Edward Hopper at Oxford and T S Eliot at Turner Contemporary

Several European museum shows in 2018 contain examples or are devoted to American 20th century artists and modernism like the ones curated for the Ashmolean Museum at Oxford, the Royal Academy, Tate Modern and British Museum.

Massachusetts loans boast the Edward Hopper painting Manhattan Bridge Loop from the Addison Gallery of Art collection, Phillips Academy, Andover, selected for America’s Cool Modernism at Oxford. Three Hopper etchings (The Cat Boat, Night Shadows, and The Railroad) are on the checklist. Hopper depicted Gloucester in over 110 works of art. Besides Hopper, notable artists and writer with various Gloucester connections selected are: Stuart Davis, Marsden Hartley, e e cummings, and Louis Lozowick.

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Forgot the cry of gulls and the deep sea swell

 

 

Upcoming at Turner Contemporary – “Journeys with ‘The Waste Land’   a major exhibition (Sat 3 Feb – Mon 7 May 2018) considering Eliot’s watershed poem through visal arts, and Margate. I hope they turn to Gloucester and Cape Ann, unspoken in the final poem yet approachable (and specified in excised iterations). From the museum’s press release:

“Presenting artworks from the 19th century to the present, including film, photography and artefacts, the exhibition explores how contemporary and historical art can enable us to reflect on the T. S. Eliot poem, The Waste Land, and its shifting flow of diverse voices, references, characters and places.

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If Not, Not (1975-6), R.B. Kitaj, National Galleries of Scotland

In 1921, T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arrived in a fragile state, physically and mentally, and worked on The Waste Land. The poem was published the following year, and proved to be a pivotal and influential modernist work.  Building on Turner Contemporary’s extensive experience in participation and engagement, the exhibition is being co-curated with a research group of 30 volunteers from the community, supported by the programme team at Turner Contemporary and external curator Professor Mike Tooby. Journeys with ‘The Waste Land’ is being funded by the Paul Mellon Centre for Studies in British Art and the John Ellerman Foundation.”

Rare Edward Hopper print The Lonely House fetched record auction price @SwannGalleries

The Edward Hopper etching The Lonely House was the star lot going into the sale and in the live auction last night. The print sold for $310,000 vaulting past its pre auction estimate of $150,000-$200,000.

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Hopper’s Les Poilus circa 1915 surpassed its $15000-$20,000 pre-sale estimate as well, selling for $42,500. I’ve sold an impression of the Lonely House before but I’ve only scene Les Poilus in the Whitney collection.

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The sale featured Old Master through Modern prints by American and European artists.

Here’s a link to the Swann Galleries catalogue for the November 4th 2017 sale 2460 and the Swann Galleries auction results. Images in this post are from Swann Galleries.

Besides Edward Hopper, there were prints by artists with Gloucester connections (or topics of interest such as a 1680 engraving of a beached whale).

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Willem Van Gouwen after matham A Beached Whale between Scheveningen and Katwijk 1680 engraving sold for 1875

Records were achieved for other prints like Martin Lewis, Relics, $55,000

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a rare Odilon Redon 1892 lithograph sold for $47,500

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and a Rembrandt 1631 etching, Self portrait with Cap Pulled Forward, that sold for $65,000.

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See more highlights below the “read more” break from the nearly 500 prints that were sold at the November Swann Galleries auction.

Head to the Cape Ann museum Fitz Henry Lane exhibition Drawn from Nature and on Stone: The lithgraphs of Fitz Henry Lane to experience a great print show in person. Continue reading “Rare Edward Hopper print The Lonely House fetched record auction price @SwannGalleries”