Cousin Joe Marcantonio writes- To my friends, neighbors, fishermen, fishing families, and the people of Gloucester:

Twenty-five years ago, on August 5, 2001, my life changed forever.

The F/V Starbound, the fishing vessel I captained and co-owned, was struck and sunk at sea.

Three members of my crew never came home:

Thomas Frontiero.
James Sanfilippo.
Mark Doughty.

I survived.

For twenty-five years, I have carried those three men with me.

Today, Tom and Jimmyโ€™s names are engraved on Gloucesterโ€™s Fishermenโ€™s Cenotaph.

Markโ€™s name is not.

After all these years, I am asking the people of Gloucester to help me bring my last crewman home.

 

Why Mark was left off

For years, the explanation for Markโ€™s omission was that he was from Maine and that the Starbound was considered a Maine boat.

On the 25th anniversary of the tragedy, I asked the Gloucester Fishermenโ€™s Cenotaph Committee to reconsider that decision.

They recently denied my request.

In their response, however, the Committee provided its eligibility criteria in writing. One of those criteria says that a fisherman can be included if he was lost while working aboard a Gloucester fishing or lobster vessel, regardless of his place of origin or residence.

That means Mark being from Maine is not necessarily the issue.

The real question is:

Was the F/V Starbound properly classified as simply a Maine boat twenty-five years ago?

I donโ€™t believe the complete story was known when that decision was made.

I wasnโ€™t only the captain. I was a co-owner.

This is the fact I have been trying to get the Committee to address.

I was not merely the captain of the Starbound. I was also a co-owner.

The vessel was owned by Atlantic Mariner, Inc., a corporation in which I was a shareholder. I now have the State of Maineโ€™s 2001 Annual Report for Atlantic

Mariner, Inc., filed less than five months before the Starbound sank.

That official government document lists me among the shareholders:

Joseph A. Marcantonio
4 Finch Lane
Gloucester, Massachusetts

I was a Gloucester resident, a Gloucester fisherman, the captain of the Starbound, and an owner through my interest in the corporation that owned her.

I do not believe the people who made the original Cenotaph decision in 2001 knew that.

If they didnโ€™t, I donโ€™t blame them.

They may have seen a Maine corporation and a vessel operating from Maine when she was lost and understandably concluded that the Starbound was a Maine boat.

But that wasnโ€™t the complete history of my vessel.

The Starbound worked from Gloucester

We participated in the migratory Atlantic herring fishery.

We followed the fish along the Northeast coast. As the herring moved from the waters around New York Harbor north toward the Canadian border, the boats moved with them.

That was the nature of our livelihood.

During those seasons, I regularly brought the Starbound to Gloucester and fished from here for extended periods. My crew lived aboard while we operated from this harbor.

Gloucester wasnโ€™t somewhere the Starbound simply passed through.

She worked here.
Her crew lived here while fishing from here.
Her captain lived here.
And one of her owners lived here.

The fact that the fish had taken us to Maine when the Starbound was lost does not erase that history.

Iโ€™m not asking anyone to change the rules

I want to be very clear about this.

I am not asking anyoneโ€™s name to be removed from Gloucesterโ€™s Fishermenโ€™s Memorial.

I donโ€™t question the sacrifice of anyone honored there.

I am not asking the Cenotaph Committee to rewrite its rules.

And I am not asking them to make a special exception for Mark.

I am asking them to reconsider whether the Starbound was properly classified in the first place.

If the Committee looks at the ownership, captaincy and operational history of the vessel and determines that the Starbound qualifies as a Gloucester fishing vessel under its own criteria, then Mark needs no exception.

Under the Committeeโ€™s own rule, where he lived would no longer disqualify him.

I have asked the Committee to address that question.

I have also asked for the opportunity to stand before them personally and explain the history of my own vessel.

After twenty-five years, I donโ€™t believe thatโ€™s too much to ask.

There is another part of this story that is harder for me to tell

I have spent a lot of time talking about rules, vessel ownership, corporate records and historical classifications.

Those things matter.

But they donโ€™t explain why I am still fighting.

If people knew how much this breaks my heart, perhaps they would understand.

Most people donโ€™t see the tears.

They donโ€™t see the private moments when something takes me right back to that morning. They donโ€™t know how many times over twenty-five years I have thought about the men who were with me or wondered whether there was somethingโ€”anythingโ€”I could have done differently.

I survived the Starbound.

But surviving did not mean that morning ended for me.

