
Sun Streaks coming through the clouds on Shore Road

My View of Life on the Dock


Salt Island, Good Harbor Beach and Brier Neck are naturally connected. The five acre Salt Island is about 1000 feet from Good Harbor Beach in Gloucester, Massachusetts. A sandbar links the island and beach at low tide. I’ve culled a few milestones in its history. Scroll down to 2017 to find the links for the Cape Ann Beacon and today’s Boston Globe.
History of the Town of Gloucester: Cape Ann, John Jame Babson’s published history includes a shipwreck of the vessel, Industry, at Little Good Harbor Beach near Salt Island in 1796
Joseph Parsons’ family operated a lobster business from Salt Island
silent movies were filmed on location
Parts of the Fox Film Corporation movie, Bride Number 13, were shot on location at Good Harbor Beach and Salt Island. The 15 part serial silent film –“the most costly pictures ever made…would consume expenditures of at least one million dollars.” It was conceived and written by Edward Sedgwick, directed by Richard Stanton aka “Salt Island’s Mighty Emperor”, and starred Marguerite Clayton, Jack O’Brien, and Ed Rossman. The script was inspired by Ali Baba and the Forty Thieves.
Here are a few fun excerpts from 1919 correspondence published in the book, “My father, a silent films pioneer,” by George E. Mcavoy:
“Again the picturesque Gloucester shores have been sought by a motion picture corporation for scenery and the noted Fox Film Company of New York, with its prominent director, Richard Stanton, has arrived at Hotel Harbor View, East Gloucester, to start immediately on the work of filming “Bride Number 13” at Salt Island off Brier Neck.
“It was decided that Salt Island in Gloucester, Mass., would be the setting of the silent film thriller, “Bride Number 13.” This island was an island at high tide and part of the mainland at low tide. Fox film Co. was building a wooden castle on the island, which was about one hundred feet high and hosted the actions of this silent film…”
“(This was five days before the real tornado blew the wooden castle out to sea.)”
Oct 24, 1919“Dear Mother: I left Mary and the babies in Gloucester. I am on my way through New Hampshire and Maine for a lumber camp location. I expect to be back in Gloucester Monday night…
the time for the blowing up of the castle on Salt Island and the rescue of the brides from the pirate band is rapidly approaching…
Billy Carr of Gloucester, Chief Gunner’s Mate on the Navy submarine R-1 that was assigned to the picture, was to play the hero who rescues one of the brides, slashes through the nest of cutthroats, leaps into the basket with her and off. It was now November 10th. A throng of 3,000 was at Good Harbor and all over Brier Neck to watch…On the fourth day Bill Carr was called away on duty and his place was taken by Tom Corbiey…”
“Mr. Sedgwick has achieved something heretofore unknown in moving picture production. He conceived the idea of the story, witnessed and helped direct the scenes, acted in them, had a hand in the grinding of the film, and in fact had a part in every process of the film production…”
“While all bid good-bye to Gloucester last night, there was a general expression of a desire to return and several of the company said that they intended to return here next summer for the vacation period if not in picture work.”
“The explosion was a heavy one and its shock was felt in all parts of the city. It shook the windows of houses on Mt. Vernon Street and vicinity, also at East Gloucester and as far as Rockport. It occurred at 4:20 o’clock and people who felt the shock readily attributed it to the blow-up of Salt Island.”

Then and now: filmmakers love Gloucester.
Fox Film Corporation returned to film the patriotic silent era Navy spy film, THE SILENT COMMAND on Good Harbor Beach, again on the Briar/Brier neck side.

