Author: Sharon
A Great Deal from LaRosa’s
Get $25 a Gift Certificate for only $10!
I was talking to LaRosa’s owner Terry LoJacono yesterday and he told me about this great deal at restaurant.com
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Joey, he wanted me to let you know the lobster stew you love will be on the menu all summer!! Come on down!!
Yankee Ingenuity
My sister, Pat, was gardening last week and ended up with poison ivy all over her arms. She told her friend, Pam, that she was done with pulling weeds unless she could find gloves that covered her arms. We threw a surprise birthday party for my sister last night, and Pam made these for her. Clever!!
Cleaning the Catch, circa 1930
Cleaning the Catch, circa 1930 Anonymous/@Fredrik D. Bodin
Sailing home in rolling seas after a fishing trip, these men clean and sort the catch. Covered with fish guts and scales, there’s no showering or shaving on a working schooner. This was on-the-job reality in the 1930’s. One way I estimate the date of an old photo is by clothing style. In this shot, the man in the middle is wearing a 1930’s Trilby hat, and the men on either side are wearing 1920’s flat Newsboy hats. If anyone can identify any of these fishermen, please let us know.
Printed from the original 4×5 inch glass negative in my darkroom. Negative # A9145-246
From the State Fish Pier
From Horton Ave, Paint Factory
Front Beach, Rockport, circa 1900
GMG Photo Trek – Once again
GMG Photo Trek
Donut Jim decorates cake with 21 kids from Happy Day School!
Local Producer Reels in Top Cannes’ Prizes
From the Gloucester Daily Times-
Joann Mackenzie Staff Writer

Gloucester’s Sarah Green is talking on the phone from her Los Angeles office about the film that all of L.A. seems to be talking about, Terrence Malick’s new cosmic epic, “The Tree of Life.”
“You have to see this film with your heart, not your head,” says Green, who co-produced the 2011 Cannes Film Festival Palme D’Or winner. “If you see it with your heart, you will see so much more. You will see yourself, for one thing.”
Growing up in Rockport in the 1970s, Green says she had no clue how she saw herself.
“I was drawn to the arts, but didn’t see myself as having the talent to be an artist,” says the veteran producer, whose artistic sympatico with iconoclastic directors became the hallmark of her career. “I was good at math, so oddly enough, I went to school for engineering in Boston (Northeastern University) because math and engineering seemed to make sense.”
Once in Boston, Green found herself more drawn to its film culture than to engineering.
“I was seeing everything and going back to films I loved again and again and again,” she says.
It was, she says, an awakening to realize that filmmaking was her passion.


























