And the tables! Not a man was stirring 🎅 🙂




My View of Life on the Dock
And the tables! Not a man was stirring 🎅 🙂




Gloucester artist, Emily Grace, has delivered a bold delight downtown. Magnolia Sunshine, her vivid new mural for the exterior wall of Bravo by the Sea , is complete and its immediacy lures you in.
I asked Emily about her inspiration and design:
“I was so glad when Beth (Beth Gibeley Panagos, Bravo owner) asked me to do my own style for the mural. All of the shapes and bright colors are the way I love to work and it’s just awesome when you get someone to commission you for something and they really want YOU. When thinking about the art for the space, we knew it needed to be Gloucester themed, and then we thought it would be great if it could be Magnolia themed since Beth and I both live in Magnolia.
I’m so honored to be able to bring my work right to Main St, it’s one of my favorite places on Earth, being a Gloucester girl!”
Emily Grace, November 2022
Emily Grace finished “Magnolia Sunshine” on Nov. 27, 2022. Did you spot the cherished landmarks? The completed mural features local scenes: a sunny surrealist horizon and lush floral border, Magnolia pier, harbor, and Kettle Island.
Emily Grace resides in Gloucester and is a Junior Painting Major at Salem State. You can see more Emily Grace art here: Instagram: @e.grace.art and Etsy ArtbyEmilyGStudio







Bravo for Emily Grace Mural for Bravo by the Sea! photos: C. Ryan Nov. 30, 2022.

Celebrating their amazing 2022 season, a special GHS Boys Soccer Banquet was held on November 22, 2022 at the Elks on the Back Shore, what a beautiful spot.
Check out the Café Sicilia custom GHS soccer cake!




courtesy photos: 7 seniors with Couch Armando; Dom Paone, Leo Vitale and Brendan Anderton with cakes from Caffe Sicilia; beautiful set up at the Elks; next year’s captains- Gino, Leo, Brendan
Dec. 1, 2022 All day!
The wreaths are up on Main Street, the Lobster Trap Tree is beckoning and charming in its Before state, the shops and restaurants adorned and merry, and today’s weather is clear and crisp for Gloucester’s 49th annual “Ladies Night”! What are the store specials and holiday treats that will tempt us tonight?



photos: Sunrise – Main Street, Gloucester, Mass. ready for Ladies Night
For years my mother and I met up at Halibut Point Restaurant on the East End for a festive toast before strolling and shopping Main Street. I think I had my first buttered rum there. We had so many favorite stops. What Ladies Night traditions do you recall fondly?
**Which means: the 50th Ladies Night will land in Gloucester’s 400th+ Anniversary year!**


Award-winning author Jean Woodbury and illustrator Bonnie L. Sylvester join The Paper Mermaid and the libraries on Cape Ann for holiday fun featuring the children’s picture book, The Tree in Dock Square.
The free family events will include story time, book and holiday crafts, autographed copies with Jean, and in Gloucester custom art with Bonnie, too.
Cape Ann READingS: The Tree on Dock Square on the go.
Schedule:
Dec. 1 The Paper Mermaid at 4:00PM | 57 Main Street, Rockport
Special story time event: Jean Woodbury
Dec. 2 TOHP Essex Burnham Library at 4:00PM
Special story time event: Jean Woodbury
Dec. 3 Gloucester Lyceum & Sawyer Free Public Library at 2:00PM
Special story time event: Jean Woodbury and Bonnie L. Sylvester
Dec. 10 Manchester Public Library at 2:00PM
Special story time event: Jean Woodbury
Visit The Tree in Dock Square website www.thetreeindocksquare.com
“
“I was asked by Beth, the owner of Bravo to paint the wall and she just wanted something beautiful to be there! She found me at the Magnolia farmers market. I sold my art there all of last summer and when she saw my work she thought I would be the one for the job.
I’m 20 years old and a Junior, Painting major at Salem State
Emily Grace
Mural underway, work in progress (on the left as of Nov. 21 | on the right last week)
I’ll hold off revealing more from Emily Grace about her inspiration until the mural is finished. What do you see?
How fantastic that Bravo commissioned a young artist, and for that wall. What a great match.



