Join in planning now for #GloucesterMA 400th Anniversary in 2023!

All are invited to have fun, join in, share ideas for Gloucester’s 400th Anniversary possible celebrations in 2023. A public meeting will be held at City Hall on Saturday, April 28, 2018 from 1-3pm. Can’t attend? Email your input to the 400th steering committee: email gloucester400@gmail.com  and check out the 400th Anniversary Facebook page For More Info

“Although Gloucester’s 400th Anniversary is five years away, we know that those years will go by quickly.  400 years deserves a year long celebration in 2023 and a steering committee has been meeting for the last six or seven months to get the process started. Three Captains have been chosen to lead the group:  Bruce Tobey, Bob Gillis and Ruth Pino. The Committee is sponsoring a public meeting on Saturday April 28, 2018 in City Hall Auditorium…What should happen during 2023? What would you participate in? What would you miss if it didn’t happen?” 

With so much advance notice, it’s fun to ruminate. Three words come quickly to mind for one idea: Virginia Lee Burton. Burton was one of the most influential children’s book author-illustrators of the 20th century and Folly Cove textile designer and founder. She received the Caldecott medal in 1943 for The Little House. Whether for the 400th Anniversary or not, I hope one day that there are tribute commissions for Virginia Lee Burton’s beloved characters Katy from Katy and the Big Snow and Mary Ann from Mike Mulligan and His Steam Shovel at Stage Fort playground.  Life Story and Song of Robin Hood were also informed by landscape and her life in Gloucester. (The Burton tributes could be massive, interactive and accessible bronze sculptures. Tom Otterness commissions were completed at this scale. Why not Burton? They don’t have to be. Also bring back the monumental sea serpent and the big truck. These memorable imaginative expressions were wood in the past and maintained for years. Perhaps they could be recreated with modern decking materials. And add in Burton’s Little House! )

 

Archives

May 1923 Gloucester Daily Times covers down to the wire plans tercentenary Gloucester Mass.jpg

Gloucester has a history of producing major anniversary celebrations which makes looking back through archives* inspiring for future plans. Here are a few I’ve pulled:

*digitizing Gloucester Daily Times and Gloucester’s municipal archives is another oft repeated plea of mine and others–am sending that one along to a 400th dream wish list…

1892

Link to Gloucester’s 250th memorial celebration BOOK: https://archive.org/stream/memorialofcelebr00glou

1942

August 16, 1942– the city’s second (!) Tercentenary Celebration.

 

1923 Fighting for public art –  the Fisherman at the Wheel memorial commission

On May 21, 1923, the Gloucester Daily Times published an article about the appropriations and planning for the city’s 300th Anniversary which is remarkable in content and its late date–the celebration was just months away!  The idea itself and related costs concerning a public art commission –the one that would become Gloucester’s renowned Fisherman at the Wheel Memorial– were hammered out at a heated City Council meeting. Here’s the nearly complete transcription:

COUNCIL RECONSIDERS AND VOTES $5000 TO CELEBRATION: Equal Amount Will Be Reserved for Permanent Memorial Fund–Executive Committee Held Prolonged and Animated Session Saturday Evening. May 21, 1923 (*note ______ indicates illegible copy)

After three hours of discussion and a conference of the municipal council behind closed doors lasting about three-quarters of an hour on Saturday evening, it was voted to reconsider their action whereby the $10,000 appropriated for the anniversary committee should be alloted for a permanent memorial and voted for _____ committee to expend a sum not exceeding $5000 for the celebration, and the other $5000 to be used for the creation of a permanent memorial.

The agreement as finally reached is ______________ provide for the dedication in whole or in part of a permanent memorial to be erected and paid for jointly by the _______ city of Gloucester. “The municipal council agrees that a sum of $5000 of the amount appropriated by the city for the celebration will be for the general purposes of the committee if necessary, with the understanding that all expensea for additional police protection incurred by the  committee on public safety will be paid for by the anniversary committee. And with the further understanding that the anniversary committee will do all possible to have this sum of money applied to the permanent memorial in addition to the sum reserved ____ by the municipal _____ surplus after the celebration is over, this surplus also to be for the purpose of a permanent memorial.” The meeting opened at 8.15 o’clock, with a reading of the records by Secretary Harold H. Parsons, and following this there came without hesitation_____ ing of the celebration from those present, and for a time, one was reminded of the old town meeting days. ___________ A Piatt Andrew ___________ carnival parade by members of the art colony of the city were accepted and adopted. 

Plain Talk by Chairman Barrett-  Chairman Barrett then arose and addressed the members present and said: “I sent a communication to the municipal council some time ago to find out just what standing this celebration had with them. The letter I received was not

Continue reading “Join in planning now for #GloucesterMA 400th Anniversary in 2023!”

