Wood, Wire & Song Concert March 3! Annisquam Village Church.

Join us Sunday March 3rd at 3 P.M. for another superb concert created by violinist and composer, Scott Moore!

Music Committee Annisquam Village Church

Wood, Wire, & Song – Crossover Chamber Music in Annisquam

The nascent Lobster Cove String Quartet widens its wake with guest artists in a concert Sunday, March 3rd, at 3:00 PM at the Annisquam Village Church.  With windows looking out on the Cove itself, the concert is designed by Artist-in-Residence, violinist and composer Scott Moore—joined here by a glittering lineup of special guests in an eclectic program of new music as inviting as it is fresh. Pianist and songwriter Elizabeth Ziman anchors the lineup with what NPR Music calls “beautiful, thoughtful, smart music largely built around her very approachable and warm voice.”

The March 3rd Wood, Wire, & Songprogram comprises music written in the last 30 years: the plaintive strains of John Tavener’s mysterious Akhmatova Songs; the elemental crispness of recent Pulitzer-winner Caroline Shaw’s Valencia (composed in Manchester-by-the-Sea); frequent Kronos Quartet collaborator Osvaldo Golijov’s visceral setting of Emily Dickinson, How Slow the Wind; and Moore’s own setting of Shakespeare’s sunny Sonnet 18, a world premiere. Classical soprano Theodora Nestorova joins Ziman, songwriter and multi-instrumentalist Dietrich Strause, and quartet members Moore, Erica Pisaturo (violin), Brandon White (viola), and Alex Fowler (cello). Notoriously multi-talented Club Passim stalwart Zachariah Hickman (Josh Ritter, Ray LaMontagne) contributes string arrangements.

  • $35, suggested contribution.
  • Please join us for the reception following the concert. 
  • Annisquam Village Church, 820 Washington Street, Gloucester MA 01930 
  • For questions, please contact the Annisquam Village Church at 978-281-0376  or avchurch820@gmail.com

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Lindsay Crouse, Peter Krasinski soar | Peter Pan silent film screening at Cape Ann Cinema

Another unforgettable Cape Ann Cinema & UU Gloucester Meetinghouse collaboration was held on Sunday, December 3, 2017–a special screening of the silent film adaptation of J.M. Barrie’s Peter Pan as a benefit for Pathways for Children. Ellen Sibley was there for Pathways, welcoming guests and opening the evening.

ELLEN SIBLEY intro -Peter Krasinski with Lindsay Crouse accompanying silent film Peter Pan at Gloucester Cinema & Stage, a Gloucester Meetinghouse benefit Pathways for Children 20171203

Peter Krasinski with Lindsay Crouse accompanying silent film Peter Pan at Gloucester Cinema & Stage, a Gloucester Meetinghouse benefit Pathways for Children 20171203_155949
photo caption: Sound check (Peter Krasinski and Lindsay Crouse readying their accompanying live performances for silent film Peter Pan screening at Gloucester Cinema & Stage, a Gloucester Meetinghouse benefit for Pathways for Children)

Renowned organist Peter Krasinski explained that star Lindsay Crouse would use her artistry to accompany this silent screening like a Benshi, a Japanese word for performers who provided live narration for silent films in order to translate the intertitles. Though Krasinski has collaborated with benshi in Japan for some of his live performances, yesterday’s event was the first time he’s done so in the United States. I went to film school and was fortunate to take master classes in cinema studies with Bill Everson, a film historian and major collector. He’d invite Lillian Gish and other silent screen stars and producers to lecture, and always there were amazing accompanists. Not once though have I experienced a narration, too. I’ve heard Krasinski play before and seen Crouse act in film, tv and Gloucester Stage. I didn’t know what to expect, but I knew it would be like nothing else I’d ever experienced.  Krasinski has seen Peter Pan numerous times and his confident music was subtle and charming, cueing the music to the action on the screen and improvising along with Crouse. Crouse’s narration was pitch perfect. Crouse spoke of her affection for the story and related seeing it 17 times as a child (yes, with Mary Martin) and how it’s among the defining and formative theatrical pulls of her youth.Who knew Nana’s whimpering and such subtle variations of so many characters crying throughout Peter Pan was possible? I googled Lindsay Crouse audiobooks right when I got home. Lindsay Crouse audiobooks

What amazing effort and art for a good cause.

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