Heidi Dallin shares holiday cheer from Cape Ann Symphony:
CAPE ANN SYMPHONY
THE 71th SEASON
Yoichi Udagawa, Music Director
CAPE ANN SYMPHONY HOLIDAY POPS
THE CAPE ANN HOLIDAY TRADITION RETURNS
A Festive Musical Celebration to Celebrate the Season for Orchestra and Chorus
in Manchester & Ipswich
Featuring Cape Ann Symphony Chorus in all Performances &
Ipswich High School Chamber Singers & Bel Canto Treble Chorus in Ipswich Concert Only
The Cape Ann Symphony’s Annual Holiday Pops Concert, returns to kick off the holiday season on Saturday, November 26 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 26 at 7:30 pm and Sunday, November 27 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA, . For tickets and information about this Cape Ann Holiday tradition, call 978-281-0543 or visit www.capeannsymphony.org
The 2022 Holiday Pops Concert led by CAS Conductor and Music Director Yoichi Udagawa features the Cape Ann Symphony Chorus under the direction of Rockport’s Wendy Betts and performing in the Ipswich Concert only, the Ipswich High School Chamber Singers and Bel Canto Treble Chorus under the direction of Abby Frost. “The Holiday Pops is the centerpiece of our season.” points out Cape Ann Symphony Board President Fran White, “We are thrilled to usher in the Holiday season each year with this joyful series of concerts for the whole family. We are grateful for the support of our audience!! Symphonic music is flourishing on Cape Ann because of YOU!!”
Maestro Udagawa has planned a program of holiday favorites including: Anderson’s Christmas Festival and Bugler’s Holiday, Reed’s Greensleeves, Custer’s Chanukah Festive Overture, and Tchaikovsky’s Selections from The Nutcracker. The Cape Ann Symphony Chorus joins the Orchestra for Vivaldi’s Gloria, Handel’s And the Glory to the Lord, Faure’s Cantique de Jean Racine, Hamilton’s Sing Noel, Leavitt’s Ose Shalom, Handel’s Hallelujah Chorus, and Hayes’ Christmas Bells Are Ringing. The Ipswich High School Chamber Singers and Bel Canto Treble Chorus join the Chorus and Orchestra at the Ipswich Concert for Leavitt’s Ose Shalom, and Hayes’ Christmas Bells Are Ringing. The concerts end with the annual audience Holiday Singalong.
“The Holiday Pops Concerts are always a highlight of the concert season,” says Maestro Udagawa, “The musicians of the Cape Ann Symphony and I are very excited to kick off the holiday season with our loyal audiences. And it is such fun to be joined onstage by the wonderful singers of the Cape Ann Symphony Chorus under the fabulous direction of Wendy Betts as well as the talented young singers from The Ipswich High School Chamber Singers and Bel Canto Treble Chorus. The concerts are a joyous celebration of the Holiday Season. We can’t wait to make music together and celebrate with you!”
The Cape Ann Symphony launched The Cape Ann Symphony Chorus at the 2005 Holiday Pops Concert. The Cape Ann Symphony Chorus is a chorale with over 53 voices from the North Shore area. The group performed with the Cape Ann Symphony at Holiday Pops Concerts in 2005, 2006, 2008, 2009, 2010, 2011 2013, 2014. 2015, 2016. 2017, 2018, 2019 and 2021. The 53 plus member chorale under the direction of Wendy Betts is comprised mostly of North Shore residents, the majority of which live on Cape Ann.
According to Betts, “The CAS Chorus is so excited to be back on stage with the symphony. They work hard, are disciplined in their music tasks, and put out a lovely choral sound. But best of all, they truly enjoy one another, which is what choral singing is all about! Making music TOGETHER!”
About Cape Ann Symphony
Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Frequently invited to guest conduct, Mr. Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Mr. Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Outreach programs to area schools.
Purchase tickets
Cape Ann Symphony’s Holiday Pops Concert is Saturday, November 26 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 26 at 7:30 pm and Sunday, November 27 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA, . Single ticket prices are $45 for adults, $40 for senior citizens age 65 and above, $20 for Students of any age with a valid student id; $5 for youth 12 years old and under. For tickets and information, call 978-281-0543 or visit www.capeannsymphony.org.



