in New York. He’s been a soloist with a number of orchestras, played Mozart for the Archduke of Austria, and has given an impromptu recital in Carnegie Hall for an audience of ghosts. In 2018, he began performing, from memory, the complete Sonatas and Partitas for Solo Violin by J. S. Bach. A composer as well, he has composed six adventurous new scores for the Louisville Ballet, including As You Like It in August 2022. This native Kentuckian is now a resident of Gloucester. He and his wife violinist Erica Pisaturo, also a member of CAS, moved to New England in the fall of 2019.
Violinist Erica Pisaturo is a native of New England, where she began her violin studies at the age of four. After earning a BA in Music and Art History from Bowdoin College in Brunswick, Maine, she went on to earn an MFA at the Savannah College of Art and Design in Savannah, Georgia. While in the South, Ms. Pisaturo played violin in a number of professional symphony orchestras, including the Hilton Head Symphony and Savannah Philharmonic, both of which she also served as Orchestra Librarian. She has toured and traveled the world extensively including studying architecture in Italy, making music on tour in China and Japan. She and her husband, CAS violinist Scott Moore moved to Gloucester in 2019 and Ms. Pisaturo now plays with the Cape Ann Symphony and Symphony By The Sea.
Cellist Seth MacLeod earned his Bachelor of Music in cello performance from Boston University, where he studied with George Neikrug who dedicated to Seth a cadenza he composed for the Dvoลรกk Cello Concerto. In September Mr. MacLeod joined the Cape Ann Symphony as Principal Cellist. He has performed as a soloist with the Wellesley Symphony, Lincoln-Sudbury Civic and the Metrowest Symphony Orchestras. Mr. MacLeod is also the principal cellist of the Wellesley Symphony Orchestra, and he is a member of Symphony By The Sea. He is a versatile chamber musician and string instructor at area schools.
Violist Brandon White made his CAS debut in March 2022โs Musicians Unleashed Concert, the Virtual Clarinet Quintet Concert. Originally from New York and now residing in the Boston area, Brandon White has enjoyed a varied career as a violist. A classically trained violist, Mr. White has been recognized as an analytical, and forward-thinking musician with a love of all viola music and new compositions. He holds degrees from The Crane School of Music at SUNY Potsdam where he studied under Shelly Tramposh and earned his BM in Viola Performance, as well as The Boston Conservatory at Berklee where he studied under Lila Brown and earned his MM in String Performance. He has performed at Carnegie Hall, Lincoln Center, Saratoga Performing Arts Center, Jordan Hall, and Sanders Theater and played with the Orchestra of Northern New York, Hamptons Festival Orchestra and the Choral Society of the Hamptons. Mr. White currently performs in the Rivers Symphony Orchestra and is also a member of the contemporary viola duo Waterhouse Row alongside Emilie Catlett.
Danse Macabre is Saturday, October 28 at 3:00 PM at the Unitarian Universalist Church, 10 Church Street, Gloucester. Ticket prices for Danse Macabre are $40 for Adults and $15 for Youth. Call Cape Ann Symphony at 978-281-0543 or go to www.capeannsymphony.org for tickets.
The Cape Ann Symphonyโs Musicians Unleashed programs were launched in 2019 and have become a wonderfully popular series with an overwhelmingly enthusiastic audience response.












photos: C. Ryan, Oct. 2023. Fall Long Beach photo block.
Cape Ann Symphony’s 2023/2024 72nd season opens with an incredible program, FRENCH SPECTACULAR. Buy your tickets now! The Cape Ann Symphony performs at Manchester-Essex High School Auditorium on 36 Lincoln Street, Manchester-by-the-Sea, MA. For tickets or information, call 978-281-0543 or visit www.capeannsymphony.org





