We like to support Gloucester Stage and Heidi Dallin, and try to see anything with Lindsay Crouse. There’s no question that Gloucester Stage productions are mostly terrific.
Tom Hauck’s GMG review compelled us to see the New England premiere of The Effect, Lucy Prebble’s 2012 dramatic play at Gloucester Stage. It’s a go see for sure! I think it’s the best play about thorny life and medical themes since Wit. We can delight in Prebble’s dynamite dialogue because the direction, acting, and set are pitch perfect.
Who knew? You can bring that glass of prosecco you didn’t finish back to your seat.
I admit it. I watched the trailer for Screenagers when it came my way. I sent it to Joey back in February as a maybe post. Leaving aside the merits of the title (Gesundheit!) I was curious about the audience factor.
From their press release: “Get more insight into one of the biggest and unexplored issues of our time…Physician (Stanford trained we are told) and filmmaker, Delaney Ruston decided to make SCREENAGERS when she found herself constantly struggling with her two kids about screen time.”
It’s not in theaters. Communities pay to book the documentary for school, public library, church, synagogue, company, and community center; it can be a fundraiser as well. I thought it might be a good fit for the middle school. A future streaming option could work.
In 1998, I saw Kathleen Chalfant in the play WIT. Multiple times. In this play, we witness a university professor as she lay dying. When the curtain dropped, the audience stayed. Eventually the theater planned facilitated discussions with the cast and audience. I don’t recall them. I kept returning and learning because whoever I went with had a wildly different take. Four stood out: my mother (background in psychology), a friend (a young medical director of a busy NYC hospital), another friend (an older artist), and another friend (social worker).
I think the audience component for this documentary might be like that.
Cue GMG poll-Â If you were going, who’d you see it with?