After a year of monthly programming by the libraries and community partners, the Cape Ann Readsoriginal picture book contest is in full swing and has moved into the jury processing stage. The contest is hosted by the 4 public libraries of Cape Ann. They will publish the first edition printing for one book from entries that were submitted by December 15, 2016. The jury selection panel includes representatives from each of the public libraries: Justine Vitale Gloucester Lyceum & Sawyer Free Public Library; Carol Bender, Children’s and Teen Librarian, Rockport Public Library; Kate Strong Stadt, Head of Youth Services, Manchester-By-The-Sea Public Library; Anne Cowman, Young Adult Librarian, Manchester-By-The-Sea Public Library; and April Wanner, Assistant Librarian at the TOHP Burnham Library, Essex.Joining these talented library participants are three artists and award winning children’s picture book authors and illustrators:Pat Lowery Collins; Giles Laroche; andAnna Vojtech. Bob Ritchie proprietor of Dogtown Book Shop will provide another crucial area of book world expertise. Cape Ann Reads is grateful for their time and considerable talents to help the participants and the process. A second jury of children will select their favorites and is chaired by Liza Browning from the Cape Ann Museum, a Cape Ann Reads partner.
About the Cape Ann creates for Cape Ann Reads Children’s Picture Book Contest: The 4 public libraries hosted a one of a kind call for entry seeking new and original children’s picture books showcasing local artists and writers.
Cape Ann residents of all ages, students attending school on Cape Ann, and people who work on Cape Ann were invited to create part or all of a picture book for consideration to be published, and to submit their entries by December 15th, 2016. A first edition printing of one of these submissions will be published in 2017 by the 4 public libraries and with the support of various sponsors. The copyright is timed to coincide with the 75th anniversary of a Caldecott award for the children’s book, “Little House”, by Virginia Lee Burton, eminent Gloucester artist, author and illustrator.
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There’s always something happening in the art sessions at Rose Baker Senior Center. With help and direction from the indomitably positive and dedicated artist, Juni VanDyke, participants in the art program share their talents and collaborate. Participants join in an amazing amount of creative work and activity and have the opportunity to exhibit their creations. Often they work together as a group toward a final outcome. Three quilt series became monumental and cherished works of public art. (See Kim Smith’s beautiful coverage on Good Morning Gloucester.) When you visit the art studio at Rose Baker you’ll see floor to ceiling examples of their creations. For the past few years, dolls have been blooming up the studio wall and steadily and similarly building into a kind and social public art project. Now it’s a mission for art and healing that’s reached beyond Gloucester and Cape Ann.
Juni Van Dyke shared the photographs in this post and writes about the iteration of this project:
“Two years ago, Lois Stillman, a regular participant in the Art Program at the Senior Center, shared an idea with our Monday art group. The idea became known as “The Endearing Doll Project” — “endearing” because the hand-made doll that Lois introduced to us was just that…endearing. By way of Lois’ initial instruction, the dolls began to multiply with a serious purpose: the dolls would be created for the comfort of children undergoing cancer treatment at Dana Farber. Later, more dolls…(baskets of dolls!) would be delivered to elderly residents at Golden Living and SeaCoast. Still later, more dolls…(armfuls of dolls!) would join volunteers headed to The Dominican Republic where children who have little in the way of playthings would receive them. The “Endearing Dolls” became known as “The Have a Heart Dolls”. To accurately describe the artwork attributed to each individual doll, (over four hundred dolls to date!) one would have to exhaust every synonym in a thesaurus under the heading “beautiful”. Indeed, the dolls are beautiful with exquisite individual attention given to detail: lace trimmings, velvet ribbons, eyelet petticoats, knitted caps, stylized tresses, etc. But the “Have a Heart Dolls” are so much more than beautiful works of art. These dolls, with their purpose of bringing comfort and cheer, are a definitive source of love.” Participants in the “Have a Heart Doll Project” are: Lois Dench, Judy Menicocci, Mary Noons, Maggie Rosa, Carmella Scola, Emily Soule, Ida Spinola, Lois Stillman, Teddy Talbot, Connie Troisi, Juni VanDyke, and Susan Wright
To help with the dolls or other projects and learn more about the art program: Council On Aging (COA) Rose Baker Senior Center Art Program. The mission statement under the direction of Juni VanDyke: To connect Gloucester Senior Citizens to their community through worthwhile art projects while encouraging artistic individuality and collaboration.