From Cape Ann Symphony:
| “Cape Ann Symphony kicks off the 72nd season at 2:00 PM on October 1, 2023 with a musical trip to France featuring CAS premieres of Lili Boulanger’s D’un matin printemps; Debussy’s Nocturnes with a special appearance from the New World Chorale; and Ravel’s Mother Goose Suite. The concert finale is Ravel’s popular and thrilling Bolero. The orchestra opens the concert with the musical prodigy Lili Boulanger’s D’un matin printemps followed by Claude Debussy’s innovative Nocturnes featuring the New World Chorale in their CAS debut; Maurice Ravel’s colorful and playful Mother Goose Suite and to close the concert Ravel’s dramatic Bolero. “”We are very excited about the French Spectacular concert which features the music of Lili Boulanger, Claude Debussy and Maurice Ravel,” says CAS Conductor and Music Director Maestro Yoichi Udagawa, “All the pieces are gorgeous, and full of color and emotion. The Debussy features a woman’s chorus from the New World Chorale. Their voices represent the mysterious song of the Sirens from within the midst of the sea with its innumerable rhythms. The concert will finish with Ravel’s ever popular and powerfully exciting Bolero. The musicians and I are honored to play the D’un matin printemps, Nocturnes and Mother Goose Suite for the first time in CAS history! We can’t wait for the concert!” The Cape Ann Symphony has played works by French composer and teacher Nadia Boulanger, but this is the first CAS performance of a work by Nadia’s younger sister, Lili. “Lili Boulanger was known for her lush harmonies and elegant instrumentations,” points out Maestro Udagawa,” D’un matin printemps was first composed as a duet for violin and piano. The work was then adapted by Ms. Boulanger as a trio for violin, cello, and piano and then as a duet for flute and piano. In January 1918, she was very ill and dictated her orchestral version to her sister Nadia. Her D’un matin printemps was the last work composed by Lili Boulanger before her untimely death in March 1918 at the age of 24, caused by a case of bronchial pneumonia at the age of two which left her immune system weakened for the rest of her life. Lili Boulanger was born into a musical family on August 21, 1893. The influential French composer, organist, pianist and teacher Gabriel Faurรฉ โ a friend of the family โ discovered 2 year old Lili had perfect pitch. A musical prodigy, Ms. Boulanger was a vocalist, played piano, violin, cello, harp and organ. In 1913, at age 19, she became the first woman to win the Prix de Rome with her cantata Faust et Hรฉlรจne which she wrote for a full orchestra in 4 weeks, conforming to the 4 weeks rule of the competition. Among the most influential composers of the late 19th and early 20th centuries, Claude Debussy was born to a family of modest means. He showed such musical talent that at age 10, he was admitted to the Conservatoire de Paris. He originally studied piano, but he found his musical passion in innovative composition. Composition of the Nocturnes began in 1892 under the title Trois Scรจnes au Crรฉpuscule (“Three Scenes at Twilight”). In 1894, he began a rewrite of the Trois Scenes, renaming the new version Nocturnes. Debussy scored the orchestral part of the first of the three nocturnes for strings alone; the second for three flutes, four horns, three trumpets, and two harps; and the third for the two groupings together. By 1897, he decided to rewrite all three movements for full orchestra. He worked for the next two years on the Nocturnes. A full score of the manuscript of the Nocturnes was signed with the completion date of December 15, 1899. The complete work, including a choir of Sirรจnes, premiered on October 27, 1901. The New World Chorale makes their Cape Ann Symphony debut as the Sirรจnes in Debussy’s Nocturnes. The New World Chorale was founded in 1999 by Holly MacEwen Krafka and John Zielinski with the mission of performing the best choral music and the goal of performing with many of the finest orchestras in New England. NWCโs membership comprises some of the Boston areaโs most experienced choral singers and soloists who have performed both locally and internationally with the worldโs major orchestras. The New World Chorale (NWC) is one of the most in-demand choruses for hire in the greater Boston area. NWC has performed major choral works with Bach, Beethoven, and Brahms Society, Boston Ballet, Boston Conservatory Orchestra, Boston Landmarks Orchestra, Boston Youth Symphony Orchestra, Lexington Symphony, Longwood Symphony Orchestra, Melrose Symphony Orchestra, Mercury Orchestra, MIT Symphony Orchestra, New England Brass Band, New Philharmonia Orchestra, Rhode Island Philharmonic, Symphony New Hampshire, Symphony Pro Musica, and Wellesley Symphony Orchestra. During its 2017-18 season, the New World Chorale experienced a new type of performance when it provided the chorus for The Legend of Zelda: Symphony of the Goddesses, a touring multimedia production presenting over 30 years of music from The Legend of Zeldaโข video game franchise by Nintendoยฎ. The production was performed on October 21, 2017 at the Wang Theatre in Boston. French composer, pianist and conductor Maurice Ravel wrote and dedicated his piano duet, Mother Goose Suite, to Mimi and Jean Godebeski, ages 6 and 7, just as he had dedicated an earlier work, Sonatine, to their parents. The Mother Goose stories date back centuries and Ravel wrote pieces. based on the centuries old well known nursery rhymes said to have been authored by Mother Goose. Ravel’s work was originally written as a five-movement piano duet in 1910. The first public performance of the work was given at the Sociรฉtรฉ Musicale Indรฉpendante on April 20, 1910. In 1911, Ravel orchestrated the suite. The five nursery rhymes which Ravel choose to put to music are: Pavane de la Belle au bois dormant: (Pavane of Sleeping Beauty); Petit Poucet: (Little Tom Thumb); Laideronnette, Impรฉratrice des Pagodes: (Little Ugly Girl, Empress of the Pagodas); Les Entretiens de la Belle et de la Bรชte: (Conversation of Beauty and the Beast) and Le Jardin Fรฉerique: (The Fairy Garden). In the 1920’s Ravel was commissioned to provide a score for Ida Rubinstein’s ballet company, and this resulted in what is now one of his most famous works – Bolรฉro. Ravel declared the work was “one long, very gradual crescendo.” In the 1920’s Ravel was commissioned to provide a score for Ida Rubinstein’s ballet company, and this resulted in what is now one of his most famous works – Bolรฉro. Ravel declared the work was “one long, very gradual crescendo.” Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works โ some specially commissioned for the orchestra โ as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative. Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga. The Cape Ann Symphonyโs 72nd Season Opening Concert, French Spectacular, is Sunday, October 1, 2023 at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street, Manchester-by-the-Sea, MA. Manchester-Essex High School Auditorium is handicapped accessible. Ticket prices are $45 for adults, $40 for senior citizens, $20 for Students of any age, $5 for Youth (12 years old and under). For information, call 978-281-0543 or visit www.capeannsymphony.org |

Images Attached:
Photo 1: Composer Lili Boulanger
Photo 2: Composer Claude DeBussy
Photo 3: Composer Maurice Ravel
Photo 4: Cape Ann Symphony Conductor and Music Director Yoichi Udagawa
Solo exhibition featuring Robert J. Anderson (1934-2016) is opening this weekend at Jane Deering Gallery with a Reception Sept. 30 from 4-6pm. This show delves into his pursuits in drawing.




“I’m excited about this upcoming show.ย My thanks to Meredith Anderson (daughter of Robert J. Anderson) and Peg Anderson (widow of Robert J Anderson) for their expertise and passion in organizing this exhibit.”
Jane Deering. Jane Deering Gallery
Read more about the artist, Robert J. Anderson and about this solo show Printable PDF here:
As promised: enjoy a few photos from the special home game opening ceremony for the GHS Fishemen Boys Varsity game vs. Lynn on 9/25/2023. FYS players walked out on the field with the high school players. What a beautiful and dedicated soccer program in Gloucester, MA. and sweet gesture on this occasion.



**courtesy photos**
GHS Boys Varsity Soccer tied Lynn St. Mary’s yesterday. Read more about the game here: Gina Ingrando, Gloucester Boys Soccer Stays Undefeated After Tie with St. Mary’s (Lynn), Gloucester Daily Times story.

