“…Homes evacuated and without power, motorists abandoning cars in the snow and temperatures well below freezing. That Armageddon-sounding tone might sound like Gloucestershire under snow last week, but that is just a snap-shot of life in Gloucester, Massachusetts, right now…”
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“Here are some of my favorite pictures from the Rose Bowl parade. The City of Burbank float is the one that was featured in the Gloucester Daily Times article. I love the flyover photo. It always gives me chills. I did not know until I got there that the UMASS band was in the parade. Their first appearance and they had the largest band in the parade with over 400 members…The Rose Bowl parade Theme this year was Making a Difference. Even a heart on the Poster. I think I was meant to go! The Grand Marshal was Gary Sinise, who played Sgt. Dan in Forrest Gump movie with Tom Hanks. He was just in Afghanastan with Gen. Milley, one of the Generals I met this year. Small world.” – Pauline Bresnahan
Thinking of those dealing with no power, evacuation and such destructive, icy flooding.
January 5, 2018 vs Storm January 4, 2018
Today here come the surfers
Rocks have clear icy layers and crunch pack, some pockets of drift
I’m following up on yesterday’s post, which was stopped midstream as we lost power. Scroll below for quick snaps and videos from my walk to Good Harbor Beach, Long Beach, and side streets.
GOOD HARBOR BEACH 1.4.18
About 2PM January 4, 2017 (high tide was several hours earlier)
Good Harbor Beach on sand looking out to Salt Island (from Good Harbor Beach Inn side of beach) Yes, the waves were rolling over the wall up to the homes but infrequently at this time. I don’t know what it was like at high tide.
(more Good Harbor Beach and Long beach below the break)
Beautiful event January 3 sponsored by the GHS boys soccer boosters, with delicious food from the Causeway and great soccer swag! Graduating seniors acknowledged their amazing play off and final soccer year as bittersweet. Congratulations to the players and coaches and thanks to the parent volunteers, especially Chris Mac. Coaches for three teams are: Armando Marnoto, Drew Sidell, Marcus Trejo, and Jason Rutkauskus.
From Nick Curcuru Nov 6 article in the Gloucester Daily Times: “Gloucester finishes up the season at 12-5-2, its highest win total and deepest postseason run since 2007, when the team advanced to the Division 1 North Quarterfinals with an identical 12 wins. Despite the tough ending, Marnoto had nothing but positive things to say about his squad. “This is a special group, one of my favorites and they were a pleasure to coach,” he said. “I’m really happy with the season these boys put out. These seniors took their lumps when they were freshmen and kept improving to end up as one of the final eight teams in the bracket.- Gloucester Daily Times]
From the Cape Ann Museum – Entrance to the museum is free in January for Cape Ann residents. Some programs require registering and tickets.
3PM Saturday, January 6 Quick Steps & Ballads prior GMG post
10AM- 12PM Saturday, January 13 CAM KIDS LEGO STUDIO. See prior GMG post
3PM Saturday, January 13, 2017 Cape Ann Narratives of Art in Life- A Discussion at the Cape Ann Museum
“The Cape Ann Museum is pleased to present Cape Ann Narratives of Art in Life: A Discussion on Saturday, January 13 at 3:00 p.m. This program is free for CAM members and Cape Ann residents or with Museum admission. Reservations are not required. Call (978)283-0455 x10 for more information.
Join Martin Ray and several of the artists featured in his new book Cape Ann Narratives of Art in Life. Ray’s work explores the artistic talent that local residents have brought to their occupations. Whether one is a writer or woodworker, pastor or painter, mayor or musician, Ray classifies each as an artist, and celebrates the mastery that is exhibited in his/her craft. Panelists include Anne Deneen, pastor; Nan Webber, theater director; Brian King, musician; and Stephen Bates, musician/sculptor.
During the month of January the Cape Ann Museum opens its doors to all Cape Ann residents, in an effort to encourage membership, but also to bring the greater community into closer contact with their art, history and culture. This program will do just that, shedding light on locals who take pride in their craft with unwavering commitment and dedication. Does pursuing one’s vocation make one an artist? You decide.” Image credit (book cover): Martin Ray, 2017.