IN WAR AND AFTER: The Art of Combat Veterans curated by Ken Hruby at Rocky Neck

The creative response to military service is vast.

Several Gloucester and Cape Ann artists and writers were veterans officially engaged as combat documentarians and/or military artists, like Larry O’Toole (1908-1951), marine artist, official USCG artist and WWII Veteran.

Ron Gilson visiting Larry O'Toole oils commisioned ca1945 by Ben Pine for YMCA and Master Mariners moved to Essex Shipbuilding-  then O'Maley ©c ryan.jpg
Author and historian Ron Gilson viewing Larry O’Toole murals at O’Maley Innovation School, originally commissioned by Ben Pine ca.1945; after fire and demolition, temporarily relocated to Essex Shipbuilding Museum ; rescued and returned to Gloucester by Raye Norris. When he was a teenager, Gilson helped O’Toole with general art handling-studio assistance such as readying and moving these murals.

 

Addison Center’s 1866 portrait of Ulysses S. Grant is to the left upon entry in City Hall. (On the right is a 1946 memorial commission by Marguerite Pearson to 5 WWII marines: Sherman B Ruth, Ralph Greely, Wilfred Ringer, John M. Sweet, and Robert M. Maguire.)

Others created art in response to their service experience like fine artist, Robert Stephenson (1935-2013).

Good Morning Gloucester readers have been following an indeliable original illustrated series, Stories from Vietnam, with illustrations and writing by David Hussey. The Gloucester Writers Center established a Veterans Writing Workshop in the fall of 2013 and published a compilation book, The Inner Voice and the Outer World, launched in December 2017.  Cape Ann Veterans Services brought copies of the children’s picture book, Veterans: Heroes in Our Neighborhoodand super volunteer readers, into local Kindergarten, first and second grades to read aloud in the classes. Copies of the book were gifted to the classroom libraries. (Veterans: Heroes in Our Neighborhood ©2012 is by Valerie Pfundstein with illustrations by Aaron Anderson and foreword by John Vigiano Sr., a Marine Veteran and retired FDNY Captain, who honors his sons’ memories –both lost on 9/11– by volunteering his time and resources to Gold Star families and wounded heroes.) Gloucester native and Gold Star mother, Anita Coullard Dziedzic, helped support this outreach through Cape Ann Veterans Services, to honor her son Sgt. David J Coullard.

© c ryan Bradley Smith poet and veteran
Artists-veterans throughout Cape Ann. Bradley Smith, poet, veteran

NEXT MONTH, Rocky Neck Cultural Center will present a visual arts group exhibition featuring artists who are currently active or served in the military curated by fine artist and veteran Ken Hruby:

IN WAR AND AFTER: The Art of Combat Veterans, Curated by Ken Hruby
May 17 – June 24, 2018

Courtesy photos credit info and press release below from Rocky Neck.

  • Mourning the Loss of a Comrade, GySgt Michael Fay, USMCR- Served in Kuwait, Iraq, Afghanistan
  • Walking in Two Worlds, US Army Signals Linguist Cara Myhre, Served in Iraq, Afghanistan
  • Haunting Memories, Lt. Col. Deveon Sudduth, US Army, Served in Iraq
  • Ready for Ga Noi, Sgt. Robert Louis Williams, USMC, Combat Artist, Served in Vietnam
  • Woman Marine, GySgt Michael Fay, USMCR, Served in Kuwait, Iraq, Afghanistan
  • Through The Elephant Grass, Sgt. Robert Louis Williams, USMC, Combat Artist, Served in Vietnam

PRESS RELEASE – “The Rocky Neck Art Colony (RNAC) proudly presents “IN WAR AND AFTER: The Art of Combat Veterans”, a multi-media, juried exhibition of over sixty works by more than thirty combat artists from the military services and by veterans making art from their experiences in zones of combat…Congressman Seth Moulton of the 6th congressional district of Massachusetts, himself a Marine Corps veteran of four tours in Iraq, states of this exhibition, The ‘incommunicable experience of war,’ as Oliver Wendel Holmes once described it, indeed often defies explanation by words alone. That veterans can share some of their experience through art can help us all better understand what they went through. And as a veteran myself, who returned to war with a camera after I left the Marines, I know how cathartic art can be for those of us who were there. The work of combat artists is important for civilians as well, to deepen their understanding of the lives of our service men and women, and their families. “In War and After” is an a very important exhibition for both communities.”

Few people are aware that when US military forces go to war, some of them carry, in addition to their weapons, their sketch pads, graphite pencils, watercolor brushes and cameras. These are combat artists, tasked to not only serve the combat mission but to record that mission in ways only an artist can.

