
motif Monday photo: view across the marsh at the back of Good Harbor Beach

photo: portrait of David Cox at MFA, Boston, Rothko exhibition 2018
photos same morning, minus Rothko effects: sunrise motif with signs; when even the parking lot…
My View of Life on the Dock

motif Monday photo: view across the marsh at the back of Good Harbor Beach

photo: portrait of David Cox at MFA, Boston, Rothko exhibition 2018
photos same morning, minus Rothko effects: sunrise motif with signs; when even the parking lot…


OPENS at Noon!
Discover nautical themed finds – maritime lamps, tableware, books, dishes, Folly Cove prints, jewelry

Main Street Arts & Antiques updates on Facebook and Instagram- check them out!



David Cox, proprietor and photographer holding a photograph ca.1923 by his father Frank Cox- not for sale!

This sale reminded me about my first set of dishes, purchased for my first apartment after college, dinnerware once commissioned for an ocean liner, unearthed at Main Street Arts & Antiques. Main Street Arts & Antiques has been that way ever since– there is always something to discover! What have you found?
Beyond nautical: Selection of floral themed tableware (buttercup, dog wood), lovely linens, table accessories this January 2021
Cheery blooms in winter: Imagine a Princess Bride themed movie night featuring these beautiful buttercup dishes NOW – until they can shine for outdoor safe distancing garden parties and future covid-19 free soirees.




Covid-19 precautions in place.


take 2(Coming soon…Archie’s picks 🐶🐶!~ And before/after photos of a new jewelry and collector bag display by Kim)


(Coming soon…Archie’s picks 🐶🐶!~ And before/after photos of a new jewelry and collector bag display by Kim)

Congratulations to Jamie McDonald, aka Adventureman, for his momentous, inspiring solo-run achievement across America~ And to his team! Little kids in the crowd sported red capes. GMG photographers are out in full force so great coverage will be coming like it’s St. Peter’s Fiesta.
Aerial no filter straight up phone video from rooftops across Gloucester Harbor. It was heartwarming to hear voices carry — from this height and battling wind–, to see the crowd stream past, pause by the Leonard Craske FisherMan at the Wheel memorial, then off to Pavilion beach by Beauport Hotel (site of former Birdseye factory) so Jamie could touch the water and conclude his generous journey.

David Cox in position

Who says you can’t mix work and pleasure?

If you missed the Dogtown Books Grand Re-Opening Celebration and sale, David Cox coverage is coming soon. New owners Caroline and Lucas worked wonders readying Dogtown Books. Do stop by!
“M” shelf snapshot –





Sharing press release from Mary Ellen Lepionka and Bill Remsen followed by a selection of visual arts, maps, and writing spotlighting Dogtown (1633-1961) by Catherine Ryan.
Nov 29th, 7PM, Public Meeting
Come to a special public presentation November 29th in Kyrouz Auditorium in Gloucester City Hall, 9 Dale Avenue, at 7pm.
Week of Nov 13
“During the week of November 13 a team of archaeologists from the Public Archaeology Laboratory (PAL) in Providence will be conducting fieldwork in Dogtown. They will begin mapping and describing an area to be nominated to the National Register of Historic Places, a National Park Service program to honor historically significant buildings and landscapes.
What do you think?
“Presenters at City Hall on Nov 29th will include Betsy Friedberg from the Massachusetts Historical Commission, who will explain how the National Register program works and what it does and does not do, and Kristen Heitert from the PAL, who will present an initial plan for defining the boundaries of Dogtown as a National Register District. People attending the meeting will be asked to respond to that plan and to express their views about what makes Dogtown special. What should be the boundaries of the proposed National Register District, and what cultural features should be included in it? What would be the benefits of National Register status, and are there any drawbacks?
Who all is involved?
“The Dogtown archaeological survey is funded through a matching grant from the Massachusetts Historical Commission and the Dusky Foundation and is financed by the City of Gloucester. The Gloucester Historical Commission applied for the grant and is coordinating the project in collaboration with the Rockport Historical Commission. The PAL team will also have the assistance of members of the Dogtown Advisory Committee, the Rockport Rights of Way Committee, the Cape Ann Trail Stewards, and the Friends of Dogtown.”
– Dogtown is eligible for the National Register. Will Gloucester earn another major district designation? Above excerpts from the press release for the Nov 29th event shared by Bill Remsen, local project coordinator, and Mary Ellen Lepionka, co-chair Gloucester Historical Commission, and some Dogtown maps and memorabilia 1633-1961
Prior 2017 Dogtown public forums, lectures and meetings mentioned consideration of controlled burns to clear brush and return some land to a former moors state, with various potential benefits.
from books, and memorabilia I’ve pulled on Dogtown (1634-1961):
From Gloucester 1961 Cape Ann Festival of the Arts booklet

From Gloucester 1954 Festival of the Arts booklet, prepared for the second of the Russel Crouse Prize Play, the Witch of Dogtown, by S. Foster Damon. “Each year it is hoped new plays dealing with the Gloucester or Cape Ann theme will be produced.”


