

My View of Life on the Dock




These are 4” by 4”



Faraway Grammie: A Rockport Story is a fantastic, original new children’s picture by Maura Wadlinger with illustrations by Christina Ean Spangler.
You may know Maura from the major part she played in establishing Rockport’s Cultural District, or from her gardening, especially with Rockport’s Millbrook Meadow. Contact Maura for pre orders. Stay tuned for more about this beatiful new book, and details announcing when and where we’ll be able to purchase it on Cape Ann.
As a Cape Ann Reads finalist, the book will be featured in the Cape Ann Reads group exhibition and readings!

Here are some scenes from July 23rd during the 4 Ever Fab Beatles nicely played tribute band evening sponsored by Cape Ann Savings Bank, part of the 2017 line up for the annual Stage Fort Park summer concert series at the Antonio Gentile Bandstand. See the full 2017 schedule here The crowd brought chairs and blankets. What a venue!



We walked to Stage Fort Park from City Hall and could hear 4 Ever Band on the approach from the Boulevard, and later Tablet Rock where we settled in with a picnic dinner. The band sounded great!
Here’s Stage Fort Park in 1901 with it’s grassy meadow expanse.

When you zoom in you can see the big ‘Battery K’- for the Civil War 1861 to 1865 Fort Conant.

And this weekend.

Here’s a gorgeous aerial photo from the 1907 Tablet Rock dedication. There are several modes of transportation by land and sea. The well worn road was ground in from years of steady use, carriage trade and automobiles in this picture. The road is still prominent today.

Note the tents in this one.

Here’s another angle and a closer picture from the ground

John Hays Hammond, Sr. with his daughter Natalie (not looking happily back at the photographer). She pulled back the cord for the reveal. Hammond orchestrated and compelled the press coverage.
I’ll go into more details about the commission with Part II.

Here’s a detail of the plaque in 1907



GLOUCESTER, MASS.- This intimate and museum worthy exhibition, The Manships, is a rare chance to see and purchase original work by the talented family of artists: Paul Manship, Margaret Cassidy (daughter in law), and John Paul Manship (son). The show closes August 6th, 2017. Flatrocks Gallery is located at 77 Langsford Street, in Gloucester, Massachusetts.
(b. 1885 St Paul, MN – d. 1966 NY, NY)
Paul Manship was an American sculptor of international status. His most famous work of art was the public art fountain he was commissioned to create for Rockefeller Center in New York City. The 18 feet high, gilt bronze statue of the treasured Greek myth, Prometheus Bringing Fire From Heaven, soars above the skating rink. It was installed in 1934 during the Great Depression and includes an inscription above the statue: “Prometheus, teacher in every art, brought the fire that hath proved to mortals a means to mighty ends.” (The artist’s model for Prometheus was a lifeguard from New Rochelle, NY, hired regularly for life classes at women’s colleges. I have not been able to track down a picture of him at work, but have tried.) Prometheus refers to the Titan granted the power of creating mankind out of mud and water.
What was missing? Fire, of course, which Prometheus stole from the Gods, a selfless act for humanity that nearly had him punished for eternity (in a memorably sad, gruesome and Groundhog Day bit of the myth) if not for Hercules.
In Manship’s ingenious composition, heaven and earth are filled with Prometheus, clutching fire coals, and the artist’s signature forms and themes in every detail. Note the forms of the water spray in this photo from 1934 and the effect of the water over the base.




Why am I going into such detail about the Prometheus statue?
This exhibit at Flatrocks includes a complete set of Manship’s famous tondo Zodiac medallion ashtrays, ca.1946 ($18,000). Manship was a cigar smoker. Ashtrays weren’t a big creative leap from medallic art. He created his first one in 1915. They were utilitarian, and sculptural objects. He did this with architectural details in his home, a Manship (rather than Midas) touch. He worked out a deal with Medallic Art Company to replicate them. People bough their favorite zodiac sign for themselves or as gifts. Even if you don’t know Manship’s motifs like the zodiac ring around Prometheus, it’s fun to linger and observe the entire set.


Compare the Paul Manship Aquarius from the Zodiac set with a zoomed in detail from Prometheus


A first edition of Manship’s creative and original representation of Venus Anadyomene “Venus Rising from the Sea” is also available for sale! It’s modeled in bronze and set on a marble base, measuring 7.5″ (not including base) and dates from 1924 ($42,000).