1923 was a busy year for Gloucester, MA. In addition to the municipality managing the bustling tercentenary, Gloucester welcomed another major Fox movie production to shoot on location at Good Harbor Beach. The film was made in cooperation with the Navy. It was directed by J Gordon Edwards, and starred Edmund Lowe and Bela Lugosi in his first American film. It’s essentially a spy thriller with a honeypot formula: foreign power attempts to secure plans to the Panama Canal and blow it up. The villains are thwarted by the US Navy. The production required assistance from the city’s fire department and city electrician. The film crew stayed in Gloucester at the Harbor View Hotel and the Savoy. Local people were cast and spectators lined the beach to watch the thrilling production.
BEFORE CGI:
I love this excerpt from the Gloucester Daily Times describing the staged wreck and tremendous waves washing the crew (stuntmen and Gloucester locals) overboard:
“A crowd of several hundred thronged the (Good Harbor) beach for the picture taking and enjoyed the proceedings, which were interesting, and at times thrilling…The Good Harbor beach setting is a clever contrivance, and constructed to produce a natural rocking motion of a steamer in a heavy sea. The rocking is produced by four winches operated by a crew of 10 men…Storm scenes were filmed yesterday afternoon with local actors, Stuart Cooney, son of Marion J. Cooney, taking the part of the hero and making a thrilling climb into the rigging to the crow’s nest during the height of the storm. Fred Kolstee, a rigger, commanded the crew of the steamer. The crew were (locals) Alfred Marshall, Tony Amero, Tom Bess, Peter Rice, James Francis, James Whittle and William Byers. Rain was produced from lines of hose, and a most realistic effect was produced by two aeroplanes, the wind from the speeding propellors driving the water about, and rushing through the rattlings and rigging with all the vengeance of a real gale at sea. Three times the big tank of water was released and the thousands of gallons broke over the deck in a most thrilling manner. There was some concern among the movie men before the water was released that some of the men might get buffeted about and get hurt, and they were cautioned to hold on tight.
It was best expressed by Alfred Marshall when he stepped toward the ladder to leave the craft after the picture taking was done. Alfred was quite vexed. “Blankety, blankety, blank___, is this the best you can do? Blank, I’ve bailed bigger seas than that out of a dory. And he sung it right out so all could hear, too.”
Stuart Cooney ensured that the movie was a success from a technical perspective and “purchased the outfit and (took) it over” after the filming finished. He was a Gloucester pioneer in the film industry that’s still going strong. Film Cape Ann facilitates bringing local productions here, like the award winning Manchester by the Sea. The Wikipedia page doesn’t have any mention of Gloucester, but it helped me with an illustration for The Silent Command lobby poster.

See for yourself; here’s a link to the complete movie. A few of the Gloucester scenes (not all) 1:03:44, 1:08:54, 1:09:54 (some coast), 1:10:21, 1:10:52 (dory lowered from navy ship), 1:11:12 (beach island)
AFI for TCM brief synopsis: “This is one of those ‘Columbia, the Gem of the Ocean’ pictures. Full of the ‘Star-Spangled Banner,’ patriotic to the nth degree with the navy floating all over the screen. A real hero, a vamp, and a flock of thrills.” (from Var review.) Foreign agents, determined to destroy the United States Navy’s Atlantic Fleet and the Panama Canal, after an unsuccessful attempt to obtain from Capt. Richard Decatur information regarding mine positions in the Canal Zone, hire adventuress Peg Williams to vamp Captain Decatur, thereby putting him at their mercy. Decatur, advised by the Chief of Naval Intelligence, plays along with the spies to gain their confidence. He leaves his wife and is dismissed from the Navy as a result of his association with Miss Williams. Finally, he goes to Panama, thwarts the saboteurs, saves the fleet and the canal, and gains honorable reinstatement and the gratitude of his country for his heroism.”
Guy Parsons used one of the old family fishing shacks as a summer place
By now the fishing shacks were no longer visible
Parson family sold Salt Island
James Kimball purchased Salt Island for $2000
Yankee Magazine article about Bride Number 13 Lights! Camera! Disaster! by Joseph E. Garland
Gloucester Daily Times article mentions that James Kimball “has no plans for the island, although in the past he has thought of building a summer home on the island. When I was young my family spent their summers on Brier Neck…So when the island became available I jumped at the chance.”
One of the designated “Special places in Gloucester”
“Special places in Gloucester” appendix list for the MA Heritage Landscape Inventory Program, MA Dept of Conservation and Recreation Essex National Heritage
GMG abou the Filming of Bride 13 on Salt Island by Fred Bodin
“Where is this film? I’d love to know. All sources indicate that Bride 13 was either lost or destroyed, as happened with many silent films. The reference used for this post was the May 1972 Yankee Magazine article, Lights! Camera! Disaster!, authored by the late Joseph E. Garland of Gloucester.”
and September 9, 2011 GMG Filming of Bride 13 on Salt Island Fred Buck Cape Ann Museum adds photos from the location filming
Salt Island listed for sale $300,000 plus beach parking passes for the family
Salt Island listed For Sale $750,000
Sept 1 Cape Ann Beacon “Salt Island is for Sale” by Jason Brisbois

