Erica Pisaturo and Scott Moore present Folk Electric in concert. ‘Wayfaring Stranger’ at Shalin Liu with music and art show encore upstairs that same night!

April 19, 2025-Save the date

Experience Folk Electric Wayfaring Stranger ahead of the new album expected later in 2025. Enjoy an unplugged after concert and fine artist galleries: Loren Doucette. Matthew Billey.

News and flyers from Erica Pisaturo for GMG readers,

“The debut live performance of Folk Electric: Wayfaring Stranger, coming up on April 19 at the Shalin Liu Performance Center, features an 11-piece band, including myself, my husband Scott Moore, and other Cape Ann talents, as well as some very special out-of-town guests.”

-Erica Pisaturo

“Erica and I are thrilled to take the stage with this group of world-class musician friends, many of whom are also on the upcoming Folk Electric record,” offers Moore. The band for this outing features visiting artists Tyler Ramsey (Tyler Ramsey, Band of Horses), Zachariah Hickman (Josh Ritter, Ray LaMontagne), and Dani Markham (Childish Gambino, Tune-Yards) as well as Cape Ann familiars like George Clements (The Clements Brothers, Lonely Heartstring Band) and Reneé Dupuis (What Time Is It Mr Fox?); plus Joey Thieman, Maggie Cerjan, and Lobster Cove String Quartet members Brandon White and Alex Fowler.”

-Scott Moore (read the full press release below)

Press Release

I thought ‘I Spy’ a Loren Doucette work of art when I saw the April/May flyers

The sound of somewhere: Listen to NYC Subway, Bernstein West Side Story, Beethoven Piano Concerto No.5, and Reri Grist.

Of all the symphonic sounds one encounters riding the NYC subway trains and tracks, above a multitude of electric aches and brakes, and machinery coming and going, it’s the brief and stirring melody that never fails to stir my heart.

image caption: 12 second video. NYC Subway–can you hear the notes?

I have filmed it every decade since the 1980s. That such solid heavy machinery can sound delicate and fleeting and produce the identical phrasing of Beethoven’s Piano Concerto No. 5 adagio un poco movement stops me every time (25 second audio below).

Beethoven (1770-1827) was fully deaf by 40. At the time when the sounds that he heard must have grown muffled and distant and the high pitch frequencies rubbed away–in his mid thirties–he composed Symphony No. 5. What many may consider the loveliest and most layered melody the world has produced may be one of the last of his own works Beethoven could hear at all. Think about that as the subway is pulling away.

Because it was a center of the music world of its time, booming with royal and freelance opportunities for musicians and music publishing, Beethoven resided and worked in Vienna. When I hear the notes emanating from the NYC subway, I wonder about the ambient and industry sounds in Vienna that Beethoven absorbed. The upper Danube was dotted by land and ship mills for grain, textile, metal working, lumber, and fishing. Although the sounds of steam engine trains were decades away from Beethoven’s lived experience, and well before audio recordings, sounds and vibrations from man made metal and engineering production were extant.

150+ years later, preeminent American conductor and composer Leonard Bernstein, drew inspiration and intentionally quoted that Beethoven phrase in “Somewhere” from West Side Story. How could he not? Bernstein was a New Yorker. The sounds of the city were his inspiration, too. And what can be more New York than the subway and an artist delighting in references as broad as Gershwin and Beethoven and the challenge of embedding them into popular musical theater. Bernstein was also an unfailing educator and student of music. Here he is in 1954 on his first live tv appearance, on the Sunday afternoon weekly broadcast, Omnibus, with the Symphony in Air orchestra episode devoted to Beethoven’s Fifth Symphony.

Image caption: Omnibus video from 1954 is 33 min. Check out the studio set–it’s amazing!

The popular Beethoven ‘master class’ aired three years before his seminal musical West Side Story premiered on Broadway.One wishes there was an episode about Beethoven’s the Emperor with Bernstein.

There is a broadcast in 1956 with Josef Krips conducting. Below is a 1 min excerpt with that phrase from Beethoven Piano Concerto 5 performed with NBC Symphony of the Air and Arthur Rubinstein on piano.

image caption: 1956 (1:00 minute audio)

And three more (duration 20 second (or less)) recordings of that Beethoven leitmotif phrase, different interpretations for joyful comparison:

image caption: 1951
image caption: 1958. 23 seconds.

image caption: 1992.