I was the captain.

Those men were my crew.

I came home.

They didnโ€™t.

That is something I have had to learn to live with for twenty-five years.

Long before the Starbound, I also knew what it meant to be the family waiting ashore. I was a boy when my own father, Captain Cosmo Marcantonio, was lost to the sea.

I have lived both sides of Gloucesterโ€™s fishing story.

I have been the child whose father didnโ€™t come home.

And I have been the captain who came home without his crew.

There are wounds the passage of time softens but never completely closes.

This is one of them.

I want to finish this

I donโ€™t want to spend the next chapter of my life fighting with a committee.

I donโ€™t want anger.

I donโ€™t want enemies.

I want finality.

I want to know that I did everything within my power for the three men who were under my command and never came home.

This renewed fight over Markโ€™s name has reopened something in me that I have spent twenty-five years trying to put to rest.

A name carved into stone will not erase what happened.

Nothing can.

But seeing Tom, Jimmy and Mark together would mean something very personal to me.

It would mean that Gloucester finally remembered the Starbound crew the way I have carried them all these years:

Together.

Three men.

One crew.

One tragedy.

Maybe then I could stand in front of those tablets, see all three names, and finally say something I have wanted to say for twenty-five years:

I brought you all home.

  

Gloucester, Iโ€™m asking for your help

I tried to handle this privately.

I respected the process.

Now I believe the community deserves to know the story and see the evidence for itself.

Iโ€™m not asking Gloucester to attack the Cenotaph Committee.

Iโ€™m asking Gloucester to help me convince them to take another look.

If you believe the documented Gloucester ownership and operational history of the Starbound deserve to be considered, please lend your voice to mine.

Ask the Committee to reconsider the original classification of the F/V Starbound.

Ask them to explain what constitutes a โ€œGloucester fishing vessel.โ€

Ask them to consider whether the people making the decision in 2001 knew that the vesselโ€™s Gloucester captain was also one of her owners.

And ask them to give me the opportunity to stand before the full Committee and make my case.

I donโ€™t want special treatment.

I want a fair hearing based upon the complete history of my vessel.

Twenty-five years ago, Tom, Jimmy and Mark went to sea together.

Only I came home.

Today, two of their names stand together on Gloucesterโ€™s Fishermenโ€™s Memorial.

Please help me bring the third home.

Thomas Frontiero.
James Sanfilippo.
Mark Doughty.

For twenty-five years, I have carried their voices.

I am asking Gloucester to help carry them with me now.

It is time to finish the Starbound crew.

With gratitude,

Joseph A. Marcantonio
Captain and co-owner, F/V Starbound
Sole Survivor

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Mural Update

Awesome Gloucester is helping to fund Gloucester’s 10th public mural at the Gloucester Rental Center on Maplewood Ave. Here are a few shots as the work from Josh Falk and Dana Woulfe is coming along. By the time you see this, I imagine it will be completed. Nice work!

This is a big deal. David Hockney art show presented by Bing McGilvray #GloucesterMA at Manship

Expecting this to be a life changing look at the art of David Hockney, and Bing McGilvray, with revelations big and small, rare and personal, shedding light on artist friendships, critical art history and core themes of both artists, especially Hockney’s ways to create, share and distribute art.

And two more shows not to miss right here right now:

On view now–not overlapping with the above show) Jeff Weaver at North Shore Art Association (thru Aug 30)

and

Cape Ann Museum’s –overlapping a few days!–Avery, Gottlieb & Rothko (thru Sept. 27th)

RIP David Hockney 1937-June 2026. June! ๐Ÿ˜ฆ

and big sympathy to Bing ๐Ÿ’ who has also written a three part series ahead of the exhibition, “Hockney Reproduction(s): A Celebration of the Life and Art of David Hockney (1937โ€“2026)”, and published on Cape Ann Cosmos, Part 1, 2, and 3.Read Part 1. The 1980s: A life in pictures by Bing here


THROWBACK. A selection from a piece I wrote about David Hockney and shared on GMG back in 2013:

“…DC, NYC, and more: Armory Centennial shows from New York Historical Societyโ€™s Armory Show at 100  and Washington DCโ€™s Phillips and  on line too for the Archives of American Art;  do yourself a favor as they are worth engagement. Many of the artists had Gloucester ties.  I always paused whatever I was doing for any of Sarah Fishkoโ€™s analysis on WNYC, usually Morning Edition or All Things Considered, and syndicated through other outlets now, too (Studio 360 and On the Media). Her extended radio documentary for the Armory anniversary, Culture Shock 1913, continues to be re-broadcast through outlets. Like a painter using color to move our eyes across a surface, Fishkoโ€™s pieces are brushed with pauses and impeccable ambient sound and audio moments–mini Lubitsch sound banquets. Art to savor.