Continue reading “IN WAR AND AFTER: The Art of Combat Veterans curated by Ken Hruby at Rocky Neck”

Liz Fletcher art featured in Bedrock Gardens group show for International Sculpture Day

Gloucester, MA, and NH artist, Liz Fletcher shares save the date:

“On Saturday, April 28, 2018 the world will join in celebration of sculpture during the 4th annual International Sculpture Day. Artists, organizations and institutions worldwide will celebrate the day with open studios, unveiling public sculptures, sculpture scavenger hunts, pop up exhibitions, demonstrations, iron pours, plus much more.” Bedrock Gardens, “an oasis of art, horticulture, and inspiration”, International Sculpture Day Group Show, Lee, NH

Saturday April 28 – May 8, 2018

International Sculpture Day April 28 2018 Liz Fletcher.jpg

Poetry without Paper deadline reminder from Christy Russo Sawyer Free Library, John Ronan, O’Maley School, & Mayor Romeo Theken

Two weeks to go. Kids- send in your poems: Gloucester Lyceum & Sawyer Free Libraray childrens services Poetry Without Paper 2018 is underway

IMG_20180409_160523

Now in its 16th year (!) Sawyer Free’s annual poetry contest for all students who go to Gloucester schools or live in Gloucester is LIVE. Participants can submit up to 3 poems through April 30, 2018. Some of the previous winning poems are published on the library web site. 2015  2016 2017

Former Gloucester Poet Laureate, host of The Writers Block, and co-founder with Christy Russo of the dynamite Poetry without Paper contest, John Ronan, included this reminder plug along with his January column and poem in the Gloucester Daily Times: Continue reading “Poetry without Paper deadline reminder from Christy Russo Sawyer Free Library, John Ronan, O’Maley School, & Mayor Romeo Theken”

And the Mystery Buyer of Berkshire Museum Shuffleton’s Barbershop by Norman Rockwell is…Lucas Museum of Narrative Art

No surprise! Here’s the Lucas Museum of Narrative Art press release about the Berkshire Museum deaccession. George Lucas already paid a record breaking price– 46 million–back in 2013 for Saying Grace, one of his numerous major Rockwells. Shuffleton’s Barbershop could have surpassed that price; the market won’t know unless Lucas opts to sell it at a public auction some future date.

1950 Norman Rockwell syaing grace

(photo above – Norman Rockwell, Saying Grace, collection Lucas Museum Narrative Art)

Thirteen more Berkshire Museum works (including another Rockwell Blacksmith’s Boy – Heel and Toe) will be sold at Sotheby’s auctions beginning May 14, 2018:

  • John La Farge, Magnolia, 1859–60. Estimate $200,000–300,000.
  • Charles François Daubigny, Paysans allant aux champs (Le Matin). Estimate $70,000–100,000.
  • Henry Moore, Three Seated Women, 1942. Estimate $400,000–600,000.
  • Alexander Calder, Double Arc and Sphere, executed circa 1932. Estimate $2,000,000–3,000,000. (*oddly just one of a site specific commisioned pair for the Berkshire Museum)
  • Francis Picabia, Force comique, 1914. Estimate $800,000–1,200,000.
  • Adriaen Isenbrant, The Temptation of Adam and Eve. Estimate $150,000–200,000.
  • William Bouguereau, The Newborn Lamb, 1873. Estimate $1,500,000–2,000,000. (**November cover lot pulled from sale last fall)
  • Alberto Pasini, Faubourg de Constantinople, 1877. Estimate $700,000–1,000,000.
  • Adriaen Isenbrant, The Flight into Egypt. Estimate $150,000–200,000.
  • William Bouguereau, Les deux sœurs, 1884. Estimate $2,000,000–3,000,000.
  • Norman Rockwell, Blacksmith’s Boy – Heel and Toe, 1940. Estimate $7,000,000–10,000,000.
  • Frederic Edwin Church, Valley of Santa Isabel, New Granada, 1875. Estimate $5,000,000–7,000,000.
  • Rembrandt Peale, George Washington. Estimate $200,000–300,000.
  • Norman Rockwell, Shuffleton’s Barbershop, 1950. Acquired privately by a nonprofit American museum.
  • (the Vuillard and 25 more aren’t listed at this time)

sothebys berkshire museum may 2018.jpg

press release from Lucas Museum APR 11, 2018

Lucas Museum of Art.jpg

Lucas Museum Announces Acquisition of Norman Rockwell’s ‘Shuffleton’s Barbershop’

Museum ensures iconic masterwork remains in public view

Los Angeles, CA (April 11, 2018) – The Lucas Museum of Narrative Art today announced the acquisition of Norman Rockwell’s masterwork Shuffleton’s Barbershop. The 1950 painting, which had been in the collection of the Berkshire Museum in Pittsfield, MA, has been the subject of considerable attention in recent months.

