NY Times good read: Dr. Ruth Saved People’s Sex Lives. Now She Wants to Cure Loneliness.

Do you remember Dr. Ruth? Did you know about her life story? Allison Gilbert’s deft portrait about Dr. Ruth Westheimer’s ongoing professional arc is an eye-opener and memorable read.

“…I still will talk about sexual dysfunction. But I have done that.” She had recently turned 95, and after a long and spirited career as America’s most famous and least likely sex counselor, she was driven by a new challenge…”

Loneliness was on the rise before the pandemic but escalated because of lockdowns and social-distancing requirements.

And Dr. Westheimer felt the effects firsthand.

…Dr. Westheimer insists, however, there was at least one upside to her confinement. She was grounded long enough to recall having written in her childhood diary about feeling lonely. And she had the time to look for it.

She found it.

The diary, started in 1945 when she was 17 and written in her native German and sometimes in Hebrew, recounts in painful detail what it was like for her to grow up in a Swiss children’s home during World War II.

Before her explosive rise to stardom as America’s sex therapist in the 1980s, Dr. Westheimer was born Karola Ruth Siegel to an Orthodox Jewish couple in the German town of Wiesenfeld.

She was 10 years old when she was put on a train to Switzerland, part of the Kindertransport of Jewish children seeking refuge from the Nazis. It was Thursday, Jan. 5, 1939…”

Allison Gilbert. “Dr. Ruth Saved People’s Sex Lives. Now She Wants to Cure Loneliness.” New York Times. Nov. 9, 2023 with portrait images by Gabby Jones. (try article gift link here)

Poetry After Buffalo and Uvalde: Amanda Gorman Hymn for the Hurting 2022 New York Times.Henry Wadsworth Longfellow The Open Window 1849. Public mourning then/now

May beauty in nature, art, family, friends, faith — however one seeks comfort — be found.

HENRY WADSWORTH LONGFELLOW

Longfellow (1807-1882) and Fanny Appleton (1819-1861) had six children. Fanny, their third child, died at 15 months in 1849. I was thinking about this poem this week.

The Open Window.

The old house by the lindens
Stood silent in the shade,
And on the gravelled pathway
The light and shadow played.

I saw the nursery windows
Wide open to the air;
But the faces of the children,
They were no longer there.

The large Newfoundland house-dog
Was standing by the door;
He looked for his little playmates,
Who would return no more.

They walked not under the lindens,
They played not in the hall;
But shadow, and silence, and sadness
Were hanging over all.

The birds sang in the branches,
With sweet, familiar tone;
But the voices of the children
Will be heard in dreams alone!

And the boy that walked beside me,
He could not understand
Why closer in mine, ah ! closer,
I pressed his warm, soft hand !

The Open Window. Seaside and the Fireside published 1849

AMANDA GORMAN

New York Times brilliant op ed selection, Amanda Gorman’s guest column, Hymn for the Hurting, published Saturday edition, May 28, 2022.

calling Mary Oliver, Pablo Neruda

Pablo Neruda

and in the streets the blood of the children ran simply, like children’s blood.”

Pablo Neruda I’m Explaining a few things

salve after salvo

Gloucester author in the field: Deborah Cramer on a shorebird story of the century featured in the New York Times #LetsGoDeveaux

Still from video [Matt Aeberhard and Andy Johnson Cornell Lab of Ornithology] accompanying interactive feature for NY Times [graphics by Gus Wezerek, design by Ana Becker], written by Deborah Cramer

“AFTER THE 2014 DISCOVERY, Ms. Sanders returned to the bank again and again over the next few years. She determined that when twilight and spring’s highest tides coincided, whimbrels began arriving on the island en masse. In May 2019, she assembled a team to count the birds. They began late one afternoon as the sun was setting. Long lines of whimbrels streamed onto Deveaux, the flocks extending as far up the river and south over the ocean as they could see. When darkness halted their work, they still heard the murmuring calls and rustling wings of incoming birds. On a night when a clear sky and a nearly full moon bathed the island in light, they counted 20,000 birds — half of the entire Atlantic population.

To understand why so many whimbrels gather on Deveaux and what makes the island vital to their migration, the scientists needed to know where the birds went during the day and how they used the island at night.’

Deborah Cramer, New York Times
Fantastic interactive journalism featuring shorebird discovery in South Carolina

New York Times article here

Videos accompanying interactive NY Times feature by Matt Aeberhard and Andy Johnson / Cornell Lab of Ornithology

Author Deborah Cramer

Resides and works in Gloucester, Ma.

Visiting Scholar, Environmental Solutions Initiative – MIT

Great Waters: An Atlantic Passage (W.W. Norton)

Smithsonian Ocean: Our Water Our World (Harper Collins/Smithsonian Books)

The Narrow Edge: A Tiny Bird, an Ancient Crab, and an Epic Journey  (Yale University Press) 

  •      National Academy of Sciences Best Book
  •      Society of Environmental Journalists Rachel Carson Book Award
  •      Volando a Orillas del Mar: El viaje épico de un ave playera que une continentes  (Vázquez Mazzini, Buenos Aires)
  •     绝境 (Commercial Press, Beijing)

Powerful journalism: Cornell Laboratory of Ornithology, Univ MT, & NY Times shorebird message soars with supreme digital storytelling

Three years ago (!) almost to the day, Deborah Cramer’s NY Times op ed , “Silent Seashores” was published and her horseshoe crab and Red Knot poetic missive “The Narrow Edge: A Tiny Bird, an Ancient Crab, and an Epic Journey” advanced a global ecological message to the masses. “I hope I never walk beaches empty of sandpipers and plovers. But it is possible that may happen. In the case of some shorebirds, it is increasingly likely. This is why we must commit the money and muscle needed to give these birds safe harbor. If we do, we just might keep our shores teeming with shorebirds.”  Deborah Cramer is a  visiting scholar at M.I.T., and resides in Gloucester.