Varsity Boys Soccer 4:30pm is LIVE now on the home field at Newell Stadium. This game is the 7th of the season and they’re heading in off a strong season: They’ve won vs. Salem, Wakefield, Winthrop, Swampscott, Danvers, and Peabody so far. Today they face a Lynn team


Special extra fun: Fishermen Youth Soccer (FYS) G4 Boys will walk out with the varsity team today!
**photo coming :)**
“Come show your support!! Keep the streak going Fishermen ๐๐๐”
*Photo credit (collage): Dawn Enos*
Good luck boys!
Audition time! Printable flyer below.
Join the Cast of a Cape Ann Holiday Tradition!
The Cape Ann YMCA Theatre’s Holiday Delights Looking for Actors age 5 to 18

Nice note and reminder from fine artist Kristine Fisher– it’s the last week to see her solo show and there’s a closing event
“Hi
Thanks for the terrific promotion of FRESH CUT. I canโt believe that now we are already announcing a Closing Reception. I have enclosed a media advisory. Can you kindly publish online in Good Morning Gloucester.The date is next Saturday. Sept. 23, 2023 from 3 – 5 pm at Jane Deering Gallery We enjoyed a terrific opening. Thanks so much.”
Kristine Fisher

Photo blocks from Long Beach, Rockport & Gloucester, Ma.:
When it’s time it’s time. The lifeguard chairs, most of the stairs, and the footbridge are removed every year, and for this season it was at sunrise Sept 14. Rockport DPW is also on top of the storm prep ahead of this weekend’s Tropical Storm warning forecast. They work fast to beat the tides.




I saw this beach chair and thought perfect chair for Schooner Festival weekend. Imagine chairs on the boulevard printed with custom vessels (iconic racers and current ones). The smoke in the sky again from fires in Canada.




When the sea is black, the photo with the blue sky pockets and the clouds like waves–the last sequentially–was unexpected. Note the scale of the Long Beach cottages vs. clouds.




















Mayflour is now open in Essex! Tucked into the colorful junction of Main St & Rt. 133, the new space has the same calm & cheery vibe it had in Rockport, only more so. The specialty cake and coffee shop is much bigger with several tables and chairs inside, and access outback to standing tables, a pollinator garden, and ever-changing vistas of the gorgeous Great Marsh.
What’s carried through to Essex from Rockport? Master confectioner Jocelyn’s award winning pre order specialty and wedding cakes and tasty sweet and savory treats are made from organic and locally sourced ingredients. Also, Mayflour’s morning beverages–the organic and cold brew coffee, teas, and seasonal sips (especially come winter their yummy hot chocolate and marshmallows)–are returning favorites.
One big and happy addition is a cold case so Mayflour can stock pot de crรจme and other small fancies on any given day, and speciality cakes on Fridays and Saturdays for any “last minute” and “just because” celebrations we all can use more of.
There is one accessible parking spot to the right of the entrance. Six parking spots are available across the street on Main St. in front of Andrew Spindler Antiques. The bakery opens at 7:30 A.M.–before 8 A.M. is hard to come by for a bakery on Cape Ann–so it’s a convenient stop before work or school.
August 2023 photo block Mayflour. Small batch bakery. coffee. cakes. 162 Main Street, Essex. Thurs-Mon 7:30-3. Artist Elissa Lincoln’s artwork is featured. The sustainable bakery opened in July.













“Meet & Greet” Johanne Cassia, Award-winning, Folk Artist
Reception: FRIDAY September 15, 2023
4 PM – 5:30 PM
Johanne Cassia’s work will be displayed during the month of September 2023. Cassia resides and works in Ipswich, Mass.




Committees, officials, residents at City Hall
for the comprehensive plan. Not live feed, (will be shown on YouTube and TV later.) and yes it’s hot.





Gloucester, Mass. August 9, 2023.
Part 2. “NOTABLE”. “EXEMPLIFICATION”. “ARBITRATION”.
Three test patches are visible on the commemorative bronze plaque set into Tablet Rock. Along with surface patina aesthetic choices, test patches are left to cure or age to see their impact. When considering care and protection for public art, there is no singular approach. There is no other American commemorative tablet that’s so colossal, set into a glacial outcropping in this precise angle and manner, and susceptible to its surroundings and climate over this length of time. Hence the test patches.
Daedalus is a renowned sculpture conservation firm and will approach this work with respect.











Money was raised to address the plaque and patination (some had preference for a brown finish) Gloucester Daily Times, 2016, and then that project was paused. As far as I know, funds were not returned nor redirected for restoration of the city’s art deemed in distress. At the time William Taylor addressed the verdigris:
“As an antique dealer for decades who dealt many times with bronzes and patinas I completely agree that the tablet should not be restored. While I applaud…well-meaning and generous inclinations not only does natural oxidization form a protective surface it looks appropriate and should not be fiddled with. Restoration is too expensive and absolutely not necessary. Cleaning it would remove many decades of well acquired history.
William Taylor, letter to the editor, GDT
Restoration science about corrosion on bronze and copper vs. verdigris is fascinating. See Walker Hancock Comprehensive Plan 1958 related to patina. Some methods change. Some don’t.
Continue reading part one here .

Bronze tablet. Founders Plaque. Tablet Rock work 2023. Part 1 here
September 2023. Ladders up for Daedalus crew powerwashing the ‘founder’s plaque’ on Tablet Rock in Stage Fort Park.




work in progress photos: Daedalus restoration
About
The enormous 20th Century plaque on Tablet Rock in Stage Fort Park commemorating the first permanent European settlement, the “Founding of the Massachusetts Bay Colony in 1623”, was dedicated in August 1907. James R. Pringle was designated to write the inscription. The execution of the design and bas relief border was by Eric Pape.
โThe nautical scheme of decorative framework and embellishment was the composite suggestionโ of various committees dating as far back as the 1880s.






Image block documenting how Tablet Rock looked pre bronze tablet through today: before the plaque, 1901 (branded Battery K still visible); 1907 dedication, Library of Congress (Hammond with his daughter Natalie Hammond); 1970s; 1974 (graffiti beneath); 2016; 2019. Note the rectangular area beneath the plaque was lightened at the time of installation. The border carving degraded. The dark streaks accelerated after 2020 (note the verdigris patina 2016, 2019, etc)


