Save the date! Cape Ann Symphony’s Free Pops concert in Stage Fort Park on Gloucester Harbor #GloucesterMA 400+

One month away- mark your calendars! Countdown to Cape Ann Symphony’s very own Pops concert–a preeminent 400+ celebration– at Stage Fort Park is July 28, 2023. Classical and popular music for all in a spectacular setting!

For Gloucester’s Tablet Rock dedication in 1907, momentous Gloucester Day celebrations, and the city’s 300th, the natural open air ampitheatre of Stage Fort Park and its sweeping vistas beckoned and accomodated thousands for sheer casual delight, open and accessible to all. The Cape Ann Symphony Pops in the Park event echoes this history! On a smaller scale, the city hosts the popular free Antonio Gentile Bandstand Summer Concert Series at Stage Fort Park.


Heidi Dallin shares the details from Cape Ann Symphony:

CAPE ANN SYMPHONY RETURNS TO STAGE FORT PARK

Celebrate Gloucester’s 400+ at

POPS IN THE PARK

FREE ORCHESTRA CONCERT SET FOR JULY 28 at 8 PM

Cape Ann Symphony has partnered with the Gloucester 400+ to bring Cape Ann’s 70-member professional orchestra to Stage Fort Park for Pops in The Park, a special concert to celebrate Gloucester’s 400+, on Friday, July 28 at 8 PM.

“Over the last 6 months weโ€™ve been raising the funds needed to put the symphony on stage and I am delighted to share that we just reached our goal. We are so appreciative of our corporate sponsors and all the individual donors who contributed to make this marquee event of the 400th celebration a reality! So, save the date of July 28th on your calendar and come join us at Pops in the Park, a glorious evening of symphonic music free to the public.โ€

Jodi Nedrow-Counihan, CAS board member and coordinator of the Pops event

Set against the majestic backdrop of Gloucester Harbor, this FREE outdoor all ages event will be a special evening of music. The program includes Rossini’s Barber of Seville Overture; Anderson’s Selections from Irish Suite; Copland’s Hoedown; William’s Adventures on Earth; A Tribute to Henry Mancini; Tchaikovsky’s Finale of The 1812 Overture and the world premiere of Celebration Overture by acclaimed Gloucester composer Robert J Bradshaw.

“The Pops in the Park Concert on July 28th is a celebration not only of the 400+ years of Gloucester history but of the 70+ years of the Cape Ann Symphony” adds Nedrow-Counihan. The Cape Ann Symphony began in 1952 as a volunteer group of thirty or so individuals calling themselves the โ€œGloucester Civic Symphony Orchestraโ€. On July 10th, 1952 the symphony performed their inaugural concert in the Gloucester High School auditorium and wowed the audience of over 800 concertgoers with their performance of Beethovenโ€™s First Symphony.

Today, the Cape Ann Symphony has evolved into an all-professional orchestra of more than 70 members from throughout the New England area with a performance level to rival any regional Symphony in the country. For more than 20 years Maestro Yoichi Udagawa has been the CAS Music Director and Conductor and his artistry and passion have made him an audience favorite. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music.

The Cape Ann Symphonyโ€™s Pops in the Park Concert, a preeminent event to celebrate Gloucester’s 400+, is Friday, July 28, 2023 at 8:00 pm in Stage Fort Park, 24 Hough Avenue, Gloucester, MA. Admission to this outdoor concert on the harbor is FREE. For information, call 978-281-0543 or visit pops.capeannsymphony.org

aBOUT Stage Fort Park Tablet Rock

*โ€œIn 1623, 14 English fishermen set up the first European colony on Cape Ann here in what was then Fishermanโ€™s Field and is now Stage Fort Park. These ramparts overlook the harbor, first built during the Revolutionary War, renewed for the War of 1812, the Civil War and the Spanish American War.”

Alas, those first settlers, sent across the ocean by the Dorchester Company, were unable to live off the sea and these rock-bound fields. They moved a few miles south to what is now Salem in 1626. Then, within a decade, there were enough permanent settlers on Cape Ann to incorporate the town of Gloucester. The first meetinghouse was built on the Town Green in 1642 near what is now the Grant Circle rotary of Route 128. The City set this land aside as a public park in 1898 and its Tablet Rock was dedicated by Henry Cabot Lodge in 1907.

– David Rhinelander see Gloucester HarborWalk Stage Fort Park marker #42, 2011 photo on marker ยฉSharon Lowe.