Today’s paper: Sept 16 Boston Globe “A Gem or a Rock: For $750,000 Salt Island Could Be Yours” by Billy Baker
“If somebody buys it and builds, it’s because these guys didn’t step up to the plate and protect it the way my father did when I was a little girl, ” said Maslow, who pointed out that she and her siblings are not rich people with big summer houses. “I can’t help it if someone buys it and paints it purple and puts pigs on it.” – Karen Maslow
“…this island has been available for public use informally for generations thanks to the goodwill of that family. That point should not be lost.” — Chris LaPointe, Essex County Greenbelt

Trulia listing for Salt Island exclaims “Showings available only at low tide!”
Donna and I and other friends of GMG have work s for sale here. Come on down we’d love to see you. At the East Gloucester Marine Railways At The End Of Rocky Neck Ave.
Chill with the coolest guys in town! Enjoy a cool visit to Cape Pond Ice Company, icing Gloucester’s fleet since 1848. We were featured in Sebastian Junger’s account of The Perfect Storm. Tours highlight the history of the ice industry, with vintage film of natural ice harvests. See first hand 300-pound block ice being made (up to 350 tons per day), fishing vessels taking on ice and ice sculptures being carved in our historic icehouse on Gloucester’s working waterfront.
Trails & Sails Ice House Tour Dates:
September 16, 2017, 11:00 AM to 12:00 PM
September 16, 2017, 1:00 PM to 2:00 PM
September 17, 2017, 11:00 AM to 12:00 PM
September 22, 2017, 2:00 PM to 3:00 PM
September 23, 2017, 11:00 AM to 12:00 PM
September 23, 2017, 1:00 PM to 2:00 PM
September 24, 2017, 11:00 AM to 12:00 PM
Captain Donald Steele poses with group
Lady Jillian and King Eider of Cape Ann Harbor Tours load up for harbor Tour
Prepackaged Italian rainbow cookies?? What? These were at Walgreens and of course I bought some to see how they were lol! Clearly not Cafe Sicilia or Sista Felicia’s but in a pinch they weren’t terrible. A little waxy and fake almond tasting but not terrible. But c’mon…just walk a couple blocks down the street for the real thing!!





It’s affordable so you can afford to come and practice a lot.
It’s all levels so that you don’t have to pick and choose what class you want to go to – every class is for all levels of fitness, flexibility, and experience.
In the same classroom you can be practicing next to a 70 year old retired nurse who has been practicing for a lifetime, a 17 year old surfer who is taking her very first yoga class, and a 45 year dad who wants to be the best husband and father her can, so he’s starting by working on improving himself.
Our teachers are highly trained because we offer a powerful practice in a powerful space for deep level physical and mental improvement. We hold the bar high for our students, our teachers, and ourselves – and we take that responsibility seriously.
Come and…
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There’s a Whole Lot of Love in Gloucester MA! “I LOVE the Love Fest!” – overheard from people who have had a chance to see the Love Fest’ Banners. Come See What They’re Talking About!
Next ‘Love Fest’ – Saturday, September 16 at the Gloucester Harvest Music Festival. 165 Rogers Street. 10:30 am – 2:30 pm. Look for the giant easel. Stop by and Share a Positive Message of LOVE.
(Please Note: the Love Fest is FREE, but there is a $20.00 entry fee to the Harvest Music Festival, which goes from 10 a.m. – 8 p.m. and is a fundraiser for the Addison Gilbert Hospital Citizen’s Fund.)
‘Love Fest’ Banners on Display for Public Viewing – From 9 am. – 3 pm. in the Kyrouz Auditorium at City Hall. 9 Dale Avenue. Gloucester MA. Sept 18 through September 21 (the UN International Day of Peace.) Symbolizing a Community…
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Published in The Boston Globe on Sept. 17, 2017