Photo 1: Cape Ann Symphony Chorus Director Rockport’s Wendy Betts Photo Credit David Stotzer
Photos 2 and 3: Cape Ann Symphony Holiday Pops Concert on stage in Manchester
Photo 4: CAS Conductor and Music Director Yoichi Udagawa
November 16, 2022
Recap and scenes from the Gloucester Lyceum & Sawyer Free Public Library 2022 Annual meeting, including views of the most recent revised concept proposal for the renovation and addition intended for the library as they appeared in the feature presentation (Oudens & Ello Architects with Dore + Whittier Architects) Sawyer Free 2025


Mern Sibley, Pres. of the Library Board, greeted the crowd and emceed. Jill Cahill thanked everyone and announced that she was there on behalf of the Mayor who was unable to attend as he was at the SFL Medal Awards. (And Jenny Benedict, Library Director, was here at the SFL Annual Meeting, unable to attend the SFL Medal Awards at GHS. Ditto some corporators, perhaps.) The City and Gloucester School District are working closely together, and thrilled to be partnering. In speaking with the Mayor about what message he hoped to convey, Cahill said their moving conversation spilled over among the City Hall Administration staff and easily turned to reminiscences about how the library impacted their lives. A musician himself and music fan, Mayor Verga told them as a boy he loved checking out the CDs and CD player. Cahill shared how first public outings for her mom, wheelchair bound after a health spell, were easy at the library precisely because everyone there was so friendly, and the library was so accessible.
Benedict stressed how instrumental the library was in bringing the community back together after Covid closures and how that was reflected in the robust attendance and programs. Attendance numbers included school visits, too. She concluded with a big note of gratitude for the 16 staff “library champions” which received the biggest clap of the night.

With a nod to prior remarks, Matt Oudens began by saying thanks and that he “was happy to be reminded of going from libraries of things to libraries that DO.”
Thankfully Gloucester’s library can boast both/and since its inception.
He began by showing the library as it stands now.


“We’ve always noticed how difficult it is to enter the building — the renovation of Saunders is its own project– and the difficult wayfinding problem.”
Since the last time he presented, a construction manager was engaged who recommended modifying the plans (along the side of the Monell building parallel to Middle Street). The “sliver” on that side would be too expensive to build. Instead a “glass “gasket” between the Monell shell and the new addition is planned that will be more economical and a clear signal of where to circulate in & up” the library building(s).
Old concept plan Left | Revised concept plan as of 11/16/2022 Right (note angled “gasket”)


A lower lobby on the Lower Level was expanded. More bathrooms were added. This wing will be available off hours and can be open on its own, separate from the main building. The meeting space on the lower level will open to the outside, to use the outdoor space that runs along the length between the library and Central Grammar (as the children’s library had). *maybe longer then now

All adult collection here. The newspaper periodical reading lobby will be open (high ceiling by soaring windows overlooking Rando Memorial gardens and amphitheater). The 1913 pass through stacks (between the Monell and Saunders) is now the Gallery and Cafe area. A gently sloped sidewalk will allow for greater accessibility at this entrance.

Children’s services spaces. Teen spaces.

