Movie – “Greenheads”

greenheads-photoGREENHEADS
Wed., Feb. 18 @ 7:15pm
Cape Ann Community Cinema
267 East Main Street
East Gloucester
978/282-1988

Sometime painter Sam Holdsworth painted a series of 38 oil panels which were an imaginative, sideways tribute to that local summertime menace, the Tabanus americanus — or Greenhead horse fly. This short film, produced and narrated by Holdsworth’s Musician Magazine co-founder, Gordon Baird, is a simultaneously amusing and haunting short film, portraying the carnivorous creatures as human-like and alien at the same time.

Mr. Baird will be on hand to present the film and conduct a Q&A after the show, which is presented at the special discount price of $5.00, proceeds from which will benefit the Matteo Russo Fund. A selection of Gloucester-related short subjects will precede the film.

Movie – “Military Intelligence And You!”

Click poster to visit cinema website.MILITARY INTELLIGENCE AND YOU!
The Cape Ann Community Cinema
267 East Main St. * East Gloucester * 978/282-1988
Sat. & Sun. Feb. 14 & 15 @ 5:00pm

What is the greatest weapon in our war against evil? Not guns or bombs, but intelligence. Finally, a training film that dramatizes the importance of knowing what we’re attacking…before we attack it.

“Military Intelligence and You!” is a hilarious mash-up of scenes from vintage U.S. Army productions and newly shot scenes (think “Dead Men Don’t Wear Plaid”). Join Major Nick Reed and the crack…make that cracked…team at Central Command as they search for a hidden Nazi base. Stars Patrick Muldoon, Mackenzie Astin, Elizabeth Bennet, John Rixey Moore and Eric Jungmann are joined in their quest are Alan Ladd, William Holden, Arthur Kennedy, and a surprise appearance by Ronald Reagan!

“…two movies for the price of one. It’s both a loving spoof of World War II films and a pointed satire on America’s involvement in Iraq.” -Kenneth Turan, Los Angeles Times

Movie – “Let The Right One In”

Click to visit the cinema's website.
Click to visit the cinema's website.

LET THE RIGHT ONE IN
The Cape Ann Community Cinema
267 East Main Street * East Gloucester
978/282-1988
Saturday 2/14 & Sunday 2/15 @ 7:15pm

Fragile, anxious 12-year-old Oskar is regularly bullied by his stronger classmates but never strikes back. The lonely boy’s wish for a friend seems to come true when he meets Eli, also 12, who moves in next door to him with her father. A pale, serious young girl, she only comes out at night and doesn’t seem affected by the freezing temperatures. It doesn’t take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Swedish filmmaker Tomas Alfredson weaves friendship, rejection and loyalty into a disturbing and darkly atmospheric, yet poetic and unexpectedly tender tableau of adolescence.

“A spectacularly moving and elegant film that is, at this point, the best movie of the year.” -John Anderson, Washington Post

“I loved it, and it’s possibly the best vampire movie ever.” -Rob Newton, Creative Director of The Cape Ann Community Cinema

Movie – “Visible Silence”

VISIBLE SILENCE: MARSDEN HARTLEY, PAINTER AND POET
THURSDAY, FEBRUARY 12TH @ 7:15PM
***DIRECTOR IN ATTENDANCE***
THE CAPE ANN COMMUNITY CINEMA
(AT GLOUCESTER STAGE)
267 EAST MAIN STREET * EAST GLOUCESTER * 978/282-1988

This is the first documentary ever made about world-renowned painter Marsden Hartley. It was written, directed, and narrated by Michael Maglaras of 217 Films, who will be on hand to introduce the film and answer questions following the screening.

“Visible Silence” features 43 Hartley paintings and sketches as well as many photographs of Hartley — from early youth to his final years as “Maine’s Painter.” Drawing heavily from his poetical works, this documentary, a deeply personal statement by Maglaras, captures the essence of Hartley — long considered one of the fathers of American Modernism.

Hartley spent his life traveling the world in search of remote and forbidding landscapes. A critical period for Hartley was his stay in Gloucester in the 1930’s, where he painted his “Dogtown” series.

“The two periods in Hartley’s creative life, first in 1920 and then again in 1931 when he went to Gloucester and to Cape Ann to paint, left us some of the most wonderful and exciting work of Hartley’s career,” said Maglaras. “Hartley fell in love with the area around Gloucester, known as Dogtown, and from his humble boarding house at #1 Eastern Point Road, reported to friends that ‘… a sense of eeriness pervades all the place; the white ghosts of those huge boulders stand like sentinels guarding nothing but space.’”