Photos courtesy Good Morning Gloucester photo library.
It’s Time To Skate!
Hockey & Figure Skating Group Lessons for hockey and figure skaters taught by professional skating coaches certified by USA Hockey and US Figure Skating Associations. Tuesdays 6 pm & Saturdays Noon. Classes held at Talbot Rink for Boys and Girls ages 4-12, Teens, Tiny Tots ages 2 1/2 & up, and Adult only classes. Classes start this week but run through spring. Start anytime in any session with our prorated late start. More ice times & days are available for private lessons. Bring your friends for skating fun! For more information see our website at www.cafsc.org or emailcapeannskating@yahoo.com.
Sinikka Nogelo shares her latest sculpture ~
It’s “All Wired,” my new sculpture, made from 3,000 metal hangers! You’re invited to see it and the works of 37 other artists at the “Tension – Outdoor Sculpture at Maudslay 2017” show at Maudslay State Park, Curzon Road, Newburyport.
The show runs through Sept. 30th. The Opening Reception is this Saturday, Sept. 16, 2-5pm with a group tour starting at 2.
NEW YOUTH ACTING WORKSHOP PROGRAM TO BEGIN AT GLOUCESTER STAGE COMPANY
FALL Session 2017 Starts on
Friday, September 22 For Children &
Saturday, September 23 For Teens
Gloucester Stage Youth Acting Workshops is accepting students 5-18 for the Fall Session. The six week Youth Acting Workshop Fall Session meets for a total of four hours per week through Saturday, October 28. The Fall Session features expanded class hours & lower tuition. The Fall 2017 Session curriculum features Acting Instruction taught by award winning actress, Harvard graduate and Gloucester native Heidi Dallin; plus instruction in Lighting Design; Stage Management; Costume Design; Acting Shakespeare and special classes taught by Education Apprentice Annika Schultz in Prop Construction, Devising Theater and Play Writing.
Gloucester Stage Youth Acting Workshops are designed to provide young people an outlet to nurture their creative potential through developing self-confidence, communication and teamwork skills to use in their daily life as well as introducing them to the skills necessary for professional theatre.
Registration is open for the FALL 2017 Session. Students are divided in classes according to age. The Children’s Class (ages 5-9) meets Fridays,4-6pm and Saturdays, 11-1pm. The Teen Class (ages 10-18) meets Saturdays, 9-1pm Class size is limited and registration is on a first come basis. For class times and schedules and to register, call 978-283-6688 or visit www.gloucesterstage.com.

The following post was shared by my sweet friend and GMG reader Lois. Thank you so much Lois!
During the last week of August, Regional Scientist Robert Buchsbaum and several Mass Audubon naturalists and scientists took a field trip to Conway Hills Wildlife Sanctuary just west of the Connecticut River in Conway, MA. While there, they were pleasantly surprised by what they saw. Here’s Robert’s report:
“The initial goal of our exploration was to document the odonates (dragonflies and damselflies) that are present at this sanctuary. Conway Hills is a relatively new sanctuary for Mass Audubon so our records of species that occur there is still a work in progress.
While rambling through a big field in the center of the sanctuary, we couldn’t help but notice the large number of monarch butterfly caterpillars that were feasting on the milkweed plants in the field. Just about every one of the Common Milkweed (Asclepias syriaca) plants had a Monarch caterpillar on it, busily chewing on leaves.
This was very heartening to all of us, given how scarce Monarch butterflies were last summer and the overall concern about the future of this stunning butterfly.

September clouds are beautiful reflecting off the ocean.


