
Long Beach overlook. The still is from the video clip (pinch and zoom).
My View of Life on the Dock

Long Beach overlook. The still is from the video clip (pinch and zoom).
Sign up for a memorable April school vacation opportunity at Cape Ann YMCA!

Print and share the flyer or scan the code.
Talk about a Read Aloud and then some!
Save the date: April 19, 2024
Location: Trinity 70 Middle St.
“Beloved story by Gloucester’s own Virginia Lee Burton read aloud by local actress Heidi Dallin, and set to music for this ensemble performance.”
News from Sawyer Free Library
Print and share the cheery flyer

Did you experience the solar eclipse?
Photos: Frank Ryan
Above Gloucester harbor 4/8/2024



Acting classes for all ages at the Cape Ann YMCA during April Vacation!
Photos: Sassy Square
DON’T JUST SIT AROUND THE HOUSE!

Come to the Cape Ann YMCA and Perfect your Acting Skills!

Spend the week learning about acting and professional theatre with your YMCA Theatre team: Heidi, Sarah and Jenny!
Play theatre games, create characters, have fun with improvisation and scene study and get a chance to work on scenes from The Little Mermaid Jr, our upcoming Summer 2024 Performance Camp Production.
Classes are divided by age. See below for more info about each class and use the link to sign up.
AprilVacationActing Questions?
Contact: Heidi Dallin, YMCA Theatre Specialist dallinh@northshoreymca.org

A four day intensive workshop is an introduction to the basics of professional acting for ages 5 to 8 years old. Learn acting, develop stage presence and build self-confidence through theatre games, pantomime, improvisation, vocal and physical expression and storytelling.

An intensive professional theatre training program designed to provide young people with an outlet to nurture their creative potential through developing self-confidence, communication and teamwork skills to use in their daily life as well as introducing them to the skills necessary for professional theater. The intensive 4 day workshop will include character preparation, scene study,storytelling, public speaking and confidence building training. For our scene study we will be working with scripts from modern musical theatre including our camp production of The Little Mermaid Jr!

Save the date! Heidi Dallin shares a reminder for a great concert one week away!
April 14, 3 PM
Cape Ann Symphony Musicians Unleashed Concert Series






