Don’t miss the dazzling opening concert for Cape Ann Symphony on Sunday!

REMINDER from Heidi Dallin!

Tickets are still available for Sunday’s concert opening CAS’s 74th season, The Virtuoso Concert! Sunday’s program looks incredible and don’t forget the chorus, too! Read all about it:

“The program for Cape Ann Symphony’s  The Virtuoso Orchestra Concert! highlights the power and majesty of the orchestra led by Music Director and Conductor Maestro Yoichi Udagawa.   The concert opens with  Gustav Holst’s awe-inspiring The Planets, Op. 32. The Treble Chorus under the direction of Brittany Betts and  featuring members of the Cape Ann Symphony Chorus and singers from the community join the orchestra for Holst’s piece. The concert closes with Modest Mussorgsky’s Pictures at an Exhibition, orchestrated by French composer, pianist and conductor Maurice Ravel.

“The opening concert in September will be an incredible demonstration of the virtuosity of the musicians of the Cape Ann Symphony”, says Maestro Udagawa, “The program will be two of the most monumental and brilliant works ever written for orchestra and definitely audience favorites. Holst’s Planets requires huge forces that Holst uses brilliantly to create musical portraits of 7 planets – Mars, Venus, Mercury, Jupiter, Saturn, Uranus and Neptune. The composer Modest Mussorgsky’s musical interpretations written for solo piano combined with Maurice Ravel’s brilliant arrangement for orchestra of that music continues to be a favorite of audiences the world over. We are all very excited about this concert!” 


Gustav Holst had hoped to become a pianist, but was prevented by neuritis in his right arm so he pursued a career as a composer. Unable to support himself and his family by his compositions, he became a teacher at Morley College, where he served as musical director from 1907 until 1924, and at St. Paul’s Girls’ School pioneering music education for young women, where he taught from 1905 until his death in 1934. Holst’s orchestral suite The Planets was written between 1914 and 1916. Holst was inspired by astrology, with each movement intended to convey the personality and astrological character of a different planet.   Holst described The Planets as “a series of mood pictures” acting as “foils to one another” with “very little contrast in any one of them.” Although astrology was Holst’s starting point, he arranged the planets to suit his composition. He ignored some astrological factors, attributed certain non-astrological qualities to each planet and did not arrange the order of movements in the same order as that of the planets’ orbits around the sun. The suite was first performed privately in 1918 and given its first complete public performance in 1920. After its debut Gustav Holst  became an international phenomenon achieving rock star status worldwide. The suite is widely considered one of Britain’s most famous classical compositions.

Rockport’s Brittany Betts, Director of the Cape Ann Symphony Chorus, along with accompanist Priscilla Walter  is leading the 20 member Treble Chorus to perform in Holst’s The Planets. The Treble Chorus features voices from throughout the North Shore: Gloucester: Shelly Moran, Marit von Tetzchner, and Deirdre Weed; Rockport: Wendy Betts, Barbara Cornell, Betsy Eck, Barbara Ellis, Carolyn Howard, and Gail Zeman: Essex: Kate Bilsbury and Katzi Rueda; Manchester-by-the-Sea: Janet Boynton, Maureen Gedney, and Marion Hall; Beverly: Jacqueline Gravell, Karen Kepler, Sue Lupo, and Jeanie Murray; South Hamilton: Elena Lazaridu and Middleton: Stacy Smith.

Russian composer Modest Mussorgsky, wrote Pictures at an Exhibition  in 1874  as a piano suite in ten movements. A tribute to Mussorgsky’s close friend  the painter Viktor Hartmann  the work  musically depicts a tour of an exhibition of ten works at the Imperial Academy of Arts in Saint Petersburg in honor of Hartmann after his sudden death the previous year. There are ten movements in Pictures in addition to  the Promenade which is heard between the movements. Each movement of the suite is based on an individual painting.

Mussorgsky’s piano suite was orchestrated by Maurice Ravel in 1922. The collaboration was commissioned by conductor Serge Koussevitzky, who led the American premiere of Ravel’s arrangement in 1924 with the Boston Symphony Orchestra. French composer, pianist and conductor Maurice Ravel was intrigued by the piano suite’s unique style.  His arrangement re-imagined the work for a full orchestra adding French colors and textures as well as  elements of his own post-Impressionist style.

Founded in Gloucester in 1952, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra.  Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.

Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga.

-Cape Ann Symphony news

The Cape Ann Symphony Season 74 Opening Concert, The Virtuoso Orchestra! is Sunday, September 28, 2025 at 2:00 pm at the Manchester-Essex Regional High School Auditorium on 36 Lincoln Street, Manchester-by-the-Sea, MA. Manchester-Essex High School Auditorium is handicapped accessible. Ticket prices are $55 for adults, $50 for senior citizens, $20 for Students of any age with a valid student ID, $5 for Youth (12 years old and under). For information, call 978-281-0543 or visit www.capeannsymphony.org

Call for Vocalists! Sopranos Altos/Countertenors/Boy Sopranos for one program and altos, tenors and basses for another! cape Ann Symphony Auditions for 2 concerts. News from Heidi Dallin.

Reminder! Don’t miss an opportunity to join a major tradition.

Cape Ann Symphony Chorus Director Brittany Betts is Conducting Auditions for Vocalists to Perform with Cape Ann Symphony in Two Heralded Programs (Concerts Sept. 28, Nov. 29, Nov. 30)

The Virtuoso Orchestra: September 28: 2 PM
&
The Holiday Pops:
November 29: 2 PM & 7:30 PM;
November 30: 2 PM

Audition details

“Cape Ann Symphony kicks off the 74th season on Sunday, September 28 at 2:00 pm with The Virtuoso Orchestra Concert featuring Gustav Holst’s majestic The Planets where a chorale is featured in the final movement, Neptune. Cape Ann Symphony’s annual Holiday Pops Concert on November 29 at 2:00 pm and 7:30 pm and November 30 at 2:00 pm features The Cape Ann Symphony Chorus. 

 Ms. Betts, entering her second season as CAS Chorus Director, is looking for Sopranos & Altos/Countertenors/Boy Sopranos who are able to read and render music quickly to perform with the chorus in Gustav Holst’s The Planets in The Virtuoso Orchestra Concert on September 28. To audition, please send a video to Brittany Betts at brittanybetts@gmail.com by August 1, 2025. The video should contain the following vocal material:  Sing a short piece you can sing well that showcases your range, especially your upper register; Sing a 9-Note Scale up and down at the top of your range on an “ah”; and Sing through 4 Octave Arpeggios (1, 3,5, 8, 5, 3, 1)on “ah” at the top of your range and holding the 8 for 4 long counts before returning to 1. If you are unable to create a recording, contact Ms. Betts at brittanybetts@gmail.com before the August 1 deadline to set up an audition.

 CAS Chorus Director Betts is looking for Altos, Tenors and Basses to sing in The Holiday Pops Concert in November. According to Betts, “We are not looking for Sopranos at this time.  The Soprano section is full for this year’s Holiday Pops Concert.” Altos, Tenors and Basses can contact Ms. Betts at brittanybetts@gmail.com to set up an audition appointment.  The audition deadline is August 10.”

About the upcoming season:

The Cape Ann Symphony’s 74th Season opens on Sunday, September 28, 2025 at 2:00 PM with The Virtuoso Orchestra Concert followed by the annual Holiday Pops Concert featuring The Cape Ann Symphony Chorus on Saturday, November 29 at 2:00 PM and 7:30 PM; and Sunday, November 30 at 2:00 PM. The  74th Season  continues in 2026 with The Mozart, Mendelssohn and Rodrigo Concert featuring Guitarist Grisha Goryachev on Sunday, March 16 at 2:00 PM and the season wraps up with The Rossini, Grieg and Tchaikovsky Concert featuring pianist Frederick Moyer on Sunday, May 10 at 2:00 PM. All concerts are held at the Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA

Tickets are ON SALE NOW for the Cape Ann Symphony’s 74th Season. For season subscriptions, single tickets and further  information, call 978-281-0543 or visit www.capeannsymphony.org

Gorgeous Concert Sunday! Cape Ann Symphony! cellist Owen Young! Musical Director Maestro Yoichi Udagawa!

Cape Ann Symphony presents selections from Mendelssohn, Saint-Saens, and Beethoven on Sunday March 16, 2025. Read more about the concert program below from the symphony’s printed matter.

Sunday Concerts in Spring: Scroll further to see printable flyers for two more delightful programs scheduled in April and May.

Press Release

The program for Mendelssohn, Saint-Saëns, and Beethoven includes Mendelssohn’s Hebrides Overture; Beethoven’s Symphony No. 4 and Saint-Saëns’ Cello Concerto, featuring Owen Young, Cello. The March 16th Concert marks the first time CAS has performed the Beethoven Symphony No. 4 during Maestro Udagawa’s 25 year tenure as Music Director and Conductor of Cape Ann Symphony. Maestro Udagawa looks forward to bringing the exciting piece to CAS audiences, “We have never performed the Beethoven Symphony No. 4 in Cape Ann during my time as conductor of the orchestra. It’s a real masterpiece, and it was definitely time to do it. It sits between the very famous 3rd and 5th symphonies, so it’s definitely been overshadowed by those pieces, but I know that the audience will love this piece. It has everything that Beethoven is known for – power, energy, melodies of tremendous beauty – and in addition, it comes along with a huge dose of high spirits and humor. “

Written in 1830, Mendelssohn’s Hebrides Overture also known as Fingal’s Cave was inspired by a trip the composer took to Scotland. His travels took him to the Hebrides Islands and the island of Staffa – known for its puffins and its atmospheric cave. With its echoing acoustics, which magnified the sound of rumbling waves, Fingal’s Cave made a profound impression on Mendelssohn. Through the Hebrides Overture he sought to capture the swell and feel of the Atlantic, and the sound of waves crashing against rocks. “The Hebrides Overture of Mendelssohn is such evocative music and a perfect piece to perform on Cape Ann,” points out Maestro Udagawa, “The opening is Mendelssohn’s depiction of the ocean waves, and it gently rolls along. Eventually the music builds up to a stormy sequence, and towards the end when the music is again peaceful, one can imagine seagulls soaring over the ocean. The music has such color and sparkle, and it’s always wonderful to prepare this piece with the musicians of the orchestra and to perform it.” 