Very exciting to have Cape Ann’s own Anita Diamant speak at the Azorean Restaurant. Most of us have read her books.
The Rocky Neck Art Colony (RNAC) is pleased to present the exhibition, Look Again: Four Painters Interpret the Landscape of Cape Ann at the Cultural Center at Rocky Neck, 6 Wonson Street in Gloucester. The public is invited to view the work during the gallery hours, Thursday through Sunday, 4-6 PM. The Cultural Center is wheelchair accessible.
In Look Again, Katherine Coakley, Karen Koch-Weser, Nancy LeGendre and Leigh Slingluff explore intention, vision, structure and beauty while painting en plein air out-and-about on Cape Ann. The public is invited to meet the artists at the opening reception on Friday, September 15, 2017, 4-6 pm. Light refreshments and beverages will be served.
When asked why they are motivated to paint landscapes of Cape Ann, Nancy LeGendre offered, “The rocks, cliffs, sea and sky are timeless. We are responding to the beauty that surrounds us and we expect the work to mirror a part of that beauty back to the viewer.” Each artist has a unique way of seeing and working, and this is evident in the individual work. She adds, “The elements of a scene that attract our attention differ, as well as how we manipulate line, space, color, and brush work to express emotion. Each painting is a unique recreation of light, pattern and form”. Happily, there’s always more than one way to see. Look Again at these painted surfaces to rediscover beauty and joy in our familiar landscape.
www.katherinecoakley.com
www.leighslingluff.com
www.tagservices.org
www.capeannpleinair.com
www.rockyneckartcolony.org/cultural-center/
For More Information:
Email: info@rockyneckartcolony.org




The Sawyer Free Library, Cape Ann Museum and Gloucester Writers Center are proud to present a public lecture celebrating the 200th anniversary of Henry David Thoreau’s birth (July 12, 1817) on Saturday, September 16 at 2:00 p.m. at the Cape Ann Museum( 27 Pleasant Street, Gloucester). Jeffrey S. Cramer, Thoreau scholar and author of The Portable Thoreau, presents Thoreau’s Resistance. This program has a suggested donation of $10; reservations are appreciated and can be made at capeannmuseum.org.
In Thoreau’s Resistance, Cramer claims that Henry David Thoreau’s arrest for non-payment of his poll tax in July 1846 is one of the most famous instances of individual resistance to government. The essay Thoreau wrote from his experience is the central text for all discussions that there are higher laws and moral principles to which every citizen of the world is obligated. Thoreau was long an advocate for individual resistance to deal with political issues, but it would be a mistake to treat Thoreau’s stance as self-involved or even strictly self-serving, because it is through observing the self that we can observe society, it is through the “me” that we can understand the “not me,” and it is by way of the individual the world can be changed. As Emerson wrote in “History”: “Every revolution was first a thought in one man’s mind, and when the same thought occurs to another man, it is the key to that era. Every reform was once a private opinion, and when it shall be a private opinion again, it will solve the problem of the age.” Thoreau wrote to and about his contemporaries, and we are his contemporaries as long as we continue to think as his neighbors did. Thoreau’s writings are, and will remain, contemporary texts as long as we read but fail to comprehend, study but fail to learn.
Jeffrey S. Cramer is one of the world’s leading Thoreau scholars, about whom Jim Flemming, of Wisconsin Public Radio, said, “Jeffrey Cramer lives and breathes Thoreau. He may know more about the bard at Walden Pond than anyone else alive.” He is the editor of Walden: A Fully Annotated Edition (Yale University Press, 2004), The Portable Thoreau (Penguin, 2012), The Quotable Thoreau (Princeton University Press, 2011), Essays by Henry D. Thoreau: A Fully Annotated Edition (Yale University Press, 2013) and other works. He has appeared on various radio and television programs, including “On Point with Tom Ashbrook,” WUMB-Boston’s Commonwealth Journal, Wisconsin Public Radio’s “To the Best of Our Knowledge,” and C-SPAN’s Book-TV. He is also the Curator of Collections at the Walden Woods Project’s Thoreau Institute Library.
For a full list of other citywide events celebrating Henry David Thoreau please visit sawyerfreelibrary.org.