at
Manchester’s Crowell Chapel
Featuring
The Cape Ann Symphony Musicians:
STEPHANIE STATHOS, Flute
BILL KIRKLEY Clarinet & IZUMI SAKAMOTO, Oboe
Playing With
Local Musicians
MICHAEL BELLOFATTO Horn;
SAM CHILDERS, Bassoon
&
KATHLEEN FORGAC, Piano
“Cape Ann Symphony proudly announces the Musicians Unleashed Fantasies and Mythology Concert on Sunday, February 11, 2024 at 3:00 PM at The Crowell Chapel, 3 Rosedale Avenue, Manchester-by-the-Sea. The ticket price for Fantasies and Mythology is $40 for Adults and $15 for Youth. Call CAS at 978-281-0543 or go to www.capeannsymphony.org to purchase tickets. The Cape Ann Symphony’s Musicians Unleashed programs were launched in 2019 and have become a wonderfully popular series with an overwhelmingly enthusiastic audience response.
Fantasies and Mythology celebrates the Woodwind section of the orchestra and features 3 accomplished Cape Ann Symphony woodwind players including CAS principal Flute Stephanie Stathos; CAS principal clarinet William Kirkley; and Izumi Sakamoto, oboe. They are joined by Hamilton resident Michael Bellefatto, horn; and Sam Childers, bassoon and pianist Kathleen Forgac. These 6 musicians will present an afternoon of musical fantasies and works inspired by myths, legends and lore while exploring the magical sounds of the woodwind quintet and showcasing each of the instruments alone featuring works by Nielson, Poulenc, Mouquet, Debussy and others.
“We are excited to introduce our audience to the sounds of the woodwind quintet” says CAS principal flutist Stephanie Stathos, “We will showcase each instrument of the quintet in a solo work and then present them all together with the piano in a performance of the well known Poulenc Sextet which is a wonderful and well known piece that showcases the wind instruments in the orchestra. It’s filled with jazz rhythms and references which are juxtaposed with beautiful, lyrical melodies. We can’t wait to share all this beautiful woodwind music with our Musicians Unleashed audience in the stunning Crowell Chapel performance space in Manchester!”
The program for Fantasies and Mythology includes Jules Mouquet’s Pan and the Shepherd (flute and piano); Carl Nielsen’sFantasy for Clarinet; Debussy’s La danse de Puck and Les fees sont d’exquises danseuses (piano); Wayne Barlow’s Winter’s Passed (oboe and piano); Malcom Arnold’s Fantasy for Bassoon; Mike Keegan’s Gloach Horn (solo horn) and Poulenc’s Sextet (winds and piano).
THE PLAYERS:
FLUTE: Stephanie Stathos
Principal flutist of the Cape Ann Symphony Stephanie Stathos earned her Bachelor of Music degree in Flute Performance from Boston University’s School for the Arts where she was a student of Doriot Anthony Dwyer. She currently holds the principal flute position with the Cape Ann Symphony and the piccolo position with the Lexington Symphony. From 2003-2013 she served as the piccolo and second flute with the touring orchestra of the National Lyric Opera of New York. Ms. Stathos has been the featured soloist with the Cape Ann Symphony on numerous occasions, most recently in 2023. As a soloist she has also performed throughout the United States and Europe, recently performing Cimarosa’s Concerto for Two Flutes with the Orchestra Del Concentus Musicus Patavinus in Padua, Italy. Chamber musician appearances include performances with many of New England’s ensembles including Boston Landmarks Orchestra, Rhode Island Philharmonic, Symphony New Hampshire, Atlantic Symphony Orchestra, Concord Chorale (NH), Newburyport Choral Society, North Shore Chamber Music, and with vocalist Catherine Hammond, with whom she has done two recordings. Also passionate about jazz, New Music and World Music Ms. Stathos has toured and recorded for the Green Linnet label with Argentinean vocalist Mili Bermejo and jazz ensemble Orange Then Blue.
CLARINET: Bill Kirkley
Principal clarinetist of Cape Ann Symphony Bill Kirkley is in demand as an orchestral musician, recitalist, and chamber performer. His orchestral playing has been heard in some of the world’s great concert halls, including Carnegie Hall and Avery Fisher Hall in New York, Symphony Hall Boston, Orchestra Hall Chicago, the Royal Albert Hall and the Royal Festival Hall in London. One of the founders and principal clarinetist for Lexington Symphony, Mr. Kirkley is also solo bass clarinetist with Vista Philharmonic. As a guest clarinetist, he has been heard performing with the Boston Symphony, Boston Pops, Boston Ballet, and City Ballet in NYC. Mr. Kirkley has been featured as a soloist with many orchestras across North America, including Cape Ann and Lexington Symphonies. As a chamber musician, he is the clarinetist for Triage New Music and Boston Musica Viva, the oldest contemporary music ensemble in the United States. Mr. Kirkley has worked with many of the leading composers of our era to realize their music. His recording of Camarata IV, a concerto for all the clarinets, was written for him by the esteemed New York composer Bernard Hoffer and was released in summer 2020 to rave reviews. Digging into the bass clarinet, he is also a member of Improbable Beasts, Boston’s’ premier bass clarinet ensemble of 