An entire section of this film is devoted to an important early painting, “Carnival of Autumn,” which is in the permanent collection of the Boston Museum of Fine Art. Also featured is the late painting “Summer, Sea, Window, Red Curtain” from the Addison Gallery of American Art in Andover, Mass.

In 2008, a Hartley painting sold for $6.31 million, setting an auction record at Christie’s for an American Modernist work, overtaking a record previously held by a work of Georgia O’Keeffe.

Check out Gail McCarthy’s great article from last Thursday’s GD Times.

Director Michael Maglaras will be on-hand to present the film and conduct a Q&A after the show, and will be joined by Mary Beth Bainbridge of the Peabody-Essex Museum.

61 cm
“Dogtown” (1931) by Marsden Hartley, oil on canvas, h: 18 x w: 24 in / h: 45.7 x w: 61 cm

Movie – “F.L.O.W. (For Love Of Water)”

flow_poster
Click for a trailer.

Irena Salina’s cautionary documentary is determined to stir things up. Water, the quintessence of life, sustains every creature on Earth. Flow: For the Love of Water is an inspired, yet disturbingly provocative, wake-up call. The future of our planet is drying up rapidly. Focusing on pollution, human rights, politics, and corruption, filmmaker Salina constructs an exceptionally articulate profile of the precarious relationship uniting human beings and water. While each community’s challenges are unique, the message is universal — the time to turn the tide is now.

“Galvanizing… An informed and heartfelt examination of the tug of war between public health and private interests.” -Jeannette Catsoulis, The New York Times

“The inconvenient truth at the center of ‘Flow: For Love of Water’ is that while the oil crisis is intensely debated and documented, disasters involving an even more essential fluid go perilously unnoticed.” -Fernando F. Croce, Slant Magazine

Movie – “Were The World Mine”

Click for a trailer.
Click for a trailer.

WERE THE WORLD MINE
Friday, Saturday & Sunday @ 7:15pm
Cape Ann Community Cinema (at Gloucester Stage)
267 East Main Street * East Gloucester * 978/282-1988

Timothy, prone to escaping his dismal high school reality through dazzling musical daydreams, gets cast by his eccentric teacher as Puck in his school’s production of Shakespeare’s “A Midsummer Night’s Dream.” He stumbles upon a recipe for a love potion hidden within the script, and uses it to turn almost everyone in his narrow-minded town gay. With vibrant imagery, a first-rate ensemble cast and innovative music rivaling the best of pop/ rock and contemporary Broadway, “Were The World Mine” attempts to push modern gay cinema and musical film beyond expectation.

“Endearing…an indie alternative to Disney’s ‘High School Musical’.” -Stephen Holden, New York Times

“A rousing, warm-hearted spectacle.” -Stephen Farber, The Hollywood Reporter

Meet The Director – Melanie Perkins of “Have You Seen Andy?”

haveyouseenandy-poster
SATURDAY, JANUARY 31ST @ 4:30PM
DIRECTOR IN ATTENDANCE!

“Have You Seen Andy?” is the Emmy-winning personal story of a childhood friendship abruptly ended by the tragic abduction of a young boy. On a hot summer day in August 1976, ten year-old Andy Puglisi was playing along with dozens of other children at the Higgins Memorial Pool in Lawrence, Massachusetts. Then suddenly, he disappeared. Twenty-two years later, filmmaker Melanie Perkins, Andy’s childhood friend, begins her search for answers in this feature-length documentary.

Director Melanie Perkins will be on-hand to conduct a Q&A after the film.

“An absorbing, often tormenting glimpse at the mystery surrounding an unspeakable crime whose reverberations live on.” -Ray Richmond, The Hollywood Reporter

“A distinguished contribution to the true-crime genre…the loving testament of a woman who never allowed herself to forget her ill-fated playmate.” -Tim Page, The Washington Post

“…truly terrifying…” -Tenley Woodman, The Boston Herald


THE CAPE ANN COMMUNITY CINEMA
(AT THE GLOUCESTER STAGE COMPANY)
267 EAST MAIN STREET
GLOUCESTER, MA 01930
978/282- 1988 [SHOWTIMES] * 978/309-8448 [OFFICE]

What’s Opera, Doc? – Pavarotti Tribute At The CACC Saturday

pavarotti_main
SATURDAY, JANUARY 31ST @ 1:00PM & 2:45PM

“Salute Petra” is a wonderful charity tribute concert to the late Italian tenor Luciano Pavarotti.

