Jalepenos Night to Benefit Breast Cancer

Jalapenos Night to Benefit the Breast Cancer 3-Day Walk – 60 Miles for a Cure!

Wednesday, May 16 (5:00 pm to close)

Live Music by ColdStream (4 piece acoustical group) from 6:30-9pm
 
Jalapenos will donate 10% of night’s sales to Liz Dooley’s Breast Cancer 3 Day walk this July.
 
Raffles include Red Sox/White Sox tix, GLOSTA package (Lat 43, George’s Coffee Shop, Captain Bill’s Whale Watch tix, etc.), Artistic Offerings, Wine/Restaurant package and more!
Please join us for live music, great food, cold Margaritas and support a great cause while we have a fun night.

Thank you!

Liz Dooley

Proud 4 time Veteran Walker – SGK Breast Cancer 3 Day – 60 miles for a CURE!


http://www.the3day.org/goto/LizzieD_5

 

3Day_runningribbon.gif Breast Health Fact: One woman is diagnosed with breast cancer every two minutes in the U.S

 

Help me reach my goal for the Susan G. Komen Boston 3-Day

jalapenos flyer 8 x 11 rvs sized

Liz Dooley is a neighbor in Annisquam and a dedicated fundraiser for a cure.  Make a date to go to Jalepenos on May 16 and help her reach her goal.

E.J. Lefavour

 

Worry the Bones

Worry The Bones is the brainchild of two musicians and local friends who both share the same desire to write and record music that reflects not only their personalities but their lifelong love of hard rock and metal music. With dark and often twisted lyrics, macabre musical overtones intertwined with hook laden guitar lines to produce a very unique style, yet one that is still very familiar with fans of the genre.  Like a witches brew of sorts that has been 40 years in the making.  There is an air of mystery that surrounds this project which makes it all the more compelling.

As of now the band has released it’s completely self produced debut “Thirteen Pregnant Virgins” on June 14th, 2011 to great reviews. They are now gearing up to take this project into a live setting with an ensemble of very talented area musicians and it is guaranteed to turn some heads.

~The Live Players~

Derek Richards – (Lead Vocals & Larynx Shredding, Rhythm Guitar, Synths, Piano, Backing Vocs)
Rick Williamson – (Lead, Rhythm & Acoustic Guitars, Backing Vocs & Guttural Growls)
Dave Gauthier – (Lead, Rhythm & Acoustic Guitars, Backing Vocs)
Fred Burke – (Electric & Acoustic Bass Guitars)
Steve Jerome – (Drums & Percussion)

If you like Alice Cooper, Megadeth, Alice in Chains, Black Sabbath, Blue Oyster Cult, you’ll love Worry the Bones.

Don’t miss the live debut of Worry The Bones with head banging F-Bomb on Saturday, May 12th at the St. Peter’s Club in Gloucester.  Walls will tumble!

I’ve gotten to know Derek Richards who is such a sweetheart that  I just have to experience the dark and twisted side of him.

E.J. Lefavour

Aquarium Seeks Marine Animal Response Volunteers for North Shore and N.H.

Photo Credit – New England Aquarium

The New England Aquarium is searching for volunteers for its marine animal response team on the North Shore and in N.H.  Volunteers monitor mostly live seals resting in prominent public locations but also some harbor porpoises that are swimming near shore. Volunteers also respond to dead wash-ups of sea turtles, whales, dolphins and seals.

Given the distance from Boston, the Aquarium relies on this network of trained local volunteers to be first responders. Volunteers act as the “eyes and ears” on the beach so that the Aquarium’s rescue biologists and veterinarians can make decisions on the best course of action.  A typical response includes traveling to the stranding site and identifying the species and location of any stranded animals. Volunteers then conduct health assessments of live animals to determine if they are injured, sick or in good health.  With dead animals, they take measurements and determine the animal’s gender.  Volunteers then take and transmit photos and information about stranded animals to the Aquarium as soon as possible. Volunteers also establish and maintain perimeters around stranding sites and answer questions from the public.

Field stranding response volunteers need to be year round residents, have access to a car and have a flexible schedule so as to respond on an on call basis. Volunteers must be 18 years of age and fit enough to walk on uneven ground and lift moderate weight. Working with stranded or dead animals can be stressful. Volunteers need to be able to remain calm under pressure and report objectively. At strandings, there are often a wide range of audiences including curious and emotional bystanders, media representatives, law enforcement officers and local officials. Effective communications skills are essential. Previous animal handling experience is helpful and given preference.