“As a museum dedicated to celebrating visual storytelling, we are honored to become the public steward of this major work,” said Don Bacigalupi, Founding President of the Lucas Museum. “Norman Rockwell is one of our nation’s most important storytellers, and this cultural treasure will continue to be seen and enjoyed by the public in an American museum, where it will be a source of inspiration for generations to come.”

The Lucas Museum recently broke ground and launched construction in Los Angeles, and is expected to open to the public in 2022. 

Shuffleton’s Barbershop, revered as one of the most iconic works of Rockwell’s storied career, will join an expansive collection of works by the artist, including Saying Grace (1951) and After the Prom (1957). 

These works will be featured prominently on public view to allow museum visitors to explore the power and importance of visual storytelling. The Lucas Museum will engage visitors of all ages in educational programs that highlight prominent examples of narrative art in a variety of mediums, periods and cultures. 

With the acquisition, the Lucas Museum announced a cross-country partnership whereby Shuffleton’s Barbershop will be on long-term loan to the Norman Rockwell Museum in Stockbridge, Massachusetts, for public display commencing later this year and extending into 2020. The Lucas Museum will also explore opportunities to loan the painting to other museums in Massachusetts and elsewhere in order to maximize public access to this beloved work of art.

“We are immensely grateful to the Lucas Museum of Narrative Art for ensuring that Norman Rockwell’s masterpiece Shuffleton’s Barbershopwill continue to be available to and enjoyed by the public. We thank the Museum for generously loaning the painting to the Norman Rockwell Museum while the Lucas Museum is under construction in Los Angeles,” stated Laurie Norton Moffatt, Norman Rockwell Museum Director and CEO. “It is especially meaningful for the people of Berkshire County who will have the opportunity to enjoy this masterpiece for a few more years, knowing that it will remain in the public realm. We look forward to continuing to work with our friends at the Lucas Museum to create educational opportunities and appreciation of the narrative art of illustration, including ongoing collection-sharing.” Continue reading “And the Mystery Buyer of Berkshire Museum Shuffleton’s Barbershop by Norman Rockwell is…Lucas Museum of Narrative Art”

Plant a Poet-Tree! Sawyer Free Children’s Library Services April 20 poetry celebration

“April is National Poetry Month! Kids can celebrate by writing a poem & planting a tree! All supplies will be provided for this make & take program on April 20, 2018 from 2-3pm”

IMG_20180409_161227

Always busy, busy fun programming through children’s services at Sawyer Free Library

Poetry without Paper deadline reminder from Christy Russo Sawyer Free Library, John Ronan, O’Maley School, and Mayor Romeo Theken

IMG_20180409_160523

Gloucester Lyceum & Sawyer Free Poetry Without Paper 2018 is underway!

Now in its 16th year (!) Sawyer Free’s annual poetry contest for all students who go to Gloucester schools or live in Gloucester is LIVE. Participants can submit up to 3 poems through April 30, 2018. Some of the previous winning poems are published on the library web site. 2015  2016 2017

Former Gloucester Poet Laureate, host of The Writers Block, and co-founder with Christy Russo of the dynamite Poetry without Paper contest, John Ronan, included this reminder plug along with his January column and poem in the Gloucester Daily Times:

“Students! Families! Grandparents, aunts and uncles! The annual Poetry Without Paper contest, sponsored by the Sawyer Free Library, will again open from March 1 to April 30. All students living in or attending school in Gloucester are eligible, from elementary to high school. This is the 16th year of the contest and hundreds of students participate each season, winners claiming prizes, a public reading, and a chance to be on TV. Spread the word! Watch for details at: www.sawyerfreelibrary.org.”

Mayor Romeo Theken broadcasts and celebrates National Poetry Month every April, Poetry without Paper, and Poem in Your Pocket Day which is April 26 in 2018. #pocketpoem

Poetry Without Paper posted at City Hall.jpg
Mayor Romeo Theken National Poetry Month 2018 poster at City Hall, Gloucester, Mass

O’Maley Innovation Middle School has it posted in several spots and it’s been included in newsletters since the contest opened. Good luck to all the writers!

 

ArtWeek 2018 goes statewide

April 27 – May 6, 2018

Presented by Highland Street Foundation and produced by the Boch Center, ArtWeek moves beyond Greater Boston this year. The calendar of (mostly free) events is now live.

event calendar.jpgArtweek 2018.jpg

Parker River

Sometimes I do get off the island lol,, here is a shot I took at the Parker River Refuge beach side at sunset Saturday afternoon.

I couldn’t believe the amount of sand that had been pushed up onto the boardwalk.