This event was presented on October 12th 2008, Pavarotti’s birthday, in front of an exclusive invited audience of royalty, classical and popular music stars at the world heritage site Petra, Jordan. The combination of inimitable and mesmerizing settings with performances from some of the world’s most respected and revered musicians made it one of the musical events of the decade.

The performance was set against a breathtaking natural amphitheatre and featured Placido Domingo and José Carreras, who famously performed with Pavarotti as the Three Tenors for more than 17 years; Domingo and Carreras sang together for the first time since Pavoratti’s passing. This extraordinary event also featured performances by Sting, Angela Gheorghiu, Andrea Bocelli, Cynthia Lawrence and Sherrill Milnes, flutist Andrea Griminelli, Jovanotti and Laura Pausini, and thirteen year old violin sensation Aleem Kandour. Italian rock star Zucchero performed ‘Misere’ as a duet with Pavarotti on screen. The sublime Prague Philharmonic Orchestra served accompanied all the stars.

Tickets are $12.50, all seats, and proceeds from this special event will benefit joint projects in Afghanistan by the U.N. Refugee Agency (UNHCR) and the U.N. World Food Programme (WFP).

And don’t forget to enter our contest to win a trip to Austria!


THE CAPE ANN COMMUNITY CINEMA

(AT THE GLOUCESTER STAGE COMPANY)
267 EAST MAIN STREET
GLOUCESTER, MA 01930
978/282- 1988 [SHOWTIMES] * 978/309-8448 [OFFICE]

Gloucester Guerilla Art Project II Sneak Peak Video

Here is a sneak peak at the test run of G-GAP II at Cape Ann Community Cinema Wednesday Night Jan 28

click the picture to view the video

This Week’s Main Feature – “Synecdoche, New York”

Movie Poster - Synecdoche, New York
Playing Jan. 27-Feb. 7

SYNECDOCHE, NEW YORK [R] (2008 * USA * 124 minutes)
TUES., JAN. 27 @ 7:15PM; FRI., JAN. 30 @ 5:00PM & 7:15PM; SAT., JAN. 31 @ 7:15PM; SUN., FEB. 1 @ 1:30PM; WED., FEB. 4 @ 7:15PM; FRI., FEB. 6 @ 5:00PM; SAT., FEB. 7 @ 2:45PM
For theater director Caden Cotard (Philip Seymour Hoffman), life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife (Catherine Keener) has left him to pursue her painting in Berlin. His therapist (Hope Davis) is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. Co-starring Jennifer Jason Leigh, Michelle Williams, Tom Noonan, Emily Watson and Dianne Wiest. Written and directed by Charlie Kaufman, screenwriter of “Eternal Sunshine Of The Spotless Mind” and “Being John Malkovich.”

“To say that Charlie Kaufman’s ‘Synecdoche, New York’ is one of the best films of the year or even one closest to my heart is such a pathetic response to its soaring ambition that I might as well pack it in right now.” -Manohla Dargis, The New York Times

THE CAPE ANN COMMUNITY CINEMA (AT GLOUCESTER STAGE)
267 East Main Street
Gloucester, MA 01930
978/282-1988 (showtimes) * 978/309-8448 (office)
website ::: http://www.CapeAnnCinema.com
e-mail ::: RobertNewton@MassBayFilmProject.org

Jay, Joey, and Emile At Cape Ann Community Cinema

Three out of the four presenters from the First Gloucester Guerilla Art Project Presentation at Cape Ann Community Cinema.  Missing is Rob Newton and Mark Teiwes.  We will be putting another show together for January.  As you can see we had lots of fun that night and we’re looking forward to much more.

Arts, originally uploaded by bmanpitt.

Thanks Brian for the picture.

CACC Schedule For 11/20-11/22

THURSDAY, NOVEMBER 20

THE TRAP

SHOWN AT 7:15PM -�FREE SHOW!

A modern film noir reflecting the true face of Serbian “society in transition,” It’s a story that could happen to you. An ordinary man is forced to choose between life and death of his own child. “The Trap” is a film about post-Milosevic’s Serbia, in which there is no more war, only a moral and existential desert. This is Serbia in transition, in which human life is worth little, and normal life remains almost unreachable.�”Beautifully executed…deeply moving…a thoroughly involving cinematic experience” -Stephen Farber, The Hollywood Reporter

This is a free show, and like at all of our free shows, patrons can purchase any quantity of discount passes for future ticketed shows for $6.00 (which is the price you would normally have to purchase 25 passes to get).