Owen Young last played with CAS in March 2022. He performed the Brahms’ Double Concerto for Violin, Cello and Orchestra with his BSO colleague violinist Lucia Lin.MaestroUdagawa is eager to collaborate with Owen Young again, “Owen Young is an incredible cellist and musician. In addition, he is an incredibly warm and nice person, and that really comes across in everything he does. That’s definitely one of the reasons the orchestra, I and our audience love him so much.” On March 16th world renowned cellist Young will play Saint-Saëns’ Cello Concerto with CAS. Many composers, including Dmitri Shostakovich and Sergei Rachmaninoff, consider this concerto to be the greatest of all cello concertos. In this demanding concerto Saint-Saëns broke with convention. Instead of using the normal three-movement concerto form, he wrote the piece in one continuous movement which contains three sections sharing interrelated ideas. “The Saint-Saens is a gorgeous concerto which is wildly difficult and virtuosic for the soloist,” says Maestro Udagawa,” in spite of the fireworks, Saint-Saens has written a piece of great charm and beauty. The main melody of the second movement is so beautiful and touching. The first movement is fiery and the last movement is also full of difficult passages for the soloist. It’s always amazing to see Owen play it with such command and ease. He makes it look easy, but we all know it isn’t! I can’t wait for CAS audiences to see this thrilling performance!”  

About Owen Young

Cellist Owen Young joined the Boston Symphony Orchestra in August 1991. A frequent collaborator in chamber music concerts and festivals, he has been featured as concerto soloist with numerous orchestras. Mr. Young has appeared in the Tanglewood, Aspen, Banff, Davos, Sunflower, Gateway, Brevard, and St. Barth’s music festivals and is a founding member of the innovative chamber ensemble Innuendo. His performances have been broadcast on National Public Radio, WQED in Pittsburgh, WITF in Harrisburg, and WGBH in Boston. He has performed frequently with singer/songwriter James Taylor, including the nationally televised concert “James Taylor Live at the Beacon Theatre” in New York City.

Mr. Young was formerly on the faculties of Boston Conservatory, New England Conservatory School of Continuing Education, and Longy School of Music. He is currently on the faculty of Berklee College of Music and is active in Project STEP, a String Training Education Program which provides talented young musicians that identify with historically underrepresented groups in classical music with comprehensive music instruction, envisioning a world in which the classical music profession reflects the racial and ethnic diversity of our communities.

Owen Young holds both bachelor’s and master’s degrees from Yale University. He was a Tanglewood Music Center Fellow in 1986 and 1987. After winning an Orchestra Fellowship in 1987, he played with the Atlanta Symphony Orchestra in 1988 and with the Boston Symphony Orchestra in 1988-89. He was a member of the New Haven Symphony Orchestra in 1986-87 and of the Pittsburgh Symphony Orchestra from 1989 until he joined the BSO in 1991. From 1991 to 1996 Mr. Young was a Harvard-appointed resident tutor and director of concerts in Dunster House at Harvard University. His teachers included Elinor Osborn, Michael Grebanier, Anne Martindale Williams, and Aldo Parisot.

About Cape Ann Symphony and Yoichi Udagawa

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Frequently invited to guest conduct, Mr. Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Mr. Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Outreach programs to area schools.

tickets

Cape Ann Symphony Mendelssohn, SaintSaëns, and Beethoven Concert is Sunday, March 16 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. Single ticket prices are $50 for adults, $45 for senior citizens age 65 and above, $20 for Students of any age with a valid student id; $5 for youth 12 years old and under. For tickets and information, call 978-281-0543 or visit www.capeannsymphony.org.

Coming April 25, 2025

Coming May 11, 2025

Cape Ann Symphony Annual Meeting Minglewood Harborside

Reminder from Heidi Dallin:

CAPE ANN SYMPHONY ORCHESTRA, INC.

NOTICE OF ANNUAL MEETING | JANUARY 29, 2025

The annual meeting of the Cape Ann Symphony Orchestra, Inc. will be held on Wednesday, January 29, 2025, at 7:00pm in the Christopher Columbus Room at the Minglewood Harborside, 25 Rogers Street in Gloucester.  The public is invited.  For further information please contact the Cape Ann Symphony at (978) 281-0543 or info@capeannsymphony.org.

2025 Upcoming

And Cape Ann Symphony next concert: ON BROADWAY

throwback 2017

17 seconds with Maestro Yoichi Udagawa

1950s playbill

THANKSGIVING WEEKEND: Cape Ann Symphony Holiday Pops 2024

Musical treat can’t be beat. Fun plans for Thanksgiving weekend

Cape Ann Symphony news about the program:

This annual festive musical celebration led by CAS Conductor and Music Director Yoichi Udagawa features a program of holiday favorites for orchestra and chorus.

“The musicians of the orchestra and I love our Holiday Pops concert,” says CAS Conductor and Music Director Yoichi Udagawa, “We have selected a wide range of music that celebrates the season, and we love sharing it with our wonderful audiences. The Cape Ann Symphony Chorus, now under the direction of Brittany Betts, will be joining us, and it’s always such a joy to collaborate with them. Come join us! We can hardly wait to see you!!”

The Cape Ann Symphony launched The Cape Ann Symphony Chorus under the directions of Wendy Betts at the 2005 Holiday Pops Concert. . The group has performed with the Cape Ann Symphony at Holiday Pops Concerts in 2005, 2006, 2008, 2009, 2010, 2011 2013, 2014. 2015, 2016. 2017, 2018, 2019, 2021 and 2022. Holiday Pops 2024  marks the premiere of  new Cape Ann Symphony Choral Director Brittany Betts. Brittany Betts took over leadership of the CAS Chorus this fall  when her mother Wendy Betts retired as the longtime Choral Director for the CAS Chorus. “I am especially excited for everyone to hear the new iteration of the symphony chorus.” says Brittany Betts, “After a year off following the retirement of my mom, Wendy Betts, who led the chorus with great success for 16 years, it is a great joy and honor to be part of the rebuilding process. Each of the 32 singers had to audition to make the roster since we were creating a smaller chorus. So, voices had to be strong enough to hold their own and have the ability to blend well quickly. I believe we have achieved success. The singers hail from all over the North Shore –  Rockport, Gloucester, Manchester-by-the-Sea, Beverly, Peabody, Ipswich and Georgetown. I am also pleased to have the incomparable pianist, Priscilla Walter, who was the chorus accompanist for many years, back at the piano. She is a gift of a collaborator. We are 8 weeks in now and we are sounding great. There is a lot of joyful (and super focused) camaraderie at our rehearsals. Everyone has been committed from day one to bringing light, beauty, love, joy and hope to our community through music. And there is that in spades throughout the whole program! We hope that the audience will leave feeling great – as if they were seen and held, loved and brought together through the music. You know, energized by the spirit of community at its finest. As the final line in the last piece states – “How great our joy!” 

The Holiday Pops 2024 concert program includes Anderson’s Christmas Festival; Greensleeves, arranged by Reed; A Christmas Scherzo, arranged by Sebesky; Custer’s Chanukah Festival; and Selections from Tchaikovsky’s  Nutcracker. The Cape Ann Symphony Chorus joins the orchestra to perform Christmas on Broadway, arranged by Higgins; Pinkzebra’s Winter Lullaby; Holcomb’s Festive Sounds of Hannukah 2nd Edition; Rutter’s What Sweeter Music and Rejoice! How Great Our Joy, arranged by McElory. ” CAS Choral Director Brittany Betts offers insight on the Chorus selections in the program, “The chorus will be presenting five beautiful and fun pieces to reflect the holiday and winter season – filled with traditional favorites and new to us pieces. You can expect to tap your feet to a medley of broadway Christmas tunes, and to feel cozy and reflective as the choir sings a tender lullaby about winter and time passing by.  We will then honor our Jewish and Christian friends’ traditions with a medley of Hanukkah pieces, and a stunningly beautiful favorite of the classical choral realm – John Rutter’s What Sweeter Music.  Finally, we will top it all off with a rousing gospel piece, Rejoice! How Great Our Joy which reflects the jubilance of the Christian Christmas tradition. You will want to stand and clap for sure (and we want you to do so)! Now, don’t worry, we will be inviting the audience to join their voices as one big choir on the sing-a-long as has been a long favored tradition at the Holiday Pops Concerts. So grab your ticket, do your vocal warm-ups and let’s celebrate the season TOGETHER!”