THE FISK CONNECTION | A PROGRESSIVE ORGAN CONCERT ON APRIL 14 Gloucester Meetinghouse UU and St. John’s

high res Fisk facade photoGloucester Meetinghouse Foundation shares news about its upcoming special event

“The the first half of the concert is performed on the historic 1893 Hutchings/Fisk organ in the Gloucester Meetinghouse (home of the Unitarian Universalist Church) and the second half is performed on the innovative 1989 C. B. Fisk organ in St. John’s Episcopal Church next door.  Six professional organists, related in various ways to Gloucester, will perform diverse repertoire on these two fine pipe-organs.  The concert will include narration about the work of Charles Fisk, the relationship of the players to the Fisk legacy, and a bit about how the two instruments sound.  A reception will follow the concert.”

Fisk Connection Organ Concert PosterRead the full press release Continue reading “THE FISK CONNECTION | A PROGRESSIVE ORGAN CONCERT ON APRIL 14 Gloucester Meetinghouse UU and St. John’s”

What a low blow: Justice Lowy clears contested Berkshire Museum art for auction

Justice Lowy’s JUDGEMENT was released April 5, 2018. The Museum may sell Shuffleton’s Barbershop, and — via Sotheby’s– the remaining 39 works free of any restrictions.

“The museum has satisfied its burden of establishing that is has become impossible or impracticable to administer the Museum strictly in accordance with its chartiable purpose, thus entitling the Museum to relief under the doctrine of equitable deviation. Accordingly the court allows the Museum’s request for equitable relief to sell the designated artwork.”

Screenshot_20180405-151807~2.png

Justice Lowy MEMO OF UNDERSTANDING

page 1 MEMO OF UNDERSTANDING Justice Lowy Berkshire Museum and AGO April 5 2018

Reaction from Sotheby’s Auction House:

“We are very pleased that the court approved the agreement reached between the Berkshire Museum and the Massachusetts Attorney General. We look forward to working with the museum to ensure a bright future for the people of Pittsfield and Western Massachusetts.” Judge Lowy’s decision came in just in time to meet the auction’s press deadline clearing for art sales this spring, else sales would have been pushed back till the fall at the earliest. The catalogue pages are ready from last fall’s prep.

Reaction from Elizabeth McGraw, President, Berkshire Museum Board of Trustees:

“This is great news for the people of Berkshire County and everyone who visits the Berkshire Museum for one-of-a-kind experiences in history, art, and science. We recognize this decision may not please those who have opposed the museum’s plans. Still, we hope people will be able to move forward in a constructive way to help us secure and strengthen the future of this museum, at a time when our community needs it more than ever. “

Reaction from Save the Art – Save the Museum (STA-STM)

“Save the Art-Save the Museum continues to oppose the sale of the Berkshire Museum’s art treasures and its unrestricted use of the resulting funds. We also regret the judge’s disregard of the public trust in which the museum held its collections. The impending sale will not only diminish Pittsfield as a city claiming to be of cultural import to Berkshire County, but will reverberate destructively for years through collections similarly held in trust throughout the state and country. As a group, we will make a more detailed statement after meeting in person to consider the loss to our community and its impact.”

Patiner flight into egypt featured in 1953 article celebrating Berkshire Museum 50th celebration
1953

Have a look back at an inspiring 1965 Berkshire Eagle profile about Berkshire Museum Director Stuart C. Henry, and an earlier feature from the Berkshire Evening Eagle, published Thursday, Aug. 20, 1953, heralding the Berkshire Museum’s 50th anniversary. Both convey the museum’s seamless blend of high art, science, community and education.

I wonder what happened to the marble swans over the Berkshire Museum elliptical pool designed by A. Sterling Calder, father of the sculptor, Alexander Calder, and resident of Richmond, Massachusetts, less than 20 minutes away from Pittsfield?  Continue reading “What a low blow: Justice Lowy clears contested Berkshire Museum art for auction”

Opening Day

Here’s a shot I had been thinking of doing for opening day,, being a huge Sox fan, and baseball fan. The feeling of home opener means a lot to me brings me back to when I was a kid playing baseball in the churchyard and down the fields or hair playing catch in the backyard,I know to some they have lost the passion because of all the big contracts and how expensive it is to spend a day at the ballpark,, all I have to say to those is grab a glove and ball a couple friends and just have a pick up game, I know that feeling will comeback!!

