This is another photo I’m extremely proud of , after planning and waiting for 10 days during my lunch breaks and after work Iļø finally got the image Iļø wanted.. this was captured all in one shot,, this is not a composite by any means..this image won best in show at the Magnolia Library art show in 2016.
Tag: Art
Pia Juhl & Peter Herbert at Jane Deering Gallery, reception February 10th
Two person February exhibition at Jane Deering Gallery is one to see! See below for more information about the exhibition and the artists fromt the gallery’s press release:
New Work: Peter Herbert & Pia Juhl opens February 2nd at Jane Deering Gallery, 19 Pleasant Street in Gloucester with a reception on Saturday February 10th from 4-6pm.Ā Peter Herbertās series of land and seascapes examines the play of light and color above and below the horizon line.Ā Also included are images inspired by Degasā visit to Saint-Valery-sur-Sommes in the South of France and small works that focus on the glare of early morning light in Annisquam.Ā Pia Juhl writes: āI love to paint landscapes of Cape Ann and presently am concentrating on large-scale subjects.ā Glacial boulders, the marsh land, monolithic stones, the vast interaction of sky and sea ā all of this has captured her eye.Ā She breaks down a scene into its essential colors and shapes, using the brush to āfeelā the paintingās form.Ā Both artists live and work on Cape Ann.Ā This is their first exhibition showing together.Ā Gallery hours: Friday-Sunday 12noon-5:00pm or by appointment by calling 978-283-2263 or 978-257-6608.
Peter Herbert studied at the Brooklyn Museum, the Art Students League of New York, with Brooklyn realist Andrew Reiss, master painter David Levine, and under the mentorship of Gloucester painters Erma Wheeler and Gordon Goetemann. His work has been exhibited at The Crosby Gallery, New York, NY, The Century Association of New York City, the Wenniger Gallery, the North Shore Arts Association, The Sawyer Free Library and in solo and group exhibitions at The Annisquam Exchange Art Gallery and the Annisquam Village Art Show.
Pia Juhl was born in Denmark and after meeting her American husband there, moved to Boston.Ā Early on, Edward Hopper was a great influence.Ā Today, her painting is more intuitive and influenced by Milton Avery, Wolf Kahn and Catalan artist Jaume Muxart. Her work has been exhibited widely on Cape Ann at Flatrocks Gallery, Cove Gallery, Annisquam Exchange Art Gallery and Art in the Barn.Ā She has also shown at Faneuil Hall in Boston and in Harvard MA.Ā
Jane Deering Gallery supports regional artists by offering work and exhibition space during the months January, February, March, April & May
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Last Light
This image was taken in 2015 at Plum Cove Beach just as the sun was setting it’s one of my favorites and really began my journey as an artist showing my work.
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breaking news: JOINT STATEMENT from #BerkshireMuseum and Office of the Attorney General #AGO shuffling to Single Justice of the Supreme Judicial Court
Emily Snyder, spokesperson for the Massachusetts Office of the Attorney General and Carol Bosco Baumann for the Berkshire Museum convey a shared goal:Ā “We are working together to resolve this matter, recognizing our shared responsibility for the collection of the Berkshire Museum and to the community the museum serves. We are committed to helping this museum secure its future.āĀ
Here’s the complete joint status report:
COMMONWEALTH OF MASSACHUSETTS
APPEALS COURT
2017-J-0510
Berkshire County, ss.
_________________________________________
THOMAS ROCKWELL, JARVIS ROCKWELL, PETER ROCKWELL,
TOM PATTI, TOM PATTI DESIGN LLC, JAMES LAMME, DONALD MACGILLIS, JONAS DOVYDENAS, and JEAN ROUSSEAU,
Plaintiffs,
v.
TRUSTEES OF THE BERKSHIRE MUSEUM and MAURA HEALEY, in her capacity as Attorney General of the Commonwealth of Massachusetts, Defendants.
CONSOLIDATED WITHĀ Ā
JAMES HATT, KRISTIN HATT, AND ELIZABETH WEINBERG, individually and derivatively on behalf of the Trustees of the Berkshire Museum, Plaintiffs,
v.
TRUSTEES OF THE BERKSHIRE MUSEUM, et al., Defendants.