“Overall, much more light will transform the library into a nice place to be.”
Much of the exterior is being preserved. Oudens was excited that they’ll be removing the HVAC down to floor and increasing glazing by 25%. All the energy upgrades are important to him*. The light colored brick selected for the new addition will match the painted brick of the Monell. (The community pressed for green consideration all along. As of Feb. 2019 the design team emphasized that scope.)
photo block below: Before / After pairings followed by more views of current built environment and questions





















“You can do any and all library things that you do here (at the Dale Ave. location) at the temporary location on Main Street. Go! Please check it out!”
Now thru 2025. The temporary library address is 21 Main Street–above Mystery Train; next to Virgilio’s; across from Tonno, Short & Main, and Caffe Sicilia; down the street from The Bookstore of Gloucester, Pop Gallery, and the Isabel Babson library. Look for “SFL@21Main” for events off site, too!
Questions and comments from the audience– followed the budget and architectural plan agenda items:
Question. What is the (financial) arrangement with the city? How does the money/financing work with the city? Joe Grella, Board member, explained first that the Annual Meeting budget report is for the year prior to the year the meeting is taking place. Then he presented the budget. The endowment is below 5 mil and will deplete more. These reserves will need to be built back up at a future date. The questions about the financial arrangement followed his budget report. He explained the debt. (One million had been appropriated for the fundraising/fee.)

Q. What about the fundraising? What happens if it’s not raised? A. Mern Sibley said that’s a perfect segue to introducing John Brennan for the fundraising report. “The City voting to fund the loan for the new building was a game changer,” and they’ve raised 52% of the goal. He appealed for a benefactor like philanthropists over a century ago: “Seeking the Next Samuel Sawyer. The Next Addison…We need to still find donors that will propel the project…(Since ca. 2018) it was a small group of me, Fred, Deb (Lib. Dir. summer 2015-summer 2020), others and NOW with the city’s momentum, we’re picking up speed (fundraising). [Hence another Sawyer Library Foundation and Sawyer Free 2025 Capital campaign.] A postcard was sent to every household in Gloucester…” He credited an audience member with the phrase, “We’re just jazzed.” And thanked the donors: Inst. Savings, Bank Glou, Sudbay, Gorton’s, etc.

Q. This has been mentioned before, but how will children’s services work for programs on the top floor with one elevator? A. Oudens said it has worked at other buildings he’s completed. The elevator will be bigger than the one that’s there now.
Q. Have there been more thought to swapping (floors) / amending designs? A. The distribution hasn’t changed.
Q. Is the atrium height filled in? Yes. The ceiling will be the floor of the top level. (On this floor, height will be opened up above the new Newspapers and Periodical Reading area which is overlooking Rando Memorial )
Q. What is the cafe? A. Oudens repeated the potential location (former stacks connector) and how they’ve worked at other libraries. He replied that that’s undecided.
Q. The new “stacks” space is windows. Where will the art hang (auction and exhibits)? Where are the walls? (several audience members) Oudens suggested free standing display panels, etc., and to check out the space following the meeting to see the general idea of the footprint there and confirm window count.
Q. Has there been consideration of repurposing and/or revising as much as possible of the extant building existing elements? A. Oudens said there’s not a lot to save, mostly because of code compliance reasons. There will be many upgrades. “The plans (now) maintain the exterior. Hopefully the inside will have enough of a refreshed feeling of Monell.”
Q. Where are the bathrooms? A. The plans show more bathrooms than what’s here now, and on each and every level. Oudens mentioned 4 or 5 bathrooms on the School Street | back of the building level, dictated/guided by the size of the meeting room, which is capacity 100. (I believe there were 2 restrooms for women, 1 men, and one all. Maybe they can all be all gender bathrooms, like planes.) *Not sure if they are all accessible
More questions.
I also wonder about the Matz gallery space, and how to add more gallery space. Also, where are the designated special built sites for major works in the collection (removed–on loan to Cape Ann Museum and storage/Trust). I was asked if the bathrooms can be reconfigured or the stairwell so that there are more elevators if the traffic flow isn’t flipped? Is there ample space for archives and research? Do the plans emphasize or miss a strategy and monies spent for digitization of the enviable archives, accessibility for all? Are there too many meeting spaces especially with other options close by (City Hall, Temple, UU Church, CAM, sites on Main Street, and more)? A cafe option split audience reaction, and prompted great chatter of “I’d love that!” and “No way!” One board member repeated how much he loved the Wenham Library more than this building. In the rendering showing a viewshed from Dale Avenue/City Hall to SFL, is the new addition blocking the view of the UU Church? Feedback over the years asked about the corridor between Central Grammar and the library and views showcasing City Hall.
The history of SFL’s extant buildings and archives (of historical and cultural, local and national significance) are the envy of libraries along the North Shore and –with the City’s, CAM’s –such assets are up there with Boston’s Public Library and major university repositories.
I believe that the custodian services are borne by the City. When the library is open for special events beyond operating hours a custodian is responsible for closing, if not the event breakdown itself. How will this impact the budget for the library and the city?

