Light ahead…

My View of Life on the Dock
Light ahead…

From our friend Jerry Ackerman
GLOUCESTER SPRING CLASSICAL
CONCERT SERIES RESUMES,
LIVE IN THE MEETINGHOUSE
FOR IMMEDIATE RELEASE, MARCH 10, 2022
The Gloucester Meetinghouse Foundation is pleased to announce its Spring 2022 series of three classical concerts, beginning and ending with musical celebrations of Johann Sebastian Bach and featuring, in the middle, a Holocaust Memorial Concert that will premiere a specially commissioned work, “The Grip of Evil: The Endurance of Hope,” written and conducted by American composer Leslie Steinweiss.
The series marks the resumption of live, in-person concerts at the Gloucester Meetinghouse, at the corner of Middle and Church Streets in downtown Gloucester, as COVID-19 pandemic conditions have begun to ease. The season will begin Sunday, March 20, at 4:30 p.m., marking the J.S. Bach’s 337th birthday with harpsichord works performed by Mary Jodice and Charles Nazarian, violin works by Emily Hale, and voic solos by soprano Caroline Teague and counter-tenor Cameron Dobson.
The event is free, with a collection to be taken to support Ukranian war relief work by the International Rescue Committee. It also will be simulcast for home viewing via the Meetinghouse Foundation’s YouTube.channel and available there afterwards.
The opening concert’s visual centerpiece is a Flemish double harpsichord made by celebrated keyboard-instrument builder David Jacques Way. Nazarian, its owner will discuss the instrument’s workings and demonstrate its varied sounds, followed by Ms. Jodice on the harpsichord and Ms. Hale on baroque violin playing the Bach Violin Sonata in C-minor; a Bach violin solo by Ms. Hale; Bach’s “Jesu, Joy of Man’s Desiring” sung by soprano Caroline Teague; and selections from Bach’s Mass in B-Minor sung by counter-tenor Cameron Dobson accompanied by Ms. Jodice The concert will end with Ms. Jodice’s performance of Bach’s Passacaglia and Fugue in C-minor, on the Meetinghouse’s 1893 Hutchings/Fisk pipe organ.
The series continues Sunday, May 1, at 3 p.m. with Steinweiss’s Holocaust Memorial Concert featuring the world premiere of his “The Grip of Evil: The Endurance of Hope. Presented jointly with Gloucester’s Temple Ahavat Achim, this concert was organized by Stephen Bates, of Manchester, who will perform on clarinet and flute. Bates was a clarinetist and bass-clarinet chair for 36 years with the Kennedy Center Opera House Orchestra in Washington, D.C.
This program will include individual Holocaust remembrances plus narration by storyteller Judith Black. The ensemble includes Janine Solheim, soprano; Wes Hunter, tenor; Abigale Reisman, violin; Rebecca Hallowell, viola; Anna Seda, cello; and Kathleen Forgac, piano.
The final concert in the series, Sunday, May 22, at 3 p.m., will return to Bach, featuring some of his most beloved orchestral works played by a Baroque ensemble, The Appleton Consort, on period instruments and directed by Mark Dupere.
This program includes the Orchestral Suite No. 3 in D Major (BWV 1068) for two oboes, bassoon, strings, and continuo; the Sinfonia from Cantata Non sa che sia dolore (BWV 209) for flute, strings, continuo; the Violin Concerto in A minor (BWV 1041) for solo violin, strings, continuo; the Sinfonia from Cantata Am Abend aber desselbigen Sabbatas (BWV 42) for two oboes, bassoon, strings, continuo; and the Brandenburg Concerto No. 5 in D major (BWV 1050) for solo flute, solo violin, solo harpsichord, and strings. This concert is sponsored by H. Woody Brock and Scobie Ward.
Tickets for the two May concerts are $45 for preferred seating, $30 for general seating and $10 for students. They will be available at the door or ordered online at www.gloucestermeetinghouse.org.
The Meetinghouse is the home of the Gloucester Unitarian Universalist Church and is handicapped-accessible via a side entrance at 10 Church Street. Limited parking is available on the Green in front. Publlic health rules, including social distancing and possible use of masks, may be in effect and may vary among performances.
The Gloucester Meetinghouse Foundation is a nonprofit 501(c)(3) organization established in 2015 is to restore this architectural masterpiece that is listed on the National Register of Historic Places as a concert venue, civic hub and community gathering center.
More information is available online at www.gloucestermeetinghouse.org.
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Join uson Tuesday, March 29th at 6:30pmfor an organic wine dinner featuring Frog’s Leap Vineyards. Guest speakers to showcase the wines from Martignetti, New England’s leading distributor of fine wines & spirits. Tickets are $175 including tax and service and can be purchased online. Please purchase your party’s tickets together as a reservation to assure seating placement. Must be 21+ to attend this event.
Frog’s Leap Wine Dinner
RECEPTION
2020 Frog’s Leap Sauvignon Blanc
STARTER
2019 Frog’s Leap ‘Shale and Stone’ Chardonnay
Roasted Oysters two ways: mascarpone, radicchio, chive and chorizo butter, breadcrumb, herbs
PASTA
2019 Frog’s Leap Merlot
Short Cut Rigatoni, parsnip puree, duck, pesto bianco
ENTRÉE
2018 Frog’s Leap Cabernet Sauvignon
Red Wine Braised Beef, potato cake, roasted carrots
DESSERT
2019 Frog’s Leap Zinfandel
Flourless Chocolate Cake, raspberry coulis, fresh whipped cream