ON THIS SITE IN
1623
A COMPANY OF FISHERMEN AND FARMERS FROM DORCHESTER ENG.
UNDER THE DIRECTION OF REV. JOHN WHITE FOUNDED
THE MASSACHUSETTS BAY COLONY
____
FROM THAT TIME THE FISHERIES THE OLDEST INDUSTRY IN THE COMMONWEALTH
HAVE BEEN UNINTERRUPTEDLY PURSUED FROM THIS PORT
____
HERE IN 1625 GOV. ROGER CONANT BY WISE DIPLOMACY
AVERTED BLOODSHED BETWEEN CONTENDING FACTIONS
ONE LED BY MYLES STANDISH OF PLYMOUTH
THE OTHER BY CAPT HEWES
A NOTABLE EXEMPLIFICATION OF ARBITRATION
IN THE BEGINNINGS OF NEW ENGLAND
____
PLACED BY THE CITIZENS OF GLOUCESTER 1907
-transcription Founders Plaque. Tablet Rock. Stage Fort Park. Gloucester MA
New construction downtown.
I don’t know if this is the original applicant. Construction underway at Whistlestop Way near Doyon’s, between Dollar General and Auto Parts, where Google maps is labeled, ‘Family Dollar’. The new sign is ‘Ocean Breeze Craft Cannabis’




Answers

Construction news.
Chase is opening hundreds of branches in local communities including in Gloucester in one of the anchor buildings comprising Walgreens Plaza downtown. The firm renovating the structure for a flagship bank, in a space originally built out for a now shuttered Papa Gino’s restaurant, has built many for Chase already. The branch is located next to Dunkin’ Donuts and across from the Santander branch that opened in the yogurt store. It’s expected to open by January 2024.




Responses to questions I’ve received about more construction:
The crane above and behind Walgreens is for renovation happening at police headquarters.

Further afield: not sure, but assuming the dig out by Thatcher Road condos is landscaping and it looks like a path (out back?). The sidewalk/path below grade that flooded and iced over was removed and a new sign added.




American sculptor Walker Hancock volunteered in many civic capacities while a Gloucester resident. While serving as the Chair of the city’s Art Committee in the 1950s, Hancock prepared a Master Plan that managed to forecast an array of evergreen topics: land use, zoning, preservation, open space, Main Street & downtown, public monuments, an arts commission, city improvements (like signage), beautification (trees and blooms), health & safety, tributes, and history– and all through a practical cultural and economic vision.
Robert F. Brown, Harold C. Dexter, Myron U. Lamb, Frederick H. Norton served on this committee with Walker Hancock.