Brittany Betts brings with her a different approach to the choral world having primarily worked as a trumpeter,  djembefola (someone who skillfully plays the djembe, a West African drum) collaborator, worship leader, jazz singer and composer. She performs with the David Whitney Orchestra, Riverside Renaissance Swing Band, Cantemus Chamber Chorus and the vocal trio, ONE. In 2023-2024, she served as Artist-in-Residence at First Church Congregational in Swampscott, composing sung liturgies and songs for their Advent and Lenten services. Ms. Betts traveled the country and abroad as a Glocal (local and global combined) Musician Educator and Worship Coordinator with the Global Mission Unit of the Evangelical Lutheran Church in America for 10 years. During that time she also served on the music staff of Visible Music College in Memphis, TN where she taught voice, music theory, rock bands, the World Music Ensemble and a guided improvisation class.

About Cape Ann Symphony

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra.  Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.

Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga.”/ End.

The Cape Ann Symphony’s Annual Holiday Pops Concert, returns to kick off the holiday season on Saturday, November 30 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 30 at 7:30 pm and Sunday, December 1 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. For tickets and information about this Cape Ann Holiday tradition, call 978-281-0543 or visit www.capeannsymphony.org

Photo 1: The Cape Ann Symphony Photo by Jeph Ellis
Photo 2: Cape Ann Symphony Chorus Photo by Jeph Ellis
Photo 3: Cape Ann Symphony OnStage: A view from the Percussion Section. Conductor Yoichi Udagawa in back of photo Photo by Jeph Ellis
Photo 4: Cape Ann Symphony French Horn Section Photo by Jeph Ellis
Photo 5: Cape Ann Symphony Conductor and Music Director Yoichi Udagawa Courtesy Photo 6: Cape Ann Symphony Chorus Director Brittany Betts Courtesy Photo

Happy News from Heidi Dallin: Cape Ann Symphony Announces new Choral Director and Auditions for chorus singers 🎼

Please join in and share the news!

The Cape Ann Symphony recently announced that Rockport’s Wendy Betts, longtime Director of the CAS Chorus will retire and her daughter multi-talented musician Brittany Betts will take over as Choral Director for the CAS Chorus.

‘’We are thrilled to have Brittany Betts join us as the new Director of the Cape Ann Symphony Chorus. She is a fabulous musician and will do an amazing job conducting the chorus. We will be collaborating with her and the wonderful singers of the chorus at the Holiday Pops concerts, and are really looking forward to it!” 

Yoichi Udagawa, Cape Ann Symphony Music Dir & Conductor

Message from Brittany Betts

“I am honored to be carrying on the tradition of choral excellence with the Cape Ann Symphony Chorus that my mom, Wendy Betts, so beautifully crafted for 16 years, ” says Brittany Betts, “I believe music has the ability to bring people together for good and, together with Maestro Udagawa and the symphony, the chorus and I will help bring our community together with beauty, skill and fun. The Symphony continues to grow and expand their skillfulness, and so it stands, at this new time for the chorus, we should do the same. In order to fulfill this growth, we will be changing things up a bit and holding auditions a week before rehearsals begin in order to build a smaller chorus of about 40 singers. We are hoping some of our local high school students might like to participate too! I also want to share that I am thrilled that Priscilla Walter, pianist extraordinaire, has agreed to be the chorus accompanist this year! She is an excellent musician who has been sharing her musical gifts on Cape Ann for years and we are blessed to have her with us once again.”

Brittany Betts

Cape Ann Symphony Chorus Auditions

Cape Ann Symphony Chorus Auditions will be held on Saturday September 7 from 10 am -Noon and Wednesday September 12 from 6 pm – 8 pm.  If you are interested in auditioning, please contact Brittany Betts at brittanybetts@gmail.com

CAS Chorus Rehearsals will be Wednesdays September 18-November 20 from 7 pm – 9 pm at St. Paul Lutheran Church in Lanesville along with 2 rehearsals with the orchestra during the week of the concerts. The Cape Ann Symphony 2024 Holiday Pops Concerts are:

  • Saturday, November 30, 2024: 2:00 PM Dolan Performing Arts Center, Ipswich High School. Ipswich, MA
  • Saturday, November 30, 2024: 7:30 PM Manchester-Essex High School, Manchester-by-the-Sea, MA
  • Sunday, December 1, 2024: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA

The Cape Ann Symphony launched The Cape Ann Symphony Chorus under the directions of Wendy Betts at the 2005 Holiday Pops Concert. . The group has performed with the Cape Ann Symphony at Holiday Pops Concerts in 2005, 2006, 2008, 2009, 2010, 2011 2013, 2014. 2015, 2016. 2017, 2018, 2019,2021 and 2022. “I am excited to share that Maestro Udagawa and I have put together a fun Holiday POPS program for 2024, ” continues Betts, “The chorus will be presenting five beautiful and fun pieces to reflect the holiday and winter season – filled with traditional favorites and new to us pieces. You can expect to tap your feet to a medley of broadway Christmas tunes, and to feel cozy and reflective as the choir sings a tender lullaby about winter and time passing by.  We will then honor our Jewish and Christian friends’ traditions with a medley of Hanukkah pieces which you will end up wanting to sing along to, and a stunningly beautiful favorite of the classical choral realm, John Rutter’s “What Sweeter Music”.  And we will top it all off with a rousing gospel piece, “Rejoice! How Great Our Joy” which reflects the jubilance of the Christian Christmas tradition. You will want to stand and clap for sure (and we want you to do so)! Now, don’t worry, we will be inviting the audience to join their voices as one big choir on the sing-a-long as has been a long favored tradition at the Holiday Pops Concerts. So grab your ticket, do your vocal warm-ups and let’s celebrate the season TOGETHER this November!”

Brittany Betts brings with her a different approach to the choral world having primarily worked as a trumpeter,  djembefola (someone who skillfully plays the djembe, a West African drum) collaborator, worship leader, jazz singer and composer. She performs with the David Whitney Orchestra, Riverside Renaissance Swing Band, Cantemus Chamber Chorus and the vocal trio, ONE. In 2023-2024, she served as Artist-in-Residence at First Church Congregational in Swampscott, composing sung liturgies and songs for their Advent and Lenten services. Ms. Betts traveled the country and abroad as a Glocal (local and global combined) Musician Educator and Worship Coordinator with the Global Mission Unit of the Evangelical Lutheran Church in America for 10 years. During that time she also served on the music staff of Visible Music College in Memphis, TN where she taught voice, music theory, rock bands, the World Music Ensemble and a guided improvisation class.

Cape Ann Symphony Chorus Auditions will be held on Saturday September 7th, from 10 am – Noon and Wednesday September 12 from 6 pm – 8 pm.  If you are interested in auditioning, please contact Brittany Betts via email here: brittanybetts@gmail.com

The Cape Ann Symphony Holiday Pops Concerts are Saturday, November 30 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 30  at 7:30 pm and Sunday, December 1 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA . Single ticket prices are $50 for adults, $45 for senior citizens age 65 and above, $20 for Students of any age with a valid student id; $5 for youth 12 years old and under. For tickets and information, call 978-281-0543 or visit http://www.capeannsymphony.org.

Holiday Pops Thanksgiving Weekend

Cape Ann Symphony shares a reminder about its 2023 Holiday Pops concerts Thanksgiving weekend. Two shows Saturday. One show Sunday.

The Cape Ann Symphony’s Annual Holiday Pops Concert, returns to kick off the holiday season on Saturday, November 25 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 25 at 7:30 pm and Sunday, November 26 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. For tickets and information about this Cape Ann Holiday tradition, call 978-281-0543 or visit www.capeannsymphony.org

The 2023 Holiday Pops Concert led by CAS Conductor and Music Director Yoichi Udagawa features a program of holiday favorites and welcomes back Boston’s preeminent gospel performer Renese King. King last performed with CAS in 2012. Ms. King’s array of musical talents have taken her from spiritual and gospel singing at the church podium to timpani playing on the Carnegie Hall stage. She has toured internationally as a percussionist, pianist, and vocalist with a number of Massachusetts based choral and orchestral ensembles. But, it is her soulful and unforgettably moving voice that has piqued her national reputation.

“Our Holiday Pops 2023 will feature a lot of great music to get into the spirit of the Holidays for the whole family,” says Maestro Udagawa, ” We are also thrilled to have Gospel sensation Renese King join us at these concerts. She is a remarkable musician who I love working with. Her musical gifts are phenomenal – don’t miss this opportunity to hear her! The orchestra and I love these Holiday concerts! They are always so joyful and fun – a highlight of our concert season! We can hardly wait to make music together and celebrate the holiday season with you!”

Maestro Udagawa has planned a program of holiday favorites for the 2023 Holiday Pops including Anderson’s Christmas Festival , Humperdinck’s Hansel and Gretel Overture, Tchaikovsky’s Selections from The Nutcracker, Christmas Favorites arranged by Chase, Festive Sounds of Hannukah arranged by Holcomb and a selection of holiday favorites performed by gospel sensation Renese King. A CAS Holiday Pops tradition, all the concerts end with the annual audience Holiday Singalong.  

Renese King’s array of musical talents has taken her from spiritual and gospel singing at the church podium to timpani playing on the Carnegie Hall stage. Her soulful, moving voice garnered her a Boston Music Award as Gospel/Inspirational Artist of the Year. Often singing her own arrangements, King has performed with many ensembles in the New England area and across the nation. Her voice is featured on the soundtracks of three award-winning PBS documentary films (Emmy, Peabody, and Sundance awards): Freedom Riders(2011), Freedom Summer(2014), and Tell Them We Are Rising(2018). She  appears regularly with the Boston Pops, having been a featured and guest soloist in concerts at Symphony Hall and on the Esplanade, in television broadcasts, and on the 2004 CD Sleigh Ride, alongside the Boston Pops Orchestra, Tanglewood Festival Chorus, and Boston Pops Gospel Choir. Renese King is the Executive Assistant to the Vice -President of Berklee College of Music and serves as director of the New England Gospel Ensemble in Boston. She graduated from Berklee in 1990 and from Atlantic Union College in 1987. 