“Dogtown Common, the now deserted hill home of the first settlers who 300 years ago braved the dangers of a hostile and Indian Annisquam, offers both romance and reality. It has remained for Louise Upton Brumback to interpret its clear contrasts, its far spaces, blue skies, white clouds and stiff green pointed cedars. Although the draftsmanship is crude in the extreme, the effect is rare and genuine. The old resident who passes through the gallery will shake his head dubiously at the false color creations of harbor and rock, but accepts this striking and bold visualization of Dogtown Common as the true spirit of Cape Ann…”

Inland among the lonely cedar dells
Of Old Cape Ann, near Gloucester by the Sea,
Still live the Dead–in homes that used to be.
All day in dreamy spells
They tattle low with sounds of tinkling cattle
bells
Or spirit tappings of some hollow tree
And there, all night–out of the
dark–
They bark–and bark…
“Note: From a little volume, by Charles E. Mann, entitled “In the Heart of Cape Ann” Gloucester, Mass., The Proctor Bros. Co), the curious reader may learn more strange, half forgotten facts concerning the old Puritan life of that region. Among its singular New England characters, certain authentic and legendary figures have entered the theme of this poem.
P.M-K. Miami University, Oxford, Ohio. March, 1921
Percy MacKaye (1875–1956) was an American dramatist and poet.
Harvard MacKaye papers: “History note: Percy Wallace MacKaye, author and dramatist, graduated from Harvard in 1897, wrote poetic dramas, operatic libretti, modern masques and spectacles, and was active in promoting community theatre. The collection includes his papers and those of his wife, Marion Homer Morse MacKaye, as well as material relating to the career of his father Steele MacKaye (1842-1894), an American theatrical designer, actor, dramatist, and inventor. The bulk of the collection consists of material pertaining to community drama; correspondence with literary and theatrical figures including Edgar Lee Masters, Edwin Arlington Robinson, George Pierce Baker, Theodore Dreiser, Amy Lowell, Upton Sinclair, Edward Gordon Craig, Louis Untermeyer and Thornton Wilder.”
Dartmouth: The MacKaye Family Papers “contain materials documenting the life and career of four generations of the family. They include a large amount of personal and professional correspondence as well as original manuscripts and typescripts of plays, prose, masques, pageants, poetry, essays and articles. Of note are manuscript materials for Benton MacKaye’s works on geotechnics entitled “Geotechnics of North America,” and “From Geography to Geotechnics,” as well as Percy MacKaye’s biography and works on his father Steele MacKaye and the MacKaye family, entitled respectively, “Epoch,” and “Annals of an Era.”
(Gloucester, Dogtown Common, is not on the MacKaye Wikipedia page)
Business owner, photographer, author Frank L Cox devoted 7 pages and 4 photographs to illustrate the Dogtown and Its Story chapter


“Just to the left of the road at the top of Gee Avenue is one of the most celebrated ceallar in Dogtown. It is that of John Morgan Stanwood, who was mistakenly made famous by a poem by Hiram Rich, published in the Atlantic…”






