Three years ago (!) almost to the day, Deborah Cramer’s NY Times op ed , “Silent Seashores” was published and her horseshoe crab and Red Knot poetic missive “The Narrow Edge: A Tiny Bird, an Ancient Crab, and an Epic Journey” advanced a global ecological message to the masses. “I hope I never walk beaches empty of sandpipers and plovers. But it is possible that may happen. In the case of some shorebirds, it is increasingly likely. This is why we must commit the money and muscle needed to give these birds safe harbor. If we do, we just might keep our shores teeming with shorebirds.” Deborah Cramer is a visiting scholar at M.I.T., and resides in Gloucester.
April 28, 2018
The New York Times, published another mighty call to arms making use of today’s improved visual storytelling tools. “Shorebirds the world’s greatest travelers, face extinction”is breathtaking and devasting digitial photojournalism about shorebird extinction by John W. Fitzpatrick (Director Cornell Laboratory of Ornithology) and Nathan R. Senner (scientist University of Montana). Stuart A Thompson designed the superb interactive graphic element. The indeliable header pulses with a bird on a wire, a “common snipe” it’s captioned, peering, chest beating, and then a sickening struggle. The bird’s caught, and we’re its snipers. Do. Not. Look. Away.
While you’re checking out this NY Times must read on line, think about Gloucester, Deborah Cramer, and Kim Smith. How one person can and continues to make a difference. Among many other projects, Smith is leading the effort to protect piping plovers at Good Harbor Beach. Let’s support the laws in place to safeguard the natural world. No dogs year round may be easier to remember. Honor system, volunteers, and enforcement (without “teeth” and more funding) are not working. If compassion, art, rules, and legacy aren’t persuasive, there’s always the bottom line. Natural culture all about us is a strategic resource.
Harvard Magazine, May-June 2018, “Gloucester’s Beauport Mansion” by Nell Porter Brown is well done, sprinkled with quotes from site manager Martha Van Koevering, and with special upcoming tour announcements for the season at this Historic New England property, 75 Eastern Point Blvd, Gloucester, Mass., open May 26-October 13. Beauport was designed by Henry Davis Sleeper and executed by and with architect Halfdan Hanson. One must go and go again to Beauport!
excerpt:
“Sleeper’s brother inherited Beauport, but couldn’t afford to keep it. In 1935, the conservation-minded Helena Woolworth McCann, heir to the Woolworth department store chain, bought the mansion and preserved it virtually as Sleeper had left it. The McCann family spent several years summering there, but by 1941 both she and her husband had died. Their children, knowing their mother’s wish that Beauport be preserved as a house museum, donated it to Historic New England with the caveat that they could stay there whenever they wanted. One of them often did, into the 1970s, amicably closing the door to her quarters in the “Red Indian” room when tours came through. And therein lies much of Beauport’s appeal. It’s not…”
Golden Step Room, Beauport, Sleeper-McCann House, Gloucester, Mass.
“I’ve selected a poem by former poet laureate, Ruthanne “Rufus” Collinson, “Jumping In”. The view from my City Hall office is the building Collinson writes about, and the poem’s span of time and special moments –celebrating kids, seniors, connections and kindness– are music to read.”- Mayor Romeo-Theken, Gloucester, MA
JUMPING IN
I was 12 years old
dreaming already
of the life within life,
writing plays and poems,
clumsy beyond description
when I arrived at Central Grammar School,
to a daily journey over the bridge,
learning about the universe of Gloucester
from my new friends,
learning art and history and language
from my new teachers.
What I will never forget
is the lesson I learned from the kind eighth grade girls
on the playground.
In elementary school, I fell down everyday at recess,
playing jump rope, trying to jump in.
My new friends at Central Grammar
taught me to look up,
to wait until the rope swung high,
to wait for the thin shimmering line
to reach its highest arc,
to enter then
and begin to keep the rhythm.
And here I am today.
The school has become a residence for the elders
and, once again,
I am learning to jump in
It’s free and simple to participate. Carry a Poem. Share a Poem.