April 28, 2018

The New York Times, published another mighty call to arms making use of today’s improved visual storytelling tools. “Shorebirds the world’s greatest travelers, face extinction” is breathtaking and devasting digitial photojournalism about shorebird extinction by John W. Fitzpatrick (Director Cornell Laboratory of Ornithology) and Nathan R. Senner (scientist University of Montana). Stuart A Thompson designed the superb interactive graphic element. The indeliable header pulses with a bird on a wire, a “common snipe” it’s captioned, peering, chest beating, and then a sickening struggle. The bird’s caught, and we’re its snipers. Do. Not. Look. Away.

While you’re checking out this NY Times must read on line, think about Gloucester, Deborah Cramer, and Kim Smith. How one person can and continues to make a difference.  Among many other projects, Smith is leading the effort to protect piping plovers at Good Harbor Beach. Let’s support the laws in place to safeguard the natural world. No dogs year round may be easier to remember. Honor system, volunteers, and enforcement (without “teeth” and more funding) are not working. If compassion, art, rules, and legacy aren’t persuasive, there’s always the bottom line. Natural culture all about us is a strategic resource.

Shorebirds New York Times John Fitzpatrick Nathar Senner
Shorebirds the Word’s Greatest Travelers, Face Extinction 

GLOUCESTER STAGE’S “THE EFFECT” IN THE NEW YORK TIMES!

Relaxing on the beach? Dozing by the pool? Not these writers and performers, who are using the warmer months to take some risks, test themselves and expand their talents onstage.

Brad Hall

Over a span of some four decades in which he helped found Chicago’s Practical Theater Company, with an ensemble that included his future wife, Julia Louis-Dreyfus; acted for two seasons on “Saturday Night Live”; created the TV sitcoms “The Single Guy” and “Watching Ellie”; and wrote comedy movies including “Bye Bye Love,” Brad Hall says he has few career regrets.

“That’s because I have a selective memory,” Mr. Hall joked in a recent phone interview. A bit more sincerely, he added: “Those regrets that I do have are, exclusively, not doing plays that I wish I had done. So now I decided to say yes when people ask me to do them.”

Among the opportunities that Mr. Hall has embraced in this more receptive mode is the Gloucester Stage Company’s summer production of “The Effect,” by the British playwright Lucy Prebble.

Continue reading the main story

Photo Credit: Cody O’Loughlin for The New York Times

Gloucester foreclosures include one of the 100+ Gloucester MA houses that Edward Hopper painted

Hopper by lees

Edward Hopper, Gloucester Houses, 1923, Whitney Museum of American Art, Josephine N Hopper bequest. You can match the boulders in Hopper’s drawing that the domiciles were built upon; Lee’s Breakfast Restaurant at the far right;  and the stacked granite blocks to the left of #7.

IMG_20170409_063024 (1).jpg

 

IMG_20170409_063056

IMG_20170409_063124 Continue reading “Gloucester foreclosures include one of the 100+ Gloucester MA houses that Edward Hopper painted”

Today’s NY Times: Holland Cotter reviews Stuart Davis art exhibit at the Whitney Museum

Stuart Davis on mural
Stuart Davis, 1939, Sol Horn, photographer. Federal Art Project, Photographic Division collection, Archives of American Art, Smithsonian. 

Pulitzer prize winning critic, Holland Cotter, gives the Stuart Davis (1892-1964) show at the Whitney Museum a mostly glowing review in today’s New York Times. One thing is a given. If the art of American modernist Stuart Davis is mentioned, Gloucester will pop up somewhere in the text.

“Place was important to him, but the modern world was increasingly about movement and he wanted to picture that. A 1931 painting, “New York-Paris No. 2,” put us in both cities simultaneously, with a Hotel de France set against the Third Avenue El.

In the exuberant “Swing Landscape” of 1938, a mural commissioned by the Works Progress Administration for a Brooklyn housing project but never installed, we see bits and pieces of Gloucester — ships, buoys, lobster traps — but basically we’re in a whole new universe of jazzy patterns and blazing colors, a landscape defined not by signs but by sensations: sound, rhythm, friction…”

 

Sometimes big shows bring art to market. Last fall the Stuart Davis 1960 painting Ways and Means, 24 x 32,  sold at auction for $3,189,000 at Christie’s.

2 mil to 3 mil ways and means 1960

the 1940 Composition June Jitterbug Jive for $689,000,

composition june jitterbug live.jpg

and the Autumn Landscape Rockport, 1940, 8 x 12 for $905,000.

30050 500000 stuart davis autumn landscape rockport

Meanwhile, Sotheby’s sold New York Street, 1940, 11 x 16, $490,000.

Screenshot_061016_041341_PM

This month, Sotheby’s sold a 1960 Gloucester harbor scene for $100,000 on  June 9th, and the 1919 “Gloucester” painting measuring 24 x 30 fetched $51,000.

