REVIEW: Art at Peabody Essex Museum | Hasten to Hassam

CHARLES HASSAM SURVEY AT PEM 2016

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American Impressionist: Childe Hassam and the Isle of Shoals at the Peabody Essex Museum is one of the best exhibitions I saw this year. Go. You will come nearly as close as any observer can to feeling the rapturous meeting of an artist’s take with the shimmering world.

Hassam’s paintings don’t reproduce well in books, or photography. They need to be addressed– sized up, walked towards. Inhaled.

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This approach is beneficial even if you study just one. But my, what luxury seeing so many in one place at one time.  Again and again, the show brought forth connections and insight.”Funny, I hadn’t seen that before,” I found myself thinking, “Artists Howard Hodgkin and Lucian Freud are coming to mind.”

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The exhibition features more than 40 Hassam oil paintings and watercolors of the eastern seaboard dating from the late 1880s to 1912–an Isle of Shoals painting reunion, with secrets revealed. 

The Peabody Essex Museum and the North Carolina Museum of Art co-organized and partnered with marine scientists at Shoals Marine Laboratory, Cornell University, and the University of New Hampshire. Their new research examined all the sites on the island, and Hassam’s painting process. I liked the research, the pacing of the installation, and the thoughtful viewshed. Besides the two museums, loans came from near and mostly far such as: private collections from coast to coast (which I’d never see);  the Portland Museum of Art; Kemper Art Museum at Washington University in St. Louis; Yale (Sinclair Lewis gifted that one to Yale!); Wichita Art Museum; Toledo Museum of Art; Smith; Smithsonian; and the National Gallery of Art.

Basically all painting is abstraction: I relished the chance to study so many in one spot.

I was not a fan of the piped in sound, nor all the wall paint choices as my senses were already acutely challenged by observation. My disdain for the canned ambient sound was so distracting, I had to take a break. On my second visit, the scent of coconut wafted out the entrance. My goodness, have they piped in fake scent like a boutique hotel or experiential attraction, too? They hadn’t. It was my overreaction in the wake of another visitor’s adornment, a lingering fragrance, perhaps sunscreen on a summer day.

Tucked away within the Hassam exhibit was a good photo installation of Alexandra de Steiguer’s work as the Isles winter keeper– for 19 years! For anyone who wondered more about life as a keeper after reading The Light Between Oceans, de Steiguer wrote about her real experiences here, http://connected.pem.org/alone-on-an-island/. It’s beautiful!

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More photos of the Hassam installation at the Peabody Essex Museum:

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“During his first summers on Appledore, Hassam stayed near to the places favored by his close friend, Celia Thaxter (1834-1894).”

http://celiathaxtergarden.com/

Haunting for Halloween: Pumpkin carving and poetry John Greenleaf Whittier & Elizabeth Stuart Phelps

Jack o’lantern traditions. There’s this – our annual amateur foray

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and then this public art tableau  that we stop for each year, just past 370 Main Street, Gloucester (before the Crow’s Nest heading into downtown Gloucester)

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The history of carving jack o’lanterns includes a description in a Victorian era poem by John Greenleaf Whittier (b.1807 Haverhill, MA-d.1892 Danvers, MA; resided/buried in Amesbury)-  a Massachusetts poet, legislator, journalist, editor, Quaker, and abolitionist. Cape Ann, North Shore, Essex County, and New England appear in his prose. 

Excerpt from The Pumpkin, ca.1846 Thanksgiving poem

Oh, fruit loved of boyhood! the old days recalling,

When wood-grapes were purpling and brown nuts were falling!

When wild, ugly faces we carved in its skin,

Glaring out through the dark with a candle within!

When we laughed round the corn-heap, with hearts all in tune,

Our chair a broad pumpkin,—our lantern the moon,

Telling tales of the fairy who travelled like steam,

In a pumpkin-shell coach, with two rats for her team!

 

Whittier was a contributing founder of Atlantic Monthly.  He was wildly popular, successful, and influential in his time. He helped many other writers. Letters to Whittier “poured in at the rate of ten, twenty, and sometimes thirty a day, making all manner of unreasonable requests and sending innumerable axes to grind…” In 1887 “deluged by over a thousand letters and manuscripts at his birthday, he put a public notice…that he could not answer any letters or read any manuscripts…”* Schools, cities and towns across the country were named after him. “People seem determined to use my name lately in many ways. Within a week I have had two ‘literary Institutes’** named for me, and a big vessel launched last week from Newburyport yard carries “Whittier” in brass letters to her element. I hope I shall not next hear of my name attached to notes of hand!”
Elizabeth Stuart Phelps was “one of the many woman writers Whittier befriended, but their relationship was especially close. Whittier wrote her scores of letters during his life and they met often to discuss religious themes. Whittier once wrote of her: Miss Stuart Phelps was there-an intense nature-frail but strong-a Puritan with passion and fire of Sappho and the moral courage of Joan of Arc.”** Phelps spent her summers at the seaside in East Gloucester, and was equally compassionate about social concerns.
Whittier and Phelps joined other luminaries at gatherings held in the Cambridge home of James (editor/publisher) and Annie Fields (writer) and other salons.  Who might be mixing it up there? Charles Dickens, Mary Abigail Dodge, Nathaniel Hawthorne, Oliver Wendell Holmes, William Dead Howells, Sarah Orne Jewett, Lucy Larcom,  Henry Wadsworth Longfellow, James Russell Lowell, Phelps, Harriet Beecher Stowe, Celia Thaxter and Whittier. Jewett, Longfellow and others visited and wrote about Gloucester. Here’s a link from the Cornell University library to Phelps’ Atlantic Monthly article The 10th of January  about the tragic 1860 Pemberton Mills collapse and fire in Lawrence, MA*** (estimated 90-200+ killed), less known than the horrific 1911 Triangle Shirtwaist Factory fire (146 killed).
*Letters of John Greenleaf Whittier 1861-1892, Volumes I II III, 1975, Harvard, edited by John B. Pickard. Fun read!  We’re told one of the colleges was Whittier college, Salem, Iowa
**ditto above and below any mentions from letters in the timeline

