last chance! splendid waves at peabody essex museum FEATURE CROSS COUNTRY MUST SEE LOANS

Today, tomorrow (Oct. 3) final days of exhibit, In American Waters: The Sea in American Paintings, at Peabody Essex Museum.

Don’t be distracted by a simplistic thematic construct especially when it coaxes a mind game of “What about…?” as in: What about this artist or that one? Why aren’t they included? (Visual artists like May Stevens, Vija Celmins, Blanche Lazzell, Juane Quick to see Smith, April Gornik, Joan Nelson, Duncanson, Eric Aho, Morris graves, Rauschenberg, Fischl, Frankenthaler, Fitz Henry Lane, Winslow Hopper, and Edward Hopper sprang readily to mind. And more Lawrence.) What about the de rigueur annual summer exhibitions at major galleries and institutions, since late 1880s? Aren’t the planet’s oceans a global motif not limited by media or place?

Ignore the categories or “chapters”.

Forget the sea change promise.

Just go.

Do make the must see trip to be awed and enjoy the momentous loans and great gift of seeing these selections displayed, together and their many moods of expression. Sensuous, tranquil, volatile, mysterious, distant, abstract–this major group show delivers art that conveys emotion, expressed and experienced.

installation view photos

photos: c. ryan, May 29, 2021

Stunning installation design

*mostly (scroll through till end for some misses)

individual works

in no particular order

Animated some to help bring you there:

Museum wall labels – 3d letters, Frederick Douglass quote

Major American lending institutions and private collections including:

Crystal Bridges

Crystal Bridges partnered with PEM, so naturally most loans were procured from Arkansas.

William Trost Richards; Richard Diebenkorn; Frank Benson; Amy Sherald; Marsden Hartley

Philadelphia Museum of Art

Charles Sheeler; Jan Matulka

Pennsylvania Academy of Fine Arts

William Trost Richards

New York, Metropolitan Museum

John Frederick Kensett

Collection of New York City

John Wesley Jarvis

Navy Art Collection

Hughie Lee Smith; Paul Cadmus

American Civil War Museum

Conrad Wise Chapman

Phillips Collection

John Sloan

Smithsonian

Stuart Davis; Hughie Lee Smith

Los Angeles County Museum of Art

Cuneo

Brooklyn Museum

Rockwell Kent

MoMa Museum of Modern Art

Fletcher Martin

Wadsworth Athenaeum

Kensett

Cahoon Museum American Art

North Carolina Museum of Art

Luks

This show was also billed as one exhibition comprising PEM’s **new** Climate and Environmental Initiative. **Includes iconic American homoerotic art – Cadmus Fleet’s In and Fletcher Martin**

Installation views and museum labels more of a miss

Waters elsewhere on view from the Peabody Essex Museum

Josh Simpson megaplanet glass earth, 1989

Michael C. McMillen detail of The Pequod II

Sea Coco

installation view Rockman exhibit, May 29, 2021, see more here

Continue reading “last chance! splendid waves at peabody essex museum FEATURE CROSS COUNTRY MUST SEE LOANS”

Last chAnce: In American Waters Peabody Essex Museum. splendid waves amazing loans. Go!

Today, tomorrow 10/3/2021 final days of exhibit, In American Waters: The Sea in American Paintings, at Peabody Essex Museum.

Don’t be distracted by a simplistic thematic construct especially when it coaxes a mind game of “What about…?” as in: What about this artist or that one? Why aren’t they included? (Visual artists like May Stevens, Vija Celmins, Blanche Lazzell, Juane Quick to see Smith, April Gornik, Joan Nelson, Duncanson, Eric Aho, Morris graves, Rauschenberg, Fischl, Frankenthaler, Fitz Henry Lane, Winslow Hopper, and Edward Hopper sprang readily to mind. And more Lawrence.) What about the de rigueur annual summer exhibitions at major galleries and institutions, since late 1880s? Aren’t the planet’s oceans a global motif not limited by media or place? Ignore these categories or “chapters”.

Forget the sea change promise.

Just go!

Do make the must see trip to be awed and enjoy the momentous loans and great gift of seeing these selections displayed, together and their many moods of expression. Sensuous, tranquil, volatile, mysterious, distant, abstract–this major group show delivers art that conveys emotion, expressed and experienced.

installation views

C. Ryan May 29, 2021 – stunning installation design, mostly

individual works, no particular order

Animated some to help bring you there:

Museum wall labels – 3d letters, Frederick Douglass quote

Major American lending institutions and private collections including:

Crystal Bridges

Crystal Bridges partnered with PEM, so naturally most loans were procured from Arkansas.

William Trost Richards; Richard Diebenkorn; Frank Benson; Amy Sherald; Marsden Hartley

Philadelphia Museum of Art

Charles Sheeler; Jan Matulka

Pennsylvania Academy of Fine Arts

William Trost Richards

New York, Metropolitan Museum

John Frederick Kensett

Collection of New York City

John Wesley Jarvis

Navy Art Collection

Hughie Lee Smith; Paul Cadmus

American Civil War Museum

Conrad Wise Chapman

Phillips Collection

John Sloan

Smithsonian

Stuart Davis; Hughie Lee Smith

Los Angeles County Museum of Art

Cuneo

Brooklyn Museum

Rockwell Kent

MoMa Museum of Modern Art

Fletcher Martin

Wadsworth Athenaeum

Kensett

Cahoon Museum American Art

North Carolina Museum of Art

Luks

This show was also billed as one exhibition comprising PEM’s **new** Climate and Environmental Initiative. **Includes iconic American homoerotic art – Cadmus Fleet’s In and Fletcher Martin**

Installation views and museum labels more of a miss

Waters elsewhere on view from the Peabody Essex Museum

Josh Simpson megaplanet glass earth, 1989

Michael C. McMillen detail of The Pequod II

Sea Coco

installation view Rockman exhibit, May 29, 2021, see more here

Continue reading “Last chAnce: In American Waters Peabody Essex Museum. splendid waves amazing loans. Go!”

Rare Edward Hopper print The Lonely House fetched record auction price @SwannGalleries

The Edward Hopper etching The Lonely House was the star lot going into the sale and in the live auction last night. The print sold for $310,000 vaulting past its pre auction estimate of $150,000-$200,000.

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Hopper’s Les Poilus circa 1915 surpassed its $15000-$20,000 pre-sale estimate as well, selling for $42,500. I’ve sold an impression of the Lonely House before but I’ve only scene Les Poilus in the Whitney collection.

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The sale featured Old Master through Modern prints by American and European artists.

Here’s a link to the Swann Galleries catalogue for the November 4th 2017 sale 2460 and the Swann Galleries auction results. Images in this post are from Swann Galleries.

Besides Edward Hopper, there were prints by artists with Gloucester connections (or topics of interest such as a 1680 engraving of a beached whale).

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Willem Van Gouwen after matham A Beached Whale between Scheveningen and Katwijk 1680 engraving sold for 1875

Records were achieved for other prints like Martin Lewis, Relics, $55,000

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a rare Odilon Redon 1892 lithograph sold for $47,500

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and a Rembrandt 1631 etching, Self portrait with Cap Pulled Forward, that sold for $65,000.

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See more highlights below the “read more” break from the nearly 500 prints that were sold at the November Swann Galleries auction.

Head to the Cape Ann museum Fitz Henry Lane exhibition Drawn from Nature and on Stone: The lithgraphs of Fitz Henry Lane to experience a great print show in person. Continue reading “Rare Edward Hopper print The Lonely House fetched record auction price @SwannGalleries”