15 solo bass clarinetists. Mr. Kirkley has recorded extensively on such labels as CRI, SEAMUS, New World, Albany, Naxos, and Centaur. His playing has been heard on WGBH Boston and the BBC London. If you play SimCity BuildIt! you’ve heard his playing behind the game. A performer dedicated to educating, he has served on the music faculties of University of Southwestern Louisiana, Brandeis University, UMass Boston, and is currently on the music faculties of Gordon College, College of the Holy Cross, and Groton Hill Music. As a long time member of the International Clarinet Association, Mr. Kirkley has presented and performed at ClarinetFest. He attended the University of Arkansas, Northwestern University and Southern Methodist University, where his major teachers were Robert Marcellus, Anthony Gigliotti, and Robert Umiker.
OBOE: Izumi Sakamoto
Cape Ann Symphony Oboist Izumi Sakamoto’s musical studies began at the age of five, learning piano in her native Japan. She began playing the oboe at fourteen with her first oboe teacher, Masayo Miyata. Ms. Sakamoto came to the United States in 2003 to study with Keisuke Wakao, assistant principal oboist of the Boston Symphony Orchestra. Ms. Sakamato received her Master of Music Degree and undergraduate diploma in oboe performance from Longy School of Music where she performed as soloist for Mozart Oboe Concerto as a winner of Longy Concerto Competition 2010. She received her graduate degree in oboe performance from the New England Conservatory.
A member of Symphony by the Sea and Haffner Sinfonietta, Ms. Sakamoto also has performed with the Plymouth Philharmonic, New Bedford Symphony, Lexington Symphony and Boston Philharmonic Orchestra. In 2009, she participated in the CD recording project with the United States Air Force Band of Liberty. Ms. Sakamoto has been a member of the New England Chamber Players since 2016. In 2020, she performed a piece written for her by Thomas Weaver for piano and oboe. She also has participated in various festivals including the Stamford International Music Festival in England.HORN: Michael Bellofatto
Hamilton resident Michael Bellofatto is an active orchestral musician in the Boston area and greater New England. He holds permanent positions as Principal Horn with the Vista Philharmonic Orchestra and the New Bedford Symphony Orchestra, and was recently appointed as Principal Horn of the Glimmerglass Opera Festival. He has served as Acting Principal Horn with the Atlantic Symphony Orchestra, and frequently appears with other professional ensembles such as the Portland Symphony, Rhode Island Philharmonic, Cape Symphony, and others. In addition to his orchestral activities, Michael is a member of the Innovata Brass Quintet and a frequent substitute with many of the area’s fine chamber groups and new music ensembles. He can be heard in the pit orchestras of musical and opera productions throughout the Boston area. Michael received his music training at Ithaca College where he studied with Alex Shuhan. Mr. Bellofatto maintains a small studio of horn students in Hamilton.
BASSOON: Sam Childers
Sam Childers is a graduate of the University of Montana, where he was the recipient of the Candy Paris Honors Scholarship. While completing his undergraduate studies he was also a member of the Missoula Symphony and the Blue Mountain Wind Quintet. He then went on to study at the University of Michigan, where he was the recipient of the Hugh & Nan Cooper Memorial Scholarship. Sam is the bassoonist for the acclaimed Boston wind quintet, Vento Chiaro, with whom he also teaches and performs at the Boston University Tanglewood Institute. He plays regularly with many ensembles in the area, including the Lexington Symphony, Plymouth Philharmonic, Cape Symphony, Boston Modern Orchestra Project, and others. Sam loves playing in the continuo section for Emmanuel Music, the Marsh Chapel Collegium, and the Bach Virtuosi Festival in Portland, ME. Sam is a bassoon faculty member and chamber music coach at the Brookline Music School and he maintains a small private studio of bassoonists.
PIANO: Kathleen Forgac
Pianist Kathleen Forgac received an undergraduate degree in mathematics from Caltech and a Master’s Degree in Piano Performance from the New England Conservatory of Music, where she studied with Jacob Maxin. She was a member of Cape Ann Chamber Music in Gloucester. Solo performances include appearances with the Long Beach Symphony in California, the New Hampshire Philharmonic and the Carlisle Chamber Orchestra. Among her awards are a silver medal from the Royal Society of the Arts in London, second place in the International Piano Recording Competition, and the Blossom School Accompanist Award. She currently teaches at the Russian School of Mathematics in Lexington and is the rehearsal pianist for Opera51 in Concord.
The Musicians Unleashed Fantasies and Mythology Concert is Sunday, April 14 at 3:00 PM at The Crowell Chapel, 3 Rosedale Avenue, Manchester-by-the-Sea. Ticket prices for Fantasies and Mythology are $40 for Adults and $15 for Youth. Call Cape Ann Symphony at 978-281-0543 or go to www.capeannsymphony.org for tickets.