As a World War Two Monuments Men leader, Hancock had overseen the prioritization, protection, and eventual inventorying of tens of thousands of cultural works of significance looted by Nazis. A decade later, cataloguing Gloucester’s plentiful assets was a rather small job for this talented committee–especially with Hancock serving as Chairperson! A brief few sentences from this amazing document allude to his expertise:
“During the Second World War the Allied Expeditionary Force acted under a directive signed by General Eisenhower which required them โTo take all measures consistent with military necessity to avoid damage to all structures of cultural, artistic, or historical value, and to assist wherever practicable in securing them from deterioration consequent upon the processes of warโ.
To implement the directive of the Supreme Commander, lists of โProtected Monumentsโ were prepared, designating buildings of sufficient importance to justify the efforts to preserve them even during military operations. Many private houses were included in these lists.
We owe it to ourselves and to the Nation to be at least as solicitous in regard to our own heritage of such structures and to secure them wherever possible from deterioration consequent upon lack of appreciation or neglect.
Attached is a list of structures in Gloucester considered of sufficient architectural value to warrant special effort to preserve them. It is not a complete list and does not include many of the charming houses the destruction or mutilation of which would be a loss to the city as a whole…”
Committee’s Master Plan report (Chairman, Walker Hancock, for Gloucester, Mass., 1958)
Flash forward decades, from 2000-2023, multiple arts ordinances, inventories, and drafts of master arts plan were crafted and/or attempted. (Prior to 2000–and prior to Hancock– there were wonderful asset inventories. Gloucester has amazing archives!) I served on multiple arts related groups and commissions (roughly 2010-2018), the downtown Cultural District, Tourism, and various downtown working groups. Numerous ideas and topics now were covered in this 1958 report, and would have been extremely helpful to reference.
With the upcoming 2023 Comprehensive plan underway and the first public meeting coming September 9th, I thought the writing from 1958 would be of great interest. Read through to see what suggestions have been realized or incorporated and which might be worthy of attention again.
Image: For the 1958 report, artist Betty deVicq provided a rendering for a potential beautication of the Fitz Henry Lane House.
Contents
The following resolution was adopted on unanimous rising vote by the Municipal Council at its meeting in the White-Ellery House on August 1, 1957,
โBe it resolved that the Cape Ann Historical Association, together with other groups and individuals, recommend from time to time to the city Council and its successors their ideas and plans for similar improvements of the city of Gloucester in order that the Council may adopt all or part of said recommendations in furthering their overall plans for the future of the city.โ
In 1606 Champlain named our Cape โLe Beauportโ. For 334 years since that time Gloucesterโs economic welfare and tax revenue have resulted directly or indirectly from the fishing industry and the recreation business. Our population now is the same as it was in 1890.
Because of modern transportation and Route 128, it is very probably that our historic economic pattern will change. Along with it will be a physical change.
The greatest success in any venture is the result of planning and preparedness. The most intelligent action we can take at this time is to plan our city for a changing economic pattern and a possible increase in year round population from 26,000 to 40,000.
Such plans revolve around the City Planner and the Planning Board. This report is to support the work of these people and to go one step further in a ld that is ordinarily beyond their scope of activities, but is an important adjunct to it.
Its purpose is to preserve and enhance the reasons why tourists come to Gloucester, why people will choose to live here and commute to their jobs, and many an industrialist would choose to locate his new plant here.
The subject can be called the preservation and furtherance of our aesthetic advantages, or the protection of the beauty we now have and will have. Its aim
is making the most of our natural beauties in contrast to the stereotyped and ugly procedures in other American communities.
The proposals contained in this report are based on two fundamentals: beauty and cost. Many can be adopted in the normal course of planning with no cost beyond that which would ordinarily be created, such as road signs. Others, such as a Recreation and Art Center, can be provided for as to location and adopted when cost permits. Some proposals can be adopted by the Council, some by private citizens.
B. Zoning โ Careful zoning of โrawโ, or undeveloped, land offers any community the means for preventing overcrowding of the land that has been the common practice in all cities and towns in the past. Until 1916 there was almost no control over what a man might do in the development of his own land. He could break it up into as small lots as he could sell and the result was the problems we face today with slums and deteriorating old neighborhoods everywhere. In 1916, the first zoning ordinance was put into effect in New York City, the need for which had arisen from the greediness of land owners and landlords in building the tenement districts on the East Side of New York.
Bitterly opposed at first as a blow to personal freedom in ownership of property, zoning laws have spread all over the world and are now considered as necessary in urban life as a law prohibiting driving on the wrong side of the street.
Zoning legally is based upon the police power to provide for the health, safety, and welfare of the public. Until recently there has been no legal basis for regulation with purely aesthetic ends in view, but within the last few years there have been opinions handed down by the courts that a community has some legal right to regard aesthetic values. Heretofore the courts have held that aesthetics are strictly a matter of taste โ โWhat I detest, you may adoreโ. Hence there have been no legal standards in aesthetics. In the years ahead, however, they will be as binding as other matters covered by zoning laws.
A phrase now included in most zoning ordinances, โand to provide for the communitiesโ, gives a legal foothold to the aesthetic considerations of the use of land.
Zoning can regulate the size of building lots and so do much to provide more space and light and air in residential areas. It can segregate different use of land and prohibit incompatible uses anywhere, such as residential use in an industrial area, as is usually the case in modern zoning ordinances, and
Land Use – 3
Prohibiting industrial use in a residential area.
In Gloucester, there is need for increasing, through wise zoning, the minimum lot size throughout parts of the city. At present 10,000 square feet constitute the minimum sized house lot in new developments. Recorded or registered lots of 5,000 square feet are still usable, and there are many of them.
In those parts of Gloucester still undeveloped, future sewers are โeconomically impracticableโ, to quote a recently completed survey of the sewer needs of the city, and for this reason alone lot sizes should be increased in some parts of the city from 10,000 to 20,000 square feet per lot. Lot sizes in these categories would result in future years in preserving much of the present character of Gloucester which make it such an attractive city in which to live. The recent zoning of the Eastern Point section for 40,000 square foot lots makes certain that the general character of that portion of the city will not change.
From an economic point of view it should also be borne in mind that small houses on small lots contribute less tax revenue than they require for municipal services while large houses on large lots are income producing homes. That distinction is in the vicinity of $16,000.
One current danger is that land which should be reserved for future residential development may be zoned for industrial use under the pressure that Gloucester needs industry and anywhere that it might go is the place to put it. In any future rezoning of raw land,
“we should make certain that all potential uses of it are considered impartially before making the final decision. The land is any communityโs basic resource. We should protect and wisely use that resource in Gloucester in planning our future development. This is a job for all the residents of Gloucester, not just the planning board and the city council.”
1958 Committee Report for Gloucester, MA, Chairman Walker Hancock
Land Use โ 4
A Citizenโs Council for city planning should be organized to work in consultation with the planning board to insure that the cityโs comprehensive plan is in keeping with the best interests of the community, and to support the Planning Board in carrying it out. This council should be composed of a cross section of the various interests represented among the tax-payers of Gloucester, such as merchants, industrialists, real estate agents, home owners, educators, etc. Such a group, which should be as small as possible, consistent with balanced representation, would provide a democratic safeguard against infringements upon the best public interest.
C. Reservations.– The attractions that have made Gloucester famous a summer resort are not merely places for swimming and boating and other amusements. The appeal to the summer vacationist, as well as to people seeking an all year-round residence, of large areas of unspoiled woods, moorland, and shore without artificial โtourist conveniencesโ can hardly be overestimated. The existence on Cape Ann of such features has brought to our city great numbers of people who prefer them to the kind of tourist amusements offered, for example, by Salisbury and Revere beach. Our good fortune in having an established community of this character should be recognized in time to preserve it.
Fortunately, Ravenswood Park, Stage Fort Park, the Magnolia Shore Reservation, and Mount Ann have been saved for the future. Mr. Roger Babsonโs recent gift to the Cape Ann Historical Association promises possibilities of making the main entrance to the city impressive, handsome, and of unusual interest to the tourist. Start has been made at Plum Cove by the action of the Municipal Council in setting the area aside for future use as a school site and recreational area. But these reservations would be far from adequate even for a city the present size of Gloucester were it not for the other open areas that will soon be lost to us unless some action is taken.
Land Use โ 5
As an example of the kind of land that should be maintained in its present state, the southeast shore of Goose Cove may be cited. The changing beauty of the bank of flowering shrubs gives pleasure to thousands of passers-by the year round.
A much larger and more important opportunity exists in Dogtown.
D. Dogtown Common. โ The Civic Arts Council strongly recommends that the Gloucester Municipal Council give serious consideration to the preservation of Dogtown Common as a permanent historical monument. We make this recommendation for the following reasons:
1)The abandoned village of Dogtown is a tourist attraction of the first magnitude. It is the only place in the eastern United States where one may see the original environment of our early settlers. As time goes on, this site will become of increasing importance in bringing visitors to Gloucester.
2)This area is of especial interest to those interested in nature, as it abounds in rare flowers and is inhabited by many species of birds and animals. The geologist finds this region of glaciation an important study area.
3)It is one of the duties of this generation to pass on to our children and grandchildren some areas of unspoiled nature where they may escape for a time from the pressures of civilization. Few cities in New England have the unique advantage of having such an areas within walking distance of its center. If the area is once in โdevelopmentsโ it can never be reclaimed.
4)It is feared that pressure for more land for homes and industry will soon irretrievable encroachment on this area. The only reason it has escaped so far is because of the excessive costs of putting in roads, water pipes and sewers. The area marked on the accompanying map, comprising Dogtown Common, is smaller in relation to the island portion of Cape Ann than is Central Park in relation to Staten Island. It is suggested that Municipal Council determine the owner-
Land Use โ 6
ship of this land with the objective of acquiring it by
(1)forming a land trust (such as the Squam Rock Land Trust) where private subscription would raise the money for purchase;
(2) acquisition by the State, in which case the city loses its control over the area;
(3) direct purchase by the city as part of its park system
We feel that of the three alternatives it would be most practicable for the city itself to acquire the land.
During the Second World War the Allied Expeditionary Force acted under a directive signed by General Eisenhower which required them โTo take all measures consistent with military necessity to avoid damage to all structures of cultural, artistic, or historical value, and to assist wherever practicable in securing them from deterioration consequent upon the processes of warโ.
To implement the directive of the Supreme Commander, lists of โProtected Monumentsโ were prepared, designating buildings of sufficient importance to justify the efforts to preserve them even during military operations. Many private houses were included in these lists.
We owe it to ourselves and to the Nation to be at least as solicitous in regard to our own heritage of such structures and to secure them wherever possible from deterioration consequent upon lack of appreciation or neglect.
Attached is a list of structures in Gloucester considered of sufficient architectural value to warrant special effort to preserve them. It is not a complete list and does not include many of the charming houses the destruction or mutilation of which would be a loss to the city as a whole.
In the eyes of posterity the Universalist Church, the birthplace of Universalism, will undoubtedly be the most important monumental building that the city possesses. Its exceptionally fine proportions and detail and the great beauty of its tower make it one of the precious examples of American architecture of its period. The City Hall and the Church of Our Lady of the Good Voyage are both Gloucester landmarks of special significanceโthe former because of the impressiveness of its mass and dominant position which it occupies in the city, the latter because of its carillon, its twin towers, and celebrated statue. The towers of all three of these buildings have been made famous by countless paintings which are shown all over the country.
Gloucester has few residences of the architectural pretentious of many in Salem and Newburyport. Nevertheless, it contains many old houses that have a distinctive quality that contribute more than is generally realized to the
Buildings and restorations – 2