Artists and patrons through the ages couldn’t resist this Aphrodite lure. Manship’s sculpture isn’t as famous as Botticelli’s, but it should be–and not just because his kneeling modern beauty has the best wrought hair wringing out there. It’s just a fabulous sculpture.
The main commission for the new Addison Gallery building at Phillips Academy which opened in 1931 was this Manship sculpture. Unforgettable and rendered in gorgeous alabaster, the Addison Gallery’s Venus Anadyomene from 1927 is one of the world’s most optimally sited sculptures. The whole museum flows from this Venus. Now you can purchase the sculpture that inspired Addison’s architect, Charles Platt, to make such a brilliant selection. Platt also designed the Freer Gallery in Washington, DC, which is equally sublime.
Another life cast that’s for sale is this vividly detailed and lovely Perseus and Andromeda, 1965 ($39,000). There’s a rescue and great tension so effective with the mixed materials, florid and fascinating. There’s poor Andromeda sacrificed by her mother Cassiopeia to appease Poseidon and beg off a sea monster. You can pick out the anger and emotion in that sea. The bag with Medusa’s severed head was captivating, bounced just so, side quests are still to come after all. Don’t miss the sword and winged sandals Hermes gave Perseus.
I’m fascinated by Manship’s treatment of time. Speaking of which, make sure to leave enough of it to study those glorious Manship reaching hands and gestures.

Another knock one’s socks off lifetime bronze that’s for sale is David, ca.1916-1921 ($72,000), mesmerizing composition and signature elegant articulation.

Manship came to Gloucester in 1915–before his first solo exhibition– and rented until the 1940s when they were able to purchase fourteen contiguous acres in Lanesville, ensuring the acquisition of two, gorgeous abandoned quarries. His daughter Pauline and her husband Ilmari Natti also bought a home in Lanesville in the 1940s. After Manship died, his son John Manship and daughter in law Margaret Cassidy continued to reside and work in the family estate. The Flatrocks Gallery location, vibe, and roster make it an ideal gallery for this exhibit and fundraiser. Proceeds will help the nationally significant Manship estate and property.
Make sure to look back at John Manship’s work from the next room as well as up close. There are strong works from different series and decades primarily of the landscape and people about him, and so many greens! They range in price from $750-$10,000.







(Cassidy died in 2012)
I was so intrigued by the 3 Cassidy works. The painting and bronze of Beryl Grimball are sold as a pair ($5000) and the portrait from life of Pope Pius XII is $7000. She also sculpted Pope John Paul II and Presidents Carter and Reagan. I hope to see more.

Here’s a detail of a Paul Manship at the Museum of Fine Arts that needs some attention.

Cape Ann Museum owns several works by Paul Manship. A few more Flatrocks Gallery installation views:




Apparently they have already cast the part of Jo Hopper (1883-1968), depicted sketching here in Gloucester on Good Harbor Beach, in a watercolor portrait by her husband, Edward Hopper (1882-1967), in the collection of the Whitney Museum.

From CP CASTING

CASTING MALE LEAD
Hopper’s Ghosts by Kevin Rice
Role: Edward Hopper, painter, age range, 40 – 55, tall, over 6’2″. Cultured, well-read, sophisticated, stoic, great sense of humor. Looking for experienced actor for two-character play about the famous realist painter Edward Hopper and his wife Jo.
Rehearsals begin August 21, 2017
and play runs September 6-17, 2017.
This is a Payomet Performing Arts Center production with performances at the Provincetown Theater. Looking for union and non-union actors. Housing provided. Please send resume and headshot to: Kevin Rice: ricenow@yahoo.com
Thanks for the reminder Willow Rest!
Annual Sea Fair – Community-Wide Celebration at the Village Center
Saturday, July 29, 2017 from 10AM – 3:00PM
Food,Books,Art,Flowers,Plants,T-Shirts,The Ship’s Galley, and more
School Yard: Kids’s Games, White Elephant Table
Village Hall: “The Waxworks” – Annisquam’s answer to Madame Tussand’s Waxworks
Music, Dancing and Food 6:30-9:30pm
Lighting of the Cove: 9:00pm

other upcoming summer Annisquam Activities
Annisquam Art Show II: August 7 to September 9th featuring PETER HERBERT
Annisquam Village Players SINGING IN THE RAIN August 8 – 13
http://www.annisquamvillageplayers.com
Jane Deering Gallery
Silver and Grey | Leslie Lewis Sigler & Paul Cary Goldberg
Opening Thursday August 3- continues through September 30