_________________________________________________________________________
On Appeal From Berkshire Superior Court
___________________________________________________________________________
Joint Status Report of the Attorney General and Trustees of the Berkshire
Date: 02/05/2018
The Substituted Plaintiff-Appellant Attorney General Maura Healey (āAGOā) and Defendant-Appellee Trustees of the Berkshire Museum (the āMuseumā) submit this joint status report.
The AGO has now concluded its investigation into the decision by the Museum to sell 40 works from its collection. The additional time granted by this Court for the investigation permitted the AGO, with the Museumās cooperation, to undertake additional review of inter alia over 1500 documents and interview further key Museum employees and board members. The AGO believes that the 40 works at issue are subject to restrictions, which the Museum does not believe exist.Ā The AGO and the Museum have agreed to resolve these differences and will file a petition for judicial relief pursuant to the principles of equitable instruction, deviation and/or cy pres with the Single Justice of the Supreme Judicial Court on February 9, 2018 or shortly thereafter. The AGO will support the relief requested by the petition. In addition, the Museum will not sell any of the 40 works until the SJC acts on the petition or until the Berkshire County Superior Court enters final judgment regarding the AGOās complaint in the matter captioned Rockwell et al. v. Trustees of the Berkshire Museum, No. 17-253 (allowing, if the Museum should prevail, for 7 calendar days post-judgment for the AGO to seek further relief pending appeal), should such proceedings again become necessary. The Museum and the AGO intend to file a motion in the trial court requesting that proceedings there be held in abeyance while the aforementioned petition is pending. As a result of these commitments by the Museum, the AGO does not seek any further injunctive relief or stay of Superior Court proceedings at this time.
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#AcornPress in action: Mary Rhinelander demonstrates printmaking at #GloucesterMA O’Maley Middle School, also
the upcoming weekly workshop at Cape Ann Museum that Mary Rhinelander will be teaching is SOLD OUT, again. Look for future offerings.
The very dedicated and talented O’Maley art teacher, Brett Dunton, shares some action shots of fine artist and master printmaker, Mary Rhinelander, guest teaching printmaking with the authentic Acorn press in one of the 8th Grade art classes at O’Maley Innovation Middle school. Note the foot.
Historic portraits sometimes belie the physicality of the process
Wonder if the O’Maley students will try this energetic technique? photograph of Aino Clarke from the Cape Ann Musem Folly Cove collectionĀ Continue reading “#AcornPress in action: Mary Rhinelander demonstrates printmaking at #GloucesterMA O’Maley Middle School, also”
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Super Bowl #MuseumBowl wager @MFABoston vs @philamuseum
The 2018 #SuperBowlĀ LII winner will trigger a museum loan from the losing city’s rival fine arts institution. If the Patriots win, @philamuseum will lend Benjamin Franklin Drawing Electricity from the SkyĀ by Benjamin West. Benjamin Franklin was born in Boston. The MFA would lend Mrs. James Warren (Mercy Otis)Ā by John Singleton Copley, which the MFA modified for #museumbowl twitter trash talk vs Atlanta.
Philadelphia Museum created a video this year.
When the Patriots win the Eagles might feel more like this woodblock print from the MFA famous prints and drawings collection: **Sad** Eagle on a Pine Branch in the Rain, Isoda Koryusai, ca.1770s,Ā Japanese Edo period, Bigelow collection.
On Friday the two museum twitter accounts will throw down. I wonder which works the MFA will modify this year for the trash talk on twitter, maybe their iconic Copley Paul Revere?
The Philadelphia Museum of Art could doctor their Rubens Prometheus… if so one hopes with the logo, not a player. (And one could argue even still that it’s in the Patriots favor as knowledge of foresight for the win, and Prometheus comes out all right in the end.)
Last year the MFA did a great job with the Thomas Sully–but hey what about that eagle installed nearby.
There are a lot of eagles in the MFA collection…Too dark?
What would you pick for the MFA #MuseumBowl?
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Cape Ann Museum teams up with YMCA and MAGMA to promote youth art and sport this February vacation
Within its galleries or on the local road, Cape Ann Museum’s inventive partnering promotes art and projects all children can take part in.
Cape Ann Museum education coordinator, Kirsten Vega, shares special upcoming February programming including two new offerings during school vacation 2018: movement games and art at MAGMA, plus basketeball and art with the YMCA.