Character of the city . Many such houses have already been superficially spoiled. It would be possible to restore most of the houses that have been unwisely covered with substitute materials by the use of appropriate siding and painting. The Civic Art Committee holds itself ready to advise on the proposed alteration or restoration of any such building. The aid of this Committee is proffered in cases where community effort is needed to restore churches designated in the list by brining to the attention of citizens the importance of the project.
The west end of Main Street offers a remarkable opportunity for restoration that would give real distinction to the neighborhood near the Legion Hall and the Town Landing. The brick houses on the water side from Town Landing to the STrand Theater were built in 1832, the result of a friendly agreement between the families concerned to create an entire street front that should be harmonious. It would require only a similar public spirited move on the part of the present owners and a surprisingly small investment of money to put back street floor entrances and windows as they were originally and make the west end of Main Street an inviting section of the commercial district. If private initiative and means are lacking, some of the uses suggested for certain of these buildings are: a community art center, another club or meeting place, a fisheries museum โ or the whole area might be revitalized as a shopping section.ย This is an opportunity that should not be wasted.ย
Enclosed is a sketch of the Fitz Hugh (sic) Lane House dominating a parking lot in the Locust Street area to show how the restoration of a historic site can be effectively combined with modern commerce.
Among the new buildings needed in Gloucester, a Recreation Center and an art Center are of prime importance. It is hoped that the sites, at least, for these projects can be determined in the near future with a view to arousing the necessary public interest to insure their eventual realization. Again, this committee stands ready to advise on the location or design of such buildings.
Illustration: Betty deVicq drawing circa 1958 [rendering of potential restoration of โStone jugโ on Ivy Court, overlooking Duncan street, the former home and studio of Fitz Henry Lane.]
The commercial center is of vital economic importance to Gloucester. It has already been pointed out that commerce and industry provide more tax income to the city than the municipal services they require while the opposite is true of residences. If the commercial center has the right combination of tangibles and apparent intangibles, it will cause more people to use Gloucesterโs Main St. area than other shopping centers or areas, with the resulting financial benefit to the city itself.
Few cities in the country built their commercial centers after the invention of the automobile. Therefore, all cities are in some stage of tearing down buildings in their race to overcome the competition of spacious shopping centers. Our merchants and city government are making progress with the traffic flow and parking problems. We all realize there is more to be done. That is not the province of the Civic Art Committee, yet that group would not hesitate to suggest to the planners and the merchants a bold plan to consider.
There are more reasons than traffic, parking, merchandising and sales promotions which cause shopping in one city rather than another. A local citizen touring the country would observe the commercial centers of certain communities which create an impulse to stop while others created an impulse to hurry on through. That intangible element is usually carefully planned. It might be the limitation on height of all the buildings. The observer might notice that the store signs are limited in size or in color or that none of them blink. Perhaps the eye-appeal is due to set-backs from the sidewalk with grass and landscaping or cool shade trees. It might be harmonious store fronts.
The large shopping centers today with their circumferential parking have done their best with landscaping to create eye-appeal and pleasant shopping, yet that artificial attempt does not compare with natural beauty of our Middle Street, and its irreplaceable old buildings on one side of Main Street and the colorful
a. Street Signs
Where commercial directional signs are required they should be painted under city supervision and placed by the city in locations designated by the Planning Board. They should not be scattered. Instead, they should be grouped together in tiers on sign boards or post specially constructed in order that changes or additions may easily be made. The color and type of lettering used should be established by the city. Uniformity in these would avoid confusion, contribute to the orderliness of the city, and give equal advantages to all concerned. The cost of these signs would be borne by the parties requiring them.
Illuminated signs may become a great nuisance even at a distance. The utmost consideration should be given to the control of such signs; and even though they be located in commercial districts, they should not be placed as to be noticeable from residential areas.
Improvementsโ2
There is an opportunity even in the simplest lettered sign to add an attractive feature to a building. Among the examples of good commercial signs in Gloucester are: The Folly Cove Designers, Cape Ann Fruit Company, Hatfields Color Shop, the Captainโs House, Gloucester Marine Exchange, and the Cape Ann National Bank.
โThe concept of the public welfare is broad and inclusive. The values it
represents are spiritual as well as physical, aesthetic as well as monetary.
It is within the power of the legislature to determine that the community
should be beautiful as well as healthy, spacious as well as clean, well
balanced as well as carefully patrolled.โ
b. Fences. โ Fences, like signs, can greatly mar an otherwise fine street or landscape. On the other hand, a fence can be made good-looking as well as strong with little or no difference in cost. Unfortunately there has been no consistent consideration given to the appearance of fence built by the city. They range from handsome granite walls that would do credit to any community in the world to unsightly rails along some of our finest shore drives.
Types of heavy fences have been developed for parkways strong enough to keep a drunken driver from running off the road, but which actually add to the attractiveness of the landscape. Here, as in the case of signs, the background
Improvements โ3
should be taken into consideration in selecting the appropriate type of construction.
c. Trash containers. It is hoped that an awakened city pride will result in some degree of care about the disposal of rubbish. Trash containers, strategically placed, will help as reminders as well as to provide the means of easy rubbish disposal. However, the trash containers themselves should not be unsightly. Sufficient attention can be directed to them without the use of garish colors. White lettering on dark backgrounds will generally be found preferable.
d. Cleaning and Policing of Roads. – Miles of gloucesterโs scenic shore roads are constantly littered with rubbish. Strict enforcement of existing ordinances with some exemplary prosecutions, should go far toward correcting this situation.
e. Place Names and Markers. – It is an important duty of the community to keep alive in the minds of its younger people the achievements of citizens who have brought honor to it in the past. Place names and monuments are a perpetual reminder of the example of courage and moral strength set by our forbears. As the names of Washington and Lincoln give inspiration to the nation, so should the names of Gloucesterโs courageous sea faring men inspire this and future generations of our citizens. These men should be memorialized in the names of new streets, squares, and traffic circles that will be added to the growing city. In addition to the name, markers should recount briefly the heroic act for which each man is remembered. Among those who should be honored in this manner are Howard Blackburn, Marty Welch, Alfred Johnson, Clayton Morissey, Sol Jacobs, and Alden Geale; and there are other men still living who should be given the same recognition.
“The sites of the old shipyards, about a dozen altogether, should be appropriately marked, to include the names of the more famous schooners built at that location. Site marking should be carried to other locations of interest, such as the Steamboat Wharf at Duncanโs Point.”
This would have been great incorporated into the HarborWalk markers–and a wonderful Schooner Festival trail brochure.
f. Planting. There should be more to the city physically than building walls
City Improvements โ4
and the barren pavement of streets and parking lots. To be desirable as a place where people like to live or visit it must be attractive, and much of a cityโs attractiveness comes from its parks and other open green spaces and, particularly, from well-cared for plantings of flowering shrubs and street trees.
Gloucesterโs elms were once the glory of the city. Within the lifetime of single generation of hundreds of trees have been lost to disease, neglect and street-widening with no adequate financial program for replacement, feeding and yearly care to prevent destruction by disease.
The trees in the yard of City Hall are good examples of what can happen to good trees. The pavement of the parking area surrounding City Hall surrounds the trees to their trunks. They are never fed. Water cannot reach their roots except in very small quantities and the results are shown in their drying branches.
When Rockefeller Center in New York was built, the way was shown for the proper care of street trees. Large pits of well fertilized soil were prepared with plenty of humus for the retention of moisture and to provide adequate aeration of the roots. The surface of these tree pits was covered with widely spaced paving blocks set in sand so moisture and air could easily penetrate to the roots of the trees. The trees have thrived, even on Fifth Avenue.
Our own trees, in City Hall yard and elsewhere in the city, would take on a new lease of life if they could be treated in the same way.
Gloucester has an unusually favorable climate for plants of all kinds because, being surrounded by the sea, its climate is tempered and always contains a good percentage of moisture. We can grow here many species of trees and flowering shrubs which do not thrive in more inland communities.
Many communities, particularly in the South and West , have become famous for their vigorous program of beautification through attractive plantings. As much attention is paid to the maintenance of the parks, trees and shrub collections
City Improvements โ5
as is paid to the maintenance of city streets. Such programs pay off in dollars because these communities are more desirable in which to live and do business and because their excellent plantings make them more attractive.
In Gloucester it would be worth our while to develop a long range plan of beautification of the city through planting of street trees, collections of appropriate flowering shrubs in our parks and as settings for our public buildings, and to relieve the barren deserts of our public parking lots. The yearly cost need not be great and would be amply justified by the improvement in the appearance of our city.
e. Care of Burying Grounds – In the very center of the city, one off Church Street, the other off Prospect Street, there are two early 19th century burying grounds which are a disgrace to the community. These places have been used as dumps for the last fifty years or more. In the Church Street cemetery certain caved-in brick vaults are a hazard to the children who play around them. From time to time all kinds of rubbish, bed springs to garbage, have been thrown into them. The Prospect Street cemetery, exposed to public view, is merely a large tract of unkempt grass and weeds scattered over with broken gravestones. Children use it as a playground. It is, in fact, an ideal place for a playground and a small park, greatly needed in the congested heart of Gloucester. Planting could make it a beauty spot at relatively small cost. In answer to the legal problems that such a project would entail, it should be noted that the Babson School was built on an old cemetery.
The ancient burying ground entered from Centennial Avenue is in worse condition then the one on Church Street. In it are buried soldiers of the Revolution and the War of 1812, the architect of the Universalist Church, and the citizens who built it, as well as many of Gloucesterโs founders and benefactors who deserve to be remembered for what they did for the city.
In order to safeguard the appearance of the city and to carry out in detail many of the points previously mentioned in general, it is recommended that Gloucester follow the successful example of many American cities by instituting a Civic Art Commission to advise on all municipal matters involving aesthetic considerations. This is necessitated by the fact that such an unusually large proportion of this cityโs economic resources and attractions are of an aesthetic nature.
The Civic Art Commission would be composed of seven members appointed by the Municipal Council on the recommendation of the Council of the Arts. The City Planner would be a member ex officio. The remaining positions would be filled by a business executive, an authority on architecture, an artist, a representative of the garden clubs, a representative of the Cape Ann Historical Association, and a citizen at large. Where appropriate, a qualified university or technical school professor could be appointed. Except in the case of the City Planner, terms would be for three years, two members to be replaced each year.
The Civic Commission would:
Public Art Commission โ2
โWork of Artโ would include all paintings, mural decoration, inscriptions, stained glass, statues, reliefs, or other sculptures, monuments, fountains, arches or other structures intended for ornament or commemoration.
In all matters pertaining to work under a city department, the head of that department would temporarily act as a member of the commission but would have not vote.
The Commission would not be an enforcing agency. However, permits from the city would not be issued until matters within the province of the Commission were approved by all.
“If the Art Commission failed to act upon any matter submitted to it within sixty days after such submission, its approval of the matter submitted would be presumed.“
Walker Hancock & Committee, 1958 (simple and easy sentence!)
The accompanying chart of the organization of the Municipal Government shows how the Cape Ann Arts Council and the Civic Arts Commission would fit into the organization of the city.
Following is a list of old structures in Gloucester exemplifying the styles of building that contribute greatly to the character and charm of the city. Special effort should be made to preserve these and others like them, as they will become increasingly important in the future.
The list is by no means a complete one. In some parts of the city, such as Annisquam, the number of interesting houses makes a choice of the best examples very difficult.
Fortunately, most of the houses here listed are well cared for. Some, however, are neglected; some have been inappropriately restored or altered; some have been unsuitably painted.