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Frequently invited to guest conduct, Mr. Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Mr. Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Outreach programs to area schools.

Cape Ann Symphony’s Holiday Pops Concert is Saturday, November 25 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 25 at 7:30 pm and Sunday, November 26 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA, . Single ticket prices are $45 for adults, $40 for senior citizens age 65 and above, $20 for Students of any age with a valid student id; $5 for youth 12 years old and under. For tickets and information, call 978-281-0543 or visit www.capeannsymphony.org.

  • Photo 1: Guest Artist Acclaimed Gospel Singer Renese King
  • Photo 2:  Cape Ann Symphony Music Director and Conductor Yoichi Udagawa

Cape Ann Symphony 2023/2024 Season laid out! Who are the special guest artists?

Heidi Dallin reminds us to mark down these upcoming dates and special performances announced for Cape Ann Symphony’s beautiful 72nd Season, “A Season of Exploration”:

Performance: Sunday, October 1, 2023: 2:00 PM: Manchester-Essex High School, Manchester-by-the-Sea, MA

Cape Ann Symphony kicks off the 72nd season with a musical trip to France featuring CAS premieres of Lili Boulanger’s D’un matin printemps;  Debussy’s Nocturnes with a special appearance from the New World Chorale;  and Ravel’s Mother Goose Suite. The concert finale is Ravel’s popular and thrilling Bolero.

Performances:

  • Saturday, November 25, 2023: 2:00 PM Dolan Performing Arts Center, Ipswich High School. Ipswich,MA
  • Saturday, November 25, 2023: 7:30 PM Manchester-Essex High School, Manchester-by-the-Sea, MA
  • Sunday, November 26, 2023: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA

The Holiday Pops Concert, Cape Ann Symphony’s joyful holiday tradition, features a program of holiday favorites and welcomes back guest artist gospel sensation Renese King. King last appeared with CAS in 2012.

Ms. King’s array of musical talents have taken her from spiritual and gospel singing at the church podium to timpani playing on the Carnegie Hall stage. She has toured internationally as a percussionist, pianist, and vocalist with a number of Massachusetts based choral and orchestral ensembles. But it is her soulful and unforgettably moving voice that has piqued her national reputation.

Performance: Sunday, March 17, 2024: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA

Cape Ann Symphony welcomes back world renown pianist Janice Weber to play Beethoven’s show stopping Emperor Piano Concerto . The concert program also includes the CAS premieres of esteemed composers: Louise Farrenc and William Grant Still. The orchestra will play Farrenc’s Overture No .1 and Still’s Woodnotes.

Performance: Sunday, May 19, 2024: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA

BSO violinist and a favorite CAS guest artist Lucia Lin returns for The Three B’s: Beethoven, Bizet and Brahms to play Brahms’ monumental Violin Concerto.  The orchestra plays Beethoven’s Egmont Overture and Bizet’s Symphony in C.  

Read more about Cape Ann Symphony’s 72nd season: A SEASON OF EXPLORATION

Cape Ann Symphony proudly announces the launch of the orchestra’s 72nd concert season on Sunday, October 1 at 2:00 PM at Manchester-Essex High School Auditorium. “After a terrific summer Pops Concert playing for thousands in Stage Fort Park , we are so thrilled to be back on stage for our 72nd season!” says Cape Ann Symphony Board President Fran White. “This season of exploration is especially exciting for our audiences and our orchestra. We will be playing pieces that CAS has never played over the orchestra’s 71 seasons and we celebrate three amazingly talented and world-renowned guest artists: pianist Janice Weber, gospel vocal sensation Renese King and BSO violinist Lucia Lin. You will want to hear every note this season! I highly recommend getting your season subscription NOW so you will not miss a concert !”  


Cape Ann Symphony Music Director and Conductor Yoichi Udagawa is eager to open the CAS 72nd Season, “The musicians of the Cape Ann Symphony and I are very excited about the upcoming season. We are starting off with a French Spectacular featuring the works of Lili Boulanger, Claude Debussy and Maurice Ravel. The New World Chorale will be joining us in the Debussy Nocturnes, and the concert will close with Ravel’s ever popular and exciting BoleroHoliday Pops will feature all the favorites of the season, and this year we have a special guest – Gospel Sensation Renese King. In March, pianist Janice Weber will be playing Beethoven’s Emperor Concerto and in May, audience favorite violinist Lucia Lin will return to play the Brahms Violin Concerto. ”  

This Season of Exploration features a season of firsts for Maestro Udagawa and the orchestra. “Our season opening French Spectacular Concert includes three pieces that we have never performed: Lili Boulanger’s D’un matin printemps;  Debussy’s Nocturnes and Ravel’s Mother Goose Suite.Our March concert: Known (and Unknown) Greats includes two composers making their CAS debut Louise Farrenc and William Grant Still. We have played Still’s music in Musicians Unleashed, our popular chamber series, but never with a full orchestra! On a personal note, this season is especially exciting, I will be conducting Boulanger’s  D’un matin printemps, Debussy’s  Nocturnes; Ravel’s Mother Goose and William Grant Still’s Woodnotes for the first time in my career. The musicians and I can’t wait to begin this journey of exploration with our audiences!”

Cape Ann Symphony preview announcement for the 2023/2024 season

Adult/$45.00

Senior Citizens/$40.00

Students (of any age)/$20.00

Youth (Age 12 and Under)/$5.00

Season Subscriptions are Available.

For Information call 978-281-0543 or Visit www.capeannsymphony.org

Images:

Photo 1: Guest Artist for Known and (Unknown) Greats, the March 2024 Concert: Janice Weber,  world renowned pianist and best selling novelist  Photo Credit: Liz Linder

Photo 2: Guest Artist for The Three B’s: Beethoven, Bizet and Brahms, the May 2024 Concert: Lucia Lin, acclaimed BSO violinist

Photo 3: Cape Ann Symphony Conductor and Music Director Yoichi Udagawa

Photo 4: Guest Artist for 2023 Holiday Pops Concert: Renese King, gospel vocal sensation

What’s on the Program? Cape Ann Symphony this weekend!

Heidi Dallin shares a reminder about this weekend’s gorgeous concert program:

CAPE ANN SYMPHONY 71st SEASON

March 19, 2023 2:00 PM

Brahms, Dvorak

featuring special guest soloist, Blaise Déjardin  – Boston Symphony Orchestra Principal Cellist

Cape Ann Symphony’s 71st Concert Season continues on Sunday, March 19 at 2 pm with Brahms, Dvorak & Déjardin featuring the CAS return of Boston Symphony Orchestra Principal Cellist Blaise Déjardin at the CAS performance venue, Manchester-Essex High School Auditorium on 36 Lincoln Street, Manchester-by-the-Sea, MA. For tickets or information, call 978-281-0543 or visit http://www.capeannsymphony.org

The orchestra opens the concert with Brahms’ powerful Symphony No. 1 in c minor, a piece which Brahms struggled with for years to complete. Cape Ann Symphony welcomes back Boston Symphony Orchestra Principal cellist Blaise Déjardin to close the concert with Dvorak’s stirring Cello Concerto. Déjardin made his CAS debut in March 2017 with his acclaimed performance of Saint-Saens’ elegant Cello Concerto.

“Our concert on March 19th will feature two great works and one amazing soloist,” points out CAS Music Director and Conductor Yoichi Udagawa.

“The Brahms Symphony No. 1 took almost 20 years for Brahms to write and is full of passion and struggle. It’s a fiery piece, and a perfect match for the passionate Cello Concerto by Dvorak. Dvorak wrote this concerto here in America and is full of gorgeous melodies – one after another. Our soloist, Blaise Déjardin is the principal cellist of the Boston Symphony, and he is an incredible musician. The musicians of the orchestra and I are really looking forward to presenting this concert to our wonderful audience!”

Yoichi Udagawa

About Blaise Déjardin

Born in Strasbourg, France, cellist Blaise Déjardin made his orchestra debut at age fourteen, performing Haydn’s C Major Concerto at the Corum of Montpellier, France. He was a member of the European Union Youth Orchestra and the Gustav Mahler Jugend Orchester, as well as a founding member of A Far Cry. A dedicated chamber musician, he spent two summers at Ravinia’s Steans Institute for Young Artists prior to joining the Boston Symphony Orchestra in 2008. That same year, he gave the US premiere of Les formes du vent for cello solo by French composer Edith Canat de Chizy.

In 2010, he founded the acclaimed Boston Cello Quartet with three of his colleagues from the BSO cello section. The Boston Cello Quartet’s diverse playlist and fresh style quickly drew an international following ranging from seasoned symphonic audiences to modern music lovers who had never attended a chamber music concert.

An accomplished and in demand arranger as well, he has written numerous pieces for cello ensembles, which led to three consecutive ASCAP Plus Awards. Commissions include Yo-Yo Ma, the Boston Symphony Orchestra and A Far Cry. In 2013 he launched Opus Cello, his online sheet music publishing company.