Thursday, February 8, 10:30-11:30 am: Young at Art ā Folly Cove Designer Valentines.Ā Bring your toddler to Cape Ann Museum for Young at Art on the second Thursday of each month. During this special Valentineās Day session, weāll explore the Folly Cove Designers exhibit, touch printmaking tools, learn a song with hand motions, and print our own Valentineās Day cards. Recommended for children ages 4 and younger with an adult. Free for members or with Museum admission.Ā
Saturday, February 10, 10:00-12:00 pm: Valentine Workshop with Coco Berkman.Ā Hand print your own animal themed Valentine’s Day cards in printmaker Coco Berkman’s family workshop! Participants leave with a set of cards. Ages 6+ / Free for families. Ā Space is limited; e-mail kirstenvega@capeannmuseum.org for reservations.
Ā February 20 & 21, 1:00-4:00 pm February School Vacation: Letās Move at the Museum!Ā Wednesday, February 21 | 1:00-4:00 pmĀ Play creative movement games with Sarah Slifer Swift of Movement Arts Gloucester (MAGMA) studio and create art that moves.Ā Thursday, February 22Ā Ā | 1:00-4:00 pmWhatās art got to do with basketball? Shoot hoops at the YMCA and create basketball player sculptures inspired by Walker Hancock. Ā
Saturday, February 27: 1:00-1:45pm: Family TourĀ Ā A tour for history detectives of all ages! Discover the story of Cape Ann by taking a closer look at 10 objects from paintings to film. End your tour in the Activity Center with hands-on fun and art-making. Recommended for families with children under 12. Free for CAM members or with Museum admission. Children must be accompanied by an adult.
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That’s a big movie poster! Dead in the Water Cape Ann Museum premiere
from the Cape Ann Museum-Ā Gloucester Screening set for āDead in the Waterā FEB 10
The Cape Ann Museum, in collaboration with the Gloucester Fishermenās Wives Association, Ā is pleased to present āDead in the Waterā, Ā on Saturday, February 10 at 11:00 a.m. and 2:00 p.m. Ā The documentary film dealing with the devastating impacts of federal regulations on the lives of New England ground fishermen was produced and directed by Rockport native and professional filmmaker David Wittkower. A panel discussion with film participants will follow each showing. Tickets are $8 for Museum members and $10 for nonmembers. Reservations can be made at camuseum.eventbrite.com or call (978)283-0455 x10.
Two and a half years in the making, āDead in the Waterā is Wittkowerās fifteenth documentary film. It was shot in different coastal towns and features scenes and interviews with area fishermen, their spouses and other family members; advocates for fishermen; elected officials; and community activists. Ā āThis film opens the doors for the world to see how difficult and dangerous the life of a fisherman is,ā said John Bell, a former three-term mayor of Gloucester (2002 -08). āOn top of that, the impact of misguided federal regulations on fishermen has never been presented as powerfully as it is in āDead in the Water.ā This film packs a real punch. It stays with you long after youāve seen it.ā The film also includes the song, āGloucester Harbor Shoreā by GrammyĀ® Award winner, Paula Cole.
Wittkower, a graduate of the American Film Institute in cinematography, describes āDead in the Waterā as an examination of the ārelentless destruction of the New England ground
Continue reading “That’s a big movie poster! Dead in the Water Cape Ann Museum premiere”
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coming home to sunset and nice news
Thanks Tim McCarthy, Cape Ann Beacon, for this big reminder about the Cape Ann Reads celebration tomorrow, noon to four. Gloucester City Hall is set up and ready for dozens of area artists and writers and their original children’s picture books!
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Gail McCarthy highlights Cape Ann Reads and Cape Ann Art Haven in Gloucester Daily Times
in the news- Gail McCarthy highlights two family fun events in today’s Gloucester Daily Times
Friday – The annual Cape Ann Art Haven buoy auction is tomorrow night at Cruiseport!