Heidi Dallin reminds us to mark down these upcoming dates and special performances announced for Cape Ann Symphony’s beautiful 72nd Season, “A Season of Exploration”:
Performance: Sunday, October 1, 2023: 2:00 PM: Manchester-Essex High School, Manchester-by-the-Sea, MA
Cape Ann Symphony kicks off the 72nd season with a musical trip to France featuring CAS premieres of Lili Boulanger’s D’un matin printemps; Debussy’s Nocturnes with a special appearance from the New World Chorale; and Ravel’s Mother Goose Suite. The concert finale is Ravel’s popular and thrilling Bolero.
Performances:
The Holiday Pops Concert, Cape Ann Symphonyโs joyful holiday tradition, features a program of holiday favorites and welcomes back guest artist gospel sensation Renese King. King last appeared with CAS in 2012.
Ms. King’s array of musical talents have taken her from spiritual and gospel singing at the church podium to timpani playing on the Carnegie Hall stage. She has toured internationally as a percussionist, pianist, and vocalist with a number of Massachusetts based choral and orchestral ensembles. But it is her soulful and unforgettably moving voice that has piqued her national reputation.
Performance: Sunday, March 17, 2024: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA
Cape Ann Symphony welcomes back world renown pianist Janice Weber to play Beethoven’s show stopping Emperor Piano Concerto . The concert program also includes the CAS premieres of esteemed composers: Louise Farrenc and William Grant Still. The orchestra will play Farrenc’s Overture No .1 and Still’s Woodnotes.
Performance: Sunday, May 19, 2024: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA
BSO violinist and a favorite CAS guest artist Lucia Lin returns for The Three B’s: Beethoven, Bizet and Brahms to play Brahms’ monumental Violin Concerto. The orchestra plays Beethoven’s Egmont Overture and Bizet’s Symphony in C.