FRIDAY, NOVEMBER 21

MOMMA’S MAN

SHOWN AT 5:00PM (SHOWING NOVEMBER 21-23)

From the producers of “Half Nelson” and “Maria Full Of Grace,” “Momma�s Man” chronicles the increasingly anxious dilemma of Mikey, a young husband and father who stops off at his parents’ loft during a business trip to New York and finds himself emotionally unable to leave. Unsure of his own motivations, he makes up excuses about why he�s staying — his flight is delayed; his flight is canceled — but while his doting mother (the director�s real mother) is more than happy to enable his procrastination, his father (the director�s real father) grows suspicious of his son’s changes of plans.�”A touchingly true film, part weepie, part comedy, about the agonies of navigating that slippery slope called adulthood.” -Manohla Dargis, The New York Times;�”A beautiful, wise, shaggy, poker-faced comedy of discombobulation.” -Owen Gleiberman, Entertainment Weekly

THE POOL

SHOWN AT 7:15PM (SHOWING NOVEMBER 21-23)

Winner of the Special Jury Prize at the 2007 Sundance Film Festival, “The Pool” is the story of Venkatesh, a “room boy” working at a hotel in Panjim, Goa, who sees from his perch in a mango tree a luxuriant garden and shimmering pool hidden behind a wall. In making whatever efforts he can to better himself, Venkatesh offers his services to the wealthy owner of the home. Not content to simply dream about a different life, Venkatesh is inquisitive about the home’s inhabitants — indeed about the world around him — and his curiosity changes the shape of his future.�”Gorgeous…glowing luminescence.” -Stephen Holden, The New York Times;�”A truly independent gem of a feature. Informed by incisive observations about the class divide but more interested in the mysteries of the human heart, this gentle variation on neorealism is a delight on every level.” -Sheri Linden, The Hollywood Reporter


Movie Today At CACC- The Singing Revolution

SATURDAY, NOVEMBER 15

From Cape Ann Community Cinema Website-

Most people don’t think about singing when they think about revolution. But song was the weapon of choice when Estonians sought to free themselves from decades of Soviet occupation. “The Singing Revolution” is an inspiring account of one nation’s dramatic rebirth. It is the story of humankind’s irrepressible drive for freedom and self-determination.

If Hollywood made this story up, no one would believe it. And yet this story of hope, non-violence, and perseverance has been playing to standing ovations in theaters across the country.

“Imagine the scene in ‘Casablanca’ in which the French patrons sing ‘La Marseillaise’ in defiance of the Germans, then multiply its power by a factor of thousands, and you’ve only begun to imagine the force of ‘The Singing Revolution’.” -Matt Zoller Seitz, The New York Times

Guerilla Art Project Show At CACC

WEDNESDAY, NOVEMBER 12

GGAP
GGAP

Come celebrate Gloucester in a unique way with a collection of photos, videos and films. To open the show, 100 select images from the Robert A. Chadbourne Collection of antique Gloucester post cards, set to music. Then, Joey Ciaramitaro of GoodMorningGloucester.org will present some of his walkthrough videos of The Paint Factory, as well as the amusing “The Bobby Bobskill Chronicles.” Mark Teiwes’ “At The Brink: Faces Of The Working Waterfront” slide show is set to Vincent Ferrini’s poem, “At The Brink.” Emile Doucette and Chad Carlberg from The Bait & Tackle Ad Company will bring a host of material, from the collection of beauty shots set to music by local artists in the slide show “Summertime In Cape Ann” to Carlberg’s recently completed supernatural short film, “Daughter Of Dogtown.”

Please join us for this unique evening, the $5.00 cover for which benefits
The Cape Ann Community Cinema.

x

Cape Ann Community Cinema Who Concert Sunday

Cape Ann Community Cinema Smashing Pumpkins Concert

TONIGHT 5:00PM

HI DEF SMASHING PUMPKINS CONCERT WITH INCREDIBLE SOUND SYSTEM!!

TAKE ADVANTAGE!!!!!!!!!!

Cape Ann Community Cinema Smashing Pumpkins Concert

There will be a showing of this historic concert footage on the Hi Def Screen with the incredible sound system at Cape Ann Community Cinema.  That is going to be killer!!!!!!!  TAKE ADVANTAGE!!!!!!!!!

