

Cape Ann Cinema & Stage bar will be open
My View of Life on the Dock


Cape Ann Cinema & Stage bar will be open
This nighttime screening is a great chance to review and determine if it’s a good fit for an enrichment daytime screening at O’Maley. Andrew Sullivan’s New York Magazine article, Technology Almost Killed Me, includes “the first one to use the phone pays for lunch” strategy that I first saw in the trailer for this Screenagers documentary. I enjoyed the illustrations for the article–cell phone riffs into famous paintings–and am thankful I read it if only because it reminded me that I still haven’t seen Screenagers. Now I can!

Prior GMG Post Mobile Phones! Gaming! Social Media! Oh, My Screenagers
CNN 2015 report sussing 150,000 social media messages Being 13 on Social Media
I admit it. I watched the trailer for Screenagers when it came my way. I sent it to Joey back in February as a maybe post. Leaving aside the merits of the title (Gesundheit!) I was curious about the audience factor.
From their press release: “Get more insight into one of the biggest and unexplored issues of our time…Physician (Stanford trained we are told) and filmmaker, Delaney Ruston decided to make SCREENAGERS when she found herself constantly struggling with her two kids about screen time.”
It’s not in theaters. Communities pay to book the documentary for school, public library, church, synagogue, company, and community center; it can be a fundraiser as well. I thought it might be a good fit for the middle school. A future streaming option could work.
In 1998, I saw Kathleen Chalfant in the play WIT. Multiple times. In this play, we witness a university professor as she lay dying. When the curtain dropped, the audience stayed. Eventually the theater planned facilitated discussions with the cast and audience. I don’t recall them. I kept returning and learning because whoever I went with had a wildly different take. Four stood out: my mother (background in psychology), a friend (a young medical director of a busy NYC hospital), another friend (an older artist), and another friend (social worker).
I think the audience component for this documentary might be like that.