Let’s Go Redsox

Lanescove Shack

Sunset photo from Lanescove, this was a happy accident, walking from one side of the cove to the other I saw the colors behind the shack and trees so I climbed down the rocks since the tide was low I was able to frame this shot. First time I’ve seen this angle. Hope you guys like it, thank you

Please feel free to contact me if interested in purchasing any of my photos, website is in the works. I can be reached at (978) 559-1944

Berkshire Museum art case: Mass Supreme Court Justice Lowy allows third amicus brief

Amy Stewart, Second Assistant Clerk for the ‎Massachusetts Supreme Judicial Court for the County of Suffolk, confirms that Justice Lowy has allowed a third Amici Curiae filed by Martin Gammon related to the Berkshire Museum case. Gammon has a new book coming out “Deaccessioning and its Discontents: A Critical History,” (Cambridge, MA: MIT Press, 2018). He has long art world experience, and is an antiques roadshow appraiser and a former director of Museum Services at Bonhams auction house. Although he is opposed to the current deaccession agreement reached by the Attorney General and the Trustees of the Berkshire Museum, and backs off from the panic, Gammon articulates some sell-off, specifically:

“Consequently, if the court were to warrant a limited sale of the European and non-Western works, and that in turn proves to be insufficient for supporting operations in the course of time, then the trustees could then petition the court and consider some of the core American works for potential sale, but then they should be offered in a collaborative process through the auspices of the AAMD to other public institutions first, as the likelihood of another museum willing to acquire them is high, and they would in most cases remain in the public trust.”

Gammon underscores the irregularity of any deaccession planning with no curators on staff as is the case with the Berkshire Museum. One of the paintings Gammon muses a curator may have considered selling was the now infamous cover lot yanked back on the eve of the Sotheby’s November 21, 2017 sale: LOT 18 L’Agneau Nouveau (The Newborn Lamb), oil on canvas, presale estimate 1.5 to 2 million)

x Bouguereau LOT 18 Berkshire Museum Bouguereau featured on the cover of the Sotheby's catalogue 70 lots Nov 21 sale L'Agneau Nouveau-Ne THE NEWBORN LAMB oc 65 x 34 est 1500000 to 2mil

A poignant counter perspective was expressed in a Letter to the Editor on March 13, 2018: Crane gifts to museum would be painful loss, (aka “beyond the Rockwells) by David Peter Moser, a former resident of Pittsfield who benefited from amazing enrichment programs developed between the museum and community organizations

To the editor:
I am saddened by the potential loss of Berkshire County’s cultural assets, those being the gifts Zenas Crane made during his lifetime to his Berkshire Museum. Often overlooked in the press are those gifts associated with former Massachusetts governor and senator Winthrop Murray Crane, subject to being deaccessioned for cash. Governor (1900-1903) and senator (1904-1913), Winthrop Murray Crane and his family also donated works that are among the 40 to be sold, acquired over the last century as his heirs wanted to honor their direct ancestors and the mission of the Berkshire Museum. A native son of Dalton, both businessman and statesman, Winthrop Murray Crane is equally revered as part of this area’s proud heritage. Sen. Crane’s wife, Josephine Boardman Crane, and daughter, Louise Crane, gave art treasures either directly or through their nonprofit foundations. Louise Crane had no descendants.

Works include: William-Adolph Bouguereau’s “La Bourrique/The Horseback Ride;” Girolamo Troppa’s “Apollo and Satyr;” Thomas Wilmer Dewing’s “Two Ladies in a Drawing Room/The White Dress;” George Henry Durrie’s “Hunter in Winter Wood;” Adriaen Isenbrandt’s “Adam and Eve/The Temptation;” Augustus Saint-Gaudens’ “Diana of the Tower; ” Henry Moore’s “Three Seated Figures;” Edward Vuillard’s “Deux femmes dans un interieur;” and Edwin Lord Weeks’ “Indian Prince, Palace of Agra.”

The Josephine and Louise Crane Foundation, now located in Falmouth., has assets of over $70 million and gave $500,000 during the 2007 Berkshire Museum Capital Campaign. Attempts to reach out to the Winthrop Murray Crane ancestors regarding their feeling towards the Berkshire Museum’s intended renovation plans and deaccessioned artworks have gone unanswered.

As an aside, I thank Josephine Boardman Crane for also establishing the Junior Naturalist Program at the Berkshire Museum, which was an important part of my childhood learning experiences growing up in Pittsfield during the 1970s with Woody Bousquet and Thom Smith. My experiences, enhanced by visits to the Berkshire Museum as well as later hiking excursions through the hills of the Catskills and Berkshires with Woody, compelled me to study art history in college at Tufts University. Memories of the paintings by Hudson River School artists’ depictions of our beloved mountain ranges remain clear. Science, nature, history and art interconnected through paintings — treasures “once” known at the Berkshire Museum in Pittsfield.“- David Peter Moser

Moser was compelled to detail the strong accession stories and local community support for the Berkshire Museum 39– the works of art off the beaten press path. Justice Lowy asked about them, too.