Reposting history I wrote about Stage Fort Plaque / Tablet Rock:

See also Stage Fort Park then/now photos in prior GMG post

James R. Pringle was designated to write the inscription for the bronze plaque. The execution of the design was by Eric Pape. โ€œThe nautical scheme of decorative framework and embellishment was the composite suggestionโ€ of various committees dating as far back as the 1880s. Bronze tribute plaques embedded in Tablet Rock at Stage Fort Park detail the siteโ€™s history and were commissioned and unveiled at different times. The monumental and stunning Founders plaque from 1907 on Tablet Rock itself is in fantastic condition. Two DAR plaques were inlaid on the glacial outcroppings past half moon beach on the way to the cannons. The Fishermanโ€™s Field (1934) which I attributed to Harriet Hyatt is so worn itโ€™s nearly indecipherable, though thatโ€™s part of its charm**. The plaque compels close inspection, lingering and discovery. Itโ€™s a fun family activity for anyone who likes a challenge. For those who want help reading the content, I transcribed it back in 2010. Harriet Hyatt designed the Meeting House Plain plaque across from Cape Ann near Washington and Poplar. – 2015, 2027 **Update 2020: Cape Ann Museum acquired the original drawing for the plaque design in 2020!

Click here to enlarge:ย  transcription of Fishermanโ€™s Field tribute plaque Tablet Rock Stage Fort Park Gloucester MA

Music in the air! A CAPE ANN SYMPHONY OUTDOOR CONCERT: AUGUST 21

Heidi Dallin shares a reminder about Cape Ann Symphony’s outdoor concert in Magnolia next week. The program sounds glorious!

CAPE ANN SYMPHONY – THE 70th SEASON

Yoichi Udagawa, Music Director

A SPECIAL CAPE ANN SYMPHONY OUTDOOR CONCERT

Sunday August 21, 2022

ONE PERFORMANCE ONLY: 4:00 PM

LIMITED SEATING

Cape Ann Symphony announces A Special Outdoor Concert on Sunday, August 21, 2022, at 4:00 pm, featuring CAS lead flutist Stephanie Stathos and the Cape Ann Symphony Chamber Orchestra under the direction of CAS Conductor and Music Director Maestro Yoichi Udagawa performing poolside at the home of CAS President Fran White, 179 Hesperus Avenue, Magnolia, MA. Refreshments will be served. Seating for the performance is limited to 75. Ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; and $5 for youth 12 years old and under. For tickets and further information, call 978-281-0543 or go to www.capeannsymphony.org.

Maestro Udagawa looks forward to returning to perform at 179 Hesperus Avenue.

“The musicians and I are thrilled and excited to be able to perform together during the summer, and are grateful to Cape Ann President Fran White and her husband David for opening up their large backyard to host a concert again this year. It is such a pleasant, tranquil (and bug free!) venue that offers the audience close proximity to the musicians – a chance we don’t get often in large concert halls! “

This special outdoor concert features Charles Floyd’s Hymn For The Fallen, Wolfgang A. Mozart’s Flute Concerto in G Major, performed by CAS lead Flutist Stephanie Stathos, and Joseph Bologne’s Symphony No. 2 in D Major.

“The musicians and I are delighted to share this gorgeous music with our audiences” explains Maestro Udagawa.

Charles Floyd’s Hymn For The Fallen, commissioned by CAS, had its world premiere in the CAS March 2022 Concert. “Charles Floyd’s incredible piece for CAS was a highlight of our 70th Season, points out Maestro Udagawa, “I was eager to perform this inspiring piece outdoors with our chamber orchestra.”

Floyd wrote Hymn For The Fallen to highlight the sense of isolation and helplessness experienced since 2020.

โ€œHymn For The Fallen begins in isolation with violins commencing a tuneful exposition that is later joined by violas and cellos. The harmonies that build are bittersweet, but quite tonal in nature. Polytonality (the simultaneous use of two or more keys) plays a big role as a vehicle to prevent the emotional affect from feeling too ‘settled’ or too ‘sweet’. This is to reflect the notion that the emotional aspects of the past two years remain largely unsettled and unresolved. The final result is a haunting melody that is as singable as a hymn which (hopefully) does not gloss over the gravity of sadness rather than to honor with reverence the loss of a loved one. The rise of the COVID-19 pandemic and the insurmountable loss of life as a result of it, various riots, fear, brutality, extremism, civil unrest, confusion, grief, and violence inspired me to create a series of works called The Fallen of which Hymn for The Fallen is one. The series is not intended to be performed in one sitting. Rather it is a collection of works on a series of difficult topics.”