A prizewinner at numerous international competitions, including a First Prize at the Maurice Gendron International Cello Competition (2005), he has performed as soloist with the Christchurch Symphony Orchestra, the Kuopio Symphony Orchestra, the French Camerata, and many others.

In 2019 Déjardin released the album MOZART New Cello Duos with cellist Kee-Hyun Kim, featuring his own transcriptions. He also appears on both Boston Cello Quartet albums Pictures and The Latin Project. His first album as principal cello of the BSO, Ades Conducts Ades, was released by Deutsche Gramophone in 2020.

Mr. Déjardin holds a First Prize of Cello with highest honors from the Conservatoire National Superieur de Musique of Paris, as well as a Master of Music Diploma and a Graduate Diploma from the New England Conservatory in Boston. His main teachers were Philippe Muller, Laurence Lesser and Bernard Greenhouse. He now teaches privately and is on the faculty of the New England Conservatory Preparatory School and the Tanglewood Music Center. He has served as Artistic Director of the Boston Cello Society since its creation in 2015.

About Cape Ann Symphony and Maestro Udagawa

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Maestro. Udagawa is on the faculty of the Boston Conservatory where he teaches conducting. Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.

Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is an accomplished violinist and an avid fan of exercise and yoga.

The Cape Ann Symphony’s March concert: Brahms, Dvorak & Déjardin is Sunday, March 19, 2023 at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street, Manchester-by-the-Sea, MA. Manchester-Essex High School Auditorium is handicapped accessible. Ticket prices are $45 for adults, $40 for senior citizens, $5 for Youth (12 years old and under). For information, call 978-281-0543 or visit www.capeannsymphony.org

Reminder! The Big Three Open Cape Ann Symphony on Sunday

Read more about the upcoming Cape Ann Symphony season opener:

CAPE ANN SYMPHONY

THE 71st SEASON

Yoichi Udagawa, Music Director

THE BIG THREE: MOZART, BEETHOVEN & TCHAIKOVSKY

Violin Virtuoso Victor Romanul Makes Cape Ann Symphony Debut in Tchaikovsky’s “Unplayable” Violin Concerto

Cape Ann Symphony’s 71st Concert Season opens on Sunday, October 2 at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA featuring The Big Three: Mozart, Beethoven & Tchaikovsky.

The concert program for The Big Three: Mozart, Beethoven & Tchaikovsky features Mozart’s Magic Flute Overature, Beethoven’s Symphony No. 5 and Boston Symphony Orchestra violinist Victor Romanul making his CAS debut playing Tchaikovsky’s “unplayable” Violin Concerto.

Cape Ann Symphony Music Director and Conductor Yoichi Udagawa looks forward to this challenging program to open the season,

“This program features three ground breaking pieces written by three of the world’s greatest composers! Mozart’s Magic Flute is one of the greatest operas ever written. Beethoven’s Symphony No. 5, one of the best-known compositions in classical music and one of the most often played symphonies. Beethoven’s iconic four note opening motif has become one of the most recognizable motifs in classical music. As for Tchaikovsky’s “unplayable” Violin Concerto, audiences will see and hear that in the hands of our guest artist Victor Romanul this concerto is exquisitely “playable”! Victor Romanul is an amazing violinist, and incredible musician. This will be his first appearance with us at the Cape Ann Symphony, and I can hardly wait for our audiences to hear him. Please do not miss his performance of the Tchaikovsky Violin Concerto!”

Violinist Victor Romanul currently holds the Bessie Pappas Violin Chair in the Boston Symphony Orchestra. He served as the BSO’s assistant concertmaster from 1993 to 1995. He has performed with the Boston Symphony Chamber Players for the Beethoven Septet. As a soloist, he was named in “Best of Boston” in 1997 by the Boston Globe. Composer John Williams wrote a violin-viola duo, Duo Concertante for Romanul and Violist Michael Zaretsky, to whom the Duo is dedicated. Mr. Romanul recently completed a three-year tenure as concertmaster of the Ars Poetica Chamber Orchestra, based in Detroit and made up of outstanding players from major U.S. orchestras.

Mr. Romanul started performing at the age of 7. His Grandmother, Stella Roman(ul) was a leading dramatic soprano at the Metropolitan Opera, and at the La Scala theatre in Milan, where she was hand-picked by Richard Strauss for the title role of Empress for his premiere there of Die Frau ohne Schatten. Mr. Romanul, along with his three brothers traveled and performed extensively as the Romanul Quartet. After studying with Ivan Galamian, Joseph Silverstein, and Jascha Heifetz, he joined the Pittsburgh Symphony as a second violinist at the age of 21. During his first week there he won the position of Associate Concertmaster, remaining for six years.

The father of five children, now grown, he enjoys performing many obscure, and fascinating works, hidden violin gems of composers such as Paganini, Sauret, Vieuxtemps, Tarrega, Reger, Westhoff, Matteis, Leon de Saint-Lubin, Agusta Read Thomas, Alard, and Loccatelli among others. He often performs as soloist with orchestra, with over 50 concerti in his repertoire. Performances of the Dvorak, Korngold, Beethoven, Bruch, Brahms Double, Vivaldi Seasons, Bach violin-oboe Double, Saint-Saens #3, and others dot his schedule. Projects such as performances of all the Beethoven Sonatas at the Goethe Institute, or of the complete Ysaye or Bach Sonatas in one concert and several performances of the complete 24 caprices of Paganini, are commonplace.

Mr. Romanul has given master classes at many schools throughout the country including Northwestern, Columbia, Oberlin and SUNY Stony Brook as well as for the Fellows at the Tanglewood Music Center. He has served as a coach for the Greater Boston Youth Symphony Orchestra and the New England Conservatory Preparatory orchestras.

Tchaikovsky wrote his only Violin Concerto in March 1878 with the help of his friend Josif Kotek, one of his students at the Moscow Conservatory. Tchaikovsky would write a passage and Kotek would play it, giving Tchaikovsky, who did not play the violin, feedback regarding violin technique. The masterpiece that emerged would become one of the most beloved violin concertos in history despite Tchaikovsky’s struggles to premiere the piece and negative reviews.

Tchaikovsky dedicated the violin concerto to the Hungarian violinist Leopold Auer, but Auer rejected the piece as unplayable. The premiere finally took place in Vienna in 1881 when the violinist Adolph Brodsky decided that the unplayable was playable after all. The audience loved it, but the critics were not impressed.

Renowned critic, Eduard Hanslick wrote

“The Russian composer Tchaikovsky is surely not an ordinary talent, but rather an inflated one, with a genius-obsession without discrimination or taste. Such is also his latest, long and pretentious Violin Concerto. For a while it moves soberly, musically, and not without spirit. But soon vulgarity gains the upper hand, and asserts itself to the end of the first movement. The violin is no longer played; it is pulled, torn, drubbed. The Adagio . . . soon breaks off to make way for a finale that transfers us to a brutal and wretched jollity of a Russian holiday. We see plainly the savage vulgar faces, we hear curses, we smell vodka. . . Tchaikovsky’s Violin Concerto gives us for the first time the hideous notion that there can be music that stinks to the ear.”

Tchaikovsky memorized Hanslick’s review and could quote it for the rest of his life. Fortunately, Hanslick’s opinion didn’t seem to matter, as Brodsky was in demand all over the country to perform the concerto and the piece has been a mainstay ever since.

About Cape Ann Symphony

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Maestro Udagawa is on the faculty of the Boston Conservatory where he teaches conducting. Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.

Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga.

The Big Three: Mozart, Beethoven & Tchaikovsky is Sunday, October 2 at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA . Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; $5 for youth 12 years old and under. Season subscriptions are available. For information or tickets, call 978-281-0543 or visit www.capeannsymphony.org

Pictured: Guest Artist Victor Romanul
Pictured: Cape Ann Symphony Music Director and Conductor Yoichi Udagawa Photo Credit Jeph Ellis

Music in the air! A CAPE ANN SYMPHONY OUTDOOR CONCERT: AUGUST 21

Heidi Dallin shares a reminder about Cape Ann Symphony’s outdoor concert in Magnolia next week. The program sounds glorious!

CAPE ANN SYMPHONY – THE 70th SEASON

Yoichi Udagawa, Music Director

A SPECIAL CAPE ANN SYMPHONY OUTDOOR CONCERT

Sunday August 21, 2022

ONE PERFORMANCE ONLY: 4:00 PM

LIMITED SEATING

Cape Ann Symphony announces A Special Outdoor Concert on Sunday, August 21, 2022, at 4:00 pm, featuring CAS lead flutist Stephanie Stathos and the Cape Ann Symphony Chamber Orchestra under the direction of CAS Conductor and Music Director Maestro Yoichi Udagawa performing poolside at the home of CAS President Fran White, 179 Hesperus Avenue, Magnolia, MA. Refreshments will be served. Seating for the performance is limited to 75. Ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; and $5 for youth 12 years old and under. For tickets and further information, call 978-281-0543 or go to www.capeannsymphony.org.

Maestro Udagawa looks forward to returning to perform at 179 Hesperus Avenue.

“The musicians and I are thrilled and excited to be able to perform together during the summer, and are grateful to Cape Ann President Fran White and her husband David for opening up their large backyard to host a concert again this year. It is such a pleasant, tranquil (and bug free!) venue that offers the audience close proximity to the musicians – a chance we don’t get often in large concert halls! “

This special outdoor concert features Charles Floyd’s Hymn For The Fallen, Wolfgang A. Mozart’s Flute Concerto in G Major, performed by CAS lead Flutist Stephanie Stathos, and Joseph Bologne’s Symphony No. 2 in D Major.