Due to the inherent risk in working with wild animals, which can carry diseases and bacteria, this position is not recommended for applicants who are immuno-compromised or pregnant.

The deadline for applications is May 13. To apply on-line, please visit the aquarium’s website at:    http://www.neaq.org/get_involved/volunteering_and_internships/volunteering/volunteer_application.php

For those without web access, please call the Aquarium’s volunteer office at 617-973-5235

 After completing applications, Aquarium staff will interview prospective volunteers.  New volunteers will need to be available for a full day of training on Sunday, June 3 in Gloucester.

Cool Sky Stuff

From the time I left Rocky Neck until I reached Annisquam, there was alot of cool sky stuff going on – between the fog bank that rolled in and gave Smiths Cove a mystical appearance, and City Hall’s tower peak the appearance of being suspended in air, and then that amazing full super moon that I had forgotten all about until I rounded the bend near Wheeler’s Point and there it was.  Such  a diversity of magic in a ten minute span of time.  Only on Cape Ann.

E.J. Lefavour

Quote of the Week from Greg Bover

May 4, 2012
“What would you attempt if you knew you would not fail?”
Robert Schuller (1926-    )

Founder of the Hour of Power television show, Schuller was one of the most widely heard preachers of the televangelist movement of the late 20th century. After having established his church in a drive-in theater, he engaged Richard Neutra to design the Garden Grove Community Church in California in the late fifties, and Phillip Johnson to design the Crystal Cathedral in the seventies. His congregation eventually reached 10,000 members. He stressed the power of positive thinking and the possibility of oneness with the divine through right action. In 2008 he attempted to pass on his ministry to his children, but the Crystal Cathedral declared bankruptcy in 2010, and none of the Schuller family is currently in its leadership.

Greg Bover

Brace Cove, Eastern Point

 
 
Brace Cove, Eastern Point ©Fredrik D. Bodin
 
My friends Surrey and Rob, who live on Eastern Point, have a view of Brace Cove and Brace Rock. Surrey once remarked that she loves it when the rock turns “pink” late in the day. I made this photograph as a wedding present for them. While setting up my tripod and camera to capture the fleeting light, I was attacked by swarms of tiny biting insects, who had colonized the piles of damp seaweed on the beach. After suffering through several exposures, I grabbed my fully extended tripod with camera still attached and ran for the car. I’ve since learned to wear pants and long sleeved shirts, a hat, and carry insect repellant on photographic outings, just as I do for clamming and fishing. Surrey and Rob loved their present, and it hangs in their house to this day. Although I didn’t have it mind when I shot this photo, there’s a similarity between my photo and luminist painter Fitz Henry Lane’s Brace’s Rock, circa 1863–1864. We’re fortunate to have many of his paintings reside at our Cape Ann Museum.
 
Shot on 6×7 centimeter transparency film. Printed from a 4×5 inch color internegative. Image #FDB9667-001c
 
Fred
 
Fredrik D. Bodin
Bodin Historic Photo
82 Main Street
Gloucester, MA 01930

Bowl Painting at Rockport Senior Center

 

An enjoyable afternoon of bowl painting took place recently

at the Rockport Senior Center preparing bowls for The Open Door’s

annual “Empty Bowl” event to be held on Thursday, May 10

from 4-8 p.m. at Cruiseport Gloucester, Six Rowe Square,

Gloucester.  Tickets are available at the door $15. for adults

and $10. for children under ten.

 

Faith Ronan (L), Lisa Novello, volunteer coordinator

for The Open Door and Rachael Ketchopulos

prepare paints for the nearly 50 people who attended this

fun event!

 

Empty Bowl events are held nationally to generate awareness

concerning hunger and to raise money for local hunger-relief

programs. Proceeds from this event will benefit the

Summer Lunch and Mobile Market programs.

E.J. Lefavour

Annisquam Exchange – A Nice Reason to Visit Annisquam

The Annisquam Exchange, 32 Leonard Street, will open for the spring season on Friday, May 18. Hours are 10 a.m. to 4 p.m., Fridays and Saturdays, through June 9. The Annisquam Exchange, a community-based nonprofit organization, offers antiques, collectibles, linens, cards and gifts. Call (978) 281-0358 for more information.
 