Charles Floyd

Maestro Udagawa looks forward to sharing Mozart’s first flute concerto with audiences, “Mozart’s first Flute Concerto was written in his early twenties. It is a beautiful work, and really requires the soloist to have tons of technique. Stephanie will do an amazing job, and we are all thrilled to be able to perform this work with her. I’m sure the audience will love it.” Commissioned by the Dutch flutist Ferdinand De Jean in 1777, Mozart’s Flute Concerto in G Major, his first flute concerto, was written in 1778. Mozart was supposed to provide four flute quartets and three flute concertos, but he only completed two of the three concertos. The piece is divided into 3 movements: 1. Allegro Maestoso; 2. Adagio Ma Non Troppo; 3. Rondo Tempo di Menuetto. The Andante for Flute and Orchestra K. 315 is thought to have been written as an alternative slow movement for this concerto, but there is no existing manuscript. Stephanie Stathos is the Principal Flute of the Cape Ann Symphony and the soloist in Mozart’s Flute Concerto in G Major Ms. Stathos is thrilled to play this Mozart piece with CAS, ” This wonderful work is part of all classical flutistsโ€™ repertoire,” points out Stathos, “Most of us begin learning it in high school and continue to study it throughout our entire careers! The third movement is a favorite of mine for its humor and joyful 3/4 meter, alternating between sparkling 16th note passage work and beautiful, lyrical melodies. I am delighted to be performing this concerto with the Cape Ann Symphony Chamber Orchestra this coming August 21.”

Stephanie Stathos earned her degree in Flute Performance from Boston Universityโ€™s School for the Arts. Based in Lincoln, MA, Ms. Stathos is first piccolo for the Lexington Symphony. She has served as the piccolo and second flute with the touring orchestra of the National Lyric Opera of New York. As soloist she has performed throughout the United States and Europe. Other appearances include performances with many of New Englandโ€™s ensembles including Boston Landmarks Orchestra, Rhode Island Philharmonic, Symphony New Hampshire, Atlantic Symphony Orchestra, Concord Chorale (NH), Newburyport Choral Society, and North Shore Chamber Music. Ms. Stathos also is passionate about jazz, new music and ethnic music.

Joseph Bologne, Chevalier de Saint-Georges, is the first known classical musician of African descent. A man of many talents he was a composer, virtuoso violinist, conductor of the leading symphony orchestra in Paris, and a soldier and a renowned champion fencer. He was celebrated in Paris when the then unknown Mozart visited the city.

“Joseph Bologne had an extraordinary life, and it’s reflected in his music, ” says Maestro Udagawa, “Audiences will be enthralled with his Symphony No. 2. Last summer we performed Bologne’s Symphony No. 1 and I am so pleased to be able to share more of his extraordinary work with our audiences!”

photo credits:

Yoichi Udagawa, CAS Conductor and Music Director Photo Credit Jeph Ellis

Cape Ann Symphony Chamber Orchestra led by Maestro Udagawa performing at 179 Hesperus Avenue Courtesy photo

Stephanie Stathos, Principal Flute of the Cape Ann Symphony and the soloist in Mozart’s Flute Concerto in G Major Photo Credit: Robert Torres
Charles Floyd, Composer Hymn For The Fallen Courtesy Photo

Harbor Loop Summer Concerts August 9, 2018 ~ T Max, Mari Martin and (most of) the Lucky Boys at Harbor Loop! 6-7pm ~Then Mike O’Connell and Friends 7-9pm

 

https://www.facebook.com/HarborLoopConcerts/

 

Special thanks to Carol Pallazolla and Christopher Silva for making it all come together!

Satch Kerans (Solo) & What Time Is It Mr. Fox ~ The last Harbor Loop Concerts Series 2014…You don’t want to miss this one.

satch-001

http://www.satchk.com/

mr fox

http://www.whattimeisitmrfox.com/

Stage Fort Park Concert

Came upon an unexpected free concert at the Stage Fort Parkย bandstand Friday evening. The 195th Army Band from Belfast. Maine. Cheif Warrant Officer/Conductor, Brady Harris lead the group and we enjoyed some great jazz music and lovely lighting. A fish sandwich at the Cupboard made for a neat little impromptu picnic.

Concert

Click for more upcoming concerts, (including one tonight!) at the bandstand.