When grandchildren come to visit there is always pure joy at the beach.

My View of Life on the Dock
When grandchildren come to visit there is always pure joy at the beach.

Hobbit forest….


Joan K. Bediz currently has a solo show of pastels and acrylic paintings on display at the North Shore Arts Association August 3 – 20, 2021. Come and meet the artist and experience her stunning works during the reception on Thursday, August 12, 2021, from 4:00 – 6:00 PM.
Joan strives to look at the world with a sharp sensitivity, feeling a degree of compulsion and responsibility to put that information on canvas and paper as art. There is a quote hanging in her studio that she continues to revisit as she takes on challenges required to be a dedicated and working artist in the world today. “Nothing’s harder than being given your chance.” Her work is represented at the North Shore Arts Association, Rockport Art Association & Museum, Cambridge Art Association, Rocky Neck Art Center, and Pastel Painters Society of Cape Cod.
North Shore Arts Association is located at 11 Pirate’s Lane, Gloucester, MA 01930. For more information about events please call (978) 283-1857 or email arts@nsarts.org. Visiting hours are Wednesday – Saturday, 10 AM – 5 PM and Sundays 12 – 4 PM.



Salem Fireworks

While I’d prefer it be a beach day, I always kind of get a kick out of how happy the seagulls are to have the beach to themselves when the weather keeps everyone else at home. See them all lined up at the water’s edge?

There are a variety of displays of Gloucester history all around town but one of the most interesting appears in the Crow’s Nest. Probably not your first stop when seeking history, but the walls are rich in Gloucester heritage displays. This Norman Rockwell print is one such example at the Crow’s Nest.

“Lucky Catch” (sometime referred to also as “Mermaid”) by Norman Rockwell appeared on the cover of the Saturday Evening Post Aug 20 1955 and created quite a stir. The story can be found here, but the significant piece of the story for Gloucester is the 81 year old lobsterman tapped to be the model: Walter E. Marchant. Walter was born in 1873, lived and lobstered in Gloucester all his life. He died just a few years after the cover appeared.
In my search for his identity, I sought assistance from Lois at the City Archives (thanks so much Lois!). I also went over the the library as well as to Cape Ann Museum; by the time I got home an email from Lois was waiting for me. This was a link to a Boston Globe article Sept 18 1955 verifying the identity of the pictured lobsterman. The article is very interesting and I encourage you to read it through. He describes Norman Rockwell as a “nice sort of duck”. Walter travelled to Stockbridge to sit for the artist which I imagine was no small undertaking for him.

As I sought out further information about Walter, I found a very intriguing story including his redesign of the lobster pot which was apparently successful in luring the lobsters. As a young man, he participated in a rescue off the breakwater of the Schooner Nautilus in 1905 out of the life saving station at Dolliver’s Neck. This article from the Boston Herald Sept 4 1955 shows a picture and we understand why this man was chosen as a model.

It’s a classic Gloucester story commemorated in true Norman Rockwell fashion for “Lucky Catch”.

Per reader request, over the next few days I’ll be reposting mini chapter excerpts — primarily illustrations– from a longer read about the evolution of outhouses and public utilities specific to Gloucester, Massachusetts, Privy to Privy History, on Good Morning Gloucester June 6, 2021.
‘Gloucester Outhouses in American Paintings’ copied below is “Excerpt 1” (stay tuned for some more Cape Ann Museum additions); Excerpt 2 will focus on early 20th century photographs; future excerpts might highlight some of the history mentions such as the bathroom fixtures at the Crane estate; and so on.
Catherine Ryan, Aug. 2021
Edward Hopper included outhouses in numerous Gloucester vistas. Hopper depicted buildings and worked with watercolor and gouache long before his renowned first sell out show of Gloucester images in the 1920s.
Illustrations: Reminder- You can pinch and zoom to enlarge (and select “full size” image if that option shows)

The Whitney Museum of American Art has the largest collection of Edward Hopper art. This small watercolor study the museum dates circa 1900 contains germs of his later work. There is an elusive building, or nestled buildings, front and center. Strong shadows are emphasized. Is the shed attached or not? An entrance, a ticket booth, an outhouse? Is that a circus tent flag squiggle? The pencil line beyond the vertical street light (or railroad signal) might be a train track. Further right, there’s a red dab. Perhaps another structure. The window with yellow has a barn vibe. I did think about the scene in Butch Cassidy and the Sundance Kid when Katherine Ross looks down from a hay loft to catch the ‘Paul Newman riding a bike for the Raindrops Keep Falling on My Head’ show.





Selection of Gloucester scenes with outhouses by various artists: Dennis Miller Bunker; Charles Burchfield; James Jeffrey Grant; Emil Gruppe; Max Kuehne; William Lester Stevens; Paul Bough Travis; and Louise Woodroofe. Stay tuned for more.











Leave it to Mabel Dwight for a humorous and original take, Backyard, 1938 WPA/FAP lithograph.
Below – New York City images (collection, NYPL) for comparison of the flip view. More photographs featured in Excerpt 2.



Driftwood….








Dave Brought This One In A Couple Of Days Ago-








Dave caught another blue lobster eight years ago on October 11, 2013 here’s that post from way back then-
Posted on by Joey Ciaramitaro
Dave caught another blue lobster eight years ago on October 11, 2013-
Maddie Jewell displays the lobster her daddy caught October 11, 2013.
And here’s a picture of Maddie Jewell with the blue lobster her dad caught 8 years later on August 3, 2021-