Cape Ann Community Cinema Schedule For 10/31-11/1

Cape Ann Community Cinema, originally uploaded by captjoe06.

FRIDAY, OCTOBER 31
THE RAPE OF EUROPA
SHOWN AT 12:30PM
Nearly as insidious as the Hitler’s wholesale slaughter of Jews and others he thought inferior was his systematic pillaging of Europe’s art treasures and the attempted cultural annihilation of “sub-human” peoples. In the exhaustive documentary written and directed by Richard Berge, Nicole Newnham and Bonni Cohen, the trio goes far in chronicling this seldom explored prong of the Nazis’ assault, from Hitler’s formation of the party in the 1920’s right through to its rise to power in 1933 to its defeat at the end of World War II twelve years later. Art lovers will thrill to the heroic efforts of not only the staffs of the Louvre and the Hermitage, but the U.S. Army’s contingent of “Monuments Men,” commissioned to protect these treasures from a vindictive retreating German force. While the three do not fully make a case for the Reich’s hunger for art being a major impetus for its warmongering, they do depict the tragedy of this hidden war-within-a-war with the kind of passion that would even make the most cold-hearted collector of velvet Elvis paintings weep.
“There is a heart-rending feeling to this documentary, in part due to its sense of irretrievable loss.”
-Philip Marchand, The Toronto Star
STEALING AMERICA: VOTE BY VOTE
SHOWN AT 2:45PM
For more than thirty years, exit polls accurately predicted election results. Over the last ten years that reliability has disappeared. What’s going on? The last two presidential elections both came down to a relatively small number of votes, and in both elections the integrity of the voting process has been called into question. With the upcoming election looking to be similarly close, the time has come to ask the questions: What happened in 2000 and 2004? What, if anything, has changed since? And what can be done to ensure a fair and honest tabulation of votes in 2008? This film brings together behind-the-scenes perspectives from the U.S presidential election of 2004 – plus startling stories from key races in 1998, 2000, 2002 and 2006. The film sheds light on a decade of vote counts that don’t match votes cast – uncounted ballots, vote switching, under-votes, an many other examples of election totals that warrant serious investigation. This film unveils patterns of anomalies at every level of the electoral process. Controversial partnerships perpetuate a secretive environment, as relevant facts and figures remain hidden from view. As a result, most Americans have no real sense of the threat to fair elections. As seemingly unrelated pieces of the puzzle come together, a chilling picture emerges: of widespread, artfully crafted “glitches” that, in the final tallies, have the capacity to alter election results.
“This tersely sobering documentary…mounts its case with hardheaded numerical logic.” -Owen Gleiberman, Entertainment Weekly
WHAT WOULD JESUS BUY?
SHOWN AT 5:00PM
From producer Morgan Spurlock (“Super Size Me”) and director Rob VanAlkemade comes a serious docu-comedy about the commercialization of Christmas. Bill Talen (aka Reverend Billy) was a lost idealist who hitchhiked to New York City only to find that Times Square was becoming a mall. Spurred on by the loss of his neighborhood and inspired by the sidewalk preachers around him, Bill bought a collar to match his white caterer’s jacket, bleached his hair and became the Reverend Billy of the Church of Stop Shopping. Through retail interventions, corporate exorcisms, and some good old-fashioned preaching, Reverend Billy reminds us that we have lost the true meaning of Christmas. “What Would Jesus Buy?” is a journey into the heart of America – from exorcising the demons at the Wal-Mart headquarters to taking over the center stage at the Mall of America and then ultimately heading to the Promised Land…Disneyland. Will we be led like Sheeple to the Christmas slaughter, or will we find a new way to give a gift this Christmas? “What Would Jesus Buy?” may just be the divine intervention we’ve all been searching for.
Part of our “Somewhere That’s Green” series of sustainability films.
SHOWN FOLLOWING THE SHORT:
THE STORY OF STUFF
From its extraction through sale, use and disposal, all the stuff in our lives affects communities at home and abroad, yet most of this is hidden from view. “The Story Of Stuff” is a 20-minute, fast-paced, fact-filled look at the underside of our production and consumption patterns. “The Story Of Stuff” exposes the connections between a huge number of environmental and social issues, and calls us together to create a more sustainable and just world. It’ll teach you something, it’ll make you laugh, and it just may change the way you look at all the stuff in your life forever.
FROZEN RIVER
SHOWN AT 7:15PM
This acclaimed drama is the story of Ray Eddy (Melissa Leo), an upstate New York trailer mom who is lured into the world of illegal immigrant smuggling when she meets a Mohawk girl who lives on a reservation that straddles the U.S.-Canadian border. Broke after her husband takes off with the down payment for their new doublewide, Ray reluctantly teams up with Lila, a smuggler, and the two begin making runs across the frozen St. Lawrence River carrying illegal Chinese and Pakistani immigrant in the trunk of Ray’s Dodge Spirit.