10AM -12:15PM, Wednesdays, January 17-February 7, three Wednesdays– print workshop with Mary Rhinelander
You may have noticed that the Gloucester Lyceum & Sawyer Free Public Library is sporting noticebly thinned out collections, and it’s not just the books. Three Fitz Henry Lane paintings were moved across the street to the Cape Ann Museum: Gloucester Harbor (gifted to the Library by Judith M Todd); Sawyer Homestead Freshwater Cove, Gloucester; and Coasting Schooner off Boon Harbor, ME. Additionally, a portrait of Sawyer and a Bertha Menzler Payton painting are no longer on view.
BEFORE AND AFTER
Gloucester Lyceum & Sawyer Free Public Library installation views- BEFORE (Lanes installed) / AFTER (Lanes removed)
Past the crowd, on the far walls installation view showing pair of Fitz Henry Lane paintings (Gloucester Harbor on the left and Sawyer Homestead Freshwater Cove on the right). A Carlton T Chapman painting is under the clock. Gloucester Lyceum & Sawyer Free Public LibraryGloucester, MA. Gloucester Lycecum & Sawyer Free Public Library December 2017 pair of Emile A Gruppe paintings installed (formerly site of two Fitz Henry Lane paintings)
You can click on the photos to read captions. The photo pair below show Lane Coasting Schooner replaced with a painting from the Addision Gilbert Hospital collection, a portrait of Sawyer and his wife
Library vs Museum
Lane painting installation views comparing Gloucester Lyceum & Sawyer Free Public Library vs Cape Ann Museum
More photos from both collections
Cape Ann Museum is just across the street and it’s the world’s most vital Lane collection. Still, I wish the paintings could remain at the library. I lament my industry’s inability, all of us, actually– to find a way to make stewardship affordable for repositories just like this one. I’ve been thinking about the pros and cons of making copies for the library. When access to originals is difficult or impossible, copies can be a boon. For example the Madonna atop Our Lady of Good Voyage is a replica. The original is held at the Cape Ann Museum and affords close observation that was impossible from the street. The copy preserves the impact of the site. Two dimensional poster reproductions and painted copies are rarely more. Mostly, I advocate for originals. Here, original art was replaced with original art.
The gifts were for the library and Gloucester, in varying degrees of partnership with the library since Sawyer’s private endowment upon his death in 1889. The provenance paperwork for the Lanes can be deciphered differently depending upon context.
The Lanes leaving the library made me think about the James Prendergast Library collection deaccession, for operating funds and a new vision, rather than a relocation just across a city square. That library is located in Jamestown New York. The board consigned 44 paintings to two auction houses for November 2017 sales. The update is that several works did not find purchasers, failing to meet presale estimates. The board rejected lowball offers following the public sales, and the art remains with the auction houses to be sold in future to-be-determined sales. The New York Attorney General office denied a purchase offer that would have held the art in Jamestown, ruling instead for public auction. A makerspace was crafted from three extant rooms where a children’s computer coding Scratch class was offered at the time of the sales. Jamestown had cut annual funding for its library by $300,000. (see prior GMG posts November 20 2017 and auction results)
I was hoping the Lanes might be featured prominently and safely with any interior buildout proposals at Sawyer Free library, like this installation at the Currier (which was a temporary build out for a museum exhibition), and the library’s other works. The Matz gallery is pretty perfect for changing exhibits of local artists.
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Essex National Heritage Commission preserves and promotes the historic, cultural and natural resources of Essex County, MA. The organization’s annual partnership grants have primed several projects in Gloucester and throughout Cape Ann. REGISTER by February 16, 2018 for the latest round of Essex Heritage Partnership grants: twelve $2000 awards will be granted.
How to Apply
Log In or Register to apply online. Applications will be accepted ONLINE ONLY.