from the gallery’s press release:
“The single object. A silver server. A stem from the woods. A treasured spoon. Petals of a dried flower. We experience these things not only perceptually but emotionally and intellectually as well. Silver and Grey celebrates the eternal life of an object: what it once was, what it is now, how it has passed through time and remains.
Leslie Lewis Sigler’s small paintings are reflective portraits of silver cutlery which remind us that these family treasures have an enduring life. “Such items pass through the generations as cherished heirlooms, survive the purgatory of antique markets, or perhaps find new life at estate sales. As their stories evolve, they form a lineage that connects us to one another, across generations and geographies.” -LLS
Paul Cary Goldberg’s series Here Still is a photographic narrative of natural objects he’s been gathering in his Gloucester studio over the past fifteen years. Specimens of discovery, resilience, and inevitable decline. Goldberg has presented the series in the nature morte (literally translated from the French as dead nature) tradition of art and created images both poignant and gentle.

FOB Kathy Roberts is having an art show at “The Bookstore” 61 Main St. for the month of July. Titled: ” An Italian Journey” featuring paintings of memorable places I visited while in Italy; Tuscany, Venice, the Island of Capri and Florence. Along with the paintings there are also prints and cards available for sale. For more info please contact Kathy Roberts @ 978-853-7825 or kathygroberts@yahoo.com

The Great Auk was an extraordinary seabird that was driven to extinction in the mid- 19th century. What made it so extraordinary was its ability to dive great depths and swim as fast as the fish it caught. The Auk’s amazing abilities were also its downfall. The same wings and webbed feet that propelled it through water with tremendous speed and agility evolved so that over time, the wings shrank. The bird became flightless and its feet unable to navigate well on land. Ten months out of the year when the Auk lived entirely on the sea this was not a problem but during the breeding season, the Great Auk would return to the rocky shore of its birth to find its life mate and deposit a single egg. Both male and female took turns incubating the egg with their large feet. During the two month period on land, the birds were slaughtered by the tens of thousands. The oily skin of the Great Auk that allowed it to float on the surface of the water and live on the sea was used for oil lamps, the warm downy feathers for quilts and pillows, and its meat eaten by hungry settlers and fishermen.
The Great Auk and very tragic story of its long, painful extinction has captured the imagination of Nathan Thomas Wilson, the first Goetemann Artist Residency Fellowship award recipient. Working on the grounds of the Paint Factory and in partnership with Ocean Alliance, Nathan is creating a twice-life size interpretation of the Great Auk (the Great Auk ranged in height from approximately 27 to 35 inches). Nathan’s Auk is made from plastic pollution and debris scavenged along the shore, created with the goal of highlighting the devastating effect pollution is having on all living creatures.
Great Auk in progress. Head to arrive soon–Nathan is casting the head off site as it will have a lighting component.
Nathan is giving a talk on the 25th of July. Go to his facebook page for details about the talk and for more about Nathan.
No two eggs alike – Great Auk eggs were unusual in that each egg was uniquely patterned to allow easy identification by the brooding parents.
Day 28: Little Chick is growing beautifully, developing and honing a range of defensive skills. With each passing day, he can feed longer, run faster, and stay in a position of perfect stillness for greater and greater periods of time. Still though, only very short little five- to six-foot run-hop-airbore flutters have been observed by the PiPl monitors.
Twenty-eight-day old Piping Plover shown with a small sample of the plastic pollution found daily on Good harbor Beach. The plastic debris litters GHB every morning before Gloucester’s hard working DPW and trash-piker-uppers arrive to clean up the mess left by beach goers the day before.
First I would like to thank Pat Kelleher for sending the photos of the Art Show. We had a family wedding out of town, so I could not attend. This show is always successful. Since the volunteers were there to help out, my photos that were hung sold. Thank you to all who volunteer at the great event.
You gotta go check out one of my favorite artists, Joe Higgins gallery on Madfish Wharf. Hit this link if you don’t see the video
77 Rocky Neck Avenue click here for the map

Here’s one of my canvases for sale, but never mind my stuff, check out Joe’s awesome Gyotaku. My buddy Mike Codair bought this one yesterday-


Enza Iocono’s Wine Trap and Beer Holders made out of lobster trap wire are available-

Super premium caps and tees-
Mike is a happy guy-


Last years show was so much fun and very successful so this year it will be a two day event.

Listen to Mark Hayes from Ocean Alliance and Nathan Thomas Wilson talk about the mission in this week’s GloucesterCast here-
Day 1
Day 2
Day 3