Links:



photo: Party favors – used SFL book ends

I recommend Chanthy’s for any tailoring or alteration services. She’s altered formal wear, dresses, suits and so many, many pants for family members over the years. She’s great with seniors and kids and accommodations, even my silly request to repair one son’s torn t-shirt. (There was a hole in the back which I can’t find after her handiwork.) She also salvaged a backpack/cuddly many moons ago with creative reinforcement. Sometimes when I’ve dropped off or picked up I can catch a glimpse of her fashion sewing designs.



Nov. 17, 2022 midday – pretty cotton cloud heaps, sunny blue skies, and hail




Building at the corner of 131 Main Street [Bravo by the Sea (formerly Larsen’s)]
view from Hancock Street between Main Street and Rogers St (formerly Topside corner) and back up to City Hall
ARTIST | EMILY GRACE





work underway –


At Sotheby’s Modern art auction November 15, 2022, approximately 460 lots were primed to go, minus several pulled ahead of (and announced before) the sessions. Gloucester inspired several works including one that was a deaccession from the Whitney Museum of American Art. Did Stuart Davis and Marsden Hartley sell?



photo captions for above grid: (1)Stuart Davis 1912 w/c. (2)black and white photo, Smithsonian collection, documents a Romany o/c portrait by Robert Winthrop Chanler, circa 1916-1925. (3)Stuart Davis Flags, 1931, Lot 331 had a presale estimate of $300,000-$500,000. Bidding opened at $160,000 and then passed, failing to climb past $190,000. Unsold.
About Stuart Davis Flags, 1931
The letters in the band of green on the black flag spell “Romany Marie”, the name of restaurants owned by Marie Marchand, an immigrant from Romania. Her modest bistros and support were safe harbor for creatives whether serving just one customer or impromptu salons. Many of her habitual customers, like Davis, ascended to the top of their field. Davis painted a watercolor portrait of her in 1912 when he was 20 years old. He painted Flags 19 years later, a full generation spent building into his voice and career, much of it split oscillating between New York City and Gloucester. In 1928-29 he spent a momentous year+ studying abroad in Paris and married his first wife. The trip was made possible thanks to Gertrude Vanderbilt Whitney. The painting hints of memories and impressions of all three cities: Gloucester, Paris, and New York.
Liquor, coffee and conversation can make some taverns and cafes legendary. Romany Marie served strong coffee, no booze. Florent Morellet’s all night diner, Florent, on Gansevoort in the meatpacking district 1985-2008 was a place that I imagine was like Romany Marie’s was a century before. Gloucester has had its fair share; Duckworth’s Bistro is one now and an apt one to mention for its ardent support of the community, French nod, and address at 192 East Main. (Its customer base is more akin to Chanterelle than Florent.)
Helen Davis, artist and Stuart Davis’s mother, operated “Davis Sculpture Studio” from that same building, and resided at the back in later years. She was 96 when she died in Gloucester in 1965, one year after her son. Marie Marchand died in 1961 (obit: La Reine Est Morte, Village Voice March 2, 1961, Vol. VI, No. 19).
Davis’s parents bought a home on 51 Mt. Pleasant in Gloucester in 1930. They were summer renters prior, famously at the Red Cottage on East Main. Davis said John Sloan raved about Gloucester so much that he finally took him up on visiting in 1915.
About Stuart Davis Anchors,
Davis felt Gloucester was the best locale on the Atlantic seaboard, and you can feel his devotion in the second Davis work for sale at this auction, Anchors, illustrated below, on the left, paired with an earlier Davis, Rue Lipp, 1928 on the right, for comparison.