Screenshot_061016_041656_PM

Continue reading “Today’s NY Times: Holland Cotter reviews Stuart Davis art exhibit at the Whitney Museum”

Last word from the most important voice in modern journalism

“The ability to do journalism, to reach audiences, has never been better. I like your odds. I do,” David Carr said, while giving the 2014 commencement address at the University of California, Berkeley, Graduate School of Journalism. Credit Kevin Hume

You may have heard that New York Times columnist and best-selling author, David Carr, died on Thursday (see story here).  His New York Times column The Media Equation was a must read for everyone involved in media (all FOB’s included) and I can honestly say it was one of the only reasons I looked forward Mondays.

Today, the NY Times published an excellent story about David Carr, full of enough wonderful and witty quotes that it has the feeling of being co-written by him.

The story focuses on his teaching at B.U. and even links to the syllabus, which the article says is “… perhaps David’s most succinct prescription for how to thrive in the digital age.”

I highly recommend this article (read it here) especially if you’re snow-bound and looking for something fascinating to entertain you.

FREE Third Annual New York Portfolio Review Competition Sponsored by the New York Times

Len Bugess provides GMG readers the link to the Third Annual New York Portfolio Review here.

Lineup of reviewers this year includes:

  • Felicia Anastasia, founder, Anastasia Photo
  • Rocio Aranda-Alvarado, curator, El Museo del Barrio
  • Elizabeth Avedon, correspondent, L’Oeil de la Photographie
  • Sam Barzilay, creative director, United Photo Industries and Photoville
  • Nina Berman, photojournalist, Noor
  • Clinton Cargill, director of photography, Bloomberg Businessweek
  • Pamela Chen, editorial director, Instagram
  • Stacey Clarkson, art director, Harper’s
  • Sean Corcoran, curator of photographs, Museum of the City of New York
  • Tanner Curtis, national photo editor, The New York Times
  • Barbara Davidson, staff photographer, Los Angeles Times
  • Jessica Dimson, national photo editor, The New York Times
  • Marion Durand, photo editor, Medium
  • James Estrin, co-editor, Lens blog
  • Liza Faktor, co-founder, Screen
  • Michael Famighetti, editor, Aperture
  • Elizabeth Ferrer, director of contemporary art, BRIC
  • Beth Flynn, deputy editor of photography, The New York Times
  • Michael Foley, owner, Foley Gallery
  • Angel Franco, photojournalist, The New York Times
  • Ruth Fremson, photojournalist, The New York Times
  • David Furst, international picture editor, The New York Times
  • Genevieve Fussell, photo editor, The New Yorker
  • Alice Gabriner, senior photo editor, Time magazine
  • Lucy Gallun, assistant curator in the department of photography, Museum of Modern Art
  • Greg Garry, photo director, Out magazine
  • Alessia Glaviano, senior photo editor, Vogue Italia
  • Lea Golis, contributing photo editor, Vanity Fair
  • MaryAnne Golon, assistant managing editor and director of photography, The Washington Post
  • David Gonzalez, co-editor, Lens blog
  • Angela Hala, photo editor, Stern
  • Josh Haner, senior editor for photo technology, The New York Times
  • Eric Himmel, vice president and editor in chief, Abrams Books
  • Lisa Hostetler, curator in charge, department of photography, Eastman House Museum
  • Pam Huling, chief operating officer, Blue Chalk
  • W.M. Hunt, independent curator/collector, Dancing Bear
  • Michael Kamber, founder, BDC
  • Steve Kasher, owner, Steven Kasher
  • Amy Kellner, photo editor, The New York Times Magazine
  • Brenda Kenneally, freelance photographer
  • Niko Koppel, metro photo editor, The New York Times
  • Dana Kravis, senior photo editor, Marie Claire
  • Elizabeth Krist, senior photo editor, National Geographic Magazine
  • Pat Lanza, director, talent and content, Annenberg Space for Photography
  • Adrees Latif, editor in charge, Thomson Reuters
  • Olivier Laurent, editor, Time LightBox
  • Becky Lebowitz, sports photo editor, The New York Times
  • Sacha Lecca, deputy photo editor, Rolling Stone
  • Sarah Leen, director of photography, National Geographic Magazine
  • Jean-Francois Leroy, founder and general manager, Visa Pour l’Image
  • Adriana Letorney, co-founder, Foto Visura
  • Graham Letorney, co-founder, Foto Visura
  • Meaghan Looram, deputy editor of photography, The New York Times
  • Santiago Lyon, vice president and director of photography, The Associated Press
  • Michele McNally, assistant managing editor for photography, The New York Times
  • Andrea Meislin, owner, Andrea Meislin Gallery
  • Paul Moakley, deputy photo editor, Time magazine
  • Azu Nwagbogu , director, Lagos Photo Festival
  • Amy Pereira, director of photography, MSNBC
  • Emma Raynes, director of programs, Magnum Foundation
  • Molly Roberts, chief photography editor, Smithsonian Magazine
  • Kathy Ryan, director of photography, The New York Times Magazine
  • Jeffrey Scales, picture editor of the Sunday Review, The New York Times
  • Ariel Shanberg, executive director, Center for Photography
  • Brad Smith, director of photography, Sports Illustrated
  • Sandra Stevenson, NYT Now photo editor, The New York Times
  • Aidan Sullivan, vice president, Getty Images
  • Mary Virginia Swanson, freelance editor
  • Mikko Takkunen, associate photo editor, Time.com
  • David Walker, executive editor, Photo District News
  • Vaughn Wallace, deputy photo editor, Al Jazeera
  • Patrick Witty, director of photography, Wired magazine
  • Denise Wolff, senior editor, books, Aperture
  • Jonathan Woods, senior multimedia editor, Time Magazine
  • Yukiko Yamagata, associate director for the Open Society Foundations Documentary Photography Project
  • Amy Yenkin, director, Open Society Foundations Documentary Photography Project
  • Cynthia Young, curator, International Center of Photography
  • Alison Zavos, founder, Feature Shoot

