Mixin’ Matt at Watson &the Shark–Short & Main’s 2nd floor lounge has a super cool steampunk vacation vibe that made waiting for an outside table for a group of 10 easy. Will be great in the winter months, too




My View of Life on the Dock
Mixin’ Matt at Watson &the Shark–Short & Main’s 2nd floor lounge has a super cool steampunk vacation vibe that made waiting for an outside table for a group of 10 easy. Will be great in the winter months, too




Glorious clouds pressing down upon the harbor this morning–solid and simplified. Reminded me of Canadian painter, Lawren C Harris.





Before loping through the parking lot and shifting right at the ‘parked bus game trail‘ and straight on to Cherry Street, our wildlife neighbor lingered in the skate park with us.
We were mostly still as..church mice. Did I think that? I slipped in front of three kids which is ridiculous because the kids are my size or bigger . And it was just passing by. Still, it did seem a long time before its distinctive gait resumed.
The photo is Blow Up style– from the point where we were standing comfortable enough to grab a phone shot of the coyote heading out rather than to the Ralph B O’Maley Innovation Middle School in Gloucester .



There was a respectful area set aside for the participants and families and incredible music. The poignant service made many cry.






Mayor Romeo-Theken sweeping gesture to the Fort, a heartfelt and knowing welcome















I folded some of Pauline Bresnahan’s great photographs into my photos for this post. Thanks for sharing, Pauline, they’re beautiful! I may add in excerpts from Linda Greenlaw’s beautiful tribute – optimism and the program details.
You can search prior year GMG coverage like this David Cox one and many more.
Marty Luster’s 2016 video and audio brings you there.
The 2016 announcement and Gordon Parks 1943 photograph from that year’s memorial service

Gloucester’s is lovely.

Bill Agee is an art historian and esteemed professor at Hunter. He completed the acclaimed Davis catalogue raissone (Yale University Press, 1991). His most recent book is Modern Art in America. Here he is on Stuart Davis (1892-1964) and Gloucester in today’s Wall Street Journal.
“Swing Landscape (1938) is surely one of the greatest paintings of modern American art, a glorious summation of all Davis had been and was still to be. Swing Landscape, one of nine Davis mural projects was commissioned by the WPA. It was intended for the Williamsburg Housing Project in Brooklyn. But for reasons still unclear it was never installed, and in 1942 it was acquired by the Indiana University Art Museum, in Bloomington. Because of its intended location, over the years the mural has been misread as based on views of that bustling borough.
Rather, it depicts the boats, docks, houses and landscape of Gloucester, Mass., to this day a fishing port. Davis had spent summers there since 1915, and the subject was the culmination of a favorite motif that had appeared frequently in his art since at least 1924. Davis could be contrarian–for example suggesting a painting was about one thing when it was really about something else–and here he turns these picturesque vistas, the subject of so much tourist art, into a serious, complex and ambitious mural. “
I wish this Agee excerpt was published long before the September 25th closing of the Whitney Museum show, Stuart Davis in Full Swing. Back in June, WSJ published a couple of reviews including one by Karen Wilkin.
From the Whitney exhibit:
Using sketches he made of the waterfront in Gloucester, Massachusetts, he transformed masts, rigging, lobster traps, ladders, and striped poles into a vocabulary of overlapping, brightly colored shapes, all of equal intensity. To Davis, the result portrayed the “new materials, new spaces, new speeds, new time relations, new lights, and new colors” of modern America.
James Wechsler describes Davis subjects as triple distilled.


Meet up at the Legion 5PM and walk in procession to the Man at the Wheel.
Lucia Amero does incredible work at Veteran’s Services putting together essential events

Long Beach.

Gloucester Stage Saturday morning live theater for tots, Our Lady of Good Voyage Carillon Bells tonight 5pm, and North Shore Arts Association Sunday pot luck reception for its annual members’ Small Works Exhibition!

Ed Emberley is “drawing” them in today for Cape Ann Reads. Plus he’s part of the 8th Annual Cape Ann Cinema film festival running August 25-September 1st. Other luminaries on site for special screenings during the film festival include:


Nice new program idea! Starts October 18th with Wendy Warren’s, New England Bound.
While you’re there have a look at the 2015 awesome acquisition, Charles Allen Winter’s 1898 Woman Reading (with funds from Arthur Ryan)– and other favorites!
Read more from CAM:
Cape Ann Museum Book Club
GLOUCESTER, Mass. (August 25, 2016) –The Cape Ann Museum is pleased to offer a monthly book club for year-round residents of Cape Ann. Beginning this October and running through April, the Museum will host book club meetings on the third Tuesday of the month in its auditorium from 11:00a.m. to 12:30p.m.
Space is limited to 15; reservations are required and will be for the entirety of the October to April program length. Due to the afternoon meeting time participants are invited to bring their boxed lunches. Free for Museum members or included with general admission. Not a member? Join prior to registration and save at least $15! Contact Program Coordinator, Kate LaChance to book your spot now!katelachance@capeannmuseum.org
A Museum docent and staff member will be present to facilitate each book group discussion to allow for a flow of ideas, provide connections to the collections and history of Cape Ann, and to suggest talking points if needed. The selection of books can be seen below along with the meeting date at which it will be discussed. Non-book group members are encouraged to read along with the recommended books on their own time even if they do not meet the registration deadline to join the book club.
Matilda “Tillie” Farnham was born and raised in Gloucester, before moving to Main Street in Essex where her husband Joseph ran a clam shucking business in the backyard. Twenty years later they opened their business on the gorgeous site overlooking the marsh and Hog Island. That year was 1938.


Ed Emberley is “drawing” them in for Cape Ann Reads. Plus he’s part of the film festival!




Manny’s post of this couple from New York, for his Gloucester Smiles series.
She was a photographer. I ran into Manny at this way point between Beauport Hotel and the Cape Ann Chamber. Some time after, I crossed back that same way to return to Cape Pond Ice. He was still with them–so amiable and welcoming! I meant to post a compliment to him that very same day. A wonderful post by James Eves with a dynamite portrait of Manny shined through my GMG email and I thought that was pretty cool kismet.

122 Main Street-I had a peek at brand new hardwood floors. Coming soon next door to goodlinens.

At 196 Main Street (the space where Green Life used to be) the Copley Society of Art is also coming along with its build out, paint, floors and a line of studios.


Who will be their neighbor next door (in the old Common Crow space)?