E.J. Lefavour

Painting Studio Space Available on Rocky Neck

If you are a painter looking for studio space for the season, there is space available for rent in the back of Khan Studio and the Good Morning Gloucester Gallery on Rocky Neck for the season (June through September) – a fun and inspiring place to be.  The space is just under 100 sq ft, has a separate entrance, storage shelves for paints and supplies, and a work table.  There is also a table and standup easel available to use.  If interested, please contact EJ at khanstudio@comcast.net

E.J. Lefavour

Rocky Neck Getting Ready to Rock

Image

Joey came by the gallery on Rocky Neck yesterday and took these shots.  His new work looks great, and I don’t look too wild for four days without a fix.  Still in the process of hanging and organizing – aiming to open Mother’s Day weekend with a grand opening bash Saturday of Memorial Day Weekend, and the first Mug Up of the season on Sunday, May 27th.

E.J. Lefavour

That’s it – I Quit!

Smoking, that is.  On April 24th.  After 40 years.  Right now I am a short tempered bundle of unfocused energy, trying to get my mind to stick with one thing long enough to complete something, anything.  I am wandering aimlessly from one room to another, starting things and then moving on to something else.  Being usually very focused, this withdrawal symptom drives me nuts and makes me cranky. 

I can use some help from my GMG family, words of encouragement, suggestions, along with some serious threats if I even think about having a cigarette.  Well I will obviously think about it, but no one will know except me, as long as I don’t actually take one up.  And you friends, contributors, and neighbors who smoke, please do not offer or give me a cigarette, or even a puff, no matter how nicely or persistently I might beg you.  Also, please don’t take offense if I avoid you while you are smoking, at least until I feel strong enough to be in its presence without fear of caving in.

I am eating so many carrots that I will probably soon be able to see at night like a cat, through orange tinted eyes.

E.J. Lefavour

Cape Ann Farmers Market

The Cape Ann Farmers’ Market provides consumers with fresh, nutrient rich food produced with environmentally benign methods and delivered with a smaller carbon footprint. Buying from local producers keeps food dollars in the local economy.

Cape Ann Farmers’ Market includes music, work by local artists, educational booths, children’s activities, and cooking demonstrations that create a festive community-building atmosphere. The Cape Ann Farmers’ Market is a huge success, attracting at least 1,200 visitors per market and reaches out to provide fresh, nutritious food for the entire community, regardless of income. Through The Food Project, they accept Women, Infants and Children (WIC) coupons, Seniors’ Farmers Market Nutrition Coupons, and Food Stamps.

For more information about how to become a member, click http://www.capeannfarmersmarket.org/join-us/index.html

In addition to all the above benefits, your membership also gives you discounts to a number of great local business, including: Alchemy Tapas and Bistro, Jalepeno’s Mexican Restaurant, Lobsta Land, Again and Again, Alexandra’s Bread, Black Earth Hauler, Green Life, and Khan Studio and the Good Morning Gloucester Gallery on Rocky Neck.

 It’s a no brainer.  Join or renew your membership today.

E.J. Lefavour

 

2012 Nights on the Neck – Mark Your Calendars Now

This is the 2012 season schedule for Nights on the Neck at the Rocky Neck Art Colony.  Mark your calendars now so you don’t miss any of these great nights.  Nights on the Neck are free and fun for all ages.  First Thursday of the month.

E.J. Lefavour

www.khanstudiointernational.com

Cassie at Ace is Great

This is Cassie at Ace, the friendly hardware place, at Gloucester Crossing, mixing the floor paint for the gallery.  It is a lovely tourquoise.

E.J. Lefavour

www.khanstudiointernational.com

Calling Kim Smith – What is This?

I’ve never seen one of these before – it looks like a butterfly, but also looks like a moth.  Do you or does anyone know what it is?

WHAT HAPPENS NEXT? by Mary Colussi, The Chicken Coupe

        

That is a question I am often asked by friends after they see one of our performances, after they give the obligatory praise. It has many answers, from a slightly offended, “What do you mean?” to an incredibly infuriating “Well, what do you think happens?”

         Endings are always difficult, for both the performer and the viewer. After many a final performance I have gone home and stared at the ceiling in my bedroom, still in costume, wondering what to do now. When an actor takes that final bow, there is always a sense of finality. When will I get to play Beatrice/Maid Marian/a tree again? All right, maybe I wasn’t too sad about the last one, but still. Maybe because its easier and maybe because it’s not as hard, we often don’t have endings in our plays. I’ll allow you a moment of horrified silence.