 

Peabody Essex Museum Art Basel New York Times Theo Jansen’s art walk in Miami

Hey Joey,

Coming to theaters December 2015, have you seen the new Star Wars trailer? Museums kindle interest with trailers, too, and there’s one in Miami that may go viral.

This week the art scene is all about Art Basel Miami, the annual contemporary art fair juggernaut. With so many international artists, galleries, exhibits and events, it can be difficult to get any coverage at all. The single event the New York Times Magazine featured last weekend to build anticipation for Art Basel Miami was the Peabody Essex Museum prelude for Theo Jansen’s 2015 national tour. The story quickly climbed to the #1 most emailed articles for the NYT magazine. Jansen’s kinetic sculptures are on most media short lists as a must see experience at this year’s Art Basel Miami (e.g. Huffington Post Art Basel to do list)

Trevor PEM

PEM is featuring Dutch artist Theo Jansen at Art Basel Miami to herald the national museum tour for Strandbeests, managed and debuting at the Peabody Essex Museum in the fall of 2015.

Will there be a chance to marvel at these curiosities in our natural world? Will we encounter a herd at Good Harbor, Wingaersheek, or Singing beaches? I’m not sure. These graceful engineered beings seem a good fit for visiting our shores and inspiring wonder. Does anyone remember the Crane’s Beach dune buggy scene from the 1968 Thomas Crown Affair with Steve McQueen and Faye Dunaway?

PEM ranks in the top 10 largest collections in the country and is growing fast. I’m not sure where the Jansen exhibit will be installed within the museum, but I bet connections will be past, present and future all betwixt and between.  I am anticipating and looking forward to the Jansen exhibit calling forth my memories of the dinosaur fossil skeletons and mounted installations. I remember feeling awestruck by the scale of the objects within the spaces and purpose. “That every mariner may possess the History of the World”.

Special congratulations to PEM curator, Trevor Smith, for the Theo Jansen exhibit. On December 5th, he’ll be with Theo Jansen as part of Art Basel Salon discussions. Trevor launched the FreePort contemporary artist commissions at Peabody Essex Museum in 2010. He helped as a juror for the Gloucester HarborWalk Public Art Challenge.

PEM Theo

Boston Globe lists Gloucester Schooner Festival in “10 Ways to Spend Labor Day Weekend in New England”

After this spectacular article in the New York Times a couple of weeks ago, it’s nice to see this piece in the Boston Globe’s travel section listing 10 Ways to Spend Labor Day Weekend in New England.

 

(Hopefully) Dispelling Some Misconceptions About the HarborWalk

Gloucester Harbor Fishing Boat Jolly Roger ©Kim Smith 2014Window to the Working Waterfront ~ View from the HarborWalk

A little-remembered fact is that the HarborWalk artists were chosen from an applicant pool of local Cape Ann artists, as well as non-local residents. The public call to art was made over a period of several months, and it was widely publicized on this blog and in the Gloucester Daily Times. As a matter of record, myself, several fellow GMG contributors, and many artists in our community applied. The application process was made fair through the CAFE system. The semi-finalists exhibited their proposals at the Sawyer Free Library.

The following are just some of the posts that appeared on Good Morning Gloucester about the HarborWalk public call to art:

Announcing Opening Call for Gloucester MA HarborWalk Public Art Challenge

Joey’s step-by-step on how to apply: Public Art Call

E.J’s reminder: Artist Get Cracking – You Have Three Weeks

The GMG post about the semi-finalist group exhibit at the Sawyer Free Library.

It is my understanding that with a public call to art, where the funding is provided by a state grant, it is illegal to restrict the call to only local residents.

Whether or not you care for the artist’s work, is a horse of a different color and subjective opinion. The three winning artists were chosen by a jury of their peers, comprised of a panel that included local residents.

gloucester-summer-cinema-2-c2a9kim-smith-2014Did you know that the new and fabulously well-attended Summer Cinema is part of the award winning HarborWalk? There were over one thousand attendees at Wednesday night’s Leggo Movie event. Movie night has been the talk of the town amongst kids throughout the city!

i4-c2-gloucester-harborwalk-garden-c2a9-kim-smith-2012

Before Photos ~ Same View as Above, Looking Towards the Gloucester House Restaurant and Taken in 2011

i4-c2-gloucester-harborwalk-garden-2-c2a9-kim-smith

Have you walked one of the new crosswalks? I did, and didn’t slip or fall, and I am quite possibly one of the most accident prone people you will every meet–just ask my husband. Rather than repeating hearsay, I suggest you walk one yourself.

Do you recall the trash talk about Boston’s Rose Kennedy Greenway when it was first built (inaugurated in 2008)? The idea of a carousel has been bandied about for the HarborWalk. Here’s Nicole Scrafft’s recent lovely post about how she and her boys spent a fabulous day at the park: Now That’s a Carousel.

