Music in the air! A CAPE ANN SYMPHONY OUTDOOR CONCERT: AUGUST 21

Heidi Dallin shares a reminder about Cape Ann Symphony’s outdoor concert in Magnolia next week. The program sounds glorious!

CAPE ANN SYMPHONY – THE 70th SEASON

Yoichi Udagawa, Music Director

A SPECIAL CAPE ANN SYMPHONY OUTDOOR CONCERT

Sunday August 21, 2022

ONE PERFORMANCE ONLY: 4:00 PM

LIMITED SEATING

Cape Ann Symphony announces A Special Outdoor Concert on Sunday, August 21, 2022, at 4:00 pm, featuring CAS lead flutist Stephanie Stathos and the Cape Ann Symphony Chamber Orchestra under the direction of CAS Conductor and Music Director Maestro Yoichi Udagawa performing poolside at the home of CAS President Fran White, 179 Hesperus Avenue, Magnolia, MA. Refreshments will be served. Seating for the performance is limited to 75. Ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; and $5 for youth 12 years old and under. For tickets and further information, call 978-281-0543 or go to www.capeannsymphony.org.

Maestro Udagawa looks forward to returning to perform at 179 Hesperus Avenue.

“The musicians and I are thrilled and excited to be able to perform together during the summer, and are grateful to Cape Ann President Fran White and her husband David for opening up their large backyard to host a concert again this year. It is such a pleasant, tranquil (and bug free!) venue that offers the audience close proximity to the musicians – a chance we don’t get often in large concert halls! “

This special outdoor concert features Charles Floyd’s Hymn For The Fallen, Wolfgang A. Mozart’s Flute Concerto in G Major, performed by CAS lead Flutist Stephanie Stathos, and Joseph Bologne’s Symphony No. 2 in D Major.

“The musicians and I are delighted to share this gorgeous music with our audiences” explains Maestro Udagawa.

Charles Floyd’s Hymn For The Fallen, commissioned by CAS, had its world premiere in the CAS March 2022 Concert. “Charles Floyd’s incredible piece for CAS was a highlight of our 70th Season, points out Maestro Udagawa, “I was eager to perform this inspiring piece outdoors with our chamber orchestra.”

Floyd wrote Hymn For The Fallen to highlight the sense of isolation and helplessness experienced since 2020.

Hymn For The Fallen begins in isolation with violins commencing a tuneful exposition that is later joined by violas and cellos. The harmonies that build are bittersweet, but quite tonal in nature. Polytonality (the simultaneous use of two or more keys) plays a big role as a vehicle to prevent the emotional affect from feeling too ‘settled’ or too ‘sweet’. This is to reflect the notion that the emotional aspects of the past two years remain largely unsettled and unresolved. The final result is a haunting melody that is as singable as a hymn which (hopefully) does not gloss over the gravity of sadness rather than to honor with reverence the loss of a loved one. The rise of the COVID-19 pandemic and the insurmountable loss of life as a result of it, various riots, fear, brutality, extremism, civil unrest, confusion, grief, and violence inspired me to create a series of works called The Fallen of which Hymn for The Fallen is one. The series is not intended to be performed in one sitting. Rather it is a collection of works on a series of difficult topics.”

Charles Floyd

Maestro Udagawa looks forward to sharing Mozart’s first flute concerto with audiences, “Mozart’s first Flute Concerto was written in his early twenties. It is a beautiful work, and really requires the soloist to have tons of technique. Stephanie will do an amazing job, and we are all thrilled to be able to perform this work with her. I’m sure the audience will love it.” Commissioned by the Dutch flutist Ferdinand De Jean in 1777, Mozart’s Flute Concerto in G Major, his first flute concerto, was written in 1778. Mozart was supposed to provide four flute quartets and three flute concertos, but he only completed two of the three concertos. The piece is divided into 3 movements: 1. Allegro Maestoso; 2. Adagio Ma Non Troppo; 3. Rondo Tempo di Menuetto. The Andante for Flute and Orchestra K. 315 is thought to have been written as an alternative slow movement for this concerto, but there is no existing manuscript. Stephanie Stathos is the Principal Flute of the Cape Ann Symphony and the soloist in Mozart’s Flute Concerto in G Major Ms. Stathos is thrilled to play this Mozart piece with CAS, ” This wonderful work is part of all classical flutists’ repertoire,” points out Stathos, “Most of us begin learning it in high school and continue to study it throughout our entire careers! The third movement is a favorite of mine for its humor and joyful 3/4 meter, alternating between sparkling 16th note passage work and beautiful, lyrical melodies. I am delighted to be performing this concerto with the Cape Ann Symphony Chamber Orchestra this coming August 21.”