“The musicians and I are delighted to share this gorgeous music with our audiences” explains Maestro Udagawa.

Charles Floyd’s Hymn For The Fallen, commissioned by CAS, had its world premiere in the CAS March 2022 Concert. “Charles Floyd’s incredible piece for CAS was a highlight of our 70th Season, points out Maestro Udagawa, “I was eager to perform this inspiring piece outdoors with our chamber orchestra.”

Floyd wrote Hymn For The Fallen to highlight the sense of isolation and helplessness experienced since 2020.

Hymn For The Fallen begins in isolation with violins commencing a tuneful exposition that is later joined by violas and cellos. The harmonies that build are bittersweet, but quite tonal in nature. Polytonality (the simultaneous use of two or more keys) plays a big role as a vehicle to prevent the emotional affect from feeling too ‘settled’ or too ‘sweet’. This is to reflect the notion that the emotional aspects of the past two years remain largely unsettled and unresolved. The final result is a haunting melody that is as singable as a hymn which (hopefully) does not gloss over the gravity of sadness rather than to honor with reverence the loss of a loved one. The rise of the COVID-19 pandemic and the insurmountable loss of life as a result of it, various riots, fear, brutality, extremism, civil unrest, confusion, grief, and violence inspired me to create a series of works called The Fallen of which Hymn for The Fallen is one. The series is not intended to be performed in one sitting. Rather it is a collection of works on a series of difficult topics.”

Charles Floyd

Maestro Udagawa looks forward to sharing Mozart’s first flute concerto with audiences, “Mozart’s first Flute Concerto was written in his early twenties. It is a beautiful work, and really requires the soloist to have tons of technique. Stephanie will do an amazing job, and we are all thrilled to be able to perform this work with her. I’m sure the audience will love it.” Commissioned by the Dutch flutist Ferdinand De Jean in 1777, Mozart’s Flute Concerto in G Major, his first flute concerto, was written in 1778. Mozart was supposed to provide four flute quartets and three flute concertos, but he only completed two of the three concertos. The piece is divided into 3 movements: 1. Allegro Maestoso; 2. Adagio Ma Non Troppo; 3. Rondo Tempo di Menuetto. The Andante for Flute and Orchestra K. 315 is thought to have been written as an alternative slow movement for this concerto, but there is no existing manuscript. Stephanie Stathos is the Principal Flute of the Cape Ann Symphony and the soloist in Mozart’s Flute Concerto in G Major Ms. Stathos is thrilled to play this Mozart piece with CAS, ” This wonderful work is part of all classical flutists’ repertoire,” points out Stathos, “Most of us begin learning it in high school and continue to study it throughout our entire careers! The third movement is a favorite of mine for its humor and joyful 3/4 meter, alternating between sparkling 16th note passage work and beautiful, lyrical melodies. I am delighted to be performing this concerto with the Cape Ann Symphony Chamber Orchestra this coming August 21.”

Stephanie Stathos earned her degree in Flute Performance from Boston University’s School for the Arts. Based in Lincoln, MA, Ms. Stathos is first piccolo for the Lexington Symphony. She has served as the piccolo and second flute with the touring orchestra of the National Lyric Opera of New York. As soloist she has performed throughout the United States and Europe. Other appearances include performances with many of New England’s ensembles including Boston Landmarks Orchestra, Rhode Island Philharmonic, Symphony New Hampshire, Atlantic Symphony Orchestra, Concord Chorale (NH), Newburyport Choral Society, and North Shore Chamber Music. Ms. Stathos also is passionate about jazz, new music and ethnic music.

Joseph Bologne, Chevalier de Saint-Georges, is the first known classical musician of African descent. A man of many talents he was a composer, virtuoso violinist, conductor of the leading symphony orchestra in Paris, and a soldier and a renowned champion fencer. He was celebrated in Paris when the then unknown Mozart visited the city.

“Joseph Bologne had an extraordinary life, and it’s reflected in his music, ” says Maestro Udagawa, “Audiences will be enthralled with his Symphony No. 2. Last summer we performed Bologne’s Symphony No. 1 and I am so pleased to be able to share more of his extraordinary work with our audiences!”

photo credits:

Yoichi Udagawa, CAS Conductor and Music Director Photo Credit Jeph Ellis

Cape Ann Symphony Chamber Orchestra led by Maestro Udagawa performing at 179 Hesperus Avenue Courtesy photo

Stephanie Stathos, Principal Flute of the Cape Ann Symphony and the soloist in Mozart’s Flute Concerto in G Major Photo Credit: Robert Torres
Charles Floyd, Composer Hymn For The Fallen Courtesy Photo

Maestro Yoichi Udagawa on this weekend’s concert

“We are so excited to perform for our audience masterpieces of classical music by Beethoven and Brahms, but also the world premiere of a work by Charles Floyd commissioned by the Cape Ann Symphony.”

Maestro Yoichi Udagawa

Floyd’s Hymn for the Fallen

“Charles Floyd’s latest composition Hymn for the Fallen written for the Cape Ann Symphony is a moving memorial to those we have lost. We are thrilled to premiere this beautiful piece on March 20. Charles is a composer who has an amazing ability to create works that touch our hearts.”

Brahms’ Double Concerto

“We are very excited that violinist Lucia Lin and cellist Owen Young are returning to the Cape Ann Symphony to perform Brahms’ Double Concerto for Violin, Cello and Orchestra. The Double Concerto is the last major work for orchestra that the great composer wrote, and it’s a masterpiece. The way he weaves the violin and cello part together with each other and the orchestra is beyond compare, and it has some of the most beautiful melodies he ever wrote.”

Beethoven’s Symphony No. 7

“We will be closing the concert with Beethoven’s Symphony No. 7, one of his most popular works. It combines everything about the music of Beethoven we love. His rhythmic drive, dramatic gesture, energy as well as lyricism and humor. We are really looking forward to sharing this music with our audience.”

  • Charles Floyd’s new work Hymn for the Fallen.
  • Johannes Brahms’ Double Concerto for Violin and Cello featuring Lucia Lin, violin, and Owen Young, cello.
  • Ludwig van Beethoven’s Symphony No. 7.

Cape Ann Symphony Concert: A world Premiere! BSO Guest artists! Charles Floyd, Brahms, Beethoven, Lucia Lin and Owen Young March 20th

Heidi Dallin shares a reminder about Cape Ann Symphony 70th season spring concert which sounds incredible!

Cape Ann Symphony’s 70th Concert Season continues on Sunday, March 20, 2022, at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA., featuring guest artists BSO violinist Lucia Lin and BSO cellist Owen Young, a poignant new work written for CAS by composer Charles Floyd, and classic works by Beethoven and Brahms. There will be no requirement for proof of vaccination nor Covid tests at this concert. The wearing of masks will be up to the individual. Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; $5 for youth 12 years old and under. For information, call 978-281-0543 or visit www.capeannsymphony.org

Cape Ann Symphony Music Director and Conductor Yoichi Udagawa looks forward to the eclectic program on March 20,

“We are so excited to bring our audience not only masterpieces of classical music from Beethoven and Brahms, but also the world premiere of a Charles Floyd work commissioned by Cape Ann Symphony. What an exciting afternoon of music!”

Yoichi Udagawa, Cape Ann Symphony Music Dir. & Conductor

Violinist Lucia Lin and cellist Owen Young return to CAS to perform Brahms’ Double Concerto for Violin, Cello and Orchestra. Maestro Udagawa points out,

“The Brahms’ Double Concerto is the last major work for orchestra that the great composer wrote, and it’s a masterpiece. The way he weaves the violin and cello parts together with each other and the orchestra is beyond compare, and it has some of the most beautiful melodies he ever wrote. We are thrilled to be performing this with violinist Lucia Lin and cellist Owen Young of the Boston Symphony.”

Udagawa is also eager to share Beethoven’s Symphony No. 7 with CAS audiences,

“The Beethoven Symphony No. 7 is one of his most popular works, and it combines everything about the music of Beethoven we love. His rhythmic drive, dramatic gesture, energy as well as lyricism and humor.”

About Composer, conductor, pianist Charles Floyd

Composer, conductor and pianist, Charles Floyd has been heard in concert with more than 500 orchestras in classical and pops performances, including annual appearances with the Boston Pops Orchestra. His eleven-year partnership with singer Natalie Cole included the multiple GRAMMY® Award- winning tribute to Nat King Cole entitled “Unforgettable, With Love;” Also the Emmy Award-winning PBS Great Performances concert video of the same title. Charles Floyd last appeared with CAS in 2015 when he performed the world premiere of his Piano Concerto to a sold-out audience and two standing ovations.  CAS Board President Fran White remembers the concert well, “The atmosphere in the building was electric! The audience would not let him leave the stage. Maestro Udagawa brought him back to the piano for an encore and he played an arrangement of America the Beautiful which he improvised as he played it! He received another standing ovation!”

About Hymn for the Fallen by Charles Floyd

Charles Floyd’s latest composition “Hymn for the Fallen” written for the Cape Ann Symphony is part of a larger work: The Fallen.

“Charles Floyd has written an incredible piece for Cape Ann Symphony. We are so proud to premiere this touching piece on March 20. Charles describes it so much better than I ever could, but I will say that we are really looking forward to preparing it and presenting it to our audience. Charles is a composer who has an amazing ability to create works that touch our hearts.”