Many in our community have freely donated their time and energy to creating the HarborWalk and several people, who would prefer to remain anonymous, have donated thousands upon thousands of hours of their time and considerable skills toward developing the HarborWalk.There are challenges to overcome in every design project. I speak as the landscape designer who provided the horticultural master plan for the HarborWalk. This is only the third year of the HarborWalk’s existence and it is already proving to have a tremendously positive impact on our local businesses and restaurants. Let’s give the HarborWalk a chance to become established, to grow, to thrive, and continue to provide entertainment, education, and fun for our community and visitors.

How will you help? Please contact me if you would like to become a Friend of the HarborWalk, at kimsmithdesigns@hotmail.com or in the comment section of this post.

Read what reporter Glenn Collins had to say about the HarborWalk in the August 13th New York Time’s article titled “Polishing Its Past and Preparing Its Future.”

“This year Massachusetts designated four new cultural districts on Cape Ann, based on their museums, galleries, restaurants, performance spaces and artistic communities. Visitors can now download a free Cape Ann Cultural Districts smartphone app, to access a bonanza of web information and self-guided tours. This summer, 20 new “story posts,” bringing the total to 42, afford a walking encyclopedia of information. They are affixed to granite bollards situated strategically on the route (GHWalk.org).

The posts are part of the Gloucester HarborWalk, a free, multimile, historic, civic and artistic public-access walkway that zigzags in and out of historic locales, piers, plazas, docks and parks. Call it stealth wayfinding, since it affords an intimate view of the harborfront, giving access to the town’s history — and the water itself — without disturbing the working port, or cutesifying it.”

If you have been enjoying the HarborWalk–the Summer Cinema, the story moments, window to the waterfront, and all that it has to offer, please let us know. We would love to hear from you. Thank you!

Don’t miss JAWS!, playing Wednesday, August 27th. I hope to see you there!

i4-c2-gloucester-harborwalk-garden-c2a9-kim-smith-c2a9-kim-smith-photo-2012-copy Gloucester’s I4-C2 in 2011, the year before the HarborWalk was built.

Food For Thought

Don’t Let Your Children Grow Up to Be Farmers

By Bren Smith New York
Times August 9, 2014

Bren Smith is a shellfish and seaweed farmer on Long Island Sound.

NEW HAVEN — AT a farm-to-table dinner recently, I sat huddled in a corner with some other farmers, out of earshot of the foodies happily eating kale and freshly shucked oysters. We were comparing business models and profit margins, and it quickly became clear that all of us were working in the red.
The dirty secret of the food movement is that the much-celebrated small-scale farmer isn’t making a living. After the tools are put away, we head out to second and third jobs to keep our farms afloat. Ninety-one percent of all farm households rely on multiple sources of income. Health care, paying for our kids’ college, preparing for retirement? Not happening. With the overwhelming majority of American farmers operating at a loss — the median farm income was negative $1,453 in 2012 — farmers can barely keep the chickens fed and the lights on.

Others of us rely almost entirely on Department of Agriculture or foundation grants, not retail sales, to generate farm income. And young farmers, unable to afford land, are increasingly forced into neo-feudal relationships, working the fields of wealthy landowners. Little wonder the median age for farmers and ranchers is now 56.

My experience proves the trend. To make ends meet as a farmer over the last decade, I’ve hustled wooden crafts to tourists on the streets of New York, driven lumber trucks, and worked part time for any nonprofit that could stomach the stink of mud on my boots. Laden with college debt and only intermittently able to afford health care, my partner and I have acquired a favorite pastime in our house: dreaming about having kids.

It’s cheaper than the real thing. But what about the thousands of high-priced community-supported agriculture programs and farmers’ markets that have sprouted up around the country? Nope. These new venues were promising when they proliferated over a decade ago, but now, with so many programs to choose from, there is increasing pressure for farmers to reduce prices in cities like my hometown, New Haven. And while weekend farmers’ markets remain precious community spaces, sales volumes are often too low to translate into living wages for your much-loved small-scale farmer.

Especially in urban areas, supporting your local farmer may actually mean buying produce from former hedge fund managers or tax lawyers who have quit the rat race to get some dirt under their fingernails. We call it hobby farming, where recreational “farms” are allowed to sell their products at the same farmers’ markets as commercial farms. It’s all about property taxes, not food production. As Forbes magazine suggested to its readers in its 2012 Investment Guide, now is the time to “farm like a billionaire,” because even a small amount of retail sales — as low as $500 a year in New Jersey — allows landowners to harvest more tax breaks than tomatoes.

On top of that, we’re now competing with nonprofit farms. Released from the yoke of profit, farms like Growing Power in Milwaukee and Stone Barns in Pocantico Hills, N.Y., are doing some of the most innovative work in the farming sector, but neither is subject to the iron heel of the free market. Growing Power alone received over $6.8 million in grants over the last five years, and its produce is now available in Walgreens stores. Stone Barns was started with a $30 million grant from David Rockefeller. How’s a young farmer to compete with that?

As one grower told me, “When these nonprofit farms want a new tractor, they ask the board of directors, but we have to go begging to the bank.”