Stephanie Stathos earned her degree in Flute Performance from Boston University’s School for the Arts. Based in Lincoln, MA, Ms. Stathos is first piccolo for the Lexington Symphony. She has served as the piccolo and second flute with the touring orchestra of the National Lyric Opera of New York. As soloist she has performed throughout the United States and Europe. Other appearances include performances with many of New England’s ensembles including Boston Landmarks Orchestra, Rhode Island Philharmonic, Symphony New Hampshire, Atlantic Symphony Orchestra, Concord Chorale (NH), Newburyport Choral Society, and North Shore Chamber Music. Ms. Stathos also is passionate about jazz, new music and ethnic music.

Joseph Bologne, Chevalier de Saint-Georges, is the first known classical musician of African descent. A man of many talents he was a composer, virtuoso violinist, conductor of the leading symphony orchestra in Paris, and a soldier and a renowned champion fencer. He was celebrated in Paris when the then unknown Mozart visited the city.

“Joseph Bologne had an extraordinary life, and it’s reflected in his music, ” says Maestro Udagawa, “Audiences will be enthralled with his Symphony No. 2. Last summer we performed Bologne’s Symphony No. 1 and I am so pleased to be able to share more of his extraordinary work with our audiences!”

photo credits:

Yoichi Udagawa, CAS Conductor and Music Director Photo Credit Jeph Ellis

Cape Ann Symphony Chamber Orchestra led by Maestro Udagawa performing at 179 Hesperus Avenue Courtesy photo

Stephanie Stathos, Principal Flute of the Cape Ann Symphony and the soloist in Mozart’s Flute Concerto in G Major Photo Credit: Robert Torres
Charles Floyd, Composer Hymn For The Fallen Courtesy Photo

Maestro Yoichi Udagawa on this weekend’s concert

“We are so excited to perform for our audience masterpieces of classical music by Beethoven and Brahms, but also the world premiere of a work by Charles Floyd commissioned by the Cape Ann Symphony.”

Maestro Yoichi Udagawa

Floyd’s Hymn for the Fallen

“Charles Floyd’s latest composition Hymn for the Fallen written for the Cape Ann Symphony is a moving memorial to those we have lost. We are thrilled to premiere this beautiful piece on March 20. Charles is a composer who has an amazing ability to create works that touch our hearts.”

Brahms’ Double Concerto

“We are very excited that violinist Lucia Lin and cellist Owen Young are returning to the Cape Ann Symphony to perform Brahms’ Double Concerto for Violin, Cello and Orchestra. The Double Concerto is the last major work for orchestra that the great composer wrote, and it’s a masterpiece. The way he weaves the violin and cello part together with each other and the orchestra is beyond compare, and it has some of the most beautiful melodies he ever wrote.”

Beethoven’s Symphony No. 7

“We will be closing the concert with Beethoven’s Symphony No. 7, one of his most popular works. It combines everything about the music of Beethoven we love. His rhythmic drive, dramatic gesture, energy as well as lyricism and humor. We are really looking forward to sharing this music with our audience.”

  • Charles Floyd’s new work Hymn for the Fallen.
  • Johannes Brahms’ Double Concerto for Violin and Cello featuring Lucia Lin, violin, and Owen Young, cello.
  • Ludwig van Beethoven’s Symphony No. 7.

Cape Ann Symphony Concert: A world Premiere! BSO Guest artists! Charles Floyd, Brahms, Beethoven, Lucia Lin and Owen Young March 20th

Heidi Dallin shares a reminder about Cape Ann Symphony 70th season spring concert which sounds incredible!

Cape Ann Symphony’s 70th Concert Season continues on Sunday, March 20, 2022, at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA., featuring guest artists BSO violinist Lucia Lin and BSO cellist Owen Young, a poignant new work written for CAS by composer Charles Floyd, and classic works by Beethoven and Brahms. There will be no requirement for proof of vaccination nor Covid tests at this concert. The wearing of masks will be up to the individual. Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; $5 for youth 12 years old and under. For information, call 978-281-0543 or visit www.capeannsymphony.org

Cape Ann Symphony Music Director and Conductor Yoichi Udagawa looks forward to the eclectic program on March 20,

“We are so excited to bring our audience not only masterpieces of classical music from Beethoven and Brahms, but also the world premiere of a Charles Floyd work commissioned by Cape Ann Symphony. What an exciting afternoon of music!”

Yoichi Udagawa, Cape Ann Symphony Music Dir. & Conductor

Violinist Lucia Lin and cellist Owen Young return to CAS to perform Brahms’ Double Concerto for Violin, Cello and Orchestra. Maestro Udagawa points out,

“The Brahms’ Double Concerto is the last major work for orchestra that the great composer wrote, and it’s a masterpiece. The way he weaves the violin and cello parts together with each other and the orchestra is beyond compare, and it has some of the most beautiful melodies he ever wrote. We are thrilled to be performing this with violinist Lucia Lin and cellist Owen Young of the Boston Symphony.”