I saw a glimpse of a small yellow blooming bush next to the Triton statue at Stage Fort Park recently. My heart leapt in hopes that it was forsythia (completely losing track that it’s only March I guess) but it turned out to be something even more interesting. Witch hazel planted by the Generous Gardeners and helpfully labeled as such. Yes, that stuff you have in a bottle in your medicine cabinet is blooming at Stage Fort Park. Regardless, it’s still another one of those hopeful signs of the changing seasons. Thank you Generous Gardeners for the cheerful sight and the helpful labels.



GloucesterCast 559 Live From The Beauport Hotel With Phil Nicastro Livestreaming 3/14/22 Link to join here- www.facebook.com/goodmorninggloucester
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On Sunday was windy but such a pretty day to go and take a walk. Good Harbor as usual was very pretty. Loved how the sand blows.


UPDATE!!! WE WILL BE LIVESTREAMING FROM THE Beauport Hotel Gloucester For Burger Night. We will be there at 5:30 to set up and have a burger and go live at 7PM, come join the studio audience. Mike Codair is donating a ticket to the game for a lucky person that gets selected from the pool of people that share the livestream!
On point…


Link to register- https://www.familyid.com/gloucester-public-schools-ma-athletics
Heidi Dallin shares a reminder about Cape Ann Symphony 70th season spring concert which sounds incredible!


Cape Ann Symphony’s 70th Concert Season continues on Sunday, March 20, 2022, at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA., featuring guest artists BSO violinist Lucia Lin and BSO cellist Owen Young, a poignant new work written for CAS by composer Charles Floyd, and classic works by Beethoven and Brahms. There will be no requirement for proof of vaccination nor Covid tests at this concert. The wearing of masks will be up to the individual. Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; $5 for youth 12 years old and under. For information, call 978-281-0543 or visit www.capeannsymphony.org
Cape Ann Symphony Music Director and Conductor Yoichi Udagawa looks forward to the eclectic program on March 20,
“We are so excited to bring our audience not only masterpieces of classical music from Beethoven and Brahms, but also the world premiere of a Charles Floyd work commissioned by Cape Ann Symphony. What an exciting afternoon of music!”
Yoichi Udagawa, Cape Ann Symphony Music Dir. & Conductor
Violinist Lucia Lin and cellist Owen Young return to CAS to perform Brahms’ Double Concerto for Violin, Cello and Orchestra. Maestro Udagawa points out,
“The Brahms’ Double Concerto is the last major work for orchestra that the great composer wrote, and it’s a masterpiece. The way he weaves the violin and cello parts together with each other and the orchestra is beyond compare, and it has some of the most beautiful melodies he ever wrote. We are thrilled to be performing this with violinist Lucia Lin and cellist Owen Young of the Boston Symphony.”
Udagawa is also eager to share Beethoven’s Symphony No. 7 with CAS audiences,
“The Beethoven Symphony No. 7 is one of his most popular works, and it combines everything about the music of Beethoven we love. His rhythmic drive, dramatic gesture, energy as well as lyricism and humor.”