“Three miles inland, as I remember, we found the hearthstones of a vanished settlement; then we passed a swamp with cardinal flowers; then a cathedral of noble pines, topped with crow’s-nests. If we had not gone astray by this time, we presently emerged on Dogtown Common, an elevated table-land, over spread with great boulders as with houses, and encircled with a girdle of green woods and an outer girdle of blue sea. I know of nothing more wild than that gray waste of boulders..”
Dogtown, Cape Ann, described in Footpaths chapter Oldport Days
on clearing land…
In 1855, Henry David Thoreau wrote in his journal: “I am [reading] William Wood’s “New England’s Prospect”… William Wood New Englands Prospect was originally published in 1634 in London. Here is a Wood excerpt concerning burning brush to clear land, a historical antecedent (and apt surname) to keep in mind when considering stewardship 2017 and beyond.
…The next commodity the land affords is good store of woods, and that not only such as may be needful for fuel but likewise for the building of ships and houses and mills and all manner of water-work about which wood is needful. The timber of the country grows straight and tall, some trees being twenty, some thirty foot high, before they spread forth their branches; generally the trees be not very thick, though there may be many that will serve for mill posts, some being three foot and a half over. And whereas it is generally conceived that the woods grow so thick that there is no more clear ground than is hewed out by labor of man, it is nothing so, in many places diverse acres being clear so that one may ride a hunting in most places of the land if he will venture himself for being lost. There is no underwood saving in swamps and low grounds that are wet, in which the English get Osiers and Hasles and such small wood as is for their use. Of these swamps, some be ten, some twenty, some thirty miles long, being preserved by the wetness of the soil wherein they grow; for it being the custom of the Indians to burn the wood in November when the grass is withered and leaves dried, it consumes all the underwood and rubbish which otherwise would overgrow the country, making it unpassable, and spoil their much affected hunting; so that by this means in those places where the Indians inhabit there is scarce a bush or bramble or any cumbersome underwood to be seen in the more champion ground. Small wood, growing in these places where the fire could not come, is preserved. In some places, where the Indians died of the plague some fourteen years ago, is much underwood, as in the midway betwixt Wessaguscus and Plimouth, because it hath not been burned. Certain rivers stopping the fire from coming to clear that place of the country hath made it unuseful and troublesome to travel thorow, in so much that it is called ragged plaine, because it teares and rents the cloathes of them that pass. Now because it may be necessary for mechanical Artificers to know what timber and wood of use is in the Country, I will recite the most useful as followeth*…” *see photos for Wood’s trees list
Thoreau was thinking along these lines, finding god in berries.
“From William Wood’s New England’s Prospect, printed about 1633, it would appear that strawberries were much more abundant and large here before they were impoverished or cornered up by cultivation. “Some,” as he says, “being two inches about, one may gather half a bushel in a forenoon.” They are the first blush of a country, its morning red, a sort of ambrosial food which grows only on Olympian soil.” -Thoreau’s Wild Fruit
“If you look closely you will find blueberry and huckleberry bushes under your feet, though they may be feeble and barren, throughout all our woods, the most persevering Native Americans, ready to shoot up into place and power at the next election among the plants, ready to reclothe the hills when man has laid them bare and feed all kinds of pensioners.”
photos: William Wood’s New Englands Prospect scanned from book in the University of CA collection. “Wonasquam” on map at Cape Ann





“Of their Custom in burning the Country, and the reason thereof”
The Salvages are accustomed to set fire of the Country in all places where they come, and to burne it twice a year: at the Spring, and the fall of the leaf. The reason that moves them to do so, is because it would other wise be so overgrown with underweeds that it would be all a coppice wood, and the people would not be able in any wise to pass through the Country out of a beaten path…
And this custom of firing the Country is the meanes to make it passable; and by that meanes the trees growe here and there as in our parks: and makes the Country very beautiful and commodious.”


It was a really pretty night for last evening’s special events: the Schooner Festival Mayor’s Reception hosted at Maritime Gloucester and the Main Street Block Party.
Mayor Romeo Theken with Daisy Nell. Mayor Theken holds a new original Sam Parisi painted oar that would be auctioned off later for the Schooner Festival. I heard Senator Tarr but did not hear the results!

The connecting dock between Maritime Gloucester and Solomon Jacobs Park is awesome!

BLOCK PARTY
Stores on Main Street had the Schooner Festival spirit and even some special schooner “sales”.


And there was business at on trend Cape Ann Slime

Main Street Art and Antiques 124 Main St, Phone: (978) 281-1531
I was most delighted to see two Davids





April 12 Swampscott at Gloucester
April 13 Beverly at Gloucester
April 25 Winthrop at Gloucester
April 27 Landmark at Gloucester
May 5 Concord at Gloucester
May 10 Pingree at Gloucester
Look for local summer camp sailing options SailGHS, YMCA, Eastern Point Yacht Club, Rockport and Annisquam!
David Cox racing photos Main Street Art and Antiques


Read dishy brief updates from downtown, marketing opportunities from MOTT, and trending topics from across the state. The arts scene in Gloucester and Cape Ann has so much going on and sets such a high, high bar for the state. We needed a calendar and GMG did it! Reminder: If organizations want to be featured on the essential GMG calendar and weekly arts round-up, they should email their listings to James Eves! Triple check the calendar before planning any major scheduling dates.
*= Founding Partner Yellow = NEW partner March 2017 Bold blue= updates

Cape Ann Museum docent Margaret Bernier spoke about Honor Moore’s biography of Margarett Sargent, Moore’s Grandmother. The Cape Ann Museum Book Group is reading The White Blackbird: A Life of the Painter Margarett Sargent. Sargent’s painting Women and Mirror was acquired by the museum in 2002 and is on current temporary display to coincide with the book group and women’s history month. A beautiful Nell Blaine, a diptych by Pat Lowery Collins and two works by Juni VanDyke are also featured. Contact Kate Bibeau to learn more about the book group and other special events like the museum’s second recent on line photo competition, At the Water’s Edge, deadline April 30.