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Photo without irony. For irony scroll down to see the poem, Mending Wall, by Robert Frost, and for Hancock’s portrait of Frost.
Update: shortly after posting and thanks to Good Morning Gloucester facebook feed and readers, there may be more information coming on the outside-r artist who built such a great fence design. Please send in more information soon. And here is some! Danny Diamondwrites: “I painted this octopus (and the rest of the fence) back in October. It belongs to Jon Just Jon and Lisa Bouchie. The octopus was painted entirely with low-pressure spray-cans.” And Lisa Redbird adds: “…conceived by Lisa Bouchie, built by Mark (Girard) of Spotless Monkey and spray painted by Danny Diamond. A true artist collaborative…”
Mending Wall
1914 poem by Robert Frost, American poet (1874-1963), first published in anthology North of Boston
Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
“Stay where you are until our backs are turned!”
We wear our fingers rough with handling them.
Oh, just another kind of out-door-game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, “Good fences make good neighbours.”
Spring is mischief in me, and I wonder
If I could put a notion in his head:
“Why do they make good neighbors? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn’t love a wall,
That wants it down.” I could say “Elves” to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go beyond his father’s saying,
And he likes having thought of it so well
He says again, “Good fences make good neighbours.”
Robert Frost sat for Walker Hancock, Gloucester resident, esteemed sculptor and one of the country’s Monuments Men. Frost walked our local woods.
Robert Frost collection at Amherst College (on the faculty for 40 years; also University of Michigan, Middlebury, Columbia, Harvard, and Yale, among other places) Hancock’s sculpture is in this collection. Sculpture of Frost by artist Penelope Jencks was unveiled in 2007
Seeing double? Yes, you’re supposed to. The Sawyer Free Library addition was designed to mirror Cape Ann Museum as a balanced and nuanced architectural symmetry in deference to City Hall, and catalyst for a graceful city civic center.
Cape Ann Museum, December 2017
Sawyer Free Library has announced a public meeting January 11th for discussions of a new building. (See the flyer at the end of this post.)
City Hall may have some upcoming construction on the Dale Avenue side as well.
Both projects are largely in the name of accessibility of a physical nature. Can they be cost effective, worthy of our history and culture, protect our significant buildings, and address current and future needs? The following are some of the issues, local coverage, links to resources, and archival material for your interest.
NEW LIBRARY 2016. And 1973.
Before the current 2015-16 library outreach, the library hosted extensive visioning sessions throughout 2013. I went to a couple, and I was invited to take part in a focus group (on schools and the library.) A completely new library and jettisoning of the historic Saunders library building was not an expressed community value. What were some common discussion points? A strategy for digitization of historic archives and newspapers, more staff, more hours of operation (Sundays), better bathrooms, parking issues, air conditioning, electrical work, maintenance, security, maximizing technology/ content access with schools, ditto Cape Ann TV, and attendance (see this great video from Lisa Smith by kids for kids ) were some goals that were mentioned.
So it was a surprise to see the unveiling of new architectural renderings that did not showcase the Saunders house. It’s like the White House not featuring the White House. I think the Saunders house should be key and central to any building overhaul, not tossed aside. Providing universal access should preserve the intended awe factors if there are any, FOR EVERYBODY–such as the architectural details, proportion, welcoming entrance and unique heritage of a historic building. In this proposal, with Saunders severed there is zero physical access to the main event. What a missed opportunity. And for a library. What do you think?
Today’s paper mentioned that the Saunders house could be used for other purposes instead of the library. Why can’t that be the case and the library maintain its #1 asset? The downtown cultural district (which is not going forward in the same capacity) and other organizations could use the library meeting spaces. Do we really need to conjure up another stand alone endeavor?
Back in 1973, the Trustees of the Library began a fund drive for the new library addition; the city of Gloucester paid 2/3. As the Library’s General Chairman, Joe Garland led that campaign. Not surprising, the text of the brochure is a good read! The architect was Donald F. Monnell. (In 1971 Monnell was quoted in the papers speaking about the attributes of Central Grammar. One likes him more and more.) The population served was 27,000–nearly what it is today.