Saturday – The upcoming Cape Ann Reads celebration at Gloucester City Hall is Saturday January 27 from noon to four. Gail’s article includes interviews with the four Library Directors and Mayor Romeo Theken. The color photograph that’s reproduced is a stunning drawing by Kim Smith from one of her children’s picture books, Beauty on the Wing.Ā There’s also a photograph from Alice Gardner’s drawing installation at The Book Store for her published bookĀ St. Peter’s Fiesta.Ā Here’s the link to the article and a clever title design:Ā All Booked Up: Community Reception and Fair Celebrate literature and art for Children by Gail McCarthy, Gloucester Daily Times
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Cape Ann Reads celebrates picture books Jan 27 City Hall #GloucesterMA
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New York Times features Edward Hopper #GloucesterMA painting
Ā
Ā
“What was an important early personal acquisition?
“The Hopper painting. Itās called āHodgkinās House.ā I was really nervous about it. It was at the time certainly the most expensive thing by far I had ever bought. It belonged to David Geffen. Itās one of the things thatās skyrocketed in value. There are just so few in private hands.”
Ā
Hodgkin’s House was one of nine Gloucester paintings included in the 1933 Museum of Modern Art Edward Hopper retrospective. The eight other paintings were: Cape Ann Granite,Ā Houses of Squam Light, Haskell’s House, Marty Welch’s House, Adams’s House,Ā Freight Cars at Gloucester, Italian Quarter, and Box Factory Gloucester
Ā Christie’s auction house has released more information about one of the upcoming Rockefeller sales. It includes a good reproduction of Cape Ann Granite.
Read more about Edward Hopper’s Cape Ann Granite in Part 2, Dec. 2017 here
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CATV Cape Ann TV Gloucester Inauguration 2018 video is ready
Cape Ann TV has great news: the Gloucester Inauguration 2018 video is ready for viewing.Ā Erich Archer and Becky Tober remind viewers that the Cape Ann TV “camera system at city hall is still in standard definition and the quality is an issue because of the old equipment. Also, an electrical issueĀ interrupted coverage an hour or so into the recording.”Ā There’s more exciting news from Cape Ann TV: they’re replacing and upgrading all of the City Hall equipment soon.
Besides viewing it on Youtube, you can look for it on Cape Ann TV. It will be playing on CAPE ANN TV Channel 20
Monday January 8 at 6 PM
Tuesday January 9 at 9 AM
Thursday January 11 at 5 PM
Sunday January 14 at 9 PM
gmg post with short video snippets from the first floor
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Reminder! Cape Ann Narratives of Art and other special museum events this January
From the Cape Ann Museum – Entrance to the museum is free in January for Cape Ann residents. Some programs require registering and tickets.
3PM Saturday, January 6 Quick Steps & Ballads prior GMG post
10AM- 12PM Saturday, January 13Ā Ā CAM KIDS LEGO STUDIO. See prior GMG post
3PM Saturday, January 13, 2017Ā Cape Ann Narratives of Art in Life-Ā A Discussion at the Cape Ann Museum
“The Cape Ann Museum is pleased to present Cape Ann Narratives of Art in Life: A Discussion on Saturday, January 13 at 3:00 p.m. Ā This program is free for CAM members and Cape Ann residents or with Museum admission. Reservations are not required. Call (978)283-0455 x10 for more information.
Join Martin Ray and several of the artists featured in his new book Cape Ann Narratives of Art in Life. Rayās work explores the artistic talent that local residents have brought to their occupations. Whether one is a writer or woodworker, pastor or painter, mayor or musician, Ray classifies each as an artist, and celebrates the mastery that is exhibited in his/her craft. Panelists include Anne Deneen, pastor; Nan Webber, theater director; Brian King, musician; and Stephen Bates, musician/sculptor.
During the month of January the Cape Ann Museum opens its doors to all Cape Ann residents, in an effort to encourage membership, but also to bring the greater community into closer contact with their art, history and culture. This program will do just that, shedding light on locals who take pride in their craft with unwavering commitment and dedication. Does pursuing oneās vocation make one an artist? You decide.”Ā Image credit (book cover): Martin Ray, 2017.
10AM -12:15PM, Wednesdays, January 17-February 7, three Wednesdays– print workshop with Mary Rhinelander
Visit the museum event’s page to see the plentiful programming
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Down the lane: Fitz Henry Lane art shuffled from Gloucester Sawyer Free library to Cape Ann Museum
You may have noticed that the Gloucester Lyceum & Sawyer Free Public Library is sporting noticebly thinned out collections, and it’s not just the books. Three Fitz Henry Lane paintings were moved across the street to the Cape Ann Museum: Gloucester Harbor (gifted to the Library by Judith M Todd);Ā Sawyer Homestead Freshwater Cove, Gloucester;Ā and Coasting Schooner off Boon Harbor, ME. Additionally, a portrait of Sawyer and a Bertha Menzler Payton painting are no longer on view.