Udagawa is also eager to share Beethoven’s Symphony No. 7 with CAS audiences,

“The Beethoven Symphony No. 7 is one of his most popular works, and it combines everything about the music of Beethoven we love. His rhythmic drive, dramatic gesture, energy as well as lyricism and humor.”

About Composer, conductor, pianist Charles Floyd

Composer, conductor and pianist, Charles Floyd has been heard in concert with more than 500 orchestras in classical and pops performances, including annual appearances with the Boston Pops Orchestra. His eleven-year partnership with singer Natalie Cole included the multiple GRAMMY® Award- winning tribute to Nat King Cole entitled “Unforgettable, With Love;” Also the Emmy Award-winning PBS Great Performances concert video of the same title. Charles Floyd last appeared with CAS in 2015 when he performed the world premiere of his Piano Concerto to a sold-out audience and two standing ovations.  CAS Board President Fran White remembers the concert well, “The atmosphere in the building was electric! The audience would not let him leave the stage. Maestro Udagawa brought him back to the piano for an encore and he played an arrangement of America the Beautiful which he improvised as he played it! He received another standing ovation!”

About Hymn for the Fallen by Charles Floyd

Charles Floyd’s latest composition “Hymn for the Fallen” written for the Cape Ann Symphony is part of a larger work: The Fallen.

“Charles Floyd has written an incredible piece for Cape Ann Symphony. We are so proud to premiere this touching piece on March 20. Charles describes it so much better than I ever could, but I will say that we are really looking forward to preparing it and presenting it to our audience. Charles is a composer who has an amazing ability to create works that touch our hearts.”

Floyd wrote “Hymn for the Fallen” to highlight the sense of isolation and helplessness experienced since 2020. He describes the work as follows:

“Hymn for the Fallen” begins in isolation with violins commencing a tuneful exposition that is later joined by violas and cellos. The harmonies that build are bittersweet, but quite tonal in nature. Polytonality (the simultaneous use of two or more keys) plays a big role as a vehicle to prevent the emotional affect from feeling too ‘settled’ or too ‘sweet’. This is to reflect the notion that the emotional aspects of the past two years remain largely unsettled and unresolved. The final result is a haunting melody that is as sing-able as a hymn which (hopefully) does not gloss over the gravity of sadness rather than to honor with reverence the loss of a loved one. The rise of the COVID-19 pandemic and the insurmountable loss of life as a result of it, various riots, fear, brutality, extremism, civil unrest, confusion, grief, and violence inspired me to create a series of works called The Fallen of which “Hymn for The Fallen” is one. The series is not intended to be performed in one sitting. Rather it is a collection of works on a series of difficult topics.”

Charles Floyd on his beautiful work, Hymn for the Fallen, commissioned by CAS

About BSO violinist Lucia Lin

BSO violinist Lucia Lin made her debut performing Mendelssohn’s Violin Concerto with the Chicago Symphony Orchestra at the age of 11. Since then, she has been a prizewinner of numerous competitions, including the 1990 International Tchaikovsky Competition in Moscow. She has performed many solo recitals for the Cape Ann Symphony and throughout the U.S., making her New York debut at Carnegie Recital Hall in March 1991, and has appeared with the Boston Pops Orchestra, St. Louis Symphony Orchestra, Oklahoma Symphony Orchestra, Cincinnati Chamber Orchestra and Festival Orchestra in Graz, Austria. Ms. Lin is a member of the Muir String Quartet, the quartet in residence at Boston University. She is also a founding member of the Boston Trio and the chamber group Innuendo. Ms. Lin joined the Boston Symphony Orchestra in 1985 and served as assistant concertmaster from 1988 to 1991 and 1996 to 1998.

About BSO Cellist Owen Young

Cellist Owen Young joined the BSO in August 1991. He is a frequent collaborator in chamber music concerts and festivals; he has also appeared as concerto soloist with numerous orchestras. One of the Cape Ann Symphony’s regular soloists, he also has appeared in the Tanglewood, Aspen, Banff, Davos, Sunflower, Gateway, Brevard, and St. Barth’s music festivals and is a founding member of the innovative chamber ensemble Innuendo. He has performed frequently with singer/songwriter James Taylor, including the nationally televised concert “James Taylor Live at the Beacon Theatre” in New York City. Mr. Young was formerly on the faculties of the Boston Conservatory, the New England Conservatory Extension Division, and the Longy School of Music; is currently on the faculty of Berklee College of Music; and is active in Project STEP (String Training and Education Program for students of color)

