SHADBLOW, SHADBUSH, CHUCKLEBERRY TREE, SERVICEBERRY, JUNEBERRY…

Shadblow Red-winged Blackbird Atlantic Coastal Plain copyright Kim Smith

Shadblow blooming with Red-winged Blackbird coming in for a landingYellow Warbler Shadblow Amelanchier copyright Kim Smith

Male Yellow Warbler hopping through the Shadblow branches eating small insects

Shadbow, Shadbush, Chuckleberry Tree, Serviceberry, and Juneberry are just a few of the descriptive names given the beautiful Shadblow tree lighting up our marsh and woodland edges. With lacey white flowers, Shadblow (Amelanchier canadensis) is one of the first of the natives to bloom in spring, growing all along the Atlantic coastal plains.

A fantastic tree for the wild garden, over 26 species of songbirds and mammals, large and small, are documented dining on the fruits of Shadblow (including bears). The small blue fruits are delicious, though rarely consumed by people because wildlife are usually first at the table. The foliage of Shadblow is a caterpillar food plant for the Red Admiral Butterfly. Look for her eggs on the upper surface at the tip of the leaf.

Dew drops and Shadblow -2 c Kim Smith

Shadblow in bud  at the water’s edge with dewdrop necklace

Fruiting in June at the same time of year as the annual spawning migration of shad, is how the names Shadblow and Juneberry came about. The common name Serviceberry is derived from the flower clusters gathered for use in church services.

Shadblow reeds Atlantic coastal plain copyright Kim SmithShadblow in bloom Loblolly Cove

The Shadblow and reeds create a beautiful symbiotic habitat for the blackbirds, Grackles and Red-wings, especially. Reeds of cattails and phragmites make ideal nesting material and sites, and come June, above the nesting area, a songbird feast of Shadblow berries ripens.

Common Grackle males copyright Kim SmithCommon Grackle nesting copyright Kim SmithMale Common Grackles nest building in reeds

Female Red-winged Blackbird copyright Kim SmitrhFemale Red-winged Blackbird perched on cattail while collecting fluff for her nest and calling to her mate.

Shadblow moonlight copyright Kim SmithAmelanchier in the moonlight

NEW VIDEO: COME SAIL IN THE 4th ANNUAL SCHOONER CHALLENGE!

“What happens in this race anyhow?” Racing, of course, with some cheating too (as revealed in the video), along with photo competitions, songwriting contest, creative knot tying, and much more! Everyone is welcome to participate, but hurry and sign up today because tickets are going fast.

Check out this super fun video from Barry O’Brien, featuring our Gloucester Captains Tom and Heath Ellis of the Schooner Thomas E. Lannon, Captain Stefan Edick of the Schooner Adventure, and Captain Harold Burnham of the Schooner Ardelle.

JOIN THE 4th ANNUAL SCHOONER CHALLENGE! Monday, June 6th, 6 to 8 pm. The Schooners Adventure, Lannon, and Adelle join forces to help us to protect and preserve the Schooner Evelina M. Goulart here at the shipbuilding museum. Schooners sail from The Maritime Gloucester dock on Harbor Loop. More fun than you can imagine. Sign up at www.essexshipbuildingmuseum.org, or call Marcia at (978) 375-3337 today! Tickets will sell fast!

Video by Barry O’Brien, with footage lent by Marty Luster

Gloucester Schooner Challenge

Lilacs

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When Lilacs Last  in the Door-Yard Bloom’d by Walt Whitman, is, in my very humble opinion, one of the greatest works ever produced by an American poet. At first reading, it is an exquisite elegy for Abraham Lincoln who was loved by Whitman and whose assassination shattered the poet. Slowly and carefully reading (preferably aloud) the poem’s 200-plus lines reveals a greater and deeper treasury of meaning through a rich orchestration of poetic devices.

I first encountered Lilacs in about 1960 while attending Long Island University in Whitman’s hometown of Brooklyn, NY.  My teacher was Professor Scott (I don’t remember his first name) who, like the Robin Williams character in Dead Poets Society, brought Whitman alive for me and made him my life-long companion.

If you’ve never read Lilacs, or if you’ve not read it since college, give it a go.

Here it is:

http://www.poetryfoundation.org/poems-and-poets/poems/detail/45480

 

Don’t miss out on the best brunch…

If you haven’t been to Foreign  Affairs in Manchester  you don’t know what you’re missing ESPCIALLY for Brunch!

The infamous  Bloody Mary bar!

IMG_20160515_110144Tyler was feeling southern with some chicken n’ waffles

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I couldn’t resist the Fried Oyster  Benedict

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Seriously get there ASAP! You won’t  be disappointed! Chef Ryan and team are Unbelievable!

Sliders at Willow Rest OMG OMG

These are Sliders in name only. Brioche toasted nicely , some sweet onion and a cheese that makes the whole thing so gooey. Try it with the potato onion soup.
These are Sliders in name only. Brioche toasted nicely , some sweet onion and a cheese that makes the whole thing so gooey. Try it with the potato onion soup.

There is a three day science meeting I go to in a secret location on Cape Ann. I go to all three days because Willow Rest caters it. Rubber Duck gains three pounds.

Willow Rest

Ed Touchette in group show Rocky Neck Cultural Center

 

Ed writes: “The comments included below reflect understandings of my recent work that I’d like to share.”

Ed

Day Sailors, 2016, acrylic/ canvas, 24 ” x 30 ”

“Why Abstract: The Art of Imagination” – “The show is generally strong, and several works, especially those from Maria Malatesta and Ed Touchette, are unforgettable. Malatesta’s two “Field” series paintings (#26, #27), acrylic on paper, are full of air and atmosphere. The canvases don’t “abstract” the image of a field of flowers, but capture a field as if it were made of the stuff we breathe. We recognize that it’s a field, but we could also inhale it, almost hear it. Touchette’s two acrylics, “Phototaxis” and “Day Sailors,” invite interpretation. Bold lines describe something — something elusive. A bright color highlights. The titles intrigue. There is meaning, or suggestions, and we are invited to offer our ideas.” – Keith Powers, reviewing 3 abstract group exhibits for Cape Ann Beacon on view at the Rocky Neck Cultural Center, Trident Gallery and Flat Rocks Gallery. 

“Why Abstract: The Art of Imagination” was reviewed by Keith Powers in today’s Cape Ann Beacon. I particularly was drawn over to Ed Touchette‘s piece almost expecting to find my secret location on land pushed against the sea currents navigating the shoreline. Maps of our existence of place or a dance with the China trade? I may have flown over and sailed through this place at one time. The piece has certainly pulled on my imagination. Look deeper and there is more.” – Jo Ann Castano

Why Abstract: The Art of Imagination” continues through the end of May at the cultural center on Rocky Neck.

why abstract

Part 6 Manny Carrancho shares treasured photos Madonna statue carried from Gil Eannes at State Pier to Our Lady

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