“This Saturday morning forum is offered in collaboration with Essex County Greenbelt, Friends of Dogtown, Lanesville Community Center and Mass Audubon and held at Cape Ann Museum. The forum will be moderated by Ed Becker, President of the Essex County Greenbelt Association.”
UPDATE: Cape Ann TV is scheduled to film the event!


Chris Leahy gave a presentation at Gloucester Lyceum & Sawyer Free Library on February 23, 2017: Dogtown- the Biography of a Landscape: 750 Million Years Ago to the Present
A photographic history through slides presented by the Gloucester Lyceum and the Friends of the Library. Mary Weissblum opened the program.
Chris broadly covered the history of the local landscape from an ecological bent with a bias to birds and blueberry picking, naturally. New England is a patchwork of forested landscapes. He stressed the evolution of bio diversity and succession phenomenon when the earth and climate change. “Nature takes a lot of courses.” He focused on Dogtown, “a very special place”, and possible merits of land stewardship geared at fostering greater biodiversity. Perhaps some of the core acres could be coaxed to grasslands as when parts of Gloucester were described as moors? Characteristic wildlife, butterflies, and birds no longer present may swing back. There were many philosophical takeaways and tips: he recommends visiting the dioramas “Changes in New England Landscape” display at Harvard Forest HQ in Petersham.
“Isolation of islands is a main driver of evolution”
“Broad Meadow Brook Wildlife Sanctuary in Worcester has the highest concentration* of native butterflies in all of Massachusetts because of secondary habitats.” *of Mass Audubon’s c.40,000 acres of wildlife sanctuaries statewide. “The fact that Brook Meadow Brook is in greater Worcester, rather than a forested wilderness, underscores the value of secondary habitats.”
“1830– roughly the time of Thoreau (1817-1862)– was the maximum period of clearing thus the heyday for grasslands…As farmsteads were abandoned, stages of forests return.”
Below are photos from February 23, 2017. I added some images of art inspired by Dogtown. I also pulled out a photograph by Frank L Cox, David Cox’s father, of Gallery on the Moors (then) compared with a photo of mine from 2011 to illustrate how the picturesque description wasn’t isolated to Dogtown.





Louise Upton Brumback (1867-1929), Dogtown- Cape Ann, 1920 oil on canvas


David Cox had five older siblings. At the time of David’s graduation photograph, the family of Mr. and Mrs. Frank L. Cox were residing at 853 Washington Street, Gloucester, MA. David’s mom was so beloved 2 families named their daughters after her, and 3 families named their sons after her (her maiden name ‘MacAulay’ as their middle.)

Here is a close up of the GHS photograph for his brother, Norman (“Norm”). Norm gave this print to his friend, Ken. Thankfully it made its way back to the Cox family.

Frank and Norm graduated together from Gloucester High School in 1941; Frank had to make up a missed year recovering from pneumonia. He must have been busy as he was a recognized athlete and Flicker mentions his status in “our rogues gallery”. At this time the Cox family resided at 616 Western Avenue.

We are wondering if anyone has a copy of a cadet formal photograph of the oldest brother and sibling, Frank Cox? Or a copy of the senior photo as seen in the yearbook. Both Frank and Norman were in the Army Air Corp during WWII. Frank was drafted out of the Citadel and was a bombardier flying missions out of England. Norm went to Harvard on a GI bill. After retiring from a long career at Mitre Corp, Norm worked with David at the store. At Gloucester High School, all three Cox brothers were cadets which Albert Bacheler established at the school. David won awards.
Here’s one mention from the papers that David hopes I ditch, which I’d consider however it’s worth repeating for that mention of Albert Bacheler (see Civil War coat) and the brag: “David Cox, a senior cadet from Company E, turned in a brilliant effort last night to take top honors in the 63rd annual Prize Drill and Dance in Albert W. Bacheler Drill hall of Gloucester High School.”

The girls had their own unit, the ‘Girls Drill Team’ which David’s sister and athlete, Theo, won. We don’t know if there were cadet photos for the girls. Louise and Christine were David’s other siblings. David told me that there were 4 special Prize Drill and Dance galas at Gloucester High School each school year. The first was the individual drill competition. The second was the prize squad drill competition. The 3rd dance was the Officers Party. The 4th and final prom was the Sargents Party and for this one the boys wore white jacket cut aways. These scans are from the collection of David Cox. He’s speaking to Nancy Knowles Rossi in one of the photos. Who can you recognize?
What is everyone gathered around in that last photograph?