Floyd wrote “Hymn for the Fallen” to highlight the sense of isolation and helplessness experienced since 2020. He describes the work as follows:

“Hymn for the Fallen” begins in isolation with violins commencing a tuneful exposition that is later joined by violas and cellos. The harmonies that build are bittersweet, but quite tonal in nature. Polytonality (the simultaneous use of two or more keys) plays a big role as a vehicle to prevent the emotional affect from feeling too ‘settled’ or too ‘sweet’. This is to reflect the notion that the emotional aspects of the past two years remain largely unsettled and unresolved. The final result is a haunting melody that is as sing-able as a hymn which (hopefully) does not gloss over the gravity of sadness rather than to honor with reverence the loss of a loved one. The rise of the COVID-19 pandemic and the insurmountable loss of life as a result of it, various riots, fear, brutality, extremism, civil unrest, confusion, grief, and violence inspired me to create a series of works called The Fallen of which “Hymn for The Fallen” is one. The series is not intended to be performed in one sitting. Rather it is a collection of works on a series of difficult topics.”

Charles Floyd on his beautiful work, Hymn for the Fallen, commissioned by CAS

About BSO violinist Lucia Lin

BSO violinist Lucia Lin made her debut performing Mendelssohn’s Violin Concerto with the Chicago Symphony Orchestra at the age of 11. Since then, she has been a prizewinner of numerous competitions, including the 1990 International Tchaikovsky Competition in Moscow. She has performed many solo recitals for the Cape Ann Symphony and throughout the U.S., making her New York debut at Carnegie Recital Hall in March 1991, and has appeared with the Boston Pops Orchestra, St. Louis Symphony Orchestra, Oklahoma Symphony Orchestra, Cincinnati Chamber Orchestra and Festival Orchestra in Graz, Austria. Ms. Lin is a member of the Muir String Quartet, the quartet in residence at Boston University. She is also a founding member of the Boston Trio and the chamber group Innuendo. Ms. Lin joined the Boston Symphony Orchestra in 1985 and served as assistant concertmaster from 1988 to 1991 and 1996 to 1998.

About BSO Cellist Owen Young

Cellist Owen Young joined the BSO in August 1991. He is a frequent collaborator in chamber music concerts and festivals; he has also appeared as concerto soloist with numerous orchestras. One of the Cape Ann Symphony’s regular soloists, he also has appeared in the Tanglewood, Aspen, Banff, Davos, Sunflower, Gateway, Brevard, and St. Barth’s music festivals and is a founding member of the innovative chamber ensemble Innuendo. He has performed frequently with singer/songwriter James Taylor, including the nationally televised concert “James Taylor Live at the Beacon Theatre” in New York City. Mr. Young was formerly on the faculties of the Boston Conservatory, the New England Conservatory Extension Division, and the Longy School of Music; is currently on the faculty of Berklee College of Music; and is active in Project STEP (String Training and Education Program for students of color)

About Cape Ann Symphony

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Maestro Udagawa is on the faculty of the Boston Conservatory where he teaches conducting. Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.

About Yoichi Udagawa

Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga.

Buy tickets

Cape Ann Symphony’s Floyd, Beethoven, Brahms, Lin and Young Concert is Sunday, March 20, 2022, at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, Massachusetts.  Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; $5 for youth 12 years old and under. There will be no requirement for proof of vaccination nor Covid tests at this concert. The wearing of masks will be up to the individual. They will not be required. For information or tickets, call 978-281-0543 or visit www.capeannsymphony.org

Joy to the Orchestra World: Cape Ann Symphony is BACK! Launching its 70th Season

CAPE ANN SYMPHONY HOLIDAY POPS CONCERT

A Festive Musical Celebration to Celebrate the Season for orchestra and chorus. Featuring the Cape Ann Symphony Chorus

News and notes from Heidi Dallin:

“Cape Ann Symphony

Bringing back the Cape Ann Holiday tradition

PLUS

It’s the first performance of the Cape Ann Symphony orchestra

in

more

than

18 months!”

Heidi Dallin

The Cape Ann Symphony’s Annual Holiday Pops Concert, returns to kick off our 70th season  with our traditional holiday concert on Saturday, November 27 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 27 at 7:30 pm and Sunday, November 28 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA.  

For tickets and information about this Cape Ann Holiday tradition, call 978-281-0543 or visit www.capeannsymphony.org

The 2021 Holiday Pops Concert led by CAS Conductor and Music Director Yoichi Udagawa features the return of the Cape Ann Symphony Chorus under the direction of Rockport’s Wendy Betts. Udagawa has planned a joyful program of music from Anderson, Humperdinck, Rutter, Tchaikovsky plus Mark Hayes’ Believe from the hit film Polar Express, Courtney’s Musicological Journey Through the 12 Days of ChristmasDavis/Hayes’ Little Drummer Boy, and Hayman’s Rudolph the Red Nose Reindeer.

Cape Ann Symphony Board President Fran White is thrilled to have the orchestra back in performance in Manchester and Ipswich.

“This is a milestone year for CAS, our 70th anniversary of making music on Cape Ann! We stayed strong during the pandemic due to the diligence and Herculean efforts of our board, music director, and musicians and most importantly, the incredible support from our patrons! The Holiday Pops kicks off a spectacular 70th anniversary concert season! We are back and ready to make music for you for the next 70 years! “

Fran White, Cape Ann Symphony Board President

Cape Ann Symphony Conductor and Music Director Yoichi Udagawa is looking forward to this year’s Holiday Pops Concert,

The musicians of the Cape Ann Symphony and I are very excited to be back to performing live with a full orchestra for our amazing audiences starting with the Holiday Pops. The wonderful singers of the Cape Ann Symphony Chorus under the fabulous direction of Wendy Betts will be featured in the concert, and it will be a joyous celebration of the Holiday Season. Despite the challenges of the pandemic, we all feel a tremendous sense of gratitude to the incredible outpouring of support from our audiences and supporters, and we can’t wait to be together again with our loyal audiences to make music and celebrate!”

Yoichi Udagawa, Cape Ann Symphony Conductor & Director

The 2021 Holiday Pops program includes Tchaikovsky’s Selections from The Nutcracker; Anderson’s Christmas Festival , Humperdinck’s Hansel and Gretel Prelude, Hayman’s Rudolph the Red Nose Reindeer,Davis/Hayes’ Little Drummer Boy, John Rutter’s Joy To The World and Candlelight Carol, Mark Hayes’ Believe from the hit film Polar Express, John Leavitt’s Bashana Haba’ah, and Holcomb’s Festive Sounds of Hanukkah.

The Cape Ann Symphony launched The Cape Ann Symphony Chorus at the 2005 Holiday Pops Concert. The Cape Ann Symphony Chorus is a chorale with over 75 voices from the North Shore area. The group performed with the Cape Ann Symphony at Holiday Pops Concerts in 2005, 2006, 2008, 2009, 2010, 2011 2013, 2014. 2015, 2016. 2017, 2018 and 2019. The 75 plus member chorale under the direction of Wendy Betts is comprised mostly of North Shore residents, the majority of which live on Cape Ann.

“The CAS Chorus is glad to be back together! I have missed working with these tremendous singers! They work hard, are disciplined in their music tasks, and put out a lovely choral sound. But best of all, they truly enjoy one another, which is what choral singing is all about! Making music TOGETHER!”

Wendy Betts, musical director Cape Ann Symphony Chorus (north shore community residents)

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Frequently invited to guest conduct, Mr. Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Mr. Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Outreach programs to area schools.

Cape Ann Symphony’s Holiday Pops Concert is Saturday, November 27 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 27 at 7:30 pm and Sunday, November 28 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. Single ticket prices are $45 for adults, $40 for senior citizens age 65 and above, $20 for Students of any age with a valid student id; $5 for youth 12 years old and under. For tickets and information, call 978-281-0543 or visit www.capeannsymphony.org.

In accordance with the CAS Covid Safety Policy, all concert attendees will be required to show proof of Covid 19 vaccination or to present documentation of a negative test within 72 hours prior to the event and will be required to wear a mask during the performance.

photo caption: Yoichi Udagawa, Conductor and Music Director, Cape Ann Symphony Orchestra joined by Wendy Betts, Director Cape Ann Symphony Chorus | photo © Jeph Ellis

Big CAS news at UU Oct 3rd| Cape Ann Symphony Musicians Unleashed: Autumn Awakening concert at #GloucesterMA Unitarian Universalist Church 

Heidi Dallin shares happy news:

Cape Ann Symphony Musicians Unleashed Concert Series Returns LIVE On Sunday, October 3, 2021

AUTUMN AWAKENING at The Gloucester Unitarian Universalist Church

Cape Ann Symphony proudly announces Autumn Awakening, Musicians Unleashed Concert, at 3:00 pm on Sunday, October 3, 2021 at the Gloucester Unitarian Universalist Church, 10 Church Street, Gloucester, MA. Musicians Unleashed is a series of musical events featuring Cape Ann Symphony musicians performing in a variety of intimate settings on Cape Ann and beyond. CAS launched the popular series to an overwhelmingly enthusiastic audience response in 2019. The ticket price for Autumn Awakening is $40.  Call CAS at 978-281-0543 or go to www.capeannsymphony.org to purchase tickets. In accordance with the CAS Covid Safety Policy, all concert attendees will be required to show proof of Covid 19 vaccination or to present documentation of a negative test within 72 hours prior to the event and will be required to wear a mask during the performance.