         Now then. I don’t remember much about my earlier plays, so I mostly have to go on the ones I have done in the past five years. After every single performance, there was at least one person who asked why I fell in love with the guy I hated, which happens a lot, or why that person stopped being evil in time for the curtain call. Well… I can never answer them, at least not to their satisfaction. Usually I’m saved by someone asking me to help clean up. But when I’m not, and the person won’t stop asking questions, you do have to wonder why we don’t write in a clear and concise ending.

         `There is a very simple answer to this question, hidden among some more complex and twisted ones, which I won’t address here. What we do in Coupe is play. We play like we are little kids and we don’t have to worry about science projects and climate change, or science projects about climate change. We play with lines and characters that haven’t been tampered with since the great scriptwriters came up with them. We play and we don’t care what other people think of what we come up with. So, if I had time to come up with a clear and concise answer to “What happens next?” it would be this.

         Our acting has a kind of surreal, ethereal beauty to it, since we are children and we are impossibly cryptic to those who don’t know us. We do plays without endings, or without beginnings. Sometimes there are neither and our characters were just born as they are, right now. It’s like when I was little and my family’s garden, with its decrepit statues and sad flowers, was my stage and no one knew or cared that the characters I created had no past, though they always had a future.

         I don’t always have a chance to come up with something like that, though, so my answer is always different. But, I can promise you this: While we are still in Coupe, and while we are still playing, there will always be an after, even if it doesn’t make sense. What did I do after marrying Robin Hood? Why, I moved to Camelot, of course! What else is there to do in Coupe, other than move on and keep on acting?

Love, Mary C. 

Keep an eye on this girl, I think she’s going places.  EJ

Aerial View of Good Harbor

This is an aerial view video of Good Harbor Beach and surrounding environs taken from a remote plane piloted by Charlie Carroll.  Great takeoff and landing.

Aerial View of Good Harbor

 

Our Gifts and My Shoes

Our Gifts and My Shoes

by Mary Colussi, 8th Grader at the St. Ann School, Poet Laureate of the cOupE.         

If you were to look inside my shoes during a performance, two things would happen, almost simultaneously: the play would stop, because you are trying to take my boots off without my permission, which is incredibly rude, and you would find some sort of trinket. It might be as simple as a piece of string, or as strangely beautiful as a glass heart. Or, more likely than not, it would be a tiny plastic pig.

         I do not put things in my shoes for my enjoyment (rather, it is an uncomfortable situation to be in) nor do I do it for my protection (actors have all sorts of superstitions- we never hesitate to correct a person when they wish us good luck) The reason I stick things in my shoes is simple: I am a Chicken, and Dona is my director. Ever since I started acting with Dona, my fellow Chickens and I have received gifts. They aren’t wrapped up in pretty paper with a bow and a card. I’m not sure where Dona finds these things, or how she transports them, but that would ruin the magic, wouldn’t it? Because, despite my more pragmatic side’s protests, the gifts are magic.

         Here’s why: before the audience walked in, the string connected us all. We called it “the string of the universe” and even though I lost mine ages ago, I still feel like I carry it. I had just gotten attached to my glass heart-they were handed to us with great ceremony, right before “Much Ado About Nothing”- when we were told we must exchange them with friends. We did so, and I left my heart at the Unitarian-Universalist Church by accident. Oh, well. My friendship with the person I exchanged hearts with grew a little bit anyway.

         Then, there are the most revered of Chicken gifts. Perhaps appropriately and perhaps ironically, this gift represents another farmyard animal of Dona’s childhood: a pig. They are among the easier things to fit into my shoe, since the creatures are little more than pink scraps of plastic. Most people perch them in their ears, or nudged against their temples by their glasses. This is because, while we act, the pigs give us inspiration. At the beginning of practice, kids will stand up and tell us what their pigs are saying; they are used as a medium to say what some will not say, whether it be an interesting new idea or a slightly harsh criticism of a friend’s performance.

         Everyone has gifts, and not all of them are put into boxes of bags. In Coupe, we discuss this a lot. Our parents give us the opportunity to fit into a niche of kids unlike any other; Dona gives us literal and metaphorical gifts every day. Then, there are the things we are born with, for some strange, awesome reason. I can make a soundtrack, she can sing, he can do an Australian accent. The older Chickens know each other’s abilities, but part of the fun of bringing new people is discovering what they can do and finding a way to make it work in Shakespeare and Sherwood. It is an adventure, and not always an easy one, but despite the difficulties, Coupe remains glorious in a way I find hard to put into words. But I’m going to try, because someone had to record all of this.