BEFORE AND AFTER
Gloucester Lyceum & Sawyer Free Public Library installation views-Ā BEFORE (Lanes installed) / AFTER (Lanes removed)
You can click on the photos to read captions. The photo pair below show Lane Coasting Schooner replaced with a painting from the Addision Gilbert Hospital collection, a portrait of Sawyer and his wife
Library vs Museum
Lane painting installation views comparing Gloucester Lyceum & Sawyer Free Public Library vs Cape Ann Museum
More photos from both collections
Cape Ann Museum is just across the street and it’s the world’s most vital Lane collection. Still, I wish the paintings could remain at the library. I lament my industry’s inability, all of us, actually– to find a way to make stewardship affordable for repositories just like this one.Ā I’ve been thinking about the pros and cons of making copies for the library. When access to originals is difficult or impossible, copies can be a boon. For example the Madonna atop Our Lady of Good Voyage is a replica. The original is held at the Cape Ann Museum and affords close observation that was impossible from the street. The copy preserves the impact of the site. Two dimensionalĀ poster reproductions and painted copies are rarely more. Mostly, I advocate for originals. Here, original art was replaced with original art.
The gifts were for the library and Gloucester, in varying degrees of partnership with the library since Sawyer’s private endowment upon his death in 1889.Ā The provenance paperwork for the Lanes can be deciphered differently depending upon context.
The Lanes leaving the library made me think about the James Prendergast Library collection deaccession, for operating funds and a new vision, rather than a relocation just across a city square. That library is located in Jamestown New York. The board consigned 44 paintings to two auction houses for November 2017 sales. The update is that several works did not find purchasers, failing to meet presale estimates. The board rejected lowball offers following the public sales, and the art remains with the auction houses to be sold in future to-be-determined sales.Ā The New York Attorney General office denied a purchase offer that would have held the art in Jamestown, ruling instead for public auction.Ā A makerspace was crafted from three extant rooms where a children’s computer coding Scratch class was offered at the time of the sales. Jamestown had cut annual funding for its library by $300,000. (see prior GMG posts November 20 2017 and auction results)
I was hoping the Lanes might be featured prominently and safely with any interior buildout proposals at Sawyer Free library, like this installation at the Currier (which was a temporary build out for a museum exhibition), and the library’s other works. The Matz gallery is pretty perfect for changing exhibits of local artists.
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Edward Hopper at Oxford and T S Eliot at Turner Contemporary
Several European museum shows in 2018 contain examples or are devoted to American 20th century artists and modernism like the ones curated for the Ashmolean Museum at Oxford, the Royal Academy, Tate Modern and British Museum.
Massachusetts loans boast the Edward Hopper paintingĀ Manhattan Bridge LoopĀ from the Addison Gallery of Art collection, Phillips Academy, Andover, selected for America’s Cool Modernism at Oxford. Three Hopper etchings (The Cat Boat, Night Shadows, and The Railroad)Ā are on the checklist. Hopper depicted Gloucester in over 110 works of art. Besides Hopper, notable artists and writer with various Gloucester connections selected are: Stuart Davis, Marsden Hartley, e e cummings, and Louis Lozowick.
Forgot the cry of gulls and the deep sea swell
Upcoming at Turner Contemporary –Ā “Journeys with āThe Waste LandāĀ Ā Ā a major exhibition (Sat 3 Feb – Mon 7 May 2018) consideringĀ Eliot’s watershed poem through visal arts, and Margate. I hope they turn to Gloucester and Cape Ann, unspoken in the final poem yet approachable (and specified in excised iterations). From the museum’s press release:
“Presenting artworks from the 19thĀ century to the present, including film, photography and artefacts, the exhibition explores how contemporary and historical art can enable us to reflect on the T. S. Eliot poem, The Waste Land, and its shifting flow of diverse voices, references, characters and places.