Gammon filed one day ahead of the March 20th public hearing where parties and amici presented oral arguments. Although Gammon will not have an opportunity to present oral argument,  Justice Lowy will read and consider this file along with all the other documents. No further information is available at this time.

AMY STEWART FANTASTIC Boston MA John Adams Courthouse -Berkshire Museum deaccession case oral arguments before SJO Justice Judge Lowy_Mar 20 2018 _102144 © catherine ryan (17).jpg

03/28/2018      #24   Notice to counsel/parties regarding paper #18 file

MOTION For Leave To File A Brief Of Amicus Curiae filed by Martin Gammon. (No Certificate of Service included). (3/27/18: “Per the within, Motion is ALLOWED WITHOUT HEARING” (Lowy, J.))

Still Waters

Calm waters and overcast skies at the Lilly pond in West Gloucester.. Soon enough this rock will be a sunning spot for turtles. Spring is here.

Juni VanDyke street art public murals coming to Rose Baker Senior Center and more great news!

Juni VanDyke is busy working on a figurative mural series that will be installed along the Rogers side of Rose Baker Senior Center in Gloucester, Massachusetts. VanDyke resides in Cape Ann and has been the stellar Director of the arts program at Rose Baker Senior Center since 1993.  Her classes are Mondays, Tuesdays and Thursdays, “elbow to elbow on Tuesdays and Thursday mornings, and in the afternoons.” All are welcome.

In addition to teaching art classes, she rotates exhibitions of art created by participants in the various art programs. Fine artist Mary McCarl and Helen Burgess will have their work on exhibit in the lobby of the senior center beginning April 4th though July 5th.

VanDyke is also curating the show “Closely Related” for Flatrocks gallery opening May 27 – June 24, 2018. The exhibit “attempts to identify and examine artistic elements that appear congruently in works by artists related by friendship or marriage, or by filial kinship, or by the duality of artist and place, or…other. Is our art influenced by our environment; our politics; the company we keep and/or by our generic connections? And is what we create truly unique? Or was Picasso right when he said: Every painting already has a mother and a father?” Exhibiting artists: Kathleen Archer, Shelly Champion, Loren Doucette, Paige Farrell, Jay McLaughlin, Barbara Moody, Hans Pundt, Lynne Sauselle, Patti Sullivan, Juni VanDyke

 

 

Juni Van Dyke discusses her Rose Baker Senior Center mural project ©c ryan March 2018 (2)

Phase II Rose Baker Senior Center site for a second new Juni Van Dyke mural  –after the lively figurative series is completed.

 

Juni’s geraniums at home and work- top floor windows at Rose Baker

Read more about Juni Van Dyke: Artist of such expressive power and spirit. Last year Room & Board commissioned art from Juni,  and her illustrations for children’s books were recognized by Cape Ann Reads and will be featured in a group exhibit in 2018. The collage media informed her approach with the Rogers Street series.

Larry O’Toole Amazing map and Historic murals at O’Maley School #GloucesterMA

Five monumental Larry O'Toole paintings circa 1948- reinstalled O'Maley School circa 1971 - Gloucester MA DPW crew Mike Hale, Joe Lucido, Phil Curcuru, Mike, and John inspecting 2018 wit

photo above- Five monumental Larry O’Toole (1909-1951) paintings circa 1948 were rescued and reinstalled O’Maley School circa 1982. Gloucester MA excellent DPW crew Mike Hale, Joe Lucido, Phil Curcuru, Mike, and John inspecting 2018 with ©c ryan.  Thank you DPW! City art is routinely checked. Photo by Phil Curcuru below- note the artist’s distinct “L” signature

Larry O'Toole signature photo by Phil Curcuru Gloucester MA DPW  #5 installed at O'Maley painting pre dates 1951.jpg

If you haven’t seen the series of five murals painted circa 1945 by fine artist and muralist, Larry O’Toole (1909-1951), that were rescued and installed (decades ago) at O’Maley Innovation Middle School, perhaps you’ve noticed a poster of his brilliant pictorial map around Cape Ann.