Reri Grist (American, b. 1932)

The Broadway musical, West Side Story, lyrics by Stephen Sondheim and music by Leonard Bernstein, opened in 1957. The gorgeous melodic and pining classic, “Somewhere”, was not sung by Carol Lawrence who played the role of Maria. Broadway was lucky to recognize the gorgeous voice of Reri (sounds like MiMi) Grist, a member of the background chorus who played the part of Consuelo and the off stage soloist who launched “There’s a Place for Us” into the world. You can also hear Grist’s vocals soaring in the chorus of “Tonight”.

Four years later, the song pivots to the part of Maria in the classic 1961 film adaptation. Grist was not involved in the iconic movie. She became an international opera soprano, and legendary voice teacher in New York. There doesn’t seem to be any film recording of Reri Grist with the original cast acting and singing. There is a contemporaneous video with excerpts of Grist starring in a 1965 live tv production of “Ariadne auf Naxos” — it’s incredible (and only 2000 views as of today). She’s dazzling.

1960s

2007

Flash forward decades to 2007: Broadway Cares/Equity Fights AIDS gala fundraiser featured Reri Grist singing “Somewhere” and it’s so layered and stunning and felt!

image caption: video duration is less than 5 minutes. Do stay through to the end or you’ll miss the original cast and chorus join the stage.

And here is a snippet from the historical rehearsal for the 2007 event with original cast members and Grist beaming and her voice lifting in “Tonight”

Image caption: 1957 cast album Reri Grist “Somewhere” (17 sec- volume up specific of this motif)

West Side Story film

Excerpts with examples of the leitmotif from the 1961 juggernaut with Natalie Wood as Maria (with vocals dubbed by Marni Nixon) and Richard Beymer as Tony (vocals dubbed by Jim Bryant).


Somewhere interpretations

Video and audio snippets zeroed in on that melody covered by legends: Judy Garland with Vic Damone , the Supremes (1966), Barbra Streisand (1985), Idina Menzel (Glee, 2011) , and Renee Fleming (1999)

Renee Fleming – 32 sec
Idina – 10 sec
Barbra- 15 seconds
Image: LIVE Judy Garland and Vic Damone medley (7 min)
Image caption: The Supremes – 1966 Ed Sullivan (3:44 min)

THANKSGIVING WEEKEND: Cape Ann Symphony Holiday Pops 2024

Musical treat can’t be beat. Fun plans for Thanksgiving weekend

Cape Ann Symphony news about the program:

This annual festive musical celebration led by CAS Conductor and Music Director Yoichi Udagawa features a program of holiday favorites for orchestra and chorus.

“The musicians of the orchestra and I love our Holiday Pops concert,” says CAS Conductor and Music Director Yoichi Udagawa, “We have selected a wide range of music that celebrates the season, and we love sharing it with our wonderful audiences. The Cape Ann Symphony Chorus, now under the direction of Brittany Betts, will be joining us, and it’s always such a joy to collaborate with them. Come join us! We can hardly wait to see you!!”

The Cape Ann Symphony launched The Cape Ann Symphony Chorus under the directions of Wendy Betts at the 2005 Holiday Pops Concert. . The group has performed with the Cape Ann Symphony at Holiday Pops Concerts in 2005, 2006, 2008, 2009, 2010, 2011 2013, 2014. 2015, 2016. 2017, 2018, 2019, 2021 and 2022. Holiday Pops 2024  marks the premiere of  new Cape Ann Symphony Choral Director Brittany Betts. Brittany Betts took over leadership of the CAS Chorus this fall  when her mother Wendy Betts retired as the longtime Choral Director for the CAS Chorus. “I am especially excited for everyone to hear the new iteration of the symphony chorus.” says Brittany Betts, “After a year off following the retirement of my mom, Wendy Betts, who led the chorus with great success for 16 years, it is a great joy and honor to be part of the rebuilding process. Each of the 32 singers had to audition to make the roster since we were creating a smaller chorus. So, voices had to be strong enough to hold their own and have the ability to blend well quickly. I believe we have achieved success. The singers hail from all over the North Shore –  Rockport, Gloucester, Manchester-by-the-Sea, Beverly, Peabody, Ipswich and Georgetown. I am also pleased to have the incomparable pianist, Priscilla Walter, who was the chorus accompanist for many years, back at the piano. She is a gift of a collaborator. We are 8 weeks in now and we are sounding great. There is a lot of joyful (and super focused) camaraderie at our rehearsals. Everyone has been committed from day one to bringing light, beauty, love, joy and hope to our community through music. And there is that in spades throughout the whole program! We hope that the audience will leave feeling great – as if they were seen and held, loved and brought together through the music. You know, energized by the spirit of community at its finest. As the final line in the last piece states – “How great our joy!” 