“This is a debut feature, though you’d never know it from the filmmaker’s commandingly confident style, or from the heartbreaking beauty – heartbreaking, then heartmending – of Melissa Leo’s performance.” -Joe Morgenstern, The Wall Street Journal
CTHULHU
SHOWN AT 9:30PM
If the movies “Rosemary’s Baby” and “The Wicker Man” spawned violently in the night, the result would be Cthulhu, first-time director Dan Gildark’s effective, low-budget end-of-the-world dark thriller. Far more effective than M. Night Shyamalan’s apoca-schtick, “The Happening,” Gildark’s tense and claustrophobic slow-burn little film mines old-school horror titan H.P. Lovecraft’s “The Shadow Over Innsmouth” to tell this tale of a somber and terrifying homecoming. When Russell (Jason Cottle), a Seattle history professor, returns to Riversmouth for the funeral of his mother, he soon realizes that something is not quite right there, and that a mysterious sea-worshipping cult is probably behind it.
Part of our Friday Night Frights series.
“As the creepy gives way to the criminal, and ultimately to the genuinely supernatural, Cthulhu maintains its grounding in the sort of real-world interests that holds one’s attention without shocking demonstrations like dismemberment or decapitation.” -Tim Cogshell, Boxoffice Magazine
SATURDAY, NOVEMBER 1 – FILMMAKER APPEARANCE!
HOW TO CARVE AN ANGEL
SHOWN AT 12:30PM
This is a film reflecting a collaboration between sculptor McAlister Coleman, a member of the Rockport Art Association, and poet and former Rockport resident Peter Fulton. The film was shot in Rockport and Gloucester and represents the intersecton between sculpture, philosophy and poetry.
After the film, Peter Fulton will be reading some of his poetry and there will be a post-film discussion of what you aspire to create. Does not contain offensive language, violence or sexual content.
FROZEN RIVER
SHOWN AT 2:45PM
This acclaimed drama is the story of Ray Eddy (Melissa Leo), an upstate New York trailer mom who is lured into the world of illegal immigrant smuggling when she meets a Mohawk girl who lives on a reservation that straddles the U.S.-Canadian border. Broke after her husband takes off with the down payment for their new doublewide, Ray reluctantly teams up with Lila, a smuggler, and the two begin making runs across the frozen St. Lawrence River carrying illegal Chinese and Pakistani immigrant in the trunk of Ray’s Dodge Spirit.
“This is a debut feature, though you’d never know it from the filmmaker’s commandingly confident style, or from the heartbreaking beauty – heartbreaking, then heartmending – of Melissa Leo’s performance.” -Joe Morgenstern, The Wall Street Journal
FULL GROWN MEN
SHOWN AT 5:00PM
Set in a stylized yet familiar landscape of Americana, David Munro’s whimsical cautionary tale follows Alby Cutrera (Matt McGrath), a 35-year-old husband and father who longs for the days of his carefree boyhood when his only occupation was playing with his action figures. Desperate to escape the confines of adulthood and return to his halcyon days, Alby tracks down his childhood whipping boy Elias (Judah Friedlander), who now teaches at a special needs school, and persuades him to take a road trip to Diggityland – their favorite childhood theme park. As the dynamic duo motor along Florida’s tatty Orange Blossom Highway, they encounter a cast of tragicomic creatures, including an AWOL ex-theme park employee turned commando hitchhiker (Alan Cumming), an oversexed bartending clown-in-training (Amy Sedaris), and a trailer-dwelling delusional mermaid (Deborah Harry). Calamity and mayhem ensue as Alby and Elias’s sentimental trip down memory lane becomes an unsolicited lesson in the perils of living in the past.
“…an artistically integrated film that introduces a refreshing new talent to the independent scene, one who combines the visual palette of filmmaker Harmony Korine with an all-important sense of narrative.”
-Mick LaSalle, San Francisco Chronicle
BEAUTY IN TROUBLE
SHOWN AT 7:15PM
Jan Hrebejk’s marvelous drama explores a young woman’s romantic dilemma: torn between a primal connection and the need to provide for her children, she loves two men. Set against the back drop of the recent floods in Prague, “Beauty In Trouble” is full of unexpected twists, humor and amazing performances culminating in a surprising and paradox ending.
“‘Beauty In Trouble’ offers a meditation on the legacies of communism and the lure of capitalism, but also on the human need for love, connection and family.” -Steven Rea, The Philadelphia Inquirer
TROUBLE THE WATER
SHOWN AT 9:30PM
Winner of the Grand Jury Prize at the 2008 Sundance Film Festival, “Trouble The Water” tells the story of an aspiring rap artist and her streetwise husband, trapped in New Orleans by deadly flood waters, who survive the storm and then seize a chance for a new beginning. It is a harrowing but ultimately redemptive tale of self-described street hustlers who become heroes that takes viewers inside Hurricane Katrina in a way never before seen on screen. From the producers of Michael Moore’s “Fahrenheit 9/11” and “Bowling For Columbine.”