Autumn Awakening is a chamber music concert featuring music written for flute, oboe, clarinet and strings in various combinations and performed by seven CAS musicians at the Gloucester Unitarian Universalist Church. An historic meetinghouse founded in 1779, the church was the first Universalist congregation in the United States. Built in 1806, the building was created in a perfect “shoe box” design which gives it ideal acoustics. CAS Music Director Yoichi Udagawa programmed a varied selection of music written by a mix of well known and lesser known composers from all over the world.  Maestro Udagawa and the musicians will introduce each piece of music to offer audiences insight and little known facts about the composers and their music.  

Maestro Udagawa looks forward to these intimate Musicians Unleashed concerts, “ The Cape Ann Symphony is made up of extraordinary musicians, and we are thrilled to be able to highlight them! This concert will feature our principal flute, oboe and clarinet as well as some of our outstanding string players. We tried to make this concert a mixture of different composers as well as combination of instruments, and I’m sure the audience will enjoy this concert very much.” The musicians performing in Autumn Awakening are Stephanie Stathos, flute; Izumi Sakamoto, oboe; Bill Kirkley, clarinet; Oksana Gorokhovskiy, violin; Olga Kradenova, violin; Anna Stromer, viola, and Johnny Mok, cello. The concert program includes Salem, MA  born and raised composer Arthur Foote’s Scherzo for Flute and String Quartet; British composer Malcolm Arnold’s Divertimento for Flute, Oboe and Clarinet; Austrian composer Wolfgang Amadeus Mozart’s Oboe Quartet; German composer Johannes Brahms’ Clarinet Quintet, 1st Movement; and Czech composer Antonin Dvorak’s American String Quartet, 4th Movement.

Salem native composer Arthur Foote, known for his chamber music, art music and choral music, was also a musician and a teacher.  “When thinking about the program for the concert, we wanted to include music by a ”local”,” explains Udagawa, “and this charming piece by Arthur Foote fit the bill perfectly! We have an amazing tradition of musicians, writers and artists who worked right here in our area, and left great works for all of us to enjoy. And Gloucester’s Unitarian Universalist Church is a perfect venue for Foote’s music with his strong ties to the Unitarian Church.” Foote’s father, Caleb Foote, was the owner and editor of the Salem Gazette and his mother, Mary Wilder Foote, was a devout Unitarian. Arthur Foote began composing while studying harmony at the newly formed New England Conservatory in 1867. He then went on to study music at Harvard University where he received a Bachelor of Arts and the very first Master of Arts degree in Music awarded by an American university according to Foote’s Faculty Papers at New England Conservatory .

Arthur Foote was a leading member of a group of composers known as the Boston Six or the Second New England School. Together, the Six: John Knowles Paine, Horatio Parker, George Chadwick, Edward MacDowell, Amy Beach, and Arthur Foote wrote the first substantial body of “American” classical music. “In his time Foote was considered to be the ‘Dean of American Composers'” points out Maestro Udagawa.

 Arthur Foote was the organist and Choirmaster at the First Unitarian Church in Boston for 32 years, taught piano in his own studio for over 50 years and served on the faculty of New England Conservatory for 16 years, teaching piano and piano pedagogy. Foote helped edit Hymns of the Church Universal in 1890, and collaborated in the writing of Hymns for Church and Home, prepared for the American Unitarian Association in 1896 according to Unitarian Universalist History & Heritage Society

Ticket prices for Autumn Awakening are $40. Call Cape Ann Symphony at 978-281-0543 or go to www.capeannsymphony.org for tickets. In accordance with the CAS Covid Safety Policy, all concert attendees will be required to show proof of Covid 19 vaccination or to present documentation of a negative test within 72 hours prior to the event and will be required to wear a mask during the performance.

Cape Ann Symphony presents two outdoor Summer Concerts! #GloucesterMA Magnolia

July 18. Special Event!

How did we select the music?


Our selections of exceptionally beautiful pieces to play for our outdoor benefit concerts were inspired by our Black History and Women’s History series of emails we recently sent.

18 Musicians of the Cape Ann Symphony under the direction of Maestro Yoichi Udagawa will be playing:

Adolphus Hailstork’s Sonata de chiesa
Cecile Chaminades’s Concertino for Flute Featured in our Women’s History Month series.
Joseph Bologne’s Symphony No. 1 Featured in our Black History Month series.

There will be two performances on July 18 at 3:00pm and at 5:30pm

Cape Ann Symphony

Read more here

Purchase tickets online Here

or call now! (978)281-0543

ORCHESTRAL OPERA GEMSFROM THE CAPE ANN SYMPHONY: Verdi, Puccini, Wagner, Bizet, Weber, Tchaikovsky, Leoncavallo, Mascagni, Ponchielli

CAPE ANN SYMPHONY

THE 66th  SEASON

Yoichi Udagawa, Music Director

CAPE ANN SYMPHONY CLOSES THE 66th SEASON ON

SATURDAY, MAY 19:

An Evening of Passionate Orchestral Music

From the World of Opera :

ORCHESTRAL OPERA GEMS

Verdi, Puccini, Wagner, Bizet, Weber, Tchaikovsky, Leoncavallo, Mascagni, Ponchielli

Orchestral Opera Gems close the Cape Ann Symphony’s 66th Concert Season on Saturday, May 19 at 8 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. A romantic and moving program, Orchestral Opera Gems features orchestral masterpieces from renown and beloved operas by Wagner, Puccini, Verdi, Leoncavallo, Mascagni, Ponchielli, Weber, Tchaikovsky, and Bizet. For tickets and information, call 978-281-0543 or visitwww.capeannsymphony.org.

Famed composers Wagner, Puccini, Verdi, Leoncavallo, Mascagni, Ponchielli, Weber, Tchaikovsky, andBizet take center stage for the CAS Orchestral Opera Gems Concert on May 19. Cape Ann Symphony Conductor and Music Director Yoichi Udagawa points out, “Some of the most passionate and emotional music written for the orchestra comes from the world of opera. The stories of love, jealously, loss, longing and romance were captured in music by great composers such as Verdi, Puccini, Mascagni, Leoncavallo, Bizet and Wagner. Many of these operas feature interludes of incredible symphonic music, and we’ve selected some favorites for the May concert.” The Orchestral Opera Gems program includes Leoncavallo’s Intermezzo from I Pagliacci; Tchaikovsky’s  Polonaisefrom Onegin; Mascagni’s Intermezzo from Cavaleria Rusticana; Puccini’s  Intermezzo from Manon Lescaut; Ponchielli’s  Dance of the Hours from La Gioconda ; Verdi’s Prelude to Act 3 from  La Traviata; Bizet’s  Carmen Suite No. 1; Weber’s Overture to Oberon; and Wagner’s  Meistersinger  Overture  and Siegfried’s Rhine Journey from Götterdämmenrung. Udagawa adds, “Make sure you come to this very romantic concert with someone you’re madly in love with.”

 In July of 1888 Mascagni entered a competition in Milan open to all young Italian composers who had not yet had an opera performed on stage. One-act operas would be judged by a jury and the three best operas would be staged in Rome. Mascagni chose Cavalleria Rusticana, a popular short story and play and in two months, he composed the opera. Among the 73 operas submitted,Cavalleria Rusticana was chosen as one of

the three to be produced. The opera premiered to huge success on May 19, 1890 with  Mascagni taking 40 curtain calls.

READ MORE HERE

Continue reading “ORCHESTRAL OPERA GEMSFROM THE CAPE ANN SYMPHONY: Verdi, Puccini, Wagner, Bizet, Weber, Tchaikovsky, Leoncavallo, Mascagni, Ponchielli”

Scenes and sounds from Cape Ann Symphony 65th Anniversary season Romantic Masters concert

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We were told that yesterday’s Cape Ann Symphony’s 65th Anniversary Season concert “Romantic Masters” was the orchestra’s most sold out March concert, ever. Great job, Heidi Dallin, on promotion!

IMG_20170326_140733IMG_20170326_140022

My son spotted Heidi’s name in the playbill and Yellow Sub, along with many other local names and arts supporters. It takes a village.

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supporters

By the way– kids tickets are $5 at these concerts. Area schools benefit from Cape Ann Symphony performance outreach.

Cape Ann Symphony’s next concert is: SCANDINAVIAN SPECTACULAR Saturday, March 20, 2017 8PM

Before setting off into the next piece, Musical Director & Conductor Yoichi Udagawa breaks down a mini music lesson excerpt with the orchestra. He has a signature foot lift when he conducts.

 

Here’s a snippet of glorious music. Can you name that tune?

Continue reading “Scenes and sounds from Cape Ann Symphony 65th Anniversary season Romantic Masters concert”

BREAKING NEWS: Cape Ann Symphony Sunday Concert Sold Out – Tix for Saturday 11/29 Still Available

Don’t freak out — at least, not yet.  You can still get tickets for Saturday’s Cape Ann Symphony Concert right here.  You can also still get tickets for the reception on Sunday.  Get Reception Tickets here.  For all of you who really wanted to go to the Sunday concert but thought you could get tickets at the door, stop you’re bellyaching and just be grateful that you live in a community with a vibrant, growing cultural economy.  Oh, and next time you see a GMG post about a concert you might want to go to (like this post), get your tickets RIGHT THEN!  We ALWAYS put a link to tickets — always (see above for 2 examples).

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Cape Ann Symphony Holiday Pops Concert – Nov 29 & 30

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