It’s a beauty. Gloucester and Paris are past and present in Anchors, flipping back and forth, shaken and stirring. Anchors’ prominent black and red double anchors look like the siphon on the blue soda bottle in Rue Lipp, 1928, while the delicate fizzy line contained in the carafe branded “La Cressonee” is bold, unbound, and skybound in Anchors.
Anchors is jazzed up with witty pairs. The circle inventions are solid and light–wheels on a cart, parasols, poppies, proto pop inspiration for Thiebaud’s suckers decades later?–no matter. Analogues for Davis and viewers may not be the same, yet land a connection.
Meanwhile at the auction in 2022, Stuart Davis Anchors, Lot 341 failed to find a buyer for less than 1 million despite having reached 1.8 million when it last sold at Christie’s in 2014. Sotheby’s presale estimate was 1.2-1.8 million.
Other highlights from the sale failed to sell including a Cassatt and Avery.










photos above: Private Way, 1915 (Gloucester=blue skies); The Morning Walk, ca.1919 collection Earl Davis; Boats, 1917, Philadelphia Mus. of Art; La Cressonnee ad circa 1914-1920s–which Davis spins in Rue Lipp ,1928; Anchors, 1930; anchor E. Glou. 2022; 51 Mt. Pleasant Ave; Reed’s Wharf; 192 E. Main – Duckworth’s
Unsold- The bidding for Lot 338 Marsden Hartley Autumn Hillside, circa 1909 (double sided) opened at $110,000, then $120,000, then ‘passed’ at $130,000, failing to meet its reserve. The presale estimate was $150,000-$200,000.
Sold- Lot 340 Marsden Hartley Autumn Dogtown Commons, 1934, was deaccessioned by the Whitney Museum of Art. The bidding started at $130,000 on to $140,000 and $150,000 then stopped at $160,000. Sold. Phone bidder ($201,600 with fees). The presale estimate was $200,000-$300,000. Sounded like the reserve was $150,000. A third Hartley, a still life, fetched $40,000.


The Whitney Museum deaccessioned other works including a vivid Maurice Prendergast. Picnic Grove exceeded its pre sale estimate ($60,000-$80,000). Bidding started below $60,000 and eventually reached $120,000.

Charles Burchfield watercolor Lot 339 The Butterfly Tree, 1960 opened at $250,000 and soared to $480,000. Burchfield Lot 510 Hemlock in November No. 2 sold for $800,000. Lot 572, Maxfield Parrish New Moon 1943 (presale estimate $500,000-$700,000) sold for $700,000.




There weren’t strictly American sales this season so this one covered a lot of ground. Consignors assigned the morning sale face a B-side slot. Session 1 began at 9:30 AM, first lot #202 | session 2 began at 11:20AM | session 3 began at 2:30pm with lot 501.
Session 2 offered Stuart Davis and Marsden Hartley works inspired by Gloucester. While helping clients bid at auctions with 20th C material, it’s inevitable that I come across inventory with Gloucester ties.