“Essential, unique viewing: a stunning experience of the hurricane and its aftermath, rooted in immediate personal response and emotions that encapsulate the full national catastrophe.” -Lisa Schwarzbaum, Entertainment Weekly

Cape Ann Community Cinema Schedule For 10/30-10/31

Cape Ann Community Cinema, originally uploaded by captjoe06.

THURSDAY, OCTOBER 30
XXY
SHOWN AT 5:00PM – FREE SHOW!
For just about everybody, adolescence means having to confront a number of choices and life decisions, but rarely any as monumental as the one facing 15 year-old Alex (Ines Efron), who was born an intersex child. As Alex begins to explore her sexuality, her mother invites friends from Buenos Aires to come for a visit at their house on the gorgeous Uruguayan shore, along with their 16-year-old son Álvaro (Martin Piroyanski). Alex is immediately attracted to the young man, which adds yet another level of complexity to her personal search for identity, and forces both families to face their worst fears.
This free show is part of our Thursday FilmMovement series, which in November becomes “Free Third Thursdays.”
“Raw-edged and moving…thoroughly nuanced… a tough, engaging, extremely touching work of cinema.” -Richard James Havis, The Hollywood Reporter
TROUBLE THE WATER
SHOWN AT 7:15PM
Winner of the Grand Jury Prize at the 2008 Sundance Film Festival, “Trouble The Water” tells the story of an aspiring rap artist and her streetwise husband, trapped in New Orleans by deadly flood waters, who survive the storm and then seize a chance for a new beginning. It is a harrowing but ultimately redemptive tale of self-described street hustlers who become heroes that takes viewers inside Hurricane Katrina in a way never before seen on screen. From the producers of Michael Moore’s “Fahrenheit 9/11” and “Bowling For Columbine.”
“Essential, unique viewing: a stunning experience of the hurricane and its aftermath, rooted in immediate personal response and emotions that encapsulate the full national catastrophe.” -Lisa Schwarzbaum, Entertainment Weekly
FRIDAY, OCTOBER 31
THE RAPE OF EUROPA
SHOWN AT 12:30PM
Nearly as insidious as the Hitler’s wholesale slaughter of Jews and others he thought inferior was his systematic pillaging of Europe’s art treasures and the attempted cultural annihilation of “sub-human” peoples. In the exhaustive documentary written and directed by Richard Berge, Nicole Newnham and Bonni Cohen, the trio goes far in chronicling this seldom explored prong of the Nazis’ assault, from Hitler’s formation of the party in the 1920’s right through to its rise to power in 1933 to its defeat at the end of World War II twelve years later. Art lovers will thrill to the heroic efforts of not only the staffs of the Louvre and the Hermitage, but the U.S. Army’s contingent of “Monuments Men,” commissioned to protect these treasures from a vindictive retreating German force. While the three do not fully make a case for the Reich’s hunger for art being a major impetus for its warmongering, they do depict the tragedy of this hidden war-within-a-war with the kind of passion that would even make the most cold-hearted collector of velvet Elvis paintings weep.
“There is a heart-rending feeling to this documentary, in part due to its sense of irretrievable loss.”
-Philip Marchand, The Toronto Star
STEALING AMERICA: VOTE BY VOTE
SHOWN AT 2:45PM
For more than thirty years, exit polls accurately predicted election results. Over the last ten years that reliability has disappeared. What’s going on? The last two presidential elections both came down to a relatively small number of votes, and in both elections the integrity of the voting process has been called into question. With the upcoming election looking to be similarly close, the time has come to ask the questions: What happened in 2000 and 2004? What, if anything, has changed since? And what can be done to ensure a fair and honest tabulation of votes in 2008? This film brings together behind-the-scenes perspectives from the U.S presidential election of 2004 – plus startling stories from key races in 1998, 2000, 2002 and 2006. The film sheds light on a decade of vote counts that don’t match votes cast – uncounted ballots, vote switching, under-votes, an many other examples of election totals that warrant serious investigation. This film unveils patterns of anomalies at every level of the electoral process. Controversial partnerships perpetuate a secretive environment, as relevant facts and figures remain hidden from view. As a result, most Americans have no real sense of the threat to fair elections. As seemingly unrelated pieces of the puzzle come together, a chilling picture emerges: of widespread, artfully crafted “glitches” that, in the final tallies, have the capacity to alter election results.
