Author: Catherine

Cape Ann Symphony presents selections from Mendelssohn, Saint-Saens, and Beethoven on Sunday March 16, 2025. Read more about the concert program below from the symphony’s printed matter.

Sunday Concerts in Spring: Scroll further to see printable flyers for two more delightful programs scheduled in April and May.

Press Release

The program for Mendelssohn, Saint-Saëns, and Beethoven includes Mendelssohn’s Hebrides Overture; Beethoven’s Symphony No. 4 and Saint-Saëns’ Cello Concerto, featuring Owen Young, Cello. The March 16th Concert marks the first time CAS has performed the Beethoven Symphony No. 4 during Maestro Udagawa’s 25 year tenure as Music Director and Conductor of Cape Ann Symphony. Maestro Udagawa looks forward to bringing the exciting piece to CAS audiences, “We have never performed the Beethoven Symphony No. 4 in Cape Ann during my time as conductor of the orchestra. It’s a real masterpiece, and it was definitely time to do it. It sits between the very famous 3rd and 5th symphonies, so it’s definitely been overshadowed by those pieces, but I know that the audience will love this piece. It has everything that Beethoven is known for – power, energy, melodies of tremendous beauty – and in addition, it comes along with a huge dose of high spirits and humor. “

Written in 1830, Mendelssohn’s Hebrides Overture also known as Fingal’s Cave was inspired by a trip the composer took to Scotland. His travels took him to the Hebrides Islands and the island of Staffa – known for its puffins and its atmospheric cave. With its echoing acoustics, which magnified the sound of rumbling waves, Fingal’s Cave made a profound impression on Mendelssohn. Through the Hebrides Overture he sought to capture the swell and feel of the Atlantic, and the sound of waves crashing against rocks. “The Hebrides Overture of Mendelssohn is such evocative music and a perfect piece to perform on Cape Ann,” points out Maestro Udagawa, “The opening is Mendelssohn’s depiction of the ocean waves, and it gently rolls along. Eventually the music builds up to a stormy sequence, and towards the end when the music is again peaceful, one can imagine seagulls soaring over the ocean. The music has such color and sparkle, and it’s always wonderful to prepare this piece with the musicians of the orchestra and to perform it.” 

Owen Young last played with CAS in March 2022. He performed the Brahms’ Double Concerto for Violin, Cello and Orchestra with his BSO colleague violinist Lucia Lin.MaestroUdagawa is eager to collaborate with Owen Young again, “Owen Young is an incredible cellist and musician. In addition, he is an incredibly warm and nice person, and that really comes across in everything he does. That’s definitely one of the reasons the orchestra, I and our audience love him so much.” On March 16th world renowned cellist Young will play Saint-Saëns’ Cello Concerto with CAS. Many composers, including Dmitri Shostakovich and Sergei Rachmaninoff, consider this concerto to be the greatest of all cello concertos. In this demanding concerto Saint-Saëns broke with convention. Instead of using the normal three-movement concerto form, he wrote the piece in one continuous movement which contains three sections sharing interrelated ideas. “The Saint-Saens is a gorgeous concerto which is wildly difficult and virtuosic for the soloist,” says Maestro Udagawa,” in spite of the fireworks, Saint-Saens has written a piece of great charm and beauty. The main melody of the second movement is so beautiful and touching. The first movement is fiery and the last movement is also full of difficult passages for the soloist. It’s always amazing to see Owen play it with such command and ease. He makes it look easy, but we all know it isn’t! I can’t wait for CAS audiences to see this thrilling performance!”  

About Owen Young

Cellist Owen Young joined the Boston Symphony Orchestra in August 1991. A frequent collaborator in chamber music concerts and festivals, he has been featured as concerto soloist with numerous orchestras. Mr. Young has appeared in the Tanglewood, Aspen, Banff, Davos, Sunflower, Gateway, Brevard, and St. Barth’s music festivals and is a founding member of the innovative chamber ensemble Innuendo. His performances have been broadcast on National Public Radio, WQED in Pittsburgh, WITF in Harrisburg, and WGBH in Boston. He has performed frequently with singer/songwriter James Taylor, including the nationally televised concert “James Taylor Live at the Beacon Theatre” in New York City.

Mr. Young was formerly on the faculties of Boston Conservatory, New England Conservatory School of Continuing Education, and Longy School of Music. He is currently on the faculty of Berklee College of Music and is active in Project STEP, a String Training Education Program which provides talented young musicians that identify with historically underrepresented groups in classical music with comprehensive music instruction, envisioning a world in which the classical music profession reflects the racial and ethnic diversity of our communities.

Owen Young holds both bachelor’s and master’s degrees from Yale University. He was a Tanglewood Music Center Fellow in 1986 and 1987. After winning an Orchestra Fellowship in 1987, he played with the Atlanta Symphony Orchestra in 1988 and with the Boston Symphony Orchestra in 1988-89. He was a member of the New Haven Symphony Orchestra in 1986-87 and of the Pittsburgh Symphony Orchestra from 1989 until he joined the BSO in 1991. From 1991 to 1996 Mr. Young was a Harvard-appointed resident tutor and director of concerts in Dunster House at Harvard University. His teachers included Elinor Osborn, Michael Grebanier, Anne Martindale Williams, and Aldo Parisot.

About Cape Ann Symphony and Yoichi Udagawa

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Frequently invited to guest conduct, Mr. Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Mr. Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Outreach programs to area schools.

tickets

Cape Ann Symphony Mendelssohn, Saint–Saëns, and Beethoven Concert is Sunday, March 16 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. Single ticket prices are $50 for adults, $45 for senior citizens age 65 and above, $20 for Students of any age with a valid student id; $5 for youth 12 years old and under. For tickets and information, call 978-281-0543 or visit www.capeannsymphony.org.

Coming April 25, 2025

Coming May 11, 2025