Selected Whittier links and timeline bits:

1908 poem: The Gloucester Mother, by Sarah Orne Jewett, copy of McClure’s Magazine where it first was published: http://www.unz.org/Pub/McClures-1908oct-00702
1888: Whittier “Was there ever such a droll thing?”** letter to Annie Adams Fields gossiping and happy for Elizabeth Stuart Phelps in love with a younger man “Love seems to have cured her…I feel rather aggrieved that I wasn’t consulted.” He calls her E.S.P.  To Celia Thaxter who Whittier visited on the Isle of Shoals, “treasuring evenings in her parlor room where she told ghost stories or they exchanged folk tales:   “What do you think of Eliza Stuart’s marriage to young Ward? He is a good fellow and Elizabeth for once in her life is happy!” Phelps married Herbert Dickinson Ward in 1888–he was 27 and she was 44. It didn’t go well: she bucked his surname within three years and wrote Confessions of a Wife in 1902.
1888 Whittier letter to Annie Fields after editing a new edition of his poetry: “I hope I am correcting a little of the bad grammar, and rhythmical blunders, which have so long annoyed my friends who have graduated from Harvard instead of a country district school.”
1886 Whittier poem: To a Cape Ann Schooner
1886 Whittier letter mentioning Elizabeth Stuart Phelps sending a “very pretty shade of fine lace work…because of its exquisite color” gift on Christmas Eve, which Whittier re-gifted 🙂
1884 Whittier letter to Annie Fields: “Have you seen Elizabeth Phelps lately? I am not in favor of capital punishment, but the burglars who robbed her of her hard earnings would fare hard if I were on the jury that tried them…”
1882 Whittier letter “The world can no longer be to me what it was while Emerson and Longfellow lived. They should have outlived me, for Emerson was never sick, and Longfellow until the last two years had splendid health. A feeling of loneliness and isolation oppresses me. But as Emerson said to me the last time I saw him ‘the time is short’ “ collection of Swarthmore college
1879 Whittier letter to Elizabeth Stuart Phelps: “Dr. Bowditch says that a man of active brain ought to make a fool of himself occasionally and unbend at all hazards to his dignity.” admittedly hard for these two
1877  Mark Twain (work friend),  Ralph Waldo Emerson, Henry Wadsworth Longfellow at Whittier’s 70th birthday celebration. Hawthorne and Whittier were not exactly fans of each other’s works.
1873: Whittier thank you note to Elizabeth Stuart Phelps for sending her book
1868: Whittier letter to Annie Fields complimenting Elizabeth Stuart Phelps The Gates Ajar “Good in itself and full of promise.” 1869 he’s promoting it to Harriet Minot Pittman
1868 Whittier thank you note to James Thomas Field for paying him the $1500 check
1866 Whittier poem: Snow bound: A Winter Idyll  his bestseller and dedicated to his family- memories from childhood
1857 Whittier poem: Garrison of Cape Ann* opens with a view of Cape Ann as seen from Po Hill: “From the hills of home forth looking, far beneath the tent-like span,
Of the sky, I see the white gleam headland of Cape Ann.” For readers that have come this far–the complete Garrison of Cape Ann follows the break.
1843 Whittier poem: Massachusetts to Virginia (in reference to George Latimer, alleged fugitive slave) “The fishing smacks of Marblehead, the sea-boats of Cape Ann…”  Woodie Guthrie 1958 This Land is Your Land feels like a 20th Century connection.

Continue reading “Haunting for Halloween: Pumpkin carving and poetry John Greenleaf Whittier & Elizabeth Stuart Phelps”

Celia Thaxter Quote of The Week From Greg Bover

There shall be eternal summer in the grateful heart. 
Celia Thaxter (1835 – 1894)

Click the picture to check out her wikipedia page-

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The daughter of a lighthouse keeper, Thaxter (née Laighton) grew up among the Isles of Shoals, eight miles offshore on the border of Massachusetts and New Hampshire. At age sixteen she married her tutor, Levi Thaxter, eleven years her senior, and moved briefly to Newtonville, but returned to Appledore Island for the birth of her first child. After her first poem “Land-locked” was published in The Atlantic Monthly, Thaxter’s fame as a poet drew literati such as Emerson, Hawthorn and Longfellow to the islands where her father was constructing the first resort hotel. As hostess, she began holding summer salons and was befriended by painters Childe Hassam and William Morris Hunt among others. Hassam famously painted her garden, which still thrives on the island thanks to the Portsmouth Garden Club.

Greg Bover