photos: April 6, 2024. quahog wrack line, 9 piping plovers, savannah sparrow












photos: Long Beach April 5, 2024
photos: Long Beach status April 2, 2024 https://goodmorninggloucester.com/2024/04/02/long-beach-seawall-conditions-2024/









Gulls were resting at the Good Harbor Beach parking lot.

video


10AM.
Happy spring~!








photos: Morning high tide on April 4, 2024. Views from Gloucester to Long Beach, Rockport. Vid. clip – wind gusts at times super high, sea spray, and Twin Lights not visible. The wind gusts were strong enough to push me and impede holding a camera by hand.
This happy spring birth announcement was featured in the Boston Globe in 1925 (see below). The Silva family lived in this house where 3 roads come together (Sadler St., Mt. Vernon St., and Elwell St.). Triplets on the triple :)! Back then the address was “#8 Sadler Street”.
Mary Elizabeth Silva, nee Rose and Manuel B. Silva welcomed Arthur, Beatrice and Robert.




Boston Globe (March 1925)

“Gloucester, March 19. The triplets born to Mr. and Mrs. Manuel B. Silva are 11 days old today, are thriving and bid fair to have the same chance of reaching maturity as the general run of infants that age.
The father was absent on a fishing voyage when the interesting event happened. He is one of the crew of the schooner Mary D. Silveria, which arrived here Wednesday, and when he learned the news was surprised. Friday night the little ones were taken to the residence of Rev Fancisco (sic?) Viera De Bem, pastor of the church of Our Lady of the Good Voyage, and formally christened Robert, Beatrice and Arthur, there being two boys and a girl.
The mother is doing well, and in a short time will be about the house attending to her duties.
The father is 29, weights about 150 and is a native of the Western or Azores islands. He came to this country when 13 and has since followed fishing. He is a clean built and good looking man and a t (illegible) type of his race. The mother, whose maiden name was Mary Elizabeth Rose, is a slightly built woman, a native of this city of Portuguese descent. She is 28, one year younger than her husband. They were married nine years ago and have a girl of 8 and a boy of 6. The triplets are the only children since the birth of the boy 6 years ago.
The little ones are, of course, objects of much interest and when the Globe correspondent called at the Silva residence, 8 Sadler st., yesterday, were receiving in state on soft pillows surrounded by a number of the children of the locality who viewed the tiny mites with the greatest interest.
Little Robert, Beatrice and Arthur bid fair, if they grow and thrive, to be personages of interest in the section of the city where they live.”
Boston Globe, March 20 1925, p.9
*Where the author takes pains to describe the father’s physical attributes (virility?), I’m not sure what the illegible word describing the father is, “tan”, “tall”? I’ve interviewed parents of twins born in the 1960s when it was still common that parents had no idea they were expecting multiples.
Local surnames, places mentioned:
Photo series journaling the impact from the 2023-24 winter storms and tides. Much of the wall and walkway look great.
The packed soil walkway atop the Long Beach seawall shows a loss of 1″ to 6″ vertical height, scraped for stretches along most of the wall (and more than a foot high loss by the old hotel). There are new and old potholes and cracks in the concrete sections beneath the handrail, and a single rapidly enlarging sinkhole at the footbridge end which is ready for a caution cone or barrel.
pinch and zoom to enlarge; right click for description










There are a few repeat vulnerable spots that have not grown rapidly (unlike the one in the photo block above).



After a trio of March storms in 2018, the seawall pathway collapsed in two sections, revealing gaping chasms beneath (later filled). Fissures, cracks and seasonal pothole wear and tear were numerous. Thanks to immediate major repairs, the hollow underbelly sections were filled and packed down and the walkway widened pretty much the entire seawall. Rip rap boulders were shuffled into temporary pyres as extra wall support on the beach side.
photo caption: Same spot. Unlike the pathway which changed significantly, find the railing post to note the rough concrete chunk jutting out that has not changed.




Detail of the 2022 dislodged piece before/after


In 2019, hundreds of tons of boulders were added strategically, and later an impressive quantity of sand. Unsurprisingly the sand was devoured by tides and storms–even on the very day it was deposited, swept straight away. The rip rap–mostly unchanged–and new walkway have held.









Boulder pile 2019 still here 2024. The big rocks work.