READ THE COMPLETE ARTICLE HERE

In Case Anyone Missed The New York Times Article On Cape Ann…

image

Hi Joey,
You probably saw this but just in case ! Do we love Cape Ann or what! Alice Gardner

Polishing Its Past and Preparing Its Future

AUG. 13, 2014

    Here’s the link-
    http://www.nytimes.com/2014/08/17/travel/polishing-its-past-and-preparing-its-future.html?ref=travel&_r=1

    The One Country Where Bookstores are Not Crashing and Burning, and Why

    Very interesting article from the New York Times, Sunday June 20th.

    By Elaine Sciolino

    The French Still Flock to Bookstores

    PARIS — The French, as usual, insist on being different. As independent bookstores crash and burn in the United States and Britain, the book market in France is doing just fine. France boasts 2,500 bookstores, and for every neighborhood bookstore that closes, another seems to open. From 2003 to 2011 book sales in France increased by 6.5 percent.

    Read the complete article here.

    I especially wanted to share the conclusion of the article with GMG readers. What a great idea!

    A 59-page study by the Culture Ministry in March made recommendations to delay the decline of print sales, including limiting rent increases for bookstores, emergency funds for booksellers from the book industry and increased cooperation between the industry and government.

    “Running a bookstore is a combat sport,” the report concluded.

    One tiny operation determined to preserve the printed book is Circul’livre.

    On the third Sunday of every month this organization takes over a corner of the Rue des Martyrs south of Montmartre. A small band of retirees classify used books by subject and display them in open crates.

    The books are not for sale. Customers just take as many books as they want as long as they adhere to an informal code of honor neither to sell nor destroy their bounty. They are encouraged to drop off their old books, a system that keeps the stock replenished.

    “Books are living things,” said Andrée Le Faou, one of the volunteer organizers, as she hawked a three-volume biography of Henri IV. “They need to be respected, to be loved. We are giving them many lives.”

    LIVRES-popup

    HOT HOMEMADE PIZZA TIP!!!

    Back in September I posted about a trip to visit my daughter in Brooklyn, and the extraordinary pizza place that she loves to go to, Roberta’s. Recently, the New York Times’s Sam Sifton wrote an article all about Roberta’s fabulous pizza titled “A Little Pizza Homework!!” 

    Whether you are a lover of thin crust or thick crust pizza, I urge you give this recipe a whirl. Even though we don’t have a fancy wood-fired oven, the Margherita pizza was out-of-this-world delicious. On a good night, Robertas makes 25oo pizzas, and it’s no wonder when Roberta’s pizza czar Anthony Falco, thinks of the dough as his “baby.”

    Sam Sifton writes, “Watching Mr. Falco encourage a mound of dough to become a pizza is entrancing. He starts with his fingertips, spreading the dough out from its center, gently, on a well-floured surface.

    “It’s a living thing,” he said of the dough. “It’s your baby. You don’t want to beat it up.” He pushed down gently around the pie’s perimeter, creating the edge. He picked up the dough and lightly passed it back and forth between his palms, rotating it each time, using gravity to help it stretch. The top remained the top. The bottom remained the bottom. At approximately 12 inches in diameter, Mr. Falco called it ready to go. He slid the round back and forth on the floured surface to make sure it didn’t stick. “That is certified for topping,” he said.”

    Find the fabulous Roberta’s Pizza Dough Recipe click here.

    For video and complete article click here: Watch Anthony Falco Make Roberta’s Pizza Dough

    Roberta’s Pizza Margherita Recipe here

     

    Monarch Butterflies in Crisis

    Monarch Butterfly Overwintering Graph Journey NorthEach winter, since I began photographing the Monarchs in 2006, I compare this graph from Journey North to the number of butterflies observed on Cape Ann. As you can clearly see, this is the worst year on record, which corresponds to the near complete lack of Monarchs in our region this past summer.

    Monarchs Gloucester 2012 �Kim Smith
    Monarch Butterflies Eastern Point Gloucester

    Many thanks to Kathy Chapman and our GMG Readers for forwarding the following New York Times update about the shrinking Monarch Butterfly popluation.

    By Michael Wines

    January 29, 2014

    Faltering under extreme weather and vanishing habitats, the yearly winter migration of monarch butterflies to a handful of forested Mexican mountains dwindled precipitously in December, continuing what scientists said was an increasingly alarming decline.

    The migrating population has become so small — perhaps 35 million, experts guess — that the prospects of its rebounding to levels seen even five years ago are diminishing. At worst, scientists said, a migration widely called one of the world’s great natural spectacles is in danger of effectively vanishing.

    The Mexican government and the World Wildlife Fund said at a news conference on Wednesday that the span of forest inhabited by the overwintering monarchs shrank last month to a bare 1.65 acres — the equivalent of about one and a quarter football fields. Not only was that a record low, but it was just 56 percent of last year’s total, which was itself a record low.

    At their peak in 1996, the monarchs occupied nearly 45 acres of forest.

    The acreage covered by monarchs, which has been surveyed annually since 1993, is a rough proxy for the actual number of butterflies that survive the arduous migration to and from the mountains.

    Karen S. Oberhauser, a conservation biologist at the University of Minnesota who has studied monarchs for decades, called the latest estimate shocking.

    “This is the third straight year of steep declines, which I think is really scary,” she said. “This phenomenon — both the phenomenon of their migration and the phenomenon of so many individuals doing it — that’s at risk.”