John Ronan, a poet, playwright, journalist and a National Endowment for the
Arts Fellow in Literature, shares two sonnets: “The Parlor” and “The Lesson.” And the very short, “Arrowhead.”
Arrowhead
The bifacial point, found in a potato
field in Maine, is still sharp,
a Micmac weapon or crafted heart
knapped from the whole cloth of stone.
Flint’s a slap in the face, elegist
relic only as long as you look.
Says: crow shadow and opaque.
Adds: I willexist without witness.
-John J. Ronan
John Ronan served as Gloucester’s Poet Laureate 2008-2010, maintaining the website resource dedicated to Gloucester poets, Gloucester Poet Laureate, and producing Salt and Light: An Anthology of Gloucester Poetry, published spring 2010. He is the host of the Cape Ann TV (now 1623 studios) program, The Writer’s Block. His most recent anthology is Taking the Train of Singularity South from Midtown. He read “We, Helsmen” at Mayor Romeo Theken’s 2018 Inauguration. Ronan helped to establish Poetry without Paper; the 12th annual deadline for this beloved annual tradition is approaching. Gloucester Lyceum & Sawyer Free Libraray childrens services Poetry Without Paper 2018 contest
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“Spring is Here! We are so excited we wet our plants!” Wolf Hill’s clever sign is a hit with a few boys I know! Also a nice new store sign and the fleet’s out — Wolf Hill’s colorful stock of Adirondack chairs are lined up and ready.
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Reminder about the USAF “Airmen of Note” Jazz Band free concert at Gloucester High School 7-9PM tonight. What a great name and special event for any high school, especially Gloucester, home of the Docksiders, great high school and middle school bands, and such rich music talent throughout the community! On this gorgeous spring day, enjoy a past video of the USAF band playing It Might As Well Be Spring (Rodgers and Hammerstein). Read more about the band below. Hope someone takes a picture like that one on the steps here in Gloucester by the Man at the Wheel and on the High School steps 🙂
Black box theater at New England Conservancy “Edward Hopper paintings come to life”
A chamber opera based on the paintings of Edward Hopper about to start !
Music composed by John Musto | Libretto by Mark Campbell
Joshua Major, Stage Director | Robert Tweten, Conductor
Artists: Chelsea Baccay, Rush Dorsett, Julia Dwyer, Alexandra Saori Erickson,Jeongmin Kim, Kaitlin Loeb, Emily Siar, Ana Mora, Whitney Robinson, Corey Dalton Hart, Christopher Remkus, Gregory Sliskovich, Kyle Bejnerowicz, Grant Braider, Corey Gaudreau, Taehwan Kim, Matthew O’Donnell, Seung Yun Kim, Seiyoung Kim, Erin McMullen, Kristen Murdaugh, Yoonjeong Yoo
One more matinee tomorrow-22
New England Conservatory: Plimpton Shattuck Black Box Theatre
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Mark your calendars. Kathy O’Neil shares Cape Ann Forum‘s press release for their next (local) lectures on international issues.
May 6 Sarah Chayes at City Hall
WHY CORRUPTION THREATENS GLOBAL SECURITY: A Cape Ann Forum with Sarah Chayes
In dozens of countries, corruption can no longer be understood as merely the bad deeds of individuals. Rather, it is the operating system of sophisticated networks that cross national boundaries in their drive to maximize returns, and it has gotten to a level that it threatens global security, according to Sarah Chayes, who is speaking at the next Cape Ann Forum at Gloucester City Hall on Sunday, May 6 at 7 pm.
Chayes, author, a former reporter for National Public Radio in Afghanistan and a senior associate in the Democracy and Rule of Law program at the Carnegie Endowment for International Peace, is not only exposing the extent of this problem—she’s advising policymakers on how to combat it. One of her recent studies focused on Honduras, the source of many of the refugees now seeking asylum in the United States.
“The strands of the Honduran kleptocratic network overlap, and personnel is shared among public, private, and criminal network elements. But the three sectors do retain some autonomy, interacting via exchanges of revenues and services,” writes Chayes.
“Revenues are captured at the expense of the environment as well as the people of Honduras, and some of the most resilient opponents of the network’s business model are community groups defending the land. These groups are largely ignored by international donor institutions, the bulk of whose assistance benefits the network.”
