THE GREAT AUK AT THE PAINT FACTORY! AND PIPING PLOVER DAY 28 UPDATE

The Great Auk was an extraordinary seabird that was driven to extinction in the mid- 19th century. What made it so extraordinary was its ability to dive great depths and swim as fast as the fish it caught. The Auk’s amazing abilities were also its downfall. The same wings and webbed feet that propelled it through water with tremendous speed and agility evolved so that over time, the wings shrank. The bird became flightless and its feet unable to navigate well on land. Ten months out of the year when the Auk lived entirely on the sea this was not a problem but during the breeding season, the Great Auk would return to the rocky shore of its birth to find its life mate and deposit a single egg. Both male and female took turns incubating the egg with their large feet. During the two month period on land, the birds were slaughtered by the tens of thousands. The oily skin of the Great Auk that allowed it to float on the surface of the water and live on the sea was used for oil lamps, the warm downy feathers for quilts and pillows, and its meat eaten by hungry settlers and fishermen.

The Great Auk and very tragic story of its long, painful extinction has captured the imagination of Nathan Thomas Wilson, the first Goetemann Artist Residency Fellowship award recipient. Working on the grounds of the Paint Factory and in partnership with Ocean Alliance, Nathan is creating a twice-life size interpretation of the Great Auk (the Great Auk ranged in height from approximately 27 to 35 inches). Nathan’s Auk is made from plastic pollution and debris scavenged along the shore, created with the goal of highlighting the devastating effect pollution is having on all living creatures.

Great Auk in progress. Head to arrive soon–Nathan is casting the head off site as it will have a lighting component.

Nathan is giving a talk on the 25th of July. Go to his facebook page for details about the talk and for more about Nathan.

No two eggs alike – Great Auk eggs were unusual in that each egg was uniquely patterned to allow easy identification by the brooding parents.

Great Auk nesting habitat.

Day 28: Little Chick is growing beautifully, developing and honing a range of defensive skills. With each passing day, he can feed longer, run faster, and stay in a position of perfect stillness for greater and greater periods of time. Still though, only very short little five- to six-foot run-hop-airbore flutters have been observed by the PiPl monitors.

Twenty-eight-day old Piping Plover shown with a small sample of the plastic pollution found daily on Good harbor Beach. The plastic debris litters GHB every morning before Gloucester’s hard working DPW and trash-piker-uppers arrive to clean up the mess left by beach goers the day before.

 

MMoAA on ROCKY NECK!

Laurellin Kruse MMoAA Gloucester ©Kim Smith 2015 copyLaurelin with the 1968 Cardinal trailer that serves as the Mobile Museum of American Artifact’s home.

The Mobile Museum of American Artifacts curator Laurelin Kruse is looking for donations from Gloucester residents. She is most interested in objects of a personal nature that tell a story about the owner. Stop in tonight at the Lanesville Community where the museum will be open and Laurelin will be accepting donations.

Laeurelin writes, I’ll be at the Lanesville Community Center tonight during the Mayoral Debates and Thursday at the Cape Ann Farmer’s Market. Otherwise I can usually be found at the Rocky neck parking lot [on the causeway to Rocky Neck] or check my Instagram (name: theMMoAA ) for my whereabouts. 

On the 24th at 7pm I will have an on open studio in the Rocky Neck parking lot where I’ll show all the artifacts I’ve collected from Gloucester in a final exhibit inside the Mobile Museum and will discuss my process and experience here. 
Until then, I’m looking for objects from people in Gloucester with personal stories behind them. People can email me at museum@themmoaa.org to set up an appointment to donate their artifact. Or they can come find me during one of my scheduled outings. 
This is all thanks to the Goetemann Artist Residency at the Rocky Neck Art Colony. 
Thank you!!
MMoAA George Sibley Gloucester ©Kim Smith 2015

For more information about the Mobile Museum of American Artifacts, see E.J.’s previous post here: MMoAA.

and visit their website here: MMoAA

“The Mobile Museum of American Artifacts (MMoAA) is a touring museum of personal objects and their histories. Housed in a small vintage trailer, MMoAA travels from town to town, conducting an “archeology of the present” that uncovers objects of significant (and insignificant) connection to everyday American life. MMoAA’s presence in a city sparks a sense of local pride and inspires people to look into their communities for what gives them and their hometown a sense of place.

MMoAA is an exploration in the everyday, the local—the lives we live and the places we inhabit—and sees the present tense on its way to becoming a story, a thing regarded, the rough draft of memory.”

MMoAA surf board wax balls Gloucester ©Kim Smith 2015

Surfboard Wax Balls

MMoAA George Seine Field arrowheads ©Kim Smith 2015

Arrowheads from Seine Field

https://instagram.com/p/7qEgdnDyrL/

 

Barbara Moody at the Cape Ann Museum

Barbara Moody at the podium 2
On May 12 at 2PM, Barbara Moody gave a presentation on “Finding Your Unique Voice as an Artist”. She spoke to a fairly large audience about her own experience as an artist, accompanied by a slideshow illustrating her artistic journey through a wide variety of themes and styles in her work. She also showed a sort of time-lapse video of herself doing a charcoal painting; it was fascinating to watch the work evolve and change radically before our eyes!
Barbara Moody at the podium small

 

Barbara Moody was invited as the Distinguished Artist/Teacher this year for the Goetemann Artist in Residency Program, Rocky Neck Art Colony.  Click here for more details about her career and the Goetemann Artist in Residency Program.

Fr. Matthew Green