    Continue Reading Here

    Setting the Table for a Regal Butterfly Comeback, With Milkweed

    Monarch Caterpillar Milkweed ©Kim Smith 2013Monarch Caterpillar Eating Common Milkweed (Asclepias syriaca) Foliage

    Thank you GMG readers and Monarch Butterfly friends for forwarding the following article from the NY Times!

    By Michael Wines

    Published December 20th, 2013

    CEDAR FALLS, Iowa — Bounding out of a silver Ford pickup into the single-digit wind-flogged flatness that is Iowa in December, Laura Jackson strode to a thicket of desiccated sticks and plucked a paisley-shaped prize.

    It was a pod that, after a gentle squeeze, burst with chocolate brown buttons: seeds of milkweed, the favored — indeed, the only — food of the monarch butterfly caterpillar.

    Once wild and common, milkweed has diminished as cropland expansion has drastically cut grasslands and conservation lands. Diminished too is the iconic monarch.

    Dr. Jackson, a University of Northern Iowa biologist and director of its Tallgrass Prairie Center, is part of a growing effort to rescue the monarch. Her prairie center not only grows milkweed seeds for the state’s natural resources department, which spreads them in parks and other government lands, but has helped seed thousands of acres statewide with milkweed and other native plants in a broader effort to revive the flora and fauna that once blanketed more than four-fifths of the state.

    Monarch Caterpillar milkweed -2 © Kim Smith 2012Monarch caterpillar hanging from a Marsh Milkweed (Asclepias incarnata) leaf rib, in the characteristic J-shape, readying to pupate.

    Nationwide, organizations are working to increase the monarchs’ flagging numbers. At the University of Minnesota, a coalition of nonprofits and government agencies called Monarch Joint Venture is funding research and conservation efforts. At the University of Kansas, Monarch Watch has enlisted supporters to create nearly 7,450 so-called way stations, milkweed-rich backyards and other feeding and breeding spots along migration routes on the East and West Coasts and the Midwest.

    But it remains an uphill struggle. The number of monarchs that completed the largest and most arduous migration this fall, from the northern United States and Canada to a mountainside forest in Mexico, dropped precipitously, apparently to the lowest level yet recorded. In 2010 at the University of Northern Iowa, a summertime count in some 100 acres of prairie grasses and flowers turned up 176 monarchs; this year, there were 11.

    Read the story here

    The Year the Monarch Didn’t Appear

    Many, many readers have forwarded the following article from the New York Times, “The Year the Monarch Didn’t Appear.” 

    Female Monarch Egg Marsh Milkweed ©Kim Smith 2013JPGFemale Monarch Depositing an Egg

    In the above photo, the female Monarch Butterfly is curling her abdomen around to the underside of the Marsh Milkweed plant. She chooses the most tender foliage toward the top of the plant on which to deposit her eggs.

    Begin New York Times article, published November 22, 2013 ~

    ON the first of November, when Mexicans celebrate a holiday called the Day of the Dead, some also celebrate the millions of monarch butterflies that, without fail, fly to the mountainous fir forests of central Mexico on that day. They are believed to be souls of the dead, returned.

    This year, for or the first time in memory, the monarch butterflies didn’t come, at least not on the Day of the Dead. They began to straggle in a week later than usual, in record-low numbers. Last year’s low of 60 million now seems great compared with the fewer than three million that have shown up so far this year. Some experts fear that the spectacular migration could be near collapse.

    “It does not look good,” said Lincoln P. Brower, a monarch expert at Sweet Briar College.

    It is only the latest bad news about the dramatic decline of insect populations.

    Another insect in serious trouble is the wild bee, which has thousands of species. Nicotine-based pesticides called neonicotinoids are implicated in their decline, but even if they were no longer used, experts say, bees, monarchs and many other species of insect would still be in serious trouble.

    That’s because of another major factor that has not been widely recognized: the precipitous loss of native vegetation across the United States.

    “There’s no question that the loss of habitat is huge,” said Douglas Tallamy, a professor of entomology at the University of Delaware, who has long warned of the perils of disappearing insects. “We notice the monarch and bees because they are iconic insects,” he said. “But what do you think is happening to everything else?”

    A big part of it is the way the United States farms. As the price of corn has soared in recent years, driven by federal subsidies for biofuels, farmers have expanded their fields. That has meant plowing every scrap of earth that can grow a corn plant, including millions of acres of land once reserved in a federal program for conservation purposes.

    Another major cause is farming with Roundup, a herbicide that kills virtually all plants except crops that are genetically modified to survive it.

    As a result, millions of acres of native plants, especially milkweed, an important source of nectar for many species, and vital for monarch butterfly larvae, have been wiped out. One study showed that Iowa has lost almost 60 percent of its milkweed, and another found 90 percent was gone. “The agricultural landscape has been sterilized,” said Dr. Brower.

    The loss of bugs is no small matter. Insects help stitch together the web of life with essential services, breaking plants down into organic matter, for example, and dispersing seeds. They are a prime source of food for birds. Critically, some 80 percent of our food crops are pollinated by insects, primarily the 4,000 or so species of the flying dust mops called bees. “All of them are in trouble,” said Marla Spivak, a professor of apiculture at the University of Minnesota.

    Farm fields are not the only problem. Around the world people have replaced diverse natural habitat with the biological deserts that are roads, parking lots and bluegrass lawns. Meanwhile, the plants people choose for their yards are appealing for showy colors or shapes, not for their ecological role. Studies show that native oak trees in the mid-Atlantic states host as many as 537 species of caterpillars, which are important food for birds and other insects. Willows come in second with 456 species. Ginkgo, on the other hand, which is not native, supports three species, and zelkova, an exotic plant used to replace elm trees that died from disease, supports none. So the shelves are nearly bare for bugs and birds.