Sarah Chayes’s work explores how severe corruption can help prompt such crises as terrorism, revolutions and their violent aftermaths, and environmental degradation. She recently left her position at Carnegie to work on her next book, which will apply this framing to the United States.
Before joining the Carnegie Endowment, Chayes served as special assistant to the top-ranked American military officer, Chairman of the Joint Chiefs of Staff Admiral Mike Mullen. She focused on governance issues, participating in cabinet-level decision-making on Afghanistan, Pakistan, and the Arab Spring, building on the years she reported on the region for NPR.
Chayes says it was “a sense of historic opportunity” that prompted her to end her journalism career in early 2002 and to remain in Afghanistan to help rebuild the country. She chose to settle in the former Taliban heartland, Kandahar where she founded Arghand, a start-up manufacturing cooperative, where men and women working together produce fine skin-care products.
Her first book, The Punishment of Virtue: Inside Afghanistan After the Taliban, was published in 2006. Her most recent book is Thieves of State: Why Corruption Threatens Global Security (2014), Winner of the 2015 Los Angeles Times Book Prize for Current Interest. “I can’t imagine a more important book for our time.” ―Sebastian Junger
This is the Cape Ann Forum’s last major event of the 2017/2018 season, as the organization closes in its 100th presentation since it was formed in 2001, which will be commemorated next September. The May 6 forum will also feature the announcement of the organization’s annual international awareness award to a graduating Gloucester High School senior, which comes with a $500 scholarship.
Sarah Chayes portrait by photographer Kaveh Sardari
May 20th Andrew Bacevich at Gloucester Stage
The Cape Ann Forum is also co-sponsoring a presentation by Andrew Bacevich, a West Point graduate and Vietnam War veteran, at the Gloucester Stage Company, 267 East Main Street, on Sunday, May 20, at 6 p.m. The talk is part of a month-long program on Combat Art—“In War and Afterwards”—curated by Gloucester artist Ken Hruby and organized by the Rocky Neck Cultural Center, which will exhibit the work of combat veterans.
Bacevich is a two-time Forum speaker and a nationally known commentator on international affairs, a professor emeritus at Boston University, and the author of nine books, including The Limits of Power: The End of American Exceptionalism and America’s War for the Greater Middle East: A Military History.
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“Gloucester nature photographer Kim Smith, the keynote speaker at Salem State University’s Earth Days Week, used vivid images of monarch butterflies to describe their lifecycle, importance in ecosystems, and imperiled future due to habitat loss and agricultural chemicals. Smith, who spoke on campus Thursday, April 12, 2018, makes nature films and contibutes to the daily blog Good Morning Gloucester. She also helps communities and individuals build gardens specifically aimed at attracting butterflies, bees and beneficial bugs…”I think compassion for all living creatures is really important,” said Smith. “Right here in our own backyards and beaches we have small winged creatures like monarchs and piping plovers that are struggling to survive…”
Pick up your paper. Lovely to see front page article for Kim, and with a Dawn Upshaw coming to Shalin Liu (tomorrow) notice same day!
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Virginia Demetrios is Virginia Lee Burton’s married name and author credit she used for her work as Folly Cove Designer and founder. Her linocut was curated for the MASSterpiece trail 🙂 from Massachusetts Office of Travel and Tourism (MOTT): https://www.flipsnack.com/eohed/massachusetts-masterpiece-trail.html
Explore them all!
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All are invited to have fun, join in, share ideas for Gloucester’s 400th Anniversary possible celebrations in 2023. A public meeting will be held at City Hall on Saturday, April 28, 2018 from 1-3pm. Can’t attend? Email your input to the 400th steering committee: email gloucester400@gmail.com and check out the 400th Anniversary Facebook page For More Info
“Although Gloucester’s 400th Anniversary is five years away, we know that those years will go by quickly. 400 years deserves a year long celebration in 2023 and a steering committee has been meeting for the last six or seven months to get the process started. Three Captains have been chosen to lead the group: Bruce Tobey, Bob Gillis and Ruth Pino. The Committee is sponsoring a public meeting on Saturday April 28, 2018 in City Hall Auditorium…What should happen during 2023? What would you participate in? What would you miss if it didn’t happen?”