Before the 2018 winter storm trio, people discussed the pros and cons about raising the height of the seawall, removing it, and so on. After the major upgrades in 2018 and 2019, a town committee was established to study future options for the Long Beach cottages and seawall which wrapped up March 2022.
The 2024 Rockport Annual Town Meeting is scheduled for April 6, 2024.
The detailed Long Beach seawall schematics from 2020 can be found here:
Rockport DPW does annual maintenance. I can’t find updated plans and diagrams about the scope of the proposed next phase of the Long Beach seawall project, but will add them here if I do. Based on the estimated 2.8M award reported in the FEMA press announcement May 4, 2023 to be combined with the town’s match of 1.3M, perhaps it was solely repair and maintenance, and spots that had not been addressed in 2018 and 2019. It’s a long seawall! The 2020 schematic labels 350 feet of wall from roughly #58-#70 as damaged. After the path was tamped down, the bowing was visible.
After this winter, there are new additions (e.g. the vertical loss on the path and that sinkhole). That 2023 press release described a deeper wall section slated for reinforcement, but it doesn’t indicate how long or diagram where. It describes new stairs on the Gloucester side relocated within Rockport. I believe that the replacement stairs installed after the 2018 storm damage were temporary (still standing).
Rockport DPW response is swift and sure. Other than the sand, the infrastructure repairs and maintenance are strong and steady and coordinated with state and federal assistance.
photo caption: Tree removal at Gloucester Unitarian Universalist Church, allee away, April 1, 2024.



photo caption: Gloucester UU Church August (summer), November (fall), (winter)





March trees and brush–Gloucester in early springtime.









photos and video clips: stone soft joy March 13-24, 2024
On Easter morning, the faint arcs of two partial white rainbows crisscrossed contrails and clouds in a blue sky above Long Beach.
photos: March 31, 2024



photos: MBTA Communities Convening at City Hall. Gloucester, MA. March 25, 2024. Pinch and zoom or select to enlarge.







Gregg Cademartori, long time Planning Director for the Gloucester Community Development department, welcomed a crowd composed of residents, officials, city board & commission members, and staff to a public meeting related to the newest MBTA TOD zoning requirements. There were 12 tables or so set up with 8-10 seats in Kyrouz Auditorium at City Hall. Additional seating was available along the perimeter and plenty of room for people who prefer standing. The photos show about 125 people convened.
The city hired a planning consultant, Erik Halvorsen, cofounder of RKG, to lead a public process this year–including this workshop meeting–in order to facilitate compliance assistance related to the ‘new’ MBTA TOD zoning also known as the MBTA Communities housing plan. Back in 2014, Halvorsen was the Assistant Director of Transportation for the Metropolitan Planning Area Council (MAPC) and worked with the city on several projects including in 2013-14 the “Downtown Working Group” and “Reimagining Railroad” which covered this material.


Ten years ago almost to the day: here are throwback photos from 2013 & 2014 of zoning & planning meetings below and posted on GMG here.





The MAPC June 2014 presentation can be found here
MAPC site page about Reimagining Railroad here
Just a few months ago, in November 2023, MAPC published interactive public maps (akin to Mass Power outages or MEMA) for housing, Homes for Profit: Speculation and Investment, which you can read more about here. They hosted a panel about the research findings concluding at least 1 in every 5 homes were sold to an investor.
Mapping features for the public were promoted during the Reimagining Railroad Avenue project as forthcoming and in concert with other planning projects. They weren’t. The release followed a Boston Globe Spotlight series on housing in Massachusetts published in 2023 and continuing this year. The Spotlight installment that preceded the MAPC published data maps was this one, “Reckoning with Boston’s Towers of Wealth”.
March 2024. Gloucester, Mass.
Good Harbor Beach Inn is undergoing a big repair, reno and rebuild. Its future footprint and layout with the signature terraced design will be the same, as you can see in how it’s been framed up as of March 2024. The demo of the main building is still to come and will be raised 18 inches per the newest FEMA flood map guidelines. A completion date and exterior design details are not ready for release. Although reservations won’t be available in the summer of 2024, there’s hope for the fall 2024. For sure they’ll be booking summer 2025.






Among so many welcome signs of spring, the unique and enchanting SFL Poetry without Paper 2024 contest is a Gloucester gem. How fortunate our community is that Christy Russo and John Ronan established it 21 years ago.
Please print and share. Have fun and good luck young writers!