Read more about Cape Ann Symphony’s 72nd season: A SEASON OF EXPLORATION
Cape Ann Symphony proudly announces the launch of the orchestra’s 72nd concert season on Sunday, October 1 at 2:00 PM at Manchester-Essex High School Auditorium. “After a terrific summer Pops Concert playing for thousands in Stage Fort Park , we are so thrilled to be back on stage for our 72nd season!” says Cape Ann Symphony Board President Fran White. “This season of exploration is especially exciting for our audiences and our orchestra. We will be playing pieces that CAS has never played over the orchestra’s 71 seasons and we celebrate three amazingly talented and world-renowned guest artists: pianist Janice Weber, gospel vocal sensation Renese King and BSO violinist Lucia Lin. You will want to hear every note this season! I highly recommend getting your season subscription NOW so you will not miss a concert !”
Cape Ann Symphony Music Director and Conductor Yoichi Udagawa is eager to open the CAS 72nd Season, โThe musicians of the Cape Ann Symphony and I are very excited about the upcoming season. We are starting off with a French Spectacular featuring the works of Lili Boulanger, Claude Debussy and Maurice Ravel. The New World Chorale will be joining us in the Debussy Nocturnes, and the concert will close with Ravel’s ever popular and exciting Bolero. Holiday Pops will feature all the favorites of the season, and this year we have a special guest – Gospel Sensation Renese King. In March, pianist Janice Weber will be playing Beethoven’s Emperor Concerto and in May, audience favorite violinist Lucia Lin will return to play the Brahms Violin Concerto. ”This Season of Exploration features a season of firsts for Maestro Udagawa and the orchestra. “Our season opening French Spectacular Concert includes three pieces that we have never performed: Lili Boulanger’s D’un matin printemps; Debussy’s Nocturnes and Ravel’s Mother Goose Suite.Our March concert: Known (and Unknown) Greats includes two composers making their CAS debut Louise Farrenc and William Grant Still. We have played Still’s music in Musicians Unleashed, our popular chamber series, but never with a full orchestra! On a personal note, this season is especially exciting, I will be conducting Boulanger’s D’un matin printemps, Debussy’s Nocturnes; Ravel’s Mother Goose and William Grant Still’s Woodnotes for the first time in my career. The musicians and I can’t wait to begin this journey of exploration with our audiences!”
Cape Ann Symphony preview announcement for the 2023/2024 season
Adult/$45.00
Senior Citizens/$40.00
Students (of any age)/$20.00
Youth (Age 12 and Under)/$5.00
Season Subscriptions are Available.
For Information call 978-281-0543 or Visit www.capeannsymphony.org
Images:
Photo 1: Guest Artist for Known and (Unknown) Greats, the March 2024 Concert: Janice Weber, world renowned pianist and best selling novelist Photo Credit: Liz Linder
Photo 2: Guest Artist for The Three B’s: Beethoven, Bizet and Brahms, the May 2024 Concert: Lucia Lin, acclaimed BSO violinist
Photo 3: Cape Ann Symphony Conductor and Music Director Yoichi Udagawa
Photo 4: Guest Artist for 2023 Holiday Pops Concert: Renese King, gospel vocal sensation
Heidi Dallin has a fall update about this amazing opportunity for professional acting and singing classes in Gloucester at the Cape Ann YMCA.
Sign up now!
Acting 101 with Heidi Dallin and Singing 101 with Heidi Dallin and Marina Gallo
Printable PDF here:
For more information, please contact Heidi Dallin at dallinh@northshoreymca.org, 978.283.0499