If Not, Not (1975-6), R.B. Kitaj, National Galleries of Scotland
In 1921, T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arrived in a fragile state, physically and mentally, and worked onĀ The Waste Land. The poem was published the following year, and proved to be a pivotal and influential modernist work.Ā Ā Building on Turner Contemporaryās extensive experience in participation and engagement, the exhibition is being co-curated with a research group of 30 volunteers from the community, supported by the programme team at Turner Contemporary and external curator Professor Mike Tooby.Ā Journeys with āThe Waste LandāĀ is being funded by the Paul Mellon Centre for Studies in British Art and the John Ellerman Foundation.”
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City Hall acoustics Inauguration Celebration 2018
Here are a few brief (less than 30 seconds each)Ā sound snippets from the 2018 City of Gloucester Inauguration Celebration including Gordon Baird (God Bless America), Alexandra Grace, Josh Cominelli (National Anthem, You’ve Got A Friend), Fly Amero, John Ronan recitation (poem We, Helmsmen), Charlee Bianchini & Jack Tomaiolo (Don’t Stop Thinking About Tomorrow).Ā To see great photos and portraits of the day, see Kim Smith’s post Inspiring City of Gloucester Inauguration Ceremony 2018. To see the printed program and the Mayor’s full remarks, visit the city website:Ā http://gloucester-ma.gov/index.aspx?nid=956.Ā I’ll add Cape Ann TV video link if/when it’s ready.Ā Ray Lamont’s excellent coverage in the Gloucester Daily Times Taking the Oath of OfficeĀ
Continue reading “City Hall acoustics Inauguration Celebration 2018”
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Cape Ann Museum Lego Studio
Happiness New Year is…CAPE ANN MUSEUM FREE EVERY JANUARY
and they operate as usual which means look for amazing programs for all ages. Here’s one:Ā RegisterĀ for the CAM KIDS LEGO STUDIO Saturday January 13 10AM-12PM
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Reminder: Quick Steps & Ballads at Cape Ann Museum
photo: FH Lane illustration (Boston Harbor/USS Constitution/State House) for
Captn. E.G. Austin’s quick step
As first performed by the
BOSTON BRIGADE BAND on the anniversary of the
Boston Light Infantry,
May 31st 1837
also the new nautical song A Yankee ship and a Yankee crew,
sung by Mr. Williamson
From Cape Ann Museum- Upcoming Saturday January 6, 2018
“The Cape Ann Museum is pleased to present Quick Steps and Ballads: The Sheet Music Lithographs of Fitz Henry Lane, on Saturday, January 6 at 3:00 p.m.Ā This musical performance is free for Cape Ann residents, Museum members or with Museum admission. Reservations are required and can be made online at camuseum.eventbrite.com or call (978)283-0455 x10.
The performance was conceptualized and coordinated by local musicians Kristina Martin, Kathleen Adams and Beverly Soll with music transcription and program design by Andrew Soll. Featured performers include the Waring School Singers, āLeven, Vintage Victorian of Nahant, and other individuals from around the north shore area. Donāt miss this opportunity to see the dances and hear the songs that were popular in the 19th century!
The performance is offered in conjunction with the special exhibition Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane, which was designed to explore artist Fitz Henry Laneās life and career in detail and against the backdrop of 19th century printmaking culture in America. As early as 1833 Lane was illustrating sheet music for these popular songs of the time. The special exhibition is on display until March 4, 2018.
Image credit: (left) Song of the Fisherās Wife. Lithograph on paper (sheet music). Drawn by F.H. Lane. Lithograph by Sharp & Michelin Lithography. Published by Oakes & Swan, Boston, 1840. American Antiquarian Society.Ā (center) The Maniac. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Thayerās Lithographic Press. Published by Parker & Ditson, Boston, 1840. American Antiquarian Society. (right) Sicilian Vespers. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Pendletonās Lithography, Boston. Published by C. Bradlee, Boston, c.1832. Boston Athenaeum. Gift of Charles E. Mason, Jr., 1978.”
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Last chance: Peter Lyons December art exhibition at Trident Gallery
Various installation views of Peter Lyons striking paintings at Trident Gallery, Main Street, Gloucester, MA.Ā There’s still time to catch the show, on view through December 31, 2017. Lyons was born in New Zealand in 1960 and was in the US by 1990. He’s lived and worked on both coasts, currently in Natick. He’s shown at Richard York Gallery in New York.
Good Morning Gloucester 