O’Toole published editions of the map in 1947 and 1948. Reproductions of “A Salty Map of Cape Ann: Gloucester-Magnolia-Rockport-Pigeon Cove-Lanesville-Bay View-Annisquam” the 1948 blue version are available at Cape Ann Museum shop.  The delightful map includes inventive and intricate details and local nods: a shout out to Ben Pine’s* wharf, “All maps like this have a sea serpent;” schooners like the Henry Ford and Gertrude Thebaud (again Pine); historic sites and characteristic scenes not to miss “Artists and Seagulls”; and upcoming landmarks to look forward to like the Annisquam Bridge slated for completion in 1950. The numbered border framing elements could have been inspired by Virginia Lee Burton.close up zoomable map (sold) can be found here 

 

Gloucester, Massachusetts Capt. Ben Pine, the man who raced the schooner Gertrude Thebaud against the Canadian schooner Blue Nose for the fisherman trophy, one of the three men who made
Ben Pine office, 1941, Howard Liberman FSA/OWI photograph

Ben Pine* portrait by FSA/OWI photographer, Howard Liberman, titled “Gloucester, Massachusetts. Capt. Ben Pine, the man who raced the schooner “Gertrude Thebaud” against the Canadian schooner “Blue Nose” for the fisherman’s trophy, is one of the three men who made Gloucester. The others were Tom Carrol and Ray Adams.” (author’s note: Ray Adams was a gal so the compliment is for two men and one woman…).

Art can be seen on the walls throughout the Gloucester Mariner’s Association in Howard Liberman’s faint photos from 1941. I’m looking for more interior shots. Some of the art could be O’Toole’s, who completed commissions for Pine.

Carved fish models at the Gloucester’s Mariners Association (Fishermen’s Institute)

Howard Liberman FSA photo Gloucester Mariners Association.jpg

 

Rockport Art Association & Museum’s Experimental Group Opens Eighth Show…in Gloucester!

Jeff Grassie_Entrapment_ 20x30_ sculpture

PRESS RELEASE 
What: Unexpected No. 8 Exhibit – www.experimentalartgroup.com 
featuring Rockport Art Association & Museum artists and contributing members
When:  
April 2-April 30, 2018
Reception Saturday April 7, 5-7 pm
Where: NOTE VENUE Rockport Art Association & Museum’s Experimental group show at Charles Fine Art Gallery in Gloucester, 196 Main Street, Gloucester, MA

The Rockport Art Association & Museum’s Experimental Group opens its eighth group exhibition, “Unexpected No. Eight” at Charles Fine Arts Gallery, 196 Main Street, Gloucester, MA 978.559.7762.  This juried show features artworks of both the RAA&M’s artists and contributing members. Works on view in the exhibition range in medium to include paintings, mixed-media, graphics, sculpture and photography.  The exhibition runs from April 2 through April 30, with an Artist Reception on Saturday, April 7 from 5-7 pm. There will also be a gallery talk by Jeff Grassie held on April 12 at 7pm.  Gallery hours are Tuesday through Sunday, 1-5 pm or by appointment. Closed Monday.

The Experimental Group is a creative forum, its main mission is to increase public awareness and to foster self-expression by bringing artists together to explore and share ideas that cultivate creative freedom. The EG is encouraged and supported by the Rockport Art Association & Museum. 

If you would like more information about the exhibition, would like to schedule an interview and a walk through, or need additional promotional images please contact: Nella Lush, Experimental Group, Chair, 978.886.4582 or via email experimentalgroupraa@gmail.com 

Rockport Art Association & Museum, 12 Main Street, Rockport, MA 01930  (RAA&M) is one of the oldest and most active art organizations in the country. The Association has a long and distinguished history that has spanned 96 years.

 

Listen for #GloucesterMA on the radio! Mass Cultural Council’s WCRB, WBUR, WICN and NEPR spots for Cultural Districts start next week 📻🎙️😊

Last year, the Mass Cultural Council purchased series of 10, 20, and 30 second spots on WCRB, WGBH, WBUR, WICN, and NEPR to promote each of the Massachusetts designated Cultural Districts,” Meri Jenkins explained. They’re doing it again for 2018. Beginning next week, you may hear radio commercials wishing Gloucester and its two cultural districts great success in 2018 (Downtown Cultural District and Rocky Neck cultural district). Email Mayor Romeo Theken’s arts hotline: sefatia4arts@gloucester-ma.gov (subject line MCC radio spots) with the day and time you heard “Gloucester”, where you were and what you think.

Some of the radio spots are scheduled during the following shows

  • Two (2) WFCR News spots rotating thru Morning Edition, All Things Considered and Marketplace – Monday thru Saturday
  • Two (2) WFCR Run of Station spots rotating thru Classical Music, Jazz and Entertainment programing – Monday thru Saturday
  • TWO (2) WNNZ News Network spots rotating Monday thru Saturday
  • TWO (2) WNNZ News Network BONUS spots rotating Monday thru Sunday

The MCC is also expanding outreach thru increased collaboration with the state’s office of Travel and Tourism. See Massachusetts excellent and popular travel site. 

The Gloucester page has not been edited, yet–it’s just a placeholder. We can edit and businesses can add in. The calendar is an exciting opportunity integrated with the interactive cultural districts map and information. I’m hoping the GMG and chamber calendars can just be synced up.

MCC new landing page on MOTT ma vacation