Composer, conductor and pianist, Charles Floyd has been heard in concert with more than 500 orchestras in classical and pops performances, including annual appearances with the Boston Pops Orchestra. His eleven-year partnership with singer Natalie Cole included the multiple GRAMMY® Award- winning tribute to Nat King Cole entitled “Unforgettable, With Love;” Also the Emmy Award-winning PBS Great Performances concert video of the same title. Charles Floyd last appeared with CAS in 2015 when he performed the world premiere of his Piano Concerto to a sold-out audience and two standing ovations. CAS Board President Fran White remembers the concert well, “The atmosphere in the building was electric! The audience would not let him leave the stage. Maestro Udagawa brought him back to the piano for an encore and he played an arrangement of America the Beautiful which he improvised as he played it! He received another standing ovation!”
Charles Floyd’s latest composition “Hymn for the Fallen” written for the Cape Ann Symphony is part of a larger work: The Fallen.
“Charles Floyd has written an incredible piece for Cape Ann Symphony. We are so proud to premiere this touching piece on March 20. Charles describes it so much better than I ever could, but I will say that we are really looking forward to preparing it and presenting it to our audience. Charles is a composer who has an amazing ability to create works that touch our hearts.”
Floyd wrote “Hymn for the Fallen” to highlight the sense of isolation and helplessness experienced since 2020. He describes the work as follows:
“Hymn for the Fallen” begins in isolation with violins commencing a tuneful exposition that is later joined by violas and cellos. The harmonies that build are bittersweet, but quite tonal in nature. Polytonality (the simultaneous use of two or more keys) plays a big role as a vehicle to prevent the emotional affect from feeling too ‘settled’ or too ‘sweet’. This is to reflect the notion that the emotional aspects of the past two years remain largely unsettled and unresolved. The final result is a haunting melody that is as sing-able as a hymn which (hopefully) does not gloss over the gravity of sadness rather than to honor with reverence the loss of a loved one. The rise of the COVID-19 pandemic and the insurmountable loss of life as a result of it, various riots, fear, brutality, extremism, civil unrest, confusion, grief, and violence inspired me to create a series of works called The Fallen of which “Hymn for The Fallen” is one. The series is not intended to be performed in one sitting. Rather it is a collection of works on a series of difficult topics.”
Charles Floyd on his beautiful work, Hymn for the Fallen, commissioned by CAS

BSO violinist Lucia Lin made her debut performing Mendelssohn’s Violin Concerto with the Chicago Symphony Orchestra at the age of 11. Since then, she has been a prizewinner of numerous competitions, including the 1990 International Tchaikovsky Competition in Moscow. She has performed many solo recitals for the Cape Ann Symphony and throughout the U.S., making her New York debut at Carnegie Recital Hall in March 1991, and has appeared with the Boston Pops Orchestra, St. Louis Symphony Orchestra, Oklahoma Symphony Orchestra, Cincinnati Chamber Orchestra and Festival Orchestra in Graz, Austria. Ms. Lin is a member of the Muir String Quartet, the quartet in residence at Boston University. She is also a founding member of the Boston Trio and the chamber group Innuendo. Ms. Lin joined the Boston Symphony Orchestra in 1985 and served as assistant concertmaster from 1988 to 1991 and 1996 to 1998.

Cellist Owen Young joined the BSO in August 1991. He is a frequent collaborator in chamber music concerts and festivals; he has also appeared as concerto soloist with numerous orchestras. One of the Cape Ann Symphony’s regular soloists, he also has appeared in the Tanglewood, Aspen, Banff, Davos, Sunflower, Gateway, Brevard, and St. Barth’s music festivals and is a founding member of the innovative chamber ensemble Innuendo. He has performed frequently with singer/songwriter James Taylor, including the nationally televised concert “James Taylor Live at the Beacon Theatre” in New York City. Mr. Young was formerly on the faculties of the Boston Conservatory, the New England Conservatory Extension Division, and the Longy School of Music; is currently on the faculty of Berklee College of Music; and is active in Project STEP (String Training and Education Program for students of color)
Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Maestro Udagawa is on the faculty of the Boston Conservatory where he teaches conducting. Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.
Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga.
Cape Ann Symphony’s Floyd, Beethoven, Brahms, Lin and Young Concert is Sunday, March 20, 2022, at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, Massachusetts. Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; $5 for youth 12 years old and under. There will be no requirement for proof of vaccination nor Covid tests at this concert. The wearing of masks will be up to the individual. They will not be required. For information or tickets, call 978-281-0543 or visit www.capeannsymphony.org




Ouch!
We enjoyed breakfast in one of Mile Marker’s Igloos over the weekend. With blue skies and a beautiful view of the Annisquam, it was such a treat to be back “on the water.” For those of you who are concerned that it might be too cold, I can assure you it wasn’t.








I can’t stop taking pictures down at the Paint Factory but especially on a lovely day when you can ALMOST taste summer.