“This tersely sobering documentary…mounts its case with hardheaded numerical logic.” -Owen Gleiberman, Entertainment Weekly
WHAT WOULD JESUS BUY?
SHOWN AT 5:00PM
From producer Morgan Spurlock (“Super Size Me”) and director Rob VanAlkemade comes a serious docu-comedy about the commercialization of Christmas. Bill Talen (aka Reverend Billy) was a lost idealist who hitchhiked to New York City only to find that Times Square was becoming a mall. Spurred on by the loss of his neighborhood and inspired by the sidewalk preachers around him, Bill bought a collar to match his white caterer’s jacket, bleached his hair and became the Reverend Billy of the Church of Stop Shopping. Through retail interventions, corporate exorcisms, and some good old-fashioned preaching, Reverend Billy reminds us that we have lost the true meaning of Christmas. “What Would Jesus Buy?” is a journey into the heart of America – from exorcising the demons at the Wal-Mart headquarters to taking over the center stage at the Mall of America and then ultimately heading to the Promised Land…Disneyland. Will we be led like Sheeple to the Christmas slaughter, or will we find a new way to give a gift this Christmas? “What Would Jesus Buy?” may just be the divine intervention we’ve all been searching for.
Part of our “Somewhere That’s Green” series of sustainability films.
SHOWN FOLLOWING THE SHORT:
THE STORY OF STUFF
From its extraction through sale, use and disposal, all the stuff in our lives affects communities at home and abroad, yet most of this is hidden from view. “The Story Of Stuff” is a 20-minute, fast-paced, fact-filled look at the underside of our production and consumption patterns. “The Story Of Stuff” exposes the connections between a huge number of environmental and social issues, and calls us together to create a more sustainable and just world. It’ll teach you something, it’ll make you laugh, and it just may change the way you look at all the stuff in your life forever.
FROZEN RIVER
SHOWN AT 7:15PM
This acclaimed drama is the story of Ray Eddy (Melissa Leo), an upstate New York trailer mom who is lured into the world of illegal immigrant smuggling when she meets a Mohawk girl who lives on a reservation that straddles the U.S.-Canadian border. Broke after her husband takes off with the down payment for their new doublewide, Ray reluctantly teams up with Lila, a smuggler, and the two begin making runs across the frozen St. Lawrence River carrying illegal Chinese and Pakistani immigrant in the trunk of Ray’s Dodge Spirit.
“This is a debut feature, though you’d never know it from the filmmaker’s commandingly confident style, or from the heartbreaking beauty – heartbreaking, then heartmending – of Melissa Leo’s performance.” -Joe Morgenstern, The Wall Street Journal
CTHULHU
SHOWN AT 9:30PM
If the movies “Rosemary’s Baby” and “The Wicker Man” spawned violently in the night, the result would be Cthulhu, first-time director Dan Gildark’s effective, low-budget end-of-the-world dark thriller. Far more effective than M. Night Shyamalan’s apoca-schtick, “The Happening,” Gildark’s tense and claustrophobic slow-burn little film mines old-school horror titan H.P. Lovecraft’s “The Shadow Over Innsmouth” to tell this tale of a somber and terrifying homecoming. When Russell (Jason Cottle), a Seattle history professor, returns to Riversmouth for the funeral of his mother, he soon realizes that something is not quite right there, and that a mysterious sea-worshipping cult is probably behind it.
Part of our Friday Night Frights series.
“As the creepy gives way to the criminal, and ultimately to the genuinely supernatural, Cthulhu maintains its grounding in the sort of real-world interests that holds one’s attention without shocking demonstrations like dismemberment or decapitation.” -Tim Cogshell, Boxoffice Magazine