Born in Gloucester in 1925, and raised in Rockport, Roger Martin’s roots run deep in granite and the sea. His paternal ancestors came from the Azores, and his mother’s from Finland at the beginning of the 20th century. After a stint in the Coast Guard, Roger returned to his home town in 1953, vowing never to leave. He kept that promise. Over his lifetime he served his community as a public school teacher, volunteer fireman, deputy forest warden, and as a member of Rockport’s Planning Board and Board of Appeals. He wrote three books about the history of Rockport and two books of poetry devoted to his town. He was the first poet laureate of Rockport. After graduating from the School of the Museum of Fine Arts in Boston he began his artistic career as an illustrator, contributing work to publications such as The New Yorker, the New York Times, and the Atlantic Monthly. Over the course of his career, he aligned himself with other artists looking for new modes of artistic expression and, in 1970, was one of seven North Shore artists to establish the Monserrat School of Art. He went on to teach there for twenty years, leaving an indelible legacy of encouragment and support.
This Flatrocks Gallery exhibit, the first after his passing, focuses on Martin’s woodblock prints. The medium brought him back to his roots as an illustrator. The solid strong forms, the lively, active line, and rich flat colors are quick to engage the viewer. His work reflects a reverence for the Cape Ann landscape, and evokes a simpler time, a small-town life, surrounded by granite and salt water. Roger Martin will be remembered as one of Cape Ann’s most distinguished and creative artists.
An opening reception will be held Saturday, September 16th 6-8pm. Flatrocks Gallery, 77 Langsford St., Gloucester. Visit www.flatrocksgallery.com for more information.

“From the start of my becoming an author, I dreamed of paying homage to Virginia Burton’s vision, talent, and enduring characters, and hoped to introduce her work to a new generation of readers. Truly, the release of BIG MACHINES will be a dream come true.”
– Sherri Rinker, author

The Cape Ann Museum is pleased to welcome BIG MACHINES: The Story of Virginia Lee Burton author Sherri Duskey Rinker and illustrator John Rocco on Sunday, September 17 at 2:00 p.m.. Rinker and Rocco will talk about the inspiration and artistic process behind their tribute to Virginia Lee Burton. Books will be available for sale in the Museum Shop and a book signing will follow the presentation. This program, geared towards adults, is free and open to the public. Space is limited. First come; first served. For more information visit www.capeannmuseum.org or call 978-283-0455 x10.
Two of today’s best-selling picture book creators collaborated in a loving tribute to the woman behind some of the world’s most iconic children’s books. In BIG MACHINES: The Story of Virginia Lee Burton(Pub date: 9/5/2017; HMH), Sherri Duskey Rinker and John Rocco celebrate Jinnee, as she was known in her Folly Cove neighborhood, and her classic books, including The Little House and the beloved Mike Mulligan and His Steam Shovel. Burton has a unique role in contemporary culture – not everyone knows her name, but most know her books. For generations, her stories about big machines with friendly names like Mary Ann, Maybelle, and Katy have delighted readers. Her books have sold over 4 million copies in 15 languages worldwide, and a documentary of her life, Virginia Lee Burton: A Sense of Place aired on PBS stations nationwide.
Rinker’s breezy, child-centric language chronicles the spark of Jinnee’s creativity that led to each character and story, while at the same time highlighting her love of her own, most special creations: her sons. Rocco’s innovative illustrations depict Burton working on her art in a whirl of activity, almost as if dancing through the process with her trademark grace; with his own distinctive style, he has captured the timeless look and energy of Burton’s books. The impeccable design of BIG MACHINES is an elegant homage to Burton, as well, with an abundance of white space and room for artfully placed text.
Sherri Rinker, a former graphic designer, is the author of the number one best-selling Goodnight, Goodnight, Construction Site; Mighty, Mighty Construction Site; and Steam Train, Dream Train, among others. Her own childhood love of The Little House, along with her sons’ obsessions with Mary Anne, Maybelle, Choo Choo and Katy, led her to writing children’s books, so it is fitting that she has now written this biography. Rinker does numerous school visits around the country each year to show children the power that books can have. She lives in the Chicago area with her husband, a professional photographer, and sons. Find more at sherririnker.com.
John Rocco is a New York Times best-selling author of many acclaimed books, including Blackout, a Caldecott Honor recipient, Wolf! Wolf!, and the young adult novel Swim That Rock, which was a New England Book Award finalist. He is the illustrator of the covers for Rick Riordan’s internationally bestselling series Percy Jackson and the Olympians, The Kane Chronicles, The Heroes of Olympus, and Magnus Chase and the Gods of Asgard. A former art director in the entertainment industry, Rocco has worked with and done projects for Dreamworks, Walt Disney Imagineering, the Newsroom in Washington, D.C., and Paul Allen’s Science Fiction Museum and Hall of Fame in Seattle, Washington. Find more at roccoart.com.