San Francisco, de Young Museum, 2013:ย A major retrospective of Davidย Hockneyโ€™s work completed over the last decade,ย A Bigger Exhibitionย (closing this month), has generated voluminous press and praise, mostly for his legacy of embracing new technology. Oh, and how old he is now, somehow compelling him to create before time runs out. The latter opinion grates and not just because of repetition. (See a good overview of the de Young exhibit onย Newshourย but listen at 4:24 dispensing this clichรฉ while introducing another. When hasnโ€™tย Hockneyย investigated any series, media or pursuit without daunting and constant focus? Heโ€™s always testing and the mastery and means to do so, and often exuberant.) Itโ€™s also in the news because of Vermeer, but more on that below. Reactions to thisย Hockneyย exhibit are reminiscent of a 1980s traveling retrospective for his earlier work, not regarded universally with favor, but ample discussion. I recall moving along that crowded exhibit, a chronological layout with each room different series, artistic intentions, styles & techniques– and a log jam most at the space featuring his monumental collaged Polaroids (1988 at the MET). ย Hockneyย print shows were also traveling (for MA both the MFA and the DeCordova). I didnโ€™t think aboutย Hockneyย then as a trailblazer for artistic pluralism. Lightbulb memory next: I do remember theย Hockneyย New Yorkerย article everyone was talking about in January 2000,ย The Looking Glass, by Lawrence Wechsler. I remember where I was when I first read it, the first contemporary artists who spoke with me and who I turned to for opinions, curators and friends. โ€œVermeer and the Delft Schoolโ€ at the MET was coming up; it had been since the 1995 National Gallery/Hague exhibit when we last had a fresh chance to see Vermeer paintings en masse. Not to be overly dramatic but it continued as a white hot โ€˜what is art topicโ€™; enjoy a dishy 2001ย New York Times article covering one charged ย symposium filled with memorable quotesย by curators, Susan Sontag, and Chuck Close (”some scientists are just as annoying as some art historiansโ€)ย maybe on the same day you listen to that Fishko audio doc,ย 
Culture Shock 1913ย (the near riot at the premier for 1913 Ballet Russes Stravinskyโ€™s Rights of Spring). An optical debate symposium 15 years later might be worth an anniversary, current thoughts from Close,ย Hockney, and others involved and so much that has happened since.ย  Photographer Joseph Pennell is thought to be the first to write (1890s) about optical lenses and Vermeer.ย  There are many others but Iโ€™ll just list one because of theย Gloucesterย connection. A. Mayor Hyatt, the eminent print curator for the Metropolitan Museum of Art, wroteย The Photographic Eyeย in 1946. (Gloucesterโ€™s Joan of Arc WW1 memorial was created by his โ€œfavorite person in the worldโ€, his aunt, Anna Hyatt Huntington. This brilliant family spent summers in Annisquam for nearly 100 years.) People will always be fascinated by virtuoso technique, the ultra exceptional DIY. Artists Iโ€™ve worked with consider tools of the trade in myriad ways: inspiring, a challenge, filtering, but decidedly unfixed as theyโ€™re about process and exploration of ideas throughout all iterations of their art. Art and magic–themes of mastery, obsession, even โ€œitโ€™s all done with smoke and mirrorsโ€โ€”seems fittingly matched in the Penn & Teller documentary,ย Timโ€™s Vermeerย …and a visit withย Hockneyย is included
…”

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Singers! Auditions today Aug. 22, Aug. 26, 29th, and by appointment! For epic concerts!

Sharing audition opportunity news from Cape Ann Symphony:

Auditions will be held at St. Paul Lutheran Church in Lanesville, ย the rehearsal home of the ย CAS chorus on : Saturday, August 22 from 9am-1pm; Wednesday, August 26 from 4pm-7pm; and Saturday August 29 from 10am-2pm.ย Contact Choral Director Betts atย brittanybetts@gmail.comย for further information or toย set up an audition appointment.

Mark your calendars for these biggies

Vocalists selected as part of The Cape Ann Symphony Chorus to be featured in the fall and spring Cape Ann Symphony Concerts during the orchestra’s Diamond Anniversary Season.