    Native trees are not only grocery stores, but insect pharmacies as well. Trees and other plants have beneficial chemicals essential to the health of bugs. Some monarchs, when afflicted with parasites, seek out more toxic types of milkweed because they kill the parasites. Bees use medicinal resins from aspen and willow trees that are antifungal, antimicrobial and antiviral, to line their nests and to fight infection and diseases. “Bees scrape off the resins from the leaves, which is kind of awesome, stick them on their back legs and take them home,” said Dr. Spivak.

    Besides pesticides and lack of habitat, the other big problem bees face is disease. But these problems are not separate. “Say you have a bee with viruses,” and they are run-down, Dr. Spivak said. “And they are in a food desert and have to fly a long distance, and when you find food it has complicated neurotoxins and the immune system just goes ‘uh-uh.’ Or they become disoriented and can’t find their way home. It’s too many stressors all at once.”

    There are numerous organizations and individuals dedicated to rebuilding native plant communities one sterile lawn and farm field at a time. Dr. Tallamy, a longtime evangelizer for native plants, and the author of one of the movement’s manuals, “Bringing Nature Home,” says it’s a cause everyone with a garden or yard can serve. And he says it needs to happen quickly to slow down the worsening crisis in biodiversity.

    When the Florida Department of Transportation last year mowed down roadside wildflowers where monarch butterflies fed on their epic migratory journey, “there was a huge outcry,” said Eleanor Dietrich, a wildflower activist in Florida. So much so, transportation officials created a new policy that left critical insect habitat un-mowed.

    That means reversing the hegemony of chemically green lawns. “If you’ve got just lawn grass, you’ve got nothing,” said Mace Vaughan of the Xerces Society, a leading organization in insect conservation. “But as soon as you create a front yard wildflower meadow you go from an occasional honeybee to a lawn that might be full of 20 or 30 species of bees and butterflies and monarchs.”

    First and foremost, said Dr. Tallamy, a home for bugs is a matter of food security. “If the bees were to truly disappear, we would lose 80 percent of the plants,” he said. “That is not an option. That’s a huge problem for mankind.”

    Jim Robbins is a frequent contributor to The New York Times and the author of “The Man Who Planted Trees.”
     *  *  *

    My note about milkweeds ~

    Common Milkweed (Asclepias syriaca) is the milkweed we see most typically growing in our dunes, meadows, roadsides, and fields. It grows quickly and spreads vigorously by underground runners. This is a great plant if you have an area of your garden that you want to devote entirely to milkweed. It prefers full sun, will tolerate some shade, and will grow in nearly any type of soil. The flowers are dusty mauve pink and have a wonderful honey-hay sweet scent.

    Marsh Milkweed (Aclepias incarnata) is more commonly found in marshy areas, but it grows beautifully in gardens. It does not care for dry conditions. These plants are very well-behaved and are more clump forming, rather than spreading by underground roots. The flowers are typically a brighter pink than Common Milkweed.

    New York Times puts Gloucester’s big debate on the front page

    from the New York Times story: “The harbor in Gloucester, Mass., part of the Northeastern fishery declared a disaster by the Commerce Department last fall.”
    photo: Gretchen Ertl for The New York Times

    The home page of today’s New York Times website features a story on Gloucester’s big debate about what to do with our waterfront (see story here).

    Mayor Kirk is quoted a number of times promoting her vision of our port supporting both fishing and marine science, saying some of the $150 million Congress might appropriate should be used for “Programs that might attract those other uses that allow you to maintain a smaller fleet, and maintain an infrastructure for that fleet, and sit side by side.”

    Everybody who’s seriously working on attracting marine science to Gloucester knows we need more than a port.  We also need a thriving cultural economy in order to attract the workers that power marine science.  Most of these workers are young, single PhDs who work very long hours and want to go out after work — and on weekends — for food, drink and music.  They want to feel surrounded by culture.  These people think they want to live in Cambridge.  What they may not know is that Gloucester has a burgeoning cultural economy.  Just look at all the live music available this weekend — and it’s supposed to be the dead of winter!

    We’ve got momentum.  But in order to grow a sustainable economy for Gloucester’s long-term, we have to grow our cultural economy a lot more.  That’s where you come in.  Think of Gloucester FIRST when planning what to do at night and on weekends.  Not sure where to eat?  Check out this HUGE list of restaurants.  Check the live music schedule.  You’ll likely find music for every taste.  Want to enrich your life and the lives of your kids?  Check out this impressive list of galleries, studios, museums, theatres, etc.  Think you need to drive to the mall?  STOP!  Check this out and think again.

    The secret to growing our cultural economy without losing our soul is to honor our past and embrace our future.  That’s precisely what Fred Bodin does.  His store honors our past by helping to keep the core of our history and culture alive.  And now, he’s taken to filming the future.  Here he is filming Jon Butcher with Dave Brown, Dave Mattacks and Wolf Ginandes at Jalapenos on Tuesday singing Sam Cooke’s classic Change is Gonna Come — how perfect it that!  Boston rock star Jon Butcher moved to Gloucester.  Let’s get out and support his decision, prove him right, boost our cultural economy and — most importantly — have a blast doing it!