Applications are due no later than Monday, February 16, 2018 by 11:59 PM
Please anticipate being in attendance at the Essex Heritage Spring Annual Meeting at Saugus Town Hall on Thursday, April 5 in the event that your organization is awarded a grant
Contact Charles Smith to Gain Grant Applicant Status.
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Several European museum shows in 2018 contain examples or are devoted to American 20th century artists and modernism like the ones curated for the Ashmolean Museum at Oxford, the Royal Academy, Tate Modern and British Museum.
Massachusetts loans boast the Edward Hopper painting Manhattan Bridge Loop from the Addison Gallery of Art collection, Phillips Academy, Andover, selected for America’s Cool Modernismat Oxford. Three Hopper etchings (The Cat Boat, Night Shadows, and The Railroad) are on the checklist. Hopper depicted Gloucester in over 110 works of art. Besides Hopper, notable artists and writer with various Gloucester connections selected are: Stuart Davis, Marsden Hartley, e e cummings, and Louis Lozowick.
Forgot the cry of gulls and the deep sea swell
Upcoming at Turner Contemporary –“Journeys with ‘The Waste Land’ a major exhibition (Sat 3 Feb – Mon 7 May 2018) considering Eliot’s watershed poem through visal arts, and Margate. I hope they turn to Gloucester and Cape Ann, unspoken in the final poem yet approachable (and specified in excised iterations). From the museum’s press release:
“Presenting artworks from the 19th century to the present, including film, photography and artefacts, the exhibition explores how contemporary and historical art can enable us to reflect on the T. S. Eliot poem, The Waste Land, and its shifting flow of diverse voices, references, characters and places.
If Not, Not (1975-6), R.B. Kitaj, National Galleries of Scotland
In 1921, T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arrived in a fragile state, physically and mentally, and worked on The Waste Land. The poem was published the following year, and proved to be a pivotal and influential modernist work. Building on Turner Contemporary’s extensive experience in participation and engagement, the exhibition is being co-curated with a research group of 30 volunteers from the community, supported by the programme team at Turner Contemporary and external curator Professor Mike Tooby. Journeys with ‘The Waste Land’ is being funded by the Paul Mellon Centre for Studies in British Art and the John Ellerman Foundation.”
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Here are a few brief (less than 30 seconds each) sound snippets from the 2018 City of Gloucester Inauguration Celebration including Gordon Baird (God Bless America), Alexandra Grace, Josh Cominelli (National Anthem, You’ve Got A Friend), Fly Amero, John Ronan recitation (poem We, Helmsmen), Charlee Bianchini & Jack Tomaiolo (Don’t Stop Thinking About Tomorrow). To see great photos and portraits of the day, see Kim Smith’s post Inspiring City of Gloucester Inauguration Ceremony 2018. To see the printed program and the Mayor’s full remarks, visit the city website: http://gloucester-ma.gov/index.aspx?nid=956. I’ll add Cape Ann TV video link if/when it’s ready. Ray Lamont’s excellent coverage in the Gloucester Daily TimesTaking the Oath of Office
Big, beautiful turn out and program featuring wonderful speakers and tributes to Mayor Romeo Theken, her essential address, the swearing in of officials, exceptional arts throughout, and fantastic emcee Ronda Faloon, Director of Cape Ann Museum. Councilor Lundberg is the Chair of City Council and Councilor LeBlanc is the Vice Chair.