Cape Ann Symphony’s wildly popular annual Holiday Pops Concert on November 28 at 2:00 pm and 7:30 pm and November 30, 2026 at 2:00 pm features The Cape Ann Symphony Chorus. The 75th Season Finale Concert on May 9, 2027at 2:00 pm features Beethoven’s 9th Symphony and a world premiere symphony from internationally acclaimed Gloucester based composer Robert Bradshaw written especially for the Diamond Anniversary Season.

Cape Ann Symphony Chorus Director Brittany Betts

Terns on the Stern

Our summertime visitors the terns have been very active in the harbor these last few weeks. They are quick and noisy and fascinating. I don’t often catch them sitting still enough for a photo but I recently captured one resting on the Schooner Adventure soon disturbed by a second one and chased off. I expect they will be leaving soon and it will be a little less chatty out on the water.

THE CUT PARTNERS WITH PUBLICK HOUSE TO LAUNCH A NEW FULL-SERVICE RESTAURANT AND BAR

Publick House at The Cut will open seven days a week for lunch and dinner beginning September 1

GLOUCESTER, MA โ€” The Cut is thrilled to announce a new partnership with Publick House, bringing an elevated, full-service restaurant and bar experience to 177 Main Street in downtown Gloucester. Publick House is the groupโ€™s second restaurant and the partnership will marry The Cutโ€™s recent BONS award of Best Sports Bar and Coolest Night out Vibes with the hospitality groupโ€™s experience of creating exceptional dining experiences. 

Beginning September 1, Publick House at The Cut will be open seven days a week for lunch and dinner, welcoming concertgoers, local residents and North Shore visitors alike.

One of Publick House’s partners, Brian Zarthar, said: โ€œWhat immediately attracted us to The Cut was that it is so much more than a restaurant. Tom and his team have created a really special gathering place in downtown Gloucester, and we’re excited about the opportunity to build on what they’ve created. Our goal is to bring our hospitality experience to the restaurant and bar while working together to make The Cut an even stronger destination for great food, live entertainment, sports and events. We’re incredibly excited to become part of the Gloucester and greater Cape Ann community and can’t wait to get started September 1.โ€

Guests can expect an exciting new menu curated by Chef Nick Dowling, featuring creative coastal dishes such as sweet corn and haddock chowder alongside expertly prepared pub favorites like classic fish and chips. The restaurantโ€™s refreshed food, beverage and hospitality program will elevate the space while preserving the welcoming energy that has made The Cut one of the regionโ€™s most distinctive gathering places.

โ€œWe are really excited to partner with Publick House and introduce this next chapter at The Cut,โ€ said The Cutโ€™s owner, Tom Oโ€™Grady. โ€œOur goal has always been to create a destination where people can come together over great food, live entertainment and unforgettable experiences. Publick House shares that vision, and we cannot wait for our guests to experience what Chef Nick and his team are creating.โ€

The Cut Live will continue booking an exciting lineup of live performances, and the restaurant and venue will remain available for weddings, corporate gatherings, celebrations and other private rentals. Together, The Cut Live and Publick House will offer guests a seamless destination for dining, entertainment and special eventsโ€”all under one roof.

The Cut also extends its sincere gratitude to Bravo2 for its outstanding pop-up residency. The Bravo2 team brought tremendous energy, creativity and hospitality to the space, and The Cut is deeply appreciative of its partnership and support during this transitional chapter.

Publick House at The Cut opens September 1 at 177 Main Street in Gloucester, Massachusetts. Additional information, menus and reservation details will be announced soon.

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Zoom Meeting Regarding New Trash/Recycling Program Tuesday Aug 25

Sharing information from our City Councilors regarding an upcoming Zoom meeting with Casella, the newly contracted Trash/Recycling company. Here’s a live link to the meeting: https://gloucester-ma-gov.zoom.us/j/84082369131 if you are curious or have questions.

IMPORTANT!!

The new trash and recycling contractor, Casella, will be making a presentation at the August 25th City Council meeting. The Zoom link is https://gloucester-ma-gov.zoom.us/j/84082369131

The meeting starts at 6:30 pm. Please watch to learn more about the new trash pickup system.

Coming Soon To Prospect Street

We saw some “Coming Soon” signage for Leland Dental on Prospect Street at the site of the former Savour Wine on the corner of Pleasant and Prospect.