Awesome design on this 1973 brochure for the fundraising campaign for the Sawyer Free library– led by the Joe Garland (cover). See photos of complete pamphlet
See “Preserving our Civic Center,” great letter to the editor by Prudence Fish, Gloucester Daily Times, December 23, 2016
Working together
2016 Planning term and movement- “Scaling Up”
A quip about the concept of Scaling UP that I remember from a conference this past September at Peabody Essex Museum and hosted by Essex National Heritage was to “think about the farm not just a barn”; in this case a downtown, or an entire city and region. I like thinking this way in general–architecture and planning, art, and schools. But this conference pushed me to add overlays beyond my areas of expertise or focus like wildlife and waterways. Gloucester, Cape Ann, Massachusetts–there’s so much! Mayor Romeo Theken is committed to working together and feels that planning is important and broad. One example, see Gloucester Daily Times Dec 19, 2016 Officials: City to Prioritize Its (competing) Needs
There are several looming questions, evaluations, and decisions.
Every era has choices. The prior library expansion plans began well before 1972. Possibilities swirled as they do now. (Back then, Central Grammar was also in the news, may or may not have been razed, and possible uses favored senior housing, commercial development, an annex to City Hall, and a courthouse police station.) Today there are competing building needs and uses floated for properties as diverse as: the Cape Ann YMCA on Middle Street, the post office on Dale, the Gloucester Fire Department, police headquarters, St. Ann’s, and the elementary schools–and that’s just to name a few. Let’s celebrate enviable architectural strengths, and not fuss with buildings that should be venerated, unless it’s to help them be accessible and healthy. Let’s get the balance right.
HISTORY MAKING PLEA- Archives for all
The prohibitive costs of best practice historic preservation (ADA compliant, temperature and humidity controls, security, sustainability, in house scanning/OCR/audio transcription, etc) is impossible for all the worthy collections in town, and pits them as foes when vying for funds. Let’s flip that impediment on its head and make Gloucester a model for the state. Its treasures would be available worldwide if they were trulyaccessible –digitized.Two words may help accomplish this goal and free up cash for individual operations: shared overhead. It’s one hope I continue to stress–the need to share necessary resources for a state-of-the-art research and warehouse repository. This universal hub should be large enough to encompass any holdings not on view. There could be a smaller downtown central site combined with a larger off site location, such as at Blackburn. The list of sharing institutions could include and is by no means exhaustive: our municipal archives that date back to 1642; Cape Ann Museum; Sawyer Free Library; North Shore Art Association; Beauport; Hammond Castle; the Legion; Amvets and other social clubs; Sargent House; several places of worship; Gloucester Daily Times; Annisquam historical building collections; Lanesville; Magnolia’s historic collections; artists/writers estates; Veterans office; our schools; Isabel Babson Memorial Library, and perhaps businesses such as Cape Pond Ice and Gortons. The library plans don’t appear to retrofit their site(s) for this goal.
If incentives and policy supported neighborhood character over less generic construction
that would be wonderful. It’s not just Gloucester.
Dusting of snow along the back of Anna Hyatt Huntington’s superb Joan of Arc WWI memorial, such a multifaceted muse and Gloucester landmark.
Whatever brings you there– artist, subject, sculpture, setting, history –its surplus of qualities alone and together reward gaze and inquiry. I took several photographs early December 30th, careful compositions against a gift of blues and vault of morning sky. For this one, I roughly edited out the telephone wires for my thoughts. Shake off 2016 and frame up a fresh start for the year ahead!
There were also large ice works of a lighthouse, clipper ship and sea serpent (live sculpting work in progress while we were there)
Across the street a favorite spot with more public art and large crowds– the ever stunning Boston Public Library. An art post for another day: for now some interior details. Here are a Kitson marble bust of Longfellow and a tease detail from the Sargent murals. (My sons said they like the Sawyer Free teen room more but this Boston Library was something to be proud of, too.)
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Plus a current Gloucester vintage store guide below the photographs
ADRIFT ON MAIN, 284 Main Street, Gloucester, MA (978) 515-7888
Adrift on Main, a new second-hand and collectibles destination, opened December 2016 on the east end of Main Street. Owners Ryan and Sarah Goyette reside in Byfield and chose Gloucester over their home town, Essex, and other north shore communities for their new store. Coaster sets are made by Sarah. Welcome to the neighborhood!
Gloucester MA vintage shopping guide
2016-17. Most are a mix of then and now objects, clothing, and collectibles; some with work by contemporary artists and artisans. Three mainstays:
Thanks to Janice Lufkin-Shea, Pauline Bresnahan, Hannah Morris, David Brooks Cape Ann Art Haven, Senator Tarr and others, Gloucester and its lobster trap tree and traditions have a place in the Massachusetts Senate President’s Office. Here are photos of Senator Bruce Tarr with Stan Rosenberg, the 93rd President of the Massachusetts Senate, in the Senate President’s Office. First two photos from inside the State House were from Senator Tarr.
David Brooks writes that he hopes the buoy will be a permanent ornament, “but I’m not sure how long it will last. Its made of a small plastic net buoy and plaster. We made it as an Art Haven team and tried to make it look like a kid did it so it fit the character of the tree.” Perhaps a bronze version may be commissioned from Cape Ann Art Haven one day.
There were special ornaments to discover on the tree in City Hall, too, in the rotunda outside the Office of the Mayor.
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Spot the fresh mozzarella, fresh basil, tomato skewer app tray from this Holiday Delights photograph? The mozzarella makes this festive appetizer delicious and great for little hands. (Don’t judge the prep–mine not Pastaio via Corta.)
Pastaio Corta is closing at 1pm today and will be closed December 24th-26th, December 31st-January 1st, and January 7th-24th. Follow them on Instagram for daily pasta updates @pastaioviacorta in February.
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MANCHESTER-BY-THE-SEA — Gail and Ernst von Metzsch are the kind of art collectors who purchase paintings serendipitously. If they come across a canvas that speaks to them, they’ll buy it.“Ernst will say, ‘I’m just going to a gallery, I won’t buy anything,’ and then six weeks later, when the show closes, a package will arrive,” Gail says. Ernst, 77, started picking up a painting here and there in the 1970s, before he met Gail, 65. Together, they have built a vibrant collection of artworks, notably local in its focus on contemporary Boston-area artists and landscapes. “As We See It: The Collection of Gail and Ernst von Metzsch,” at the New Britain (Conn.) Museum of American Art through Jan. 8, spotlights more than 80 works by close to 30 artists from their collection.
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Busy night at Pauline’s Gifts. Ringo Tarr picked up flags for the Boulevard donated by members of the Cape Ann Business Alliance. Councilor Val Gilman stopped in and Cory from The Bridge was streaming from the store, interviewing Pauline and Bob Ryan of Ryan & Wood. Pauline’s son Michael served up two special cocktails. We went for the rum. I ordered two custom painted ornaments–one for a Dartmouth fan and a pink Patriots one. Now that I’ve seen a custom house ornament, I’ll have to narrow down one of my many house motifs for an order!
Small business news: Pauline has had one of the top December months since she’s been in business.
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376 people, some seeking help more than once, and 94.5% direct placement! 36.6% were from the local region which included 11.8% Gloucester residents. Gloucester’s involvement helped a lot of people.
From Boston University School of Public Health and Boston Medical Center excerpt:
“From June 2015 through May 2016 (the first year of the program), 376 different persons presented for assistance a total of 429 times. The demographic characteristics of the participants are shown in Table 1 (‘Table 1 Sociodemographic and Substance-Use Characteristics of the 376 Angel Program Participants’) and are similar to those reported by the Substance Abuse and Mental Health Services Administration for persons who are admitted to treatment programs for an opioid-use disorder in Massachusetts.3 Of the persons who sought treatment through the program, 11.8% resided in Gloucester, 24.8% lived in the surrounding county, 16.8% were homeless, 5.6% were from states other than Massachusetts, and the remainder came from elsewhere in Massachusetts. In 12 instances, the person was ineligible for drug detoxification because immediate medical attention was required. In 94.5% of instances in which a person presented for assistance and was eligible (394 of 417), direct placement was offered;…”
through Jan. 8, spotlights more than 80 works by close to 30 artists from their collection.