With so much advance notice, it’s fun to ruminate. Three words come quickly to mind for one idea: Virginia Lee Burton. Burton was one of the most influential children’s book author-illustrators of the 20th century and Folly Cove textile designer and founder. She received the Caldecott medal in 1943 for The Little House. Whether for the 400th Anniversary or not, I hope one day that there are tribute commissions for Virginia Lee Burton’s beloved characters Katy from Katy and the Big Snow and Mary Ann from Mike Mulligan and His Steam Shovel at Stage Fort playground. Life Story and Song of Robin Hood were also informed by landscape and her life in Gloucester. (The Burton tributes could be massive, interactive and accessible bronze sculptures. Tom Otterness commissions were completed at this scale. Why not Burton? They don’t have to be. Also bring back the monumental sea serpent and the big truck. These memorable imaginative expressions were wood in the past and maintained for years. Perhaps they could be recreated with modern decking materials. And add in Burton’s Little House! )
Archives
Gloucester has a history of producing major anniversary celebrations which makes looking back through archives* inspiring for future plans. Here are a few I’ve pulled:
*digitizing Gloucester Daily Times and Gloucester’s municipal archives is another oft repeated plea of mine and others–am sending that one along to a 400th dream wish list…
August 16, 1942– the city’s second (!) Tercentenary Celebration.
1923 Fighting for public art – the Fisherman at the Wheel memorial commission
On May 21, 1923, the Gloucester Daily Times published an article about the appropriations and planning for the city’s 300th Anniversary which is remarkable in content and its late date–the celebration was just months away! The idea itself and related costs concerning a public art commission –the one that would become Gloucester’s renowned Fisherman at the Wheel Memorial– were hammered out at a heated City Council meeting. Here’s the nearly complete transcription:
COUNCIL RECONSIDERS AND VOTES $5000 TO CELEBRATION: Equal Amount Will Be Reserved for Permanent Memorial Fund–Executive Committee Held Prolonged and Animated Session Saturday Evening. May 21, 1923 (*note ______ indicates illegible copy)
After three hours of discussion and a conference of the municipal council behind closed doors lasting about three-quarters of an hour on Saturday evening, it was voted to reconsider their action whereby the $10,000 appropriated for the anniversary committee should be alloted for a permanent memorial and voted for _____ committee to expend a sum not exceeding $5000 for the celebration, and the other $5000 to be used for the creation of a permanent memorial.
The agreement as finally reached is ______________ provide for the dedication in whole or in part of a permanent memorial to be erected and paid for jointly by the _______ city of Gloucester. “The municipal council agrees that a sum of $5000 of the amount appropriated by the city for the celebration will be for the general purposes of the committee if necessary, with the understanding that all expensea for additional police protection incurred by the committee on public safety will be paid for by the anniversary committee. And with the further understanding that the anniversary committee will do all possible to have this sum of money applied to the permanent memorial in addition to the sum reserved ____ by the municipal _____ surplus after the celebration is over, this surplus also to be for the purpose of a permanent memorial.” The meeting opened at 8.15 o’clock, with a reading of the records by Secretary Harold H. Parsons, and following this there came without hesitation_____ ing of the celebration from those present, and for a time, one was reminded of the old town meeting days. ___________ A Piatt Andrew ___________ carnival parade by members of the art colony of the city were accepted and adopted.
Plain Talk by Chairman Barrett- Chairman Barrett then arose and addressed the members present and said: “I sent a communication to the municipal council some time ago to find out just what standing this celebration had with them. The letter I received was not
Erin George, Johanna McEvoy, Joe McEvoy, Caryn Clifford, Sophia Douglas, and Allison Lex are the members of the Action trivia team. John and Patty McCarthy and Jen Beloff were cheering them on.
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The creative response to military service is vast.
Several Gloucester and Cape Ann artists and writers were veterans officially engaged as combat documentarians and/or military artists, like Larry O’Toole (1908-1951), marine artist, official USCG artist and WWII Veteran.