Sotheby’s marquee modern 2022 fall sale was the day before.
Aggregate sales from Sotheby’s Modern evening sale (Nov.14, 2022) Part 1 were $116.3m ($137.9m with fees) for the first half comprised of the Solinger collection. Lots sold from Part 2 of the evening sale sold for 220 million (with fees bringing the total press release report north of 250 million, and aggregate to 360 mil). Potential collectors are identified or queued on wait lists ahead of sales. The Piet Mondrian Composition No. II, 1930 sold for 51 million plus fees (a new ‘personal best’ for Mondrian at auction). Last it came up at auction was 1983. 1930 was the same year of the Davis painting. It’s fascinating how parallel ideas evolve.
The Nolde poppies circa 1930 sold –with fees– for 151,200 in the morning sale.



view from Winchester Ct. / Spring St. stairs in 1928
The first sale was by Rehn Gallery to Edward and Grace (Cogswell) Root in 1929. They built a major modern collection.


Lot 138 Sold for $1,980,000 (plus fees)
Presale estimate was 1.2 – 1.8 million
EDWARD HOPPER (1882-1967)
Gloucester Roofs, 1928
signed ‘Edward Hopper/Gloucester’ (lower right)
watercolor and pencil on paper
Provenance
The price realized for a second drawing, Lily Apartments, by Edward Hopper, Lot 153, was $1,620,000
The sixty lots included in the Paul Allen Part 1 sale last evening totaled 1.6+ billion. Paul Allen cofounded Microsoft in 1975. He died in 2018. Proceeds were raised for undisclosed charitable entities.

Long Beach, Nov. 10, 2022





This year, several of the stairs had to be dug out several feet for removal.

Sign of winter coming: Saratoga Creek footbridge severed access between Cape Hedge and Long Beach until spring returns.

Sand is covering the rip rap in November 2022, not as high as 2011, and deposited the entire stretch. Sand depth shifts on Long Beach. Read more here in an older post from 2017.




Seawall repair October 2022 Before | After


Great review. Read Murray Whyte’s rave here. He found a favorite. You will, too. Must see exhibit at Cape Ann Museum.

-Murray Whyte.
“There are magical things here. The array of printed swatches of fabric might be the least beguiling element of a rich process — which is saying a lot, because they’re captivating. The group’s instrument of choice was the linocut block, each of them carved meticulously by hand.”
Whyte, Murray. (2022, Nov. 9). Of garments and Gloucester: celebrating the Folly Cove designers. Boston Globe.
Over decades, the women’s collective built a national following for their hand-printed fabrics and wares. In a new exhibition, the Cape Ann Museum looks at the process and precision that guided their handiwork.
Gloucester v Norton Nov. 6, 2022, 2:30pm Newell Stadium. Let’s go Fishermen!

Gloucester v Norton Nov. 6, 2022, 2:30pm Newell Stadium. Let’s go Fishermen!

Two days away! Gloucester v Norton Nov. 6, 2022, 2:30pm Newell Stadium. Let’s go Fishermen!

Discover collectibles, curiosities & rarities, antiques, figurines, glass slippers, tea pots, salt & pepper shakers, clocks, crystal, furniture, flat files, and so much more. This multi-generation family collection features contents dating from the Victorian era to the 1980s.
Colonial revival, Mid century modern, ceramics, teak: Hidden vintage finds upstairs and down may lead you to just the item you’ve been looking for.
Saturday November 5, 2022 10AM-3
Sunday November 6, 2022 10AM-3
59A Wheeler St.
more photos –






Discover collectibles, curiosities & rarities, antiques, figurines, glass slippers, tea pots, salt & pepper shakers, clocks, crystal, furniture, flat files, and so much more. This multi-generation family collection features contents dating from the Victorian era to the 1980s.
Colonial revival, Mid century modern, ceramics, teak: Hidden vintage finds upstairs and down may lead you to just the item you’ve been looking for.
Saturday November 5, 2022 10AM-3
Sunday November 6, 2022 10AM-3
59A Wheeler St.
more photos –