About Cape Ann Symphony

Founded in Gloucester in 1951, the Cape Ann Symphony is a professional orchestra of over 70 players from throughout the New England area. They perform a subscription season of four concerts per year plus several Pops and youth concerts. The Symphony Board of Directors named Yoichi Udagawa the Music Director and Conductor of the Cape Ann Symphony in the summer of 2000 after a yearlong search. In addition to his leadership of Cape Ann Symphony, he is Music Director and Conductor of the Melrose Symphony Orchestra, and the Quincy Symphony Orchestra and a cover conductor at the Boston Pops Orchestra. Maestro Udagawa is on the faculty of the Boston Conservatory where he teaches conducting. Frequently invited to guest conduct, Maestro Udagawa has worked with many different orchestras including the Boston Pops Esplanade Orchestra, Nobeoka Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, the University of Texas Symphony Orchestra, the Indian Hill Symphony, the Garden State Philharmonic, the Brown University Orchestra, the Syracuse Society for New Music, the Boston Conservatory Orchestra, the Midcoast Symphony Orchestra, the Newton Symphony, the Austin Civic Orchestra, and the Mid-Texas Symphony. Maestro Udagawa is at home in popular and contemporary music as well as the standard symphonic repertoire. He is known for his relaxed manner and ability to speak from the podium which has helped new audiences as well as enthusiasts gain a greater appreciation for symphonic music. His programs often include premieres of new works – some specially commissioned for the orchestra — as well as great orchestral works across the symphonic repertoire and lively Pops programs. He is also an integral part of the Cape Ann Symphony Youth Initiative.

About Yoichi Udagawa

Yoichi Udagawa, the son of a nuclear physicist father and singer/artist mother, was born in Tokyo, Japan in 1964. His family immigrated to the United States soon thereafter. He began playing the violin at age four and made his conducting debut at age fifteen. After receiving a music degree from the University of Texas at Austin, he continued advanced studies in conducting with Gunther Schuller, Seiji Ozawa, Morihiro Okabe, and Henry Charles Smith. A fan of many different styles of music, Mr. Udagawa also enjoys performing gospel music in addition to his conducting activities. He is also an accomplished violinist and an avid fan of exercise and yoga.

Buy tickets

Cape Ann Symphony’s Floyd, Beethoven, Brahms, Lin and Young Concert is Sunday, March 20, 2022, at 2:00 pm at the Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, Massachusetts.  Single ticket prices are $45 for adults, $40 for senior citizens, $20 for students of any age; $5 for youth 12 years old and under. There will be no requirement for proof of vaccination nor Covid tests at this concert. The wearing of masks will be up to the individual. They will not be required. For information or tickets, call 978-281-0543 or visit www.capeannsymphony.org

Cape Ann Symphony Premiere on Cape Ann TV Tonight (SAT), Tomorrow & Monday

That’s right, folks.  If you missed last Sunday’s World Premiere by the Cape Ann Symphony of Charles Floyd’s Concerto for Piano and Orchestra, you can see it on TV tonight, tomorrow and Monday.  Here is a sneak peek recorded Sunday at the Manchester-Essex Regional High School Auditorium.

Tune into Cape Ann TV Channel 12 to watch the full concert tonight at 8pm.  See the Cape Ann TV Schedule for more air times.

CHARLES FLOYD’S WORLD PREMIERE PIANO CONCERTO AT CAPE ANN SYMPHONY ON SUNDAY MARCH 23

This just in from Heidi Dallin:

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Guest Artist Composer and Pianist Charles Floyd

CHARLES FLOYD’S WORLD PREMIERE
PIANO CONCERTO AT CAPE ANN SYMPHONY ON SUNDAY MARCH 23

Cape Ann Symphony presents the world premiere Concerto for Piano and Orchestra by renowned pianist and composer Charles Floyd on Sunday, March 23 at 2:00 pm at the Cape Ann Symphony Performance Venue, Manchester-Essex High School Auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. The March concert program also features the orchestra performing Dvorak’s Symphony No. 9 “From the New World” and Brahms’ Tragic Overture. The Cape Ann Symphony concerts are held at the Manchester-Essex High School auditorium on 36 Lincoln Street in Manchester-by-the-Sea, MA. Manchester-Essex High School Auditorium is handicapped accessible. Ticket prices are $35 for adults, $30 for senior citizens, $20 for Young Adults (19-24 years old) and Free for children age 18 and under.

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Cape Ann Symphony Conductor and Music Director Yoichi Udagawa

Cape Ann Symphony’s Open Rehearsal of the concert is Saturday, March 22 at 7:30 pm. at the Manchester-Essex High School auditorium. The public is invited to the Open Rehearsal during which Conductor Udagawa, guest artist Charles Floyd and the orchestra is scheduled to work on the music in the Sunday afternoon concert. Conductor Udagawa will take questions from the audience following the Open Rehearsal. Admission to the Open Rehearsal is $10 for Adults and Free for Children 18 and under. For tickets and information about the concert or the open rehearsal, call 978-281-0543 or visit www.capeannsymphony.org

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