Author and historian Ron Gilson viewing Larry O’Toole murals at O’Maley Innovation School, originally commissioned by Ben Pine ca.1945; after fire and demolition, temporarily relocated to Essex Shipbuilding Museum ; rescued and returned to Gloucester by Raye Norris. When he was a teenager, Gilson helped O’Toole with general art handling-studio assistance such as readying and moving these murals.
Addison Center’s 1866 portrait of Ulysses S. Grant is to the left upon entry in City Hall. (On the right is a 1946 memorial commission by Marguerite Pearson to 5 WWII marines: Sherman B Ruth, Ralph Greely, Wilfred Ringer, John M. Sweet, and Robert M. Maguire.)
Others created art in response to their service experience like fine artist, Robert Stephenson (1935-2013).
Artists-veterans throughout Cape Ann. Bradley Smith, poet, veteran
NEXT MONTH, Rocky Neck Cultural Center will present a visual arts group exhibition featuring artists who are currently active or served in the military curated by fine artist and veteran Ken Hruby:
IN WAR AND AFTER: The Art of Combat Veterans, Curated by Ken Hruby May 17 – June 24, 2018
Courtesy photos credit info and press release below from Rocky Neck.
Mourning the Loss of a Comrade, GySgt Michael Fay, USMCR- Served in Kuwait, Iraq, Afghanistan
Walking in Two Worlds, US Army Signals Linguist Cara Myhre, Served in Iraq, Afghanistan
Haunting Memories, Lt. Col. Deveon Sudduth, US Army, Served in Iraq
Ready for Ga Noi, Sgt. Robert Louis Williams, USMC, Combat Artist, Served in Vietnam
Woman Marine, GySgt Michael Fay, USMCR, Served in Kuwait, Iraq, Afghanistan
Through The Elephant Grass, Sgt. Robert Louis Williams, USMC, Combat Artist, Served in Vietnam
PRESS RELEASE – “The Rocky Neck Art Colony (RNAC) proudly presents “IN WAR AND AFTER: The Art of Combat Veterans”, a multi-media, juried exhibition of over sixty works by more than thirty combat artists from the military services and by veterans making art from their experiences in zones of combat…Congressman Seth Moulton of the 6th congressional district of Massachusetts, himself a Marine Corps veteran of four tours in Iraq, states of this exhibition, “The ‘incommunicable experience of war,’ as Oliver Wendel Holmes once described it, indeed often defies explanation by words alone. That veterans can share some of their experience through art can help us all better understand what they went through. And as a veteran myself, who returned to war with a camera after I left the Marines, I know how cathartic art can be for those of us who were there. The work of combat artists is important for civilians as well, to deepen their understanding of the lives of our service men and women, and their families. “In War and After” is an a very important exhibition for both communities.”
Few people are aware that when US military forces go to war, some of them carry, in addition to their weapons, their sketch pads, graphite pencils, watercolor brushes and cameras. These are combat artists, tasked to not only serve the combat mission but to record that mission in ways only an artist can.
Gloucester, MA, and NH artist, Liz Fletcher shares save the date:
“On Saturday, April 28, 2018 the world will join in celebration of sculpture during the 4th annual International Sculpture Day. Artists, organizations and institutions worldwide will celebrate the day with open studios, unveiling public sculptures, sculpture scavenger hunts, pop up exhibitions, demonstrations, iron pours, plus much more.” Bedrock Gardens, “an oasis of art, horticulture, and inspiration”, International Sculpture Day Group Show, Lee, NH
Saturday April 28 – May 8, 2018
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Sunny morning inspection following April 17, 2018 spring storm. DPW crews were racing to assess before the next incoming high tide. Gloucester-Rockport, Mass. Long Beach seawall and stairs were hit hard yesterday including a collapse. “I’ve never seen an aerial bend in the middle before.”
Now in its 16th year (!) Sawyer Free’s annual poetry contest for all students who go to Gloucester schools or live in Gloucester is LIVE. Participants can submit up to 3 poems through April 30, 2018. Some of the previous winning poems are published on the library web site. 201520162017