-quote in title an excerpt from John Ronan great poem WE, HELMSMEN
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Happiness New Year is…CAPE ANN MUSEUM FREE EVERY JANUARY
and they operate as usual which means look for amazing programs for all ages. Here’s one: Register for the CAM KIDS LEGO STUDIO Saturday January 13 10AM-12PM
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DETAIL (Fitz Henry Lane sheet music cover displayed at Cape Ann Museum’s Drawn From Nature & On Stone exhibition)
photo: FH Lane illustration (Boston Harbor/USS Constitution/State House) for
Captn. E.G. Austin’s quick step As first performed by the BOSTON BRIGADE BAND on the anniversary of the Boston Light Infantry, May 31st 1837 also the new nautical song A Yankee ship and a Yankee crew, sung by Mr. Williamson
From Cape Ann Museum- Upcoming Saturday January 6, 2018
“The Cape Ann Museum is pleased to present Quick Steps and Ballads: The Sheet Music Lithographs of Fitz Henry Lane, on Saturday, January 6 at 3:00 p.m. This musical performance is free for Cape Ann residents, Museum members or with Museum admission. Reservations are required and can be made online at camuseum.eventbrite.com or call (978)283-0455 x10.
The performance was conceptualized and coordinated by local musicians Kristina Martin, Kathleen Adams and Beverly Soll with music transcription and program design by Andrew Soll. Featured performers include the Waring School Singers, ‘Leven, Vintage Victorian of Nahant, and other individuals from around the north shore area. Don’t miss this opportunity to see the dances and hear the songs that were popular in the 19th century!
The performance is offered in conjunction with the special exhibition Drawn from Nature & on Stone: The Lithographs of Fitz Henry Lane, which was designed to explore artist Fitz Henry Lane’s life and career in detail and against the backdrop of 19th century printmaking culture in America. As early as 1833 Lane was illustrating sheet music for these popular songs of the time. The special exhibition is on display until March 4, 2018.
Image credit: (left) Song of the Fisher’s Wife. Lithograph on paper (sheet music). Drawn by F.H. Lane. Lithograph by Sharp & Michelin Lithography. Published by Oakes & Swan, Boston, 1840. American Antiquarian Society. (center) The Maniac. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Thayer’s Lithographic Press. Published by Parker & Ditson, Boston, 1840. American Antiquarian Society. (right) Sicilian Vespers. Lithograph on paper (sheet music). Drawn by F. H. Lane. Lithograph by Pendleton’s Lithography, Boston. Published by C. Bradlee, Boston, c.1832. Boston Athenaeum. Gift of Charles E. Mason, Jr., 1978.”
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Various installation views of Peter Lyons striking paintings at Trident Gallery, Main Street, Gloucester, MA. There’s still time to catch the show, on view through December 31, 2017. Lyons was born in New Zealand in 1960 and was in the US by 1990. He’s lived and worked on both coasts, currently in Natick. He’s shown at Richard York Gallery in New York.
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Last chance to catch the Steve Howard photography exhibition, December 2017, at Matz Gallery, Gloucester Lyceum & Sawyer Free Library, Gloucester, MA. Howard resides in Gloucester and is an exhibiting member of the Rockport Art Association.
Don’t miss the Bruce J Anderson Foundation funding opportunity in the New Year! The foundation has helped many local organizations such as: Cape Ann Art Haven, City of Gloucester Committee for the Arts, Cape Ann Museum, Cape Ann YMCA, Rocky Neck, Cape Ann Reads, Cape Ann Symphony, Gloucester Stage, and many more.
From the Boston Foundation outreach by Carmen Savarino:
“We are pleased to announce the 2018 Request for Proposals for the Bruce J. Anderson Foundation, a supporting organization of the Boston Foundation. The Bruce J. Anderson Foundation has been making grants on Cape Ann and the communities of Harvard, Ayer, Groton, Pepperell, Shirley and Townsend for over 30 years. Please review the guidelines carefully and note that the application deadline is Monday, February 5, 2018. Please note that this year all applications will be submitted online.
Grant decisions will be made in mid-June and announcements will be made at the end of June. This year we will be hosting an informational webinar session on Tuesday, January 9th. Those interested in attending can join us to hear about the Bruce J. Anderson Foundation’s grantmaking priorities and to answer any questions you may have. More information will be sent out in the coming weeks on how to attend the call if interested. We hope you will consider taking advantage of the Bruce J. Anderson Foundation funding opportunity. Questions regarding program eligibility can be directed to my attention at carmen.savarino@tbf.org or (617) 338-2676″
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