The Holiday Pops 2024 concert program includes Anderson’s Christmas Festival; Greensleeves, arranged by Reed; A Christmas Scherzo, arranged by Sebesky; Custer’s Chanukah Festival; and Selections from Tchaikovsky’s  Nutcracker. The Cape Ann Symphony Chorus joins the orchestra to perform Christmas on Broadway, arranged by Higgins; Pinkzebra’s Winter Lullaby; Holcomb’s Festive Sounds of Hannukah 2nd Edition; Rutter’s What Sweeter Music and Rejoice! How Great Our Joy, arranged by McElory. ” CAS Choral Director Brittany Betts offers insight on the Chorus selections in the program, “The chorus will be presenting five beautiful and fun pieces to reflect the holiday and winter season – filled with traditional favorites and new to us pieces. You can expect to tap your feet to a medley of broadway Christmas tunes, and to feel cozy and reflective as the choir sings a tender lullaby about winter and time passing by.  We will then honor our Jewish and Christian friends’ traditions with a medley of Hanukkah pieces, and a stunningly beautiful favorite of the classical choral realm – John Rutter’s What Sweeter Music.  Finally, we will top it all off with a rousing gospel piece, Rejoice! How Great Our Joy which reflects the jubilance of the Christian Christmas tradition. You will want to stand and clap for sure (and we want you to do so)! Now, don’t worry, we will be inviting the audience to join their voices as one big choir on the sing-a-long as has been a long favored tradition at the Holiday Pops Concerts. So grab your ticket, do your vocal warm-ups and let’s celebrate the season TOGETHER!”

Brittany Betts brings with her a different approach to the choral world having primarily worked as a trumpeter,  djembefola (someone who skillfully plays the djembe, a West African drum) collaborator, worship leader, jazz singer and composer. She performs with the David Whitney Orchestra, Riverside Renaissance Swing Band, Cantemus Chamber Chorus and the vocal trio, ONE. In 2023-2024, she served as Artist-in-Residence at First Church Congregational in Swampscott, composing sung liturgies and songs for their Advent and Lenten services. Ms. Betts traveled the country and abroad as a Glocal (local and global combined) Musician Educator and Worship Coordinator with the Global Mission Unit of the Evangelical Lutheran Church in America for 10 years. During that time she also served on the music staff of Visible Music College in Memphis, TN where she taught voice, music theory, rock bands, the World Music Ensemble and a guided improvisation class.

About Cape Ann Symphony

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra.  Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.

Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga.”/ End.

The Cape Ann Symphony’s Annual Holiday Pops Concert, returns to kick off the holiday season on Saturday, November 30 at 2 pm at the Dolan Performing Arts Center at Ipswich High School on 134 High Street, Ipswich, MA; Saturday, November 30 at 7:30 pm and Sunday, December 1 at 2 pm at Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. For tickets and information about this Cape Ann Holiday tradition, call 978-281-0543 or visit www.capeannsymphony.org

Photo 1: The Cape Ann Symphony Photo by Jeph Ellis
Photo 2: Cape Ann Symphony Chorus Photo by Jeph Ellis
Photo 3: Cape Ann Symphony OnStage: A view from the Percussion Section. Conductor Yoichi Udagawa in back of photo Photo by Jeph Ellis
Photo 4: Cape Ann Symphony French Horn Section Photo by Jeph Ellis
Photo 5: Cape Ann Symphony Conductor and Music Director Yoichi Udagawa Courtesy Photo 6: Cape Ann Symphony Chorus Director Brittany Betts Courtesy Photo

Annisquam Village Church Launches 2024/25 Music Series with Devil’s Box and Glory of God: The Soul of the Violin from Paganini to Penderecki to Bach, Bluegrass, and Beyond

Incoming October event news sent from Annisquam Village Church:

Annisquam Village Church proudly announces the opening of the 2024/25 Music Series on Saturday, October 19 at 7:30 pm with Devil’s Box and Glory of God: The Soul of the Violin from Paganini to Penderecki to Bach, Bluegrass, and Beyond. Violinist, composer and AVC Artist-in-Residence Scott Moore embarks on this musical journey celebrating the violin at the Annisquam Village Church.

A solo recital/lecture led and performed by Moore answers the questions, “When is a fiddle a violin, and why has it been called ‘the devil’s box’?”, “How did a gourd become a $20 million work of art?”, and “What were the dark secrets behind Nicolò Paganini’s otherworldly abilities on the instrument, and did history’s first rock star really make a deal at the crossroads?” In this tour-de-force program, Moore illuminates how music is also geometry, physics, theology and a window on the cosmos itself; and how Bach can inspire us to be better humans, 300 years after his death. 

David Benjamin, Chair of the Annisquam Village Church Music Committee, looks forward to this unique evening of music, “Join Moore, our multi-talented AVC Artist-in-Residence, on a thousand-year musical journey, fiddle in hand—no magic carpet required!” 

AVC Artist-in-Residence Moore gave audiences a sneak peek of the program this past summer and audiences were captivated. According to Gloucester’s Victoria Cowling Chu, “Scott Moore is superb! With an international keyboard performer as my mother, I grew up surrounded by world famous musicians. Scott would fit right in. He has such mastery of his instrument and his art that, without a single sheet of music, he gives us beautiful music drawn from the most varied roots, and makes it seem like he’s just improvising on a lazy afternoon.” 

ABOUT SCOTT MOORE

An enthusiastic collaborator on stage and in the recording studio, violinist and composer Scott Moore has forged a reputation as a skillful and inventive musician unbound by genre. Since moving to Gloucester in 2019, the Kentucky native has become Concertmaster of the Cape Ann Symphony and Symphony by the Sea, while creating new scores for productions by the Louisville (KY) Ballet and theater group Lanes Coven. He and his wife, Erica, operate Open String Recordings, providing creative, professional string arrangements for bands, solo artists, composers, and filmmakers. As AVC Artist-in-Residence, his portfolio includes solo and group performances ranging from Bach and bluegrass to Thelonious Monk, and a growing list of world premieres.

EVENT:

is Saturday, October 19 at 7:30 PM at the Annisquam Village Church, 820 Washington Street Gloucester. The ticket price is $30, Suggested Donation.  For further information, Call: 978-281-0376 or email: avchurch820@gmail.com

Image:  Annisquam Village Church Artist-in-Residence Scott Moore

Cape Ann symphony playbill for 2022-2023. Season Tix available now!

Heidi Dallin reveals the slate. Mark your calendar for some days and nights filled with great symphonic music!

THE 71st SEASON

Cape Ann Symphony Celebrates

A SEASON OF RENEWAL

Cape Ann Symphony proudly announces the launch of the orchestra’s 71st concert season on Sunday, October 2 at 2:00 PM at Manchester-Essex High School Auditorium.

“We are so thrilled to be able to perform a full season schedule of orchestra concerts…. the first since 2019!’ says Cape Ann Symphony Board President Fran White.  “After facing the challenges of the past two years, Cape Ann Symphony is stronger than ever due to the amazing support from the musicians, our Music Director, our tireless Board of Directors, our sponsors and donors, and finally, our loyal audiences!  We look forward to gathering again in  Manchester and Ipswich to celebrate the joy of music.”

The upcoming season features a celebration of three of the world’s preeminent composers, The Big Three: Mozart, Beethoven & Tchaikovsky and guest artist violinist Victor Romanul makes his CAS debut performing Tchaikovsky’s “unplayable” Violin Concerto to kick off the season in October 2022. The concerto was severely criticized and declared unplayable when it premiered. But audiences loved it and the concerto now is a mainstay of violin concertos. 

The Cape Ann Symphony Chorus performs with the orchestra in the annual Holiday Pops Concert in November 2022; the return of Blaise Dejardin, Boston Symphony Orchestra’s Principal Cellist in March 2023, and  the virtuoso pianist Michael Lewin to wrap up the season in May 2023.

Cape Ann Symphony Music Director and Conductor Udagawa is eager to open the CAS 71st Season, “The musicians of the Cape Ann Symphony and I are extremely excited about the upcoming 2022-23 Season. “Our goal is to present to you concerts of the highest artistic standards that are guided by an enthusiasm for learning, a passion for the joy of music and love of good old fashioned fun and humor. Looking forward to seeing you at our concerts!”

Cape Ann Symphony’s 71st concert season kicks off on Sunday, October 2 at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA with The Big Three: Mozart, Beethoven & Tchaikovsky. Season subscriptions for the four concert season are available to purchase. Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age with valid Student ID; $5 for youth 12 years old and under. For information, call 978-281-0543 or visit www.capeannsymphony.org

THE BIG THREE: MOZART, BEETHOVEN & TCHAIKOVSKY

  • Performance: Sunday, October  2, 2022: 2:00 PM: Manchester-Essex High School, Manchester-by-the-Sea, MA

Cape Ann Symphony kicks off the 71st season with three of  music’s most renown composers Mozart, Beethoven and Tchaikovsky and guest artist Victor Romanul performing Tchaikovsky’s “unplayable” Violin Concerto in his CAS debut. The program also includes Mozart’s Magic Flute and Beethoven’s Symphony No. 5.

HOLIDAY POPS CONCERT

Performances:

  • Saturday, November 26, 2022: 2:00 PM Dolan Performing Arts Center, Ipswich High School. Ipswich,MA
  • Saturday, November 26, 2022: 7:30 PM Manchester-Essex High School, Manchester-by-the-Sea, MA
  • Sunday, November 27, 2022: 2:00 PM Manchester, Sunday, November 27, 2022: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA

The Holiday Pops Concert, Cape Ann Symphony’s joyful holiday tradition, features a program of holiday favorites The Cape Ann Symphony Chorus under the direction of Rockport’s Wendy Betts joins the orchestra for this exciting celebration of holiday music including the annual audience sing-along.

BRAHMS, DVORAK & DEJARDIN

  • Performance: Sunday, March 19, 2023: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA

Cape Ann Symphony welcomes back Boston Symphony Orchestra Principal cellist Blaise Déjardin to play Dvorak’s Cello Concerto. Déjardin made his CAS debut in March 2017 with his acclaimed performance of Saint-Saens’ elegant Cello Concerto. The orchestra opens the concert with Brahms’ stirring Symphony No. 1 in c minor, a piece which he struggled with for 14 years to complete.  

THE COLORS OF MUSIC

  • Performance: Sunday, May 14, 2023: 2:00 PM Manchester-Essex High School, Manchester-by-the-Sea, MA

The Colors of Music features legendary composers: Wolfgang Amadeus Mozart, Joseph Haydn, and Johannes Brahms and guest artist Grammy winning virtuoso pianist Michael Lewin. The internationally acclaimed pianist has played in over 30 countries and commands a repertoire of over 40 piano concertos. Mr. Lewin joins CAS to play Brahms’ powerful Piano Concerto No. 1. The concert also includes Mozart’s joyous Marriage of Figaro Overture and Haydn’s delightful Symphony No. 101 “Clock.”

Photo 1: Violinist Victor Romanul, Guest Artist for October 2 Concert; Courtesy Photo
Photo 2: Cellist Blaise Dejardin, Guest Artist for March 19 Concert; Courtesy Photo
Photo 3: Pianist Michael Lewin, Guest Artist for May 14 Concert; Photo Credit Liz Linder
Photo 4: CAS Music Director and Conductor Yoichi Udagawa

so this is happening oct 3 at 3pm – classical music classic place CAPE ANN SYMPHONY AT UU CHURCH #GLOUCESTERMA

Check out the progress underway on the tower

10/3 at 3PM TODAY – beautiful program lined up. Buy tickets online or at the door

Preview listen! 5 Days Until Cape Ann Symphony classical music event of the summer 🎧🎼🎻🥂🎶

Exciting to imagine how the pieces will sound outdoors in Magnolia this coming Sunday!

Until that time, sample a listen:

Hailstork’s Sonata de chiesa [Paul Freeman conducting the Czech National Symphony Orchestra]

Chaminade’s Concertino for Flute with CAS Principal Flutist Stephanie Stathos as soloist. [Below- flutist Julie Lee at Merkin Concert Hall, NJ – Cecile Chaminade Concertino for Flute and Orchestra, Op. 107]

Bologne’s Symphony No. 1 [Boise Baroque Orchestra, 2020]

TICKETS ARE LIMITED. CALL CAPE ANN SYMPHONY AT 978-281-0543 OR GO TO WWW.CAPEANNSYMPHONY.ORG FOR